Artist: John Milton ( - )
Artworks in Museum Collections: (40)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by John Milton.

Fine Arts Museum of San Francisco -
William Strang, Milton"s Paradise Lost - Portrait of John Milton, 1896
Fine Arts Museum of San Francisco -
Jacobus Houbraken, (John Milton), 1741
Fine Arts Museum of San Francisco -
Giovanni Battista Cipriani, John Milton, 1740
Fine Arts Museum of San Francisco -
Giovanni Battista Cipriani, John Milton, 1740
Fine Arts Museum of San Francisco -
John Martin, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1846
Fine Arts Museum of San Francisco -
Giovanni Battista Cipriani, Bust of John Milton, 1740
Fine Arts Museum of San Francisco -
Giovanni Battista Cipriani, John Milton, 18th century
Fine Arts Museum of San Francisco -
John Martin, [Satan Tempting Eve] Book 9 line 780, bound at p. 265 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)[Creation of Light] Book 7, line 339, bound at p. 203 in the book, The Paradise Lost of John Milton (London
Fine Arts Museum of San Francisco -
Jonathan Richardson, Bust of John Milton, 17th - 18th century
Fine Arts Museum of San Francisco -
John Martin, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1838
Fine Arts Museum of San Francisco -
Samuel Palmer, The Shorter Poems of John Milton (London: Seeley & Company, 1889), 1889
Fine Arts Museum of San Francisco -
John Martin, [Pandemonium] BOOK 1. LINE 710, bound at p.25 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
Fine Arts Museum of San Francisco -
John Martin, [The Courts of God] Book 3. line 365., bound at p.79 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
Fine Arts Museum of San Francisco -
John Martin, [Eve at the Fountain] Book 4 line 453, bound at p.107 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
Fine Arts Museum of San Francisco -
John Martin, [Bridge over Chaos] Book 10, line 312 & 347., bound at p. 291 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
Fine Arts Museum of San Francisco -
John Martin, [Adam Reproving Eve], Book 10, line 863, bound at p. 311 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
Fine Arts Museum of San Francisco -
John Martin, [HeavenăRivers of Bliss] Book 11. line78, bound at p. 321 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
Fine Arts Museum of San Francisco -
John Martin, [Creation of Light] Book 7. line 339, bound at p. 203 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
Fine Arts Museum of San Francisco -
John Martin, [Eve*s DreamăSatan Aroused] Book. 4 line, 813., bound at p.121 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
Fine Arts Museum of San Francisco -
John Martin, [Adam and Eve Driven Out of Paradise] Book 12, line 641, bound at p. 373 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1827
Fine Arts Museum of San Francisco -
John Martin, [Approach of the Archangel Michael] Book 11. line 226, bound at p. 327 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
Fine Arts Museum of San Francisco -
John Martin, [Satan on the Burning Lake] Book 1. line 192, bound at p. 7 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
Fine Arts Museum of San Francisco -
John Martin, [The Fall of the Rebel Angels] Book 1. line 44, bound at p. 3 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
Fine Arts Museum of San Francisco -
John Martin, [The Conflict between Satan and Death] Book 2. line 727., bound at p.55 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
Fine Arts Museum of San Francisco -
John Martin, [Raphael Conversing with Adam and Eve] Book 5, line 519, bound at p.147 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
Fine Arts Museum of San Francisco -
John Martin, [The Angels Guarding Paradise at Night] Book 4 line 866., bound at p.123 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
Fine Arts Museum of San Francisco -
John Martin, [Satan Contemplating Adam and Eve in Paradise] Book 4. line 502., bound at p.109 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
Fine Arts Museum of San Francisco -
John Martin, [Satan Arousing the Fallen Angels] Book 1. line 314, bound at p.13 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1824
Fine Arts Museum of San Francisco -
John Martin, [Satan Presiding at the Infernal Council] Book 2. line 1., bound at p.29 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1824
Fine Arts Museum of San Francisco -
John Martin, [ParadiseăAdam and EveăThe Morning Hymn] Book 5. line 136., bound at p.133 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
Fine Arts Museum of San Francisco -
John Martin, [Satan Viewing the Ascent to Heaven] Book 3. line 501., bound at p.83 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
Fine Arts Museum of San Francisco -
John Martin, [Paradiseăwith the Approach of the Archangel Raphael], Book 5. line 308., bound at p.139 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
Fine Arts Museum of San Francisco -
John Martin, [Adam Hearing the Voice of the Almighty] Book 10, line 108, bound at p. 273 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
Fine Arts Museum of San Francisco -
John Martin, [Eve Presenting the Forbidden Fruit to Adam] Book 9, line 995., bound at p. 273 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1824
Fine Arts Museum of San Francisco -
John Martin, [The Angels Guarding Paradise at Night] Book 4 line 866, from the large plate series, The Paradise Lost of Milton with Illustrations by John Martin (London: Septimus Prowett, 1827), 1826
Fine Arts Museum of San Francisco -
John Martin, [The Courts of God], Book 3 line 365, bound at p. 79 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1824
Fine Arts Museum of San Francisco -
John Martin, [Pandemonium], Book 1 line 710, bound at p. 25 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1824
Fine Arts Museum of San Francisco -
John Martin, [Adam Reproving Eve], Book 10, line 863, bound at p. 311 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1826
Fine Arts Museum of San Francisco -
John Martin, [Bridge over Chaos], Book 10, line 312-347, bound at p. 291 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1826
Fine Arts Museum of San Francisco -
John Martin, [Satan Tempting Eve], Book 9 line 780, bound at p. 265 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1826

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Milton

Milwaukee Art Museum: Milton Avery: The Late Paintings
This will be the most comprehensive consideration to date of Avery’s late work; it will provide a new generation of viewers with the opportunity to see many of his largest canvases created between the late 1940s and the early 1960s. While this ...
Photographers' Gallery: Milton H. Greene: Portraits of an Era
Along with Irving Penn, Richard Avedon and Cecil Beaton, Greene helped to turn fashion photography into an art form. However, it was his photographs of Hollywood's greatest icons of the 1950s, from Marilyn Monroe to Elizabeth Taylor and Frank ...
Jack Rutberg Fine Art: Peter Milton: Visions and Revisions
The etchings of Peter Milton have long been regarded as being among the most intriguing, if not enigmatic works in American contemporary printmaking. Defying easy categorization, Milton employs complex etching techniques to create works of e...
Pan American Art Gallery: Jamaica: Color in Art
Milton George, an expressionist artist who has embraced a world vision of art, will be at the opening reception. Milton carries his canvas as his journal to document his domestic life, painting the conflicts and joys, and his inner self, his grow...
Neuberger Museum of Art: Welcome Home Milton!
Milton Avery brought together simple, spare forms and harmonious colors to build patterns of flat, interlocking shapes reminiscent of French artist Henri Matisse. He frequently ...
AIGA National Design Center Gallery: Milton Glaser: Art is Work
One of the most influential and unusual figures in the history of graphic design, Glaser has been producing memorable images...
Armory Art Center: 7th Annual Art of Photography
...
Philadelphia Museum of Art: Milton Glaser: Graphic Design
Born in 1929 in New York City, Mr. Glaser studied at The Cooper Union Art School and later, as a Fulbright Scholar, attended the Academy of Fine Arts, Bologna, Italy. Throughout a celebrated career, he has ...
Neuberger Museum of Art: Placing Avery
Milton Avery had a strong, “Connecticut Yankee” work ethic. He painted for 50 years, some times spending all day for weeks at a time at his easel, and sometimes creating as many as five or six paintings or studies in one day.  He’s been quoted as...
Art Dealers Association of Greater Washington: Art At The Millenium: Part II
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Circle 24 - Phototrends.net: Call for Artists: Online Photography Contest
What were the important trends in Photography & Graphic Design in the nineties? A large online project with work of more than 50 renowned photographers and designers, Gerardo Suter, Milton Montenegro, Horowitz, Susumu Endo.
ART TEC: Engineering Services for Artists: Custom Programmed Light, Motion, Sound or Video
He can hack CD, DVD and VCR units so they can repeat play, play selected tracks, play in sync, cue or interact with other events. See several well documented sample projects on his web site:
Everson Museum of Art: Millennium Messages
The works featured in Millennium Messages provide museum visitors with a variety of perceptions about our civilization at the end of the millennium. Arman’s Break in Case of Emergency is a wi...
Museum of Modern Art, Oxford: Alison Turnbull: Houses Into Flats

Frye Art Museum: Heightened Realities: The Monotypes of Ruth Weisberg
The monotype process involves drawing or painting on a flat surface and then transferring the image by means of pressure onto a sheet of paper. Only one strong impression can be taken. Weisberg uses oil paint and printing ink, applying the med...
ApoGee Gallery: Peter Gee's ApoGee Gallery returns to NYC
Therese Thau Heyman, in her book Posters American Style(National Museum of American Art, Smithsonian Institution, 1998, p164)states: Peter Gee, born 1932 in Leicestershire, England, has spent his career working in New York City and is the fou...
NTU Gallery: A Decade of Prints: From the Art Collection of the Charles Darwin University
Artists represented in a decade of prints include Rover Thomas, Queenie McKenzie, Prince of Wales, Dorothy Napangardi, Johnny Bulunbulun, Rusty Peters, Peggy Napangardi Jones, Tommy Bung Bung, Helicopter Joe Tjungurrayi, Paddy Japaljarri Stewar...
Metropolitan Museum of Art: Egyptian Art in the Age of the Pyramids
The exhibition is made possible by Lewis B. and Dorothy Cullman. Additional support has been provided by The Starr Foundation. The exhibition was organized by The Metropolitan Museum of Art, New York, the
Everson Musuem of Art: Still Life Paintings from the Collection
Lie’s painting did not engender the same puzzlement or derision as did some of the works shown at the Armory by his more experimental colleagues (Duchamp’s Nude Descendi...
Center for Curatorial Studies at Bard College: Dave Muller: Posters and Three Day Weekend

Although they take different forms, Mullers parallel art activities—his drawings based on artist announcements and posters and the Three Day Weekends—are related in terms of the issues they raise. The most obvious is what Muller has referred to ...
Galleries at the Interchurch Center: Indomitable Spirit - Paintings of Faith, Hope and Remembrance by Christina Saj
Ms. Sajs exhibition consists of modern icons depicting the myths and symbols which have shaped our civilization, both religious and secular, throughout the passage of time and history. There is nothing ponderous or portentous about these works....
Notting Hill Gate Improvements Group: Kensington Koan
Her early work as a sculptor was preoccupied with light as a metaphor for spirit or mind which led her to an interest in science, technology and science fiction. She has designed and made numerous large scale public sculptures in the UK: Wh...
d.u.m.b.o. arts center: Future Species: An Exhibition in Association with the Museum of Contemporary Canadian Art
While there is fierce debate surrounding the social, political cultural and ethical implications of the human relationship to technology, ‘Future Species’ is undaunted in its embrace of both uncertainty and inevitability. It examines what the b...
National Gallery of Canada: REFLECTIONS ON THE ARTIST: SELF-PORTRAITS AND PORTRAITS
Visitors to the exhibition will have a wonderful opportunity to observe a captivating and diverse selection of portraits, some light-hearted and humorous in tone, others more serious and reflective in nature, said Pierre Théberge, Director, Na...
Columbia Museum of Art: A Body of Work: The Human Figure from Degas to Diebenkorn
“The human figure has been a significant genre throughout the history of art. To examine the human figure and the techniques and styles in its depiction throughout the 20th century is the motivation behind organizing A Body of Work: The Human Figu...
Plug In, ICA: Dominique Rey: Selling Venus
Rey uncovers illusions and stereotypes about a sub-culture of women in extreme feminine roles, and re-opens the debate on the victimization of women in oppressive and exploitive environments. Photographed in the intimacy of their dressing room, th...
UCLA Hammer Museum: Masters of American Comics
Following its Los Angeles debut, the exhibition travels to the Milwaukee Art Museum (April 27 – August 13, 2006) and The Jewish Museum, New York, and the Newark Museum, New Jersey (September 15, 2006 – January 28, 2007). Unprecedented in it...
Columbia Museum of Art: Intimate Expressions: Two Centuries of American Drawings
Among the many artists represented in the exhibition are Milton Avery, George Bellows, Charles Burchfield, Paul Cadmus, William Merritt Chase, Thomas Cole, John Singleton Copley, Philip Pearlstein and Benjamin West. Through drawings, the viewer ca...
Silvermine Guild Arts Center: Spectra '04 National Photography Triennial
SUSAN SCAFATI PHOTOGRAPHY has received the Barbara Lans Memorial Award for "Descent" from The Italy Series. The exhibition was juried by Barbara Hitchcock who says of the exhibit, “Imagination found its voice in the work of a number of photograph...
Bayly Art Museum: Charlottesville Collects
“We think our visitors will be both surprised and delighted to see the wonderful works in Charlottesville Collects,” says Jill Hartz, director of the Bayly Art Museum. “We are thrilled to share these works with the public, and are so grateful ...

Further Artwork and Information:

John Milton: The Milton-L Home Page
John Milton (1608-1674)
John Milton reading room
About John Milton
Online Literature Library - John Milton
John Milton
John Milton Collection at Bartleby.com
Paradise Lost Study Guide
The Milton-L Home Page
Miltons Cottage Museum - John Miltons last remaining house

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