Artist: Enrique Del Moral ( - )
Artworks in Museum Collections: (94)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Enrique del Moral.

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Enrique Chagoya Against the Common Good II Etching and aquatint 1983
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Enrique Grau Araujo La Cita (The Rendezvous), fourth plate in the portfolio, 21 Estampadores de Colombia, Mexico y Venezuela (21 Printmakers of Colombia, Mexico and Venezuela) Color screenprint 1972
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Kazumi Amano Moral (E) Color woodcut 1963
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Robert Dighton Tripod potaa ceramic 12 - 14th century
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Etienne Delaune One from Moral Allegories (set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune One from Moral Allegories (set of 20 engravings) Engraving 16th century
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Etienne Delaune One from Moral Allegories (set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune Moral Allegories (15 from the set of 20 engravings) Engraving 16th century
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Etienne Delaune One from Moral Allegories (set of 20 engravings) Engraving 16th century
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Etienne Delaune One from Moral Allegories (set of 20 engravings) Engraving 16th century
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Etienne Delaune One from Moral Allegories (set of 20 engravings) Engraving 16th century
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Etienne Delaune One from Moral Allegories (set of 20 engravings) Engraving 16th century
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Etienne Delaune One from Moral Allegories (set of 20 engravings) Engraving 16th century
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Etienne Delaune One from Moral Allegories (set of 20 engravings) Engraving 16th century
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Etienne Delaune One from Moral Allegories (set of 20 engravings) Engraving 16th century
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Etienne Delaune One from Moral Allegories (set of 20 engravings) Engraving 16th century
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Etienne Delaune One from Moral Allegories (set of 20 engravings) Engraving 16th century
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Etienne Delaune One from Moral Allegories (set of 20 engravings) Engraving 16th century
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Etienne Delaune One from Moral Allegories (set of 20 engravings) Engraving 16th century
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Utagawa (Igusa) Kuniyoshi Moral teaching for young girls mirrored by the 36 poets color woodcut 1843 - 1845
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Grandville (Jean Ignace Isidore GÈrard) Voyage Moral et Pittoresque du Prince Kamchaka (No.1) 19th century
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Grandville (Jean Ignace Isidore GÈrard) Voyage Moral et Pittoresque du Prince Kamchaka (No.3) 19th century
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Etienne Delaune Plate M from set of moral allegories Engraving 16th century
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Grandville (Jean Ignace Isidore GÈrard) Voyage Moral et Pittoresque du Prince Kamchaka (No.6) part 4 19th century
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Nicholas-Toussaint Charlet Ouragan, plate 15 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Querelle, plate 17 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet PiÈtÈ filiale, plate 16 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Souvenirs, plate 19 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Tirailleurs, plate 20 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Uniforme, plate 21 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet VivandiËre, plate 22 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Yvetot (Le Roi d*), plate 24 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Zoavesä, plate 25 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Napoleon, plate 14 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet MisËres de la guerre, plate 13 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet LeÁon de peinture, plate 12 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet DÈmÈnagement, plate 4 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Ecole, plate 5 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet France, plate 6 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Croquemitaine, plate 3 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Grognard, plate 7 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet HospitalitÈ, plate 8 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Indigence, plate 9 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Janvier (1er), plate 10 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Kalmouck, plate 11 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Bivouac, plate 2 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Avare, plate 1 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet Regrets, plate 18 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
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Nicholas-Toussaint Charlet X, ReprÈsente l*inconnu, plate 23 in the book [Title from front wrapper]: Alphabet moral et philosophique, ‡ l*usage des petits et des grands enfans (Paris: Gihaut, 1835) lithograph 1835
The Minneapolis Institute of Arts -
Artist: artist unknown Title: Tondo: Portrait of a Young Noblewoman Date: 2nd century Medium: marble
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Fernando Garcia-Ponce Composicion 14 (Composition 14), eleventh plate in the portfolio, 21 Estampadores de Colombia, Mexico y Venezuela (21 Printmakers of Colombia, Mexico and Venezuela) Color lithograph 1972
J. Paul Getty Museum -
Portrait of a Gentleman
J. Paul Getty Museum -
Rev. Dr. James McCosh
J. Paul Getty Museum -
Bestiary
The Metropolitan Museum of Art -
A Sermon on Charity (possibly the Conversion of Saint Anthony) Netherlandish (Antwerp Mannerist) Painter, about
J. Paul Getty Museum -
Family Group at Dinner Table
The Metropolitan Museum of Art -
Self-portrait Salvator Rosa (Italian, Neapolitan, 1615-1673)Oil on canvas; 39 x 31 1/4 in. (99.1 x
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Salomon Gessner New Idylls by Gessner with [His] Letter to M. Fuslinon Landcape Painting and Two Friends of Bourbon by M. Diderot, translated by W. Hooper (London: S. Hooper, 1776) book with 9 full page engravings, 13 engravings in text, and engraved ti
Museum of Fine Arts -
Rosso Florentino (Giovanni Battista di Jacopo, called Rosso Fiorentino), Italian (Florentine), 1496-1540 The Dead Christ
J. Paul Getty Museum -
A Woman Preparing Bread and Butter for a Boy
J. Paul Getty Museum -
Alexander Ceding Campaspe to Apelles
J. Paul Getty Museum -
Le Chat (The Cat at the Window)
J. Paul Getty Museum -
Gingerbread Trim Pump House, Kennebunk, Maine
J. Paul Getty Museum -
St. Catherine of Alexandria
J. Paul Getty Museum -
"Have No Fear, My Good Friend"
The Metropolitan Museum of Art -
Vsevolod Mikhailovich Garshin (1855-1888), 1884 Ilia Efimovich Repin (Russian, 1844-1930)Oil on canvas; 35 x 27
J. Paul Getty Museum -
Herm of a Vestal Virgin
The Minneapolis Institute of Arts -
Artist: Michel Garnier Title: The Defenseless Rose Date: 1789 Medium: oil on canvas Dimensions: H.18-3/16
The Metropolitan Museum of Art -
The New Bonnet, 1858 Francis W. Edmonds (1806-1863)AmericanOil on canvas; 25 x 30 1/8 in.
The Minneapolis Institute of Arts -
Artist: Nicolas Poussin Title: The Death of Germanicus Date: 1627 Medium: oil on canvas Dimensions:
J. Paul Getty Museum -
Head of a Man (Possibly Cicero)
J. Paul Getty Museum -
Allegorical Group with Bust
The Metropolitan Museum of Art -
[Landscape with Clouds, II], 1859 Roger Fenton (British, 1819-1869)Depicted: Great BritainSalted paper print from glass
The Metropolitan Museum of Art -
View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, 1836 Thomas Cole (born England,

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Moral

ShanghArt: Shanghart Group show by Zeng Fanzhi, Xue Song etc.
"While destroying the integrality of the image, they also provide it with an unprecedented sense of dimensionality. These works do not evoke our moral judgement through the image of a main character or the details of some specific time, but rather...
Statens Museum of Art, Denmark's National Gallery: Jean-Baptiste Greuze
A few years ago Statens Museum for Kunst acquired a portrait study of this painting. The exhibition will shed light on the history and creation of the painting with the help of further 10 preliminary ...
The British Museum: LAST CHANCE! The Popular Print in England
The subjects of these prints are those of todays tabloid newspapers: crime, royalty, politics, war, sex and comedy. ...
Henry Moore Institute: Sir Alfred Gilbert: Maquettes for the Sam Wilson Chimneypiece c.1908-14.
The bodies of idealised youthful naked women represent pure and innocent love, winged Eros figures stand for erotic love, a...
The British Museum: The Popular Print in England
The subjects of these prints are those of today's tabloid newspapers: crime, royalty, politics, war, sex and comedy. ...
Tate Liverpool: Mark Wallinger: Credo
Wallinger came to prominence in Britain in the 1980s and has since earned an international reputation. He was nominated for the 1995 Turner Prize and recently completed a new piece of work, Ecce Homo, for Trafalgar Square, ...
Davis Museum and Cultural Center: The Last Expression: Art and Auschwitz
Drawn from collections in Poland, Israel, the United States, Germany and France, the artwork contains genres ranging from self-portraits and landscapes to illustrated letters, political cartoons, caricatures and images of camp existence. The work...
New-York Historical Society: From the Classroom to the World: Hine, Ulman, Strand, Arbus and the Ethical Culture Fieldston School
From the Classroom to the World represents the first exhibition to examine the crucial, formative role of the Ethical Culture Fieldston School in the work of some of the United States' most important photographers, whose work helped define the cou...
ShanghART: WEI GUANGQING: Zeng Guang Xian Wen (The Extended Virtuous Words, extended once more)
Wei Guangqing, born 1963, lives and works in Wuhan. Since 1988 he participated at many exhibitions around the world, including 'Global Conceptualism: Points of Origin' in the Queens Museum of Art, Brooklyn, ...
Art Gallery of South Australia: 2002 Adelaide Biennial - conVerge: where art and science meet
Each of the artists in the exhibition are actively engaged with scientific research at the beginning of the 21st century. The exhibition explores some of the fundamental issues facing modern Australia, through creative encounters with diverse syst...
Atlanta Contemporary Art Center: What Business Are You In?
Artists’ relationships with the corporate and academic worlds are complex and often contradictory. Far from the myth of the romantic outsider, most artists depend on the support of institutions and corporations, much as they did on the aristocracy...
IKRA Gallery: Works on Paper by Konstantin Gneushev
War and injury interrupted his studies, but he graduated in 1950 from Moscow’s Stroganoff Art College. He lives in Moscow with his wife, sculptress Marina Denisenko, who herself fought in the war as a tank crewmember. Gneushev’s pastels, as ...
Govett-Brewster Art Gallery: Fiona Clark: Go Girl
Both an exhibition and a catalogue, Go Girl revisits this episode, one of the most controversial in New Zealand’s photographic history. It presents for the first time Fiona Clark’s complete photographic series Dance Party, from which these two ima...
MVSpace: Michelle Molyneux: Would you recognize your soul if you saw it
During her years at The Royal College of Art, encouraged by professor John Hedgecoe, Molyneux developed her unique style of photo-collage, against the background of a school of thought merely concerned with technique and curriculum orientated tuto...
Center for Curatorial Studies at Bard College: First US Museum Exhibition of British Artist David Shrigley
Shrigley's hilarious and disturbing doodles, sculptures, and anecdotes depict the world as an absurd place. He embraces the paranoias, obsessions (stalking is a favorite theme), insecurities, moral conundrums, preoccupations, and anxieties of ever...
IBID Projects: Makoto Aida: Donki-Hote
‘Donki-Hôte’ takes its name from a chain of Tokyo discount stores, Don Quixote, which themselves take their name from Miguel de Cervantes’ ‘The Adventures of Don Quixote de la Mancha’ (1605), commonly understood to be the first novel ever publishe...
Neuberger Museum of Art: Acting Out: Invented Melodrama in Contemporary Photography
“The photographs gathered for the exhibition contain all the elements for feature-length, no-holds-barred movies to unfold in the imagination of the viewer,” notes Ms. Edwards. “The contexts of the photographs were preconceived by the photographer...
offthemapgallery: Toronto Comic Jam: Curated by Dave Howard
Dave Howard founded The Toronto Comic Jam in November 1996 as a safe haven for the alternative comics community -- a place where artists could meet, exchange ideas, and find moral support, using comics as a basis for social interaction. Inspired b...
Centro Galego de Arte Contemporanea: Mona Hatoum. Works 1991 - 2002
"... most people look for a very specific meaning, mostly wanting to explain [my work] specifically in relation to my background. I find it more exciting when a work reverberates with several meanings and paradoxes and ...
Site Gallery: Fine lines
Maria Marshall uses a wide range of filmic techniques and digital special effects to create a psychological space for the continuing exploration of her roles as both mother and artist. Maria Marshall has shown widely in the USA & Europe but this i...
Art First: Driftworks: Will MacLean
Best known for his works that refer to the mythologies and lives of individuals and cultures who live and work by the sea, Maclean’s interest is both specific and universal. Profound themes relating to journeys of every kind, involving exploratio...
ARKEN Museum of Modern Art: Johannes Larsen and Bruno Liljefors: Life in Nature
Both Johannes Larsen and Bruno Liljefors were hunters and outdoorsmen, and they regarded man as a constituent element of nature. Unlike their predecessors at the Academy, they portrayed nature without any religious significance or moral attitude. ...
Overgaden - Institute of Contemporary Art: Andrea Jespersen and Ben Woodeson
Jespersen also tries to find superpowers outside the colourful universe of the comics, whereby her work becomes a sort of meta-reflection on our need to believe in the existence of superpowers and superheroes. In this way her work also deals with ...
National Museum: Identity - Trademarks, Logotypes and Symbols
How are we affected by the brands around us and how do we use them to create our own identitiesNULL How is a brand builtNULL What happens with brands and logos when companies mergeNULL Where is the line between adv...
Joao Ferreira Fine Art: New Paintings by Dorothee Kreutzfeldt: Like Nine Pin
It allows a more distant, condensed processing of the complex dynamics that make up the city. That these dynamics speak of personal, individual and broader moral/social aspirations, crisis and practices is nothing new. They create specific visual...
SITE Santa Fe: José Antonio Hernández-Diez
The emergence of this generation of artists occurred in the late 1980s, at nearly the same time that Venezuelans began a public process of searching for the solution to the economic and social crisis in their country. Hernández-Diez’s work is as e...
Haunch of Venison: Animals: 17 Artists Explore the Otherness of Animals
The works in the exhibition question the common ways we understand animals, and rather than objectifying or anthropomorphising them, present them as beings in their own right, often incomprehensible and mysterious. For example in Marina Kappos’s...
Auckland Art Gallery: Face to Face: Self portraits by New Zealand artists
The images in Face to Face contradict the common viewer expectation that self portraits should present at the very least, a visual likeness of the artist. Works such as Frances Hodgkins’ Self Portrait Still Life c.1935 demonstrate that a ...
Kunsthalle Wien, Museumsquartier: Louise Bourgeois: Aller – Retour
One room offers a retrospective of older works by the French born artist. The focus of the show however lies on the oeuvre of the last ten years, the majority of which are diary-like drawings, in which text and symbols frequently mingle. The...
Witte de With Center for Contemportary Art: Monopolis – Antwerp
The exhibition Monopolis – Antwerp strives first and foremost to demonstrate artistic engagement. Works of art have a right to be ambiguous and to remain open to a diversity of interpretations. Dissension deserves a place alongside consensus. An e...

Further Artwork and Information:

Enrique Del Moral (1516 - 1576) Biography, Artwork Images, Exhibitions, Reviews
Grove Art Online
Enrique del Moral [en]
Enrique del Moral [de]
artnet.com: Resource Library: Moral, Enrique del
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Biografias
SobreArquitectura.com - Cronologías - América Latina
Número 364: 3er. Seminario Internacional Urbanismo y Vivienda, Exposición México Encuadrado - superficies en la...
Artes e Historia México

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