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Artist: Mary Nimmo Moran ( - )
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Mary Nimmo Moran.
- Mary Nimmo Moran
The Goose Pond, East Hampton, Long Island
etching
1881
- Mary Nimmo Moran
Landscape at Sunset- old road bridge in the foreground
Etching
1883
- Mary Nimmo Moran
Forest Scene, untitled or Interior of a California Forest
Etching
1888
- Thomas Moran
The Half Dome, view from Moran Point, Yosemite Park
Etching
1887
- Nicholas Nixon - Tom Moran, Braintree, Massachusetts 1987 gelatin silver print Cleveland Museum of Art American
- Thomas Moran
The Half Dome, view from Moran Point, Yosemite Park
Etching on silk
1887 The Minneapolis Institute of Arts
- Artist: Thomas Moran Title: A Scene on Tohickon Creek: Autumn 1868 Date: 1868 Medium: oil
- A. H. Tourrier
The Complete Angler (London: J. C. Nimmo and Bain, 1883)
book with etchings and wood engravings
1883
- David Young Cameron
Charterhouse Old and New by E.P. Eardley Wilmot and E.C. Streatfield (London: John C. Nimmo, 1895)
Book with 4 etchings
1895
- The Oranges, Thomas Moran (England, Bolton-le-Moors, 1837 - 1926) , 1888, Etching
- David Young Cameron
The Chapel and Founder*s Tomb, Charterhouse, frontispiece in the book Charterhouse Old and New by E.P. Eardley Wilmot and E.C. Streatfield (London: John C. Nimmo, 1895)
Etching
1895
- David Young Cameron
The Towers of Charterhouse. Godalming,opposite page 224 in the book Charterhouse Old and New by E.P. Eardley Wilmot and E.C. Streatfield (London: John C. Nimmo, 1895)
Etching
1895
- David Young Cameron
Charterhouse Schools, Godalming, opposite page 208 in the book Charterhouse Old and New by E.P. Eardley Wilmot and E.C. Streatfield (London: John C. Nimmo, 1895)
Etching
1895
- Thomas Moran
Venice
oil on canvas
1894
- Hot Springs of the Yellowstone, Thomas Moran (England, Bolton-le-Moors, 1837 - 1926) , 1872, Oil on canvas
- Mountain Landscape, Thomas Moran (England, Bolton-le-Moors, 1837 - 1926) , 1887, Etching
- Peter Moran
The Noonday Rest
Etching
1877
- Peter Moran
The Noonday Rest
Etching
1877
- Thomas Moran
Grand Canyon of the Yellowstone
oil on canvas
1893
- David Young Cameron
Upper Green, Charterhouse, Chapel in Front and Cloisters to the Right, opposite page 48 in the book Charterhouse Old and New by E.P. Eardley Wilmot and E.C. Streatfield (London: John C. Nimmo, 1895)
Etching
1895
- Thomas Moran
Grand Canyon with Rainbow
oil on canvas
1912
- Peter Moran
Homeward Bound
Etching
ca. late 19th century
- Peter Moran
Cattle in Brook Drinking
engraving
1887
- Peter Moran
Oxen Ploughing
Etching
circa 1955
- Peter Moran
Indians corraling horses
Etching
1883
- Hans Burgkmair, the Elder
The Storming of Moran
Illustration
circa 1515
- Thomas Moran
A Tower of Cortez, Mexico
Etching
1883
- Kronheim & Co.
The Poetical Works of James Thomson (Edinburgh: William P. Nimmo, 1869)
book with 6 color lithographs and lithographed title page
1869
- William Strang
The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
book with 14 etchings
1895
- Thomas Moran
Grand Canyon of the Yellowstone, Wyoming
oil on canvas
1906
- Peter Moran
Cattle in Brook, Drinking
Etching
19th - 20th century
- The Much Resounding Sea, Thomas Moran (England, Bolton-le-Moors, 1837 - 1926) , 1886, Etching, sandpaper, roulette on heavy Japan vellum
- William Strang
John Bunyan, frontispiece portrait and first plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- Thomas Moran
New York from the Bay
Transparent and opaque watercolor, brown ink, and graphite on wove paper
circa 1883
- Thomas Moran
Morning, plate 13 in the book, Choice Etchings (London: Alexander Strahan, 1887)
etching
1887
- William Strang
The Man with the Muckrake, opposite page 230 and eleventh plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- Peter Moran
Noonday Rest, plate 8 in the book, Choice Etchings (London: Alexander Strahan, 1887)
etching
1887
- William Strang
The Butcher and the Sheep, opposite page 240 and twelfth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
Christian Loses His Burden,opposite page 38 and fifth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
The Scourging of Faithful, opposite page 112 and eighth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
The Slough of Despond,opposite page 6 and fourth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
Mercy at Her Work, opoosite page 272 and thirteenth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
Bunyan*s Wife Reading the Bible to Him,title page and second plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- Peter Moran
A Burro Train in New Mexico, plate 14 in the book, Choice Etchings (London: Alexander Strahan, 1887)
etching
1887
- William Strang
Marriage of Mercy and Matthew,opposite page 310 and fourteenth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
Christian Fights Apollyon, opposite page 64 and sixth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
Christian and Hopeful in the Dungeon, opposite page 132 and ninth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
The Valley of the Shadow of Death,opposite page 70 and seventh plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- William Strang
Mercy Swoons Before the Gate,opposite page 224 and tenth plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- Thomas Moran - Autumn 1894 oil on canvas Philbrook Museum of Art American
- Thomas Moran - Venice 1904 oil on canvas Cleveland Museum of Art American
- Thomas Moran - The Much Resounding Sea 1884 oil on canvas National Gallery of Art American
- Thomas Moran - The Dell 1878 oil on canvas Cleveland Museum of Art American
- Thomas Moran - The Last Arrow c. 1867 oil on canvas The Berkshire Museum American
- Mary Cassatt - Miss Mary Ellison c. 1880 oil on canvas National Gallery of Art American
- THomas Moran - Frame n.d. wood, gilt Minneapolis Institute of Arts American
- Thomas Moran - Sunset over the Sea c. 1900 oil on board Memorial Art Gallery of the University of Rochester American
- Thomas Moran - View of Venice 1890 oil on canvas Memorial Art Gallery of the University of Rochester American
- Thomas Moran - View of Venice 1888 watercolor and gouac Corcoran Gallery of Art American
- THomas Moran - Summit of the Sierras 1972-75 gouache over graphit The Art Institute of Chicago American
Artnews Articles and Exhibition Information: (18) Click on any of the links below to read about artnews or exhibitions related to Moran
Pan American Art Gallery: Solo Show of Work by Ronald Moran Born in Chalchuapa, El Salvador in 1972, Morán studied art at Centro Nacional de Artes San Salvador and Universidad Dr. José Matías Delgado San Salvador. Morán has participated in twelve solo shows in Costa Rica, El Salvador, Guatemala, and Mexic...
Frick Art and Historical Center: The Poetry of Place: Works on Paper by Thomas Moran
from the Gilcrease Museum The exhibition comprises 81 works on paper spanning the years 1856
through 1900. Also included is the oil painting, Vera Cruz (1885). The
exhibition is drawn in its entirety from the Gilcrease Museum, which, since
purcha...
High Museum: Visions of the Frontier: American Landscapes
From
the Collection of Ted Turner Moran, also represented in this show, focused much of his attention on painting scenes of areas
now protected by the National Parks system. Turner's collection is marked by superb paintings that depict the depth,
range and stunning beauty of t...
Renwick Gallery: Unveiling the Refurbished Renwick Gallery Salon Among the 170 paintings and sculpture on view from the American Art Museum (now closed for renovation) are a suite of three stunning views of Yellowstone and the Grand Canyon by Thomas Moran, two on loan from the U.S. Department of Interior. The a...
Butler Institute of American Art: Alan Bean: An Artist on the Moon Growing out of Butler Museum of American Art’s commitment to more effectively serve its national, local and international audiences, the exhibition will enable visitors to travel though through space and explore the lunar landscape through the eye...
Orlando Museum of Art: Lure of the West: Treasures from the Smithsonian American Art Museum Later in the century,
other artists such as Albert
Bierstadt and Thomas
...
Cambridge Galleries: Showcase: Works by Emerging Artists from Central, Southern and Southwestern Ontario Works in the exhibition range from large scale photographs and drawings to paintings in a variety of media, video and sculptural works. Featuring work by Jaclyn Conley, Robyn Cumming, Phil Delisle,
Soheila Esfahani, Insoon Ha, Jason Hallows, Ayak...
Indianapolis Museum of Art: Visions of Home The tranquil Country Place lifestyle was
the prominent theme for American
Impressionist painters. These paintings
offer a glimpse into the ...
Indianapolis Museum of Art: Visions of Home The tranquil Country Place lifestyle was
the prominent theme for American
Impressionist painters. These paintings
offer a glimpse into the ...
Buffalo Bill Historical Center: John James Audubon in the West: The Last Expedition - Mammals of North America Curator of the Whitney Gallery of Western Art Sarah Boehme explains, John James Audubon is associated with artistic images of birds, with conservation issues, and with geographic locations of the Deep South. He doesn't immediately spring to mind ...
Contemporary Art Museum: During Unreal: Sandow Birk, Kathleen Gilje, Kim Keever Sandow Birk uses the skills of old master painters to convey the wonder and beauty of Californias unpopulated landscapes. His paintings bring to mind the work of Thomas Moran and Albert Bierdstadt, but unlike their subject matter, Birk‚s landscape...
University of Virginia Art Museum: A Jefferson Ideal: Selections from the Dr. and Mrs. Henry C. Landon III Collection of American Fine and Decorative Arts This special exhibition features major examples of 18th- and 19th-century American painting and furniture, including works by Albert Bierstadt, John Singleton Copley, Childe Hassam, Winslow Homer, Thomas Moran, John Singer Sargent, Gilbert Stuart ...
Joslyn Art Museum: Painters and the American West: The Anschutz Collection Spanning nearly 150 years of American history, the exhibition is drawn from the distinguished collection of Philip Anschutz, who holds the most important assemblage of Western art in private hands. Included in the exhibition are notable works by t...
Fold Gallery: Silly Things : A Group Exhibition Marcus Cope's work avoids easy classification. Using a wide array of visual languages Cope wryly comments on art history, Americana and the discourse between the paintings themselves. The result is a schizophrenic and unpredictable assemblage of s...
Gallery 1601 in the Australian Embassy: Portrait Artists Australia: 30 Paintings The Macquarie International Portrait Artists Australia Exhibition 2005 is significant because:
It is the first time any independent artists’ group organised an international exhibition of members’ work. Usually such shows are organised by cu...
Walter Anderson Museum of Art: Motifs of Time: Mississippi Artists Invitational
A group of Anderson drawings with motif references are displayed as a group in this exhibition. The drawings quickly move beyond the lines into flowers, animals,
and landscapes. The Community Center mural refers to them in the designs around th...
Art Gallery of New South Wales: Australian Sculptor Bertram Mackennal Whilst Mackennal remained an expatriate, travelling back to Australia only three times, he maintained close links to local sculptors. He had a large impact on the growth and directions of sculpture in Australia. He completed a number of public wor...
Vancouver Art Gallery: Expanding Horizons : Painting and Photography of American and Canadian Landscape 1860-1918 "The revolutionary approach of Expanding Horizons makes a major contribution to the understanding of landscape art in North America," said Kathleen Bartels director of the Vancouver Art Gallery. "The Gallery is proud to offer visitors the first op...
Further Artwork and Information:
Mary Nimmo Moran (1516 - 1576) Biography, Artwork Images, Exhibitions, Reviews
Mary Moran - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Mary Nimmo Moran
Mary Nimmo Moran. Index.
Mary Nimmo Moran - Artist Painting - Artist Summary [AskART.com]
TWILIGHT, EAST HAMPTON by Mary Nimmo Moran
Mary Nimmo Moran. The Cliff Dwellers of New York.
Find in a Library: Home-thoughts, from afar; letters of Thomas Moran to Mary Nimmo Moran.
POINT ISABEL, COAST OF FLORIDA by Mary Nimmo Moran
Juniata College - Museum of Art
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