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Artist: 1498 Moretto Da Brescia (1554 - Ital)
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by 1498 Moretto Da Brescia.

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St. John the Baptist in the Wilderness, Moretto da Brescia (Italy, Brescia, 1498 - 1554)  (Artist), circa 1535, Oil on panel
The Metropolitan Museum of Art -
Christ in the Wilderness Moretto da Brescia (Alessandro Bonvicino) (Italian, Brescian, born about 1498, died
The Metropolitan Museum of Art -
The Entombment, 1554 Moretto da Brescia (Alessandro Bonvicino) (Italian, Brescian, born about 1498, died 1554)Oil
The Metropolitan Museum of Art -
Portrait of a Man, ca. 1520-25 Moretto da Brescia (Alessandro Bonvicino) (Italian, Brescian, born about
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Moretto da Brescia - Pieta 1520's oil on panel National Gallery of Art Italian
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Moretto da Brescia - St. John the Baptist in the Wilderness c. 1535 oil on panel Los Angeles County Museum of Art Italian
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Moretto da Brescia - Portrait of a Lady in White c. 1540 oil on canvas National Gallery of Art Italian
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Two Sibyls and an Angel, Giovanni Antonio da Brescia (Italy, Brescia (?), 1460 - 1520) , no date, Engraving
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Hercules and Antaeus, Giovanni Antonio da Brescia (Italy, Brescia (?), 1460 - 1520) , after 1507, Engraving
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Girolamo Romanino (Girolamo Brescia) Reclining Male Nude and Two Putti, a study for one of the frescoes of Ignudi(Nude figures) in the vault of the loggia of the Castello del Buonconsiglio, Trento Pen and brown ink on laid paper prepared with a red wash
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SAINT SEBASTIEN ET SAINT ROCH (4e quart 15e siècle ; 16e siècle) by CARIANI
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LA VIERGE, L'ENFANT ET SAINT ANTOINE (16e siècle) by BONVICINO Alessandro (attribué) ; MORETTO Alessandro (dit)
The Metropolitan Museum of Art -
Le pitture e sculture di Brescia che sono esposte al pubblico con un" appendice di
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Paysage : citadelle de Brescia (2e moitié 19e siècle) by YVON Adolphe
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Giovanni Antonio da Brescia The Flagellation of Christ Engraving 1509
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Feuille d'études : trois scènes de suicide by CAMPI Antonio
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Paysage : citadelle de Brescia (2e moitié 19e siècle) by YVON Adolphe
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Deucalion et Pyrrha jetant les pierres qui doivent repeupler la terre by GAMBARA Lattanzio
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Giovanni Antonio da Brescia Hercules and Antaeus, after Giovanni Antonio da Brescia's engraving after Mantegna Metalcut circa 18 - 19th century
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JEROME SAVONAROLE (1452-1498) (17e siècle) by anonyme
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Brescia : église des Miracles ; plan (1ère moitié 19e siècle) by BARBOT Prosper
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Vue de Brescia (4e quart 18e siècle ; 1ère moitié 19e siècle) by TAUNAY Nicolas Antoine
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CHARLES VIII, ROI DE FRANCE (1470-1498) (16e siècle) by anonyme
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Girolamo Muziano St. Jerome in the Desert, by an unknown engraver after Girolamo Muziano Engraving 1573
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Brescia : nef de l'église des miracles ; coupe (1ère moitié 19e siècle) by BARBOT Prosper
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Brescia : façade de la loge de la municipalité (1ère moitié 19e siècle) by BARBOT Prosper
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Brescia : église des Miracles ; profil et élévation (1ère moitié 19e siècle) by BARBOT Prosper
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Saint Dominique (16e siècle) by anonyme
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Martyre de sainte Afra (4e quart 18e siècle ; 1er quart 19e siècle) by DAVID Jacques Louis
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L'occupation de Brescia, le 4 août 1796 (4e quart 18e siècle ; 1ère moitié 19e siècle) by TAUNAY Nicolas Antoine
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Gnomes et grotesques (18e siècle) by BOCCHI Faustino
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Brescia : église des Miracles (1ère moitié 19e siècle) by BARBOT Prosper
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LA CLEMENCE DE LOUIS XII.AVRIL 1498 (1818) by TARDIEU Jean Charles, TARDIEU-COCHIN (dit)
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Gnomes et grotesques (18e siècle) by BOCCHI Faustino
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Brescia : église des Miracles ; motifs d'architecture (1822 en) by BARBOT Prosper
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Vues de plusieurs villes en Europe : Ath (17e siècle) by TORESANI Andrea
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Feuille d'études diverses en partie d'après l'antique (19e siècle) by DELACROIX Eugène
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Deux couples dansant (16e siècle) by GIROLAMO DI ROMANO, ROMANINO (dit)
Museum of Fine Arts -
Albrecht Dürer, German, 1471-1528 The Vision of the Seven Candlesticks (Apocalypse) probably 1498 Woodcut Block:
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Vues de plusieurs villes en Europe (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Nîmes (17e siècle) by TORESANI Andrea
Museum of Fine Arts -
Albrecht Dürer, German, 1471-1528 Martyrdom of Saint John (Apocalypse) probably 1498 Woodcut Block: 38.8 x
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Vues de plusieurs villes en Europe : Verua (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Aix-la-Chapelle (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Ostende (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Alessandria (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Bruges (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Courtrai (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Verceil (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Maastricht (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Nantua (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Senlis (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Suse (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Vintimille (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Canterbury (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Windsor (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Lille (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Alost (17e siècle) by TORESANI Andrea
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Vues de plusieurs villes en Europe : Orange (17e siècle) by TORESANI Andrea

Artnews Articles and Exhibition Information: (7)
Click on any of the links below to read about artnews or exhibitions related to Moretto Da Brescia


Soho Gallery: Roberto Carlos Umpierrez
In the December of 1979 he established, together with the artists Rossi and Filetto ‘The Experimental Laboratory of Fine Arts’....

Arteingenua Spa: Call for Artists: International Art Award PREMIO ARTEINGENUA 2008
The key word for this new integrated system for contemporary art is INGENUOUS, and in it is mirrored a new methodological approach to the expressive purity of young and so of emerging contemporary artists. This purity is shown in variou...

Esso Gallery: Francesco Simeti: NOW I KNOW MY ABC's
His patterns show images of conflict, crowds of people or military personnel engaged in non-natural disasters and the words are derived from a media-created language. The ability of Francesco Simeti to subvert a given system by using it's own l...

Kimbell Art Museum: Giovanni Battista Moroni: Renaissance Portraitist
In this focused exhibition, the Kimbell Art Museum brings together 10 of Moroni's finest and most innovative works from throughout his career, ranging from his earliest ...

Photofusion Photography Centre: Eulogy to Beauty:
The concern here is not with nudity for its own sake, but with the aesthetics of beauty. However, it is a commonplace that the male - and indeed often female - gaze finds its target for this aesthetic in the feminine form, and the erotic represent...

Irish Museum of Modern Art: Francesco Clemente: New Works
Francesco Clemente first came to international attention as part of the Italian Transavanguardia group in the late 1970s and early ‘80s, a period which saw a renewed interest in painting internationally, evident in the success of artists such as J...

Fondazione Prada: Francesco Vezzoli
This work is directly inspired by one of Pasolini’s earliest films, Comizi d’Amore (Love Meetings, 1964), in which the director himself interviews some of the most prominent Italian intellectuals and movie stars, as well ordinary people, about the...

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