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Artist: William James Muller ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William James Muller.
- William James Muller - Landscape with a cottage n.d. oil on canvas The Fitzwilliam Museum British
- William James Muller - River landscape with an angler 1842 oil on millboard on The Fitzwilliam Museum British
- William James Muller - Millpond with children fishing 1843 oil on canvas The Fitzwilliam Museum British
- James Basire, Sr.
Portrait of Lady Stanhope
Engraving
1772
- William Hamilton
The Seasons by James Thomson (London: F. J. du Roverayä, 1802)
book with 7 engravings
1802
- William Strang
Nathan the Wise by Gottfried Lessing, translated by William Jacks (Glasgow: James Maclehose & Sons, 1894)
book with 8 etchings
1894
- James Tissot
William Eglinton
etching printed in red
1885 Museum of Fine Arts
- John Singer Sargent, American, 1856-1925 Alice Runnells James (Mrs. William James) 1921 Transparent and opaque
- William Nicholson
Portrait of James Abbott McNeill Whistler
Color lithograph
1898
- William Strang
Portrait of Lessing, frontispiece and first plate in the book Nathan the Wise by Gottfried Lessing, translated by William Jacks (Glasgow: James Maclehose & Sons, 1894)
etching
1893
- William Hamilton
Illustration for Summer, opposite page 117 in the book The Seasons by James Thomson (London: F. J. du Roverayä, 1802)
engraving
1801
- William Hamilton
Illustration for the Hymn, opposite page 257 in the book The Seasons by James Thomson (London: F. J. du Roverayä, 1802)
engraving
1801
- William Hamilton
Illustration for Spring, opposite page 3 in the book The Seasons by James Thomson (London: F. J. du Roverayä, 1802)
engraving
1801
- William Strang
Sittah and Saladin, act 2,sc.2,opposite page 56 and third plate in the book Nathan the Wise by Gottfried Lessing, translated by William Jacks (Glasgow: James Maclehose & Sons, 1894)
etching
1893
- William Strang
The Templar and Recha ,act 1, sc.1, opposite page 8 and second plate in the book Nathan the Wise by Gottfried Lessing, translated by William Jacks (Glasgow: James Maclehose & Sons, 1894)
etching
1893
- William Strang
The Lay-Brother and Nathan, act 4, sc.7, opposite page 196 and seventh plate in the book Nathan the Wise by Gottfried Lessing, translated by William Jacks (Glasgow: James Maclehose & Sons, 1894)
etching
1863
- William Strang
Nathan and Saladin. act3, sc.7, opposite page134 and fifth plate in the book Nathan the Wise by Gottfried Lessing, translated by William Jacks (Glasgow: James Maclehose & Sons, 1894)
etching
1894
- William Strang
Nathan and the Templar, act 2, sc.5, opposite page 82 and fourth plate in the book Nathan the Wise by Gottfried Lessing, translated by William Jacks (Glasgow: James Maclehose & Sons, 1894)
etching
1894
- James MacArdell
William Harvey
18th century
- William James Linton
Eboli
lithograph
1832
- William James Linton
Paestum
Lithograph
1832
- William James Linton
Nepi
19th century
- William Angus
The Honorable Captain james Luttrell
18th - 19th century
- William Dyce - Mrs. John Clerk Maxwell and her Son James 1832-1833 oil on canvas Birmingham Museums and Art Gallery British
- William James Linton
The Valley of Aosta
lithograph
1832
- William James Linton
La Cava
lithograph
19th century
- William James Linton
Radicofani
lithograph
19th century
- William Hogarth
The Worksärestored by James Heathä (London: Baldwin, Cradock, and Joy, 1822)
book with engravings
1822
- Kronheim & Co.
The Poetical Works of James Thomson (Edinburgh: William P. Nimmo, 1869)
book with 6 color lithographs and lithographed title page
1869
- William James Mueller
Ruins of the Temple of Baalbec
drawing: graphite and washes
1843 - 1844 Museum of Fine Arts
- William Morris Hunt, American, 1824-1879 The Gainsborough Hat about 1876 Oil on canvas 55.88 x
- William Ridley
European Magazine: Major James Fennel, F.R.S.
18th - 19th century
- William Hogarth
The Worksärestored by James Heathä (London: Baldwin & Cradock, [1837-38?])
book with engravings
1837 - 1838
- Aegidius or Gilles Sadeler
Bartholomaeus Spranger and his wife, Christina Muller, with busts in allegorical order relating to the death of Christina Muller
Engraving
16th - 17th century
- William James Linton
Grotta Ferrata
lithograph
19th century
- William James Linton
Massa di Carrara
lithograph
19th century
- William James Linton
Naples, from Capo di Monte
Lithograph
1832
- William Wellstood
Portrait of James Madison
Engraving
19th - 20th century
- W. H. Mote
Elizabeth James,Daughter of Sir. William & Lady Maria Somerville
19th - 20th century
- William Hamilton
Illustration for Autumn, opposite page 143 in the book The Seasons by James Thomson (London: F. J. du Roverayä, 1802)
engraving
1801
- William James Linton
Vesuvius, from Capo di Monte
lithograph
19th century
- William James Linton
Ruined Convent in the Bay of Salerno
lithograph
19th century
- William James Linton
Cavi
Lithograph on chine colle
19th century
- William James Linton
The Temple of Vesta at Tivoli
lithograph
19th century
- William Radclyffe
Prayer in the Desert
etching and engraving
18th - 19th century Museum of Fine Arts
- William James Ward, English, about 1800-1840 After Joseph Mallord William Turner, English, 1775-1851 The Boy
- William James Linton
The Convent of Saint Benedetto near Subiaco
lithograph
19th century
- William James Linton
Florence- Il Ponte della Trinit
Lithograph
19th century
- William James Linton
The Lake of Albano and Castle of Gandolfo
lithograph
19th century Museum of Fine Arts
- William Morris Hunt, American, 1824-1879 Olivia Buckminster Lothrop (Mrs. Lewis William Tappan, Jr.) early 1860s Museum of Fine Arts
- William James Ward, English, about 1800-1840 After Joseph Mallord William Turner, English, 1775-1851 Tornaro Watercolor
- William James Linton
Convent of Saint Cosimato, Vico-Varo
lithograph
19th century
- William James Linton
Lake of Trasymene or Perugia
Lithograph on chine colle
19th century
- William James Linton
The Temple of Peace, and Colosseum, Rome
lithograph on India paper
1832 The Minneapolis Institute of Arts
- Artist: Gilbert Stuart Title: Portrait of James Ward Date: 1799 Medium: oil on canvas Dimensions: Museum of Fine Arts
- William Morris Hunt, American, 1824-1879 Girl at Piano 1860s Oil on canvas 26.03 x 15.87
- Maurizio Steinla
Portrait of William Shakespeare.
18th - 19th century
- James Carter
Carnarvon, plate opposite page 98 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London: G
- William Ward, A.R.A.
A Visit to Grandfather
Color mezzotint
18th - 19th century J. Paul Getty Museum
- Embracing Couple (Mercury and Lara?)
- William Ward, A.R.A.
Portrait of Rev. W. Richardson
Mezzotint
18th - 19th century
- William James Linton
Civita Castellana, Italy
Hand Colored lithograph on India Paper
1832
- Johann Jacob Muller
Thomas Manton D.
18th century
- James Charles Armytage
Maryport, plate opposite page 53 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (L
- James Charles Armytage
Holyhead, plate opposite page 101 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
- James Charles Armytage
Beaumaris, plate opposite page 82 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
- James Charles Armytage
Blackpool, plate opposite page 78 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
- James Charles Armytage
Alloney, plate opposite page 62 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lo
- James Charles Armytage
Swansea Bay, plate opposite 127 page of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D
- William Strang
The Preacher
Etching
1889
- William Strang
The Flagellation
DP
1911
- Anonymous
Assassination of James King, of William, Corner of Montgomery and Washington Streets, San Francisco, California - Magazine Ilustration
wood engraving
1856
- James Charles Armytage
The Walls of Southampton, plate opposite page 133 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
- James Charles Armytage
The Mersey at Liverpool, plate opposite page 118 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
- James Abbott McNeill Whistler
Fulham
etching
1879
- John James Hinchcliff
Montrose, plate opposite page 37 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lo
- James Charles Armytage
Conway Castle, plate opposite page 69 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M
- James Charles Armytage
Blackpool Sands, plate opposite page 80 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
- James Charles Armytage
Conway Quay, plate opposite page 70 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D
- William Strang
Mealtime
etching
1883
- James Charles Armytage
Fort Penryn and Bangor, plate opposite page 76 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Be
- William Strang
Mealtime
etching
1883
- William Strang
The Resurrection
etching
1887
- William Strang
Self-Portrait
etching
1895
- William Strang
Man and witch
drypoint
1891
- William Strang
The Phantom
etching
1890
- William Strang
The Traveller
etching
1882
- William Strang
The Wine Drinkers
1904
- William Strang
The Prodigal Son
etching
1882
- William Strang
The Tinkers
etching
1882
- William Strang
The Traffic
drypoint
1899
- William Strang
The Prodigal Son
etching
1882
- William Strang
Christ at Emmaus
1898
- William Strang
He Was Imprisoned
Etching
1888
- William Strang
The Mother
etching
1884
- William Strang
The Wine Drinkers
1904
- William Strang
By the River
etching
1888
- William Strang
The Nativity
etching
1901
- William Strang
The Ape - The Don Quixote Series
1902
- William Strang
The Connoisseurs
etching
1920
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Last updated and links verified on: Monday October 10/05/09 06:39:24 AM
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