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Artist: Eliot Noyes ( - )
Artworks in Museum Collections: (47)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Eliot Noyes.

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Asher Brown Durand - Sarah Eliot Scoville 1830's oil on canvas Cleveland Museum of Art American
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Henry Dexter - Samuel Atkins Eliot 1837 plaster bust Boston Athenaeum American
Museum of Fine Arts -
Washington Allston, American, 1779-1843 Beatrice 1819 Oil on canvas 76.83 x 64.45 cm (30 1/4
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Frozen Apples, Tesuque, New Mexico, November 21, 1966, Eliot Porter (United States, 1901 - 1990)  (Artist), 1966, printed 1980, Dye-imbibition (Kodak dye-transfer) print
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George Loftus Noyes, American (born in Canada), 1864-1954 September Haze about 1913 Oil on canvas
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John Noyes, 1674-1749 Fork (one of a pair) United States, Massachusetts, (Boston), about 1710 Silver
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John Noyes, 1674-1749 Flagon United States, Massachusetts, (Boston), 1711 Silver Buhler, 1972, No. 93 Museum
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Ldamie Spoon horn 19th century
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John Noyes, 1674-1749 Fork (one of a pair) United States, Massachusetts, (Boston), about 1710 Silver
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Eliot Clark - Savannah Nocturne 1924 oil on board Telfair Museum of Art American
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Eliot O'Hara - Georgia Sunset n.d. watercolor on paper Telfair Museum of Art American
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Ldamie Figure wood, leather and paint circa 1900
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Aeolian harp England (?), early 19th century Pine 13.7 x 74.5 cm (5 3/8 x
Museum of Fine Arts -
Jacob Hurd, 1702-03–1758 Teapot United States, Massachusetts, (Boston), about 1750 Silver Buhler, 1972, No. 194
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Ldamie Spoon handle: long figure with staff and headdres, standing on back on animal horn circa 1900
The Minneapolis Institute of Arts -
Artist: artist unknown Title: Wine Cistern Date: 18th century Medium: tin-glazed earthenware (faience) Dimensions: H.12-3/4
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Niccoló di Tommaso, Italian (Florentine), active about 1343-1376 Virgin and Child; Charity of Saint Nicholas;
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Master of the Schretlen Circumcision, Spanish (Andalusian), active in early 16th century Flight into Egypt
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Coquillages avec vue de Naples et du Vésuve au fond (2e moitié 16e siècle) by HOEFNAGEL Georg
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Aigle devant un chêne, ailes déployées, dans un encadrement ovale (2e moitié 16e siècle) by HOEFNAGEL Georg
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Bélier blanc et mouton noir près d'un pommier et d'un oranger (2e moitié 16e siècle) by HOEFNAGEL Georg
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John La Farge, American, 1835-1910 Vase of Flowers 1864 Oil on gilded panel 46.99 x
The Metropolitan Museum of Art -
Grand Piano, ca. 1790 Made by Ferdinand Hofmann (1756-1829)Vienna, AustriaWood, various other materials; L. 82
Museum of Fine Arts -
Chantilly Factory, France Cup and saucer with the arms of the Bourbon-Condé family France, about
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Dante Gabriel Rossetti, English, 1828-1882 Before the Battle 1858, retouched in 1862 Transparent and opaque
Museum of Fine Arts -
Robert Salmon, English, 1775-1845 or after The British Fleet Forming a Line off Algiers 1829
Museum of Fine Arts -
Standing Female Figure Indian Northern India, Mathura, (Uttar Pradesh), 3rd–2nd century B.C.. Terracotta, modeled face
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Asta su abuelo. (And so was his grandfather);
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William James Stillman, American, 1828-1901 Study on Upper Saranac Lake 1854 Oil on canvas 77.47
The Metropolitan Museum of Art -
Sir Peter Paul Rubens (1577-1640), monochrome Copy after Anthony van Dyck (Flemish, 17th century)Oil on
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Otro modo de cazar á pie. (Another way
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Aquellos polbos. (That dust); Plate 23 from "Los
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Rembrandt Harmensz. van Rijn, Dutch, 1606-1669 Bust of an Old Man with a Fur Cap
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Rembrandt Harmensz. van Rijn, Dutch, 1606-1669 The Three Trees 1643 Etching, drypoint, and engraving Sheet:
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Rembrandt Harmensz. van Rijn, Dutch, 1606-1669 Christ Appearing to the Apostles 1656 Etching on thin
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Temeridad de Martincho en la plaza de Zaragoza.
Museum of Fine Arts -
Rembrandt Harmensz. van Rijn, Dutch, 1606-1669 The Star of the Kings about 1651 Etching Platemark:
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Mariano Ceballos, alias el Indio, mata el tot
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Modo con que los antiguos españoles cazaban los
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Pepe Illo haciendo el recorte al toro. (Pepe
Museum of Fine Arts -
Rembrandt Harmensz. van Rijn, Dutch, 1606-1669 Faust about 1652 Etching, drypoint and engraving Platemark: 20.9
Museum of Fine Arts -
Rembrandt Harmensz. van Rijn, Dutch, 1606-1669 Jan Cornelis Sylvius 1646 Etching, drypoint, and engraving Platemark:
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Unidentified artist, Italian (Apulian), 14th century Virgin and Child with Saints Christopher, Augustine, Stephen, John
Museum of Fine Arts -
Unidentified artist, Italian (Venetian), about 1500 Formerly attributed to Giorgione, Italian, about 1477 –1510 Formerly
The Metropolitan Museum of Art -
[Cornelius Conway Felton with His Hat and Coat], early 1850s John Adams Whipple (American, 1822-1891)Daguerreotype;
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Le tisserand breton (1888) by SERUSIER Paul
The Metropolitan Museum of Art -
White Flag, 1955 Jasper Johns (American, born 1930)Encaustic, oil, newsprint, and charcoal on canvas; H.

Artnews Articles and Exhibition Information: (5)
Click on any of the links below to read about artnews or exhibitions related to Noyes


Hang: Edges: Between Chaos and Stillness, Paintings by Connie Noyes
Part of what has made Ms. Noyes’ painting so appealing is the texture, form and color that draws the eye into each work. Noyes begins by covering the canvas with layers of thick gesso and then a layer of sludge. "Sludge" is the waste of past paint...

Paul Sunderholm Gallery: Wax Drawings: Works on Paper by Connie Noyes
Part of what makes Ms. Noyes’ work so appealing is the texture play, material investigation and subtle color. Noyes begins each piece with a gesture that is then preserved beneath a layer of wax. Working in the moment, layers of wax are built up w...

Noyes Cultural Center: Life Sentences - Mary Porterfield and Frank Bell
Within the larger landscape, and often forming the land, air and water masses themselves, are hundreds of figures – human, animal and mythic. These figures form allegorical scenes within the painting that the artist says refer to her experience...

Philadelphia Art Alliance: Antonio Puri: Outside the Mandala
Ultimately, Puri's art form engages the viewer in an active level of deciphering and imagining the works in various stages of completion. As Puri writes in his artist statement, „by contrasting  highly textured surfaces with flat surfaces, vertica...

Biennale Internazionale dell’Arte Contemporanea: Over One Hundred Portfolio Member Artists Participate in The Florence Biennale
We are enthused that the Biennales jury searched through the absolutearts.com Portfolios for quality work by artists around the world. As they selected nearly one hundred artists qualified and willing to participate, this is proof of our success a...

Further Artwork and Information:

artnet.com: Resource Library: Noyes, Eliot
Eliot Noyes
Eliot (Fette) Noyes [de]
February 2004 Home Monthly: Eliot Noyes revisited
Noyes, Eliot, Jr.
Eliot Noyes in Tribu-Design- Furniture, lighting and industrial design
The Wilton Library - A Study in Modernism
nic.pasadena.k12.ca.us/ZoneBlock/NewZB.xls
(Christine Noyes ELIOT - Geraldine Grace ELIOT )
Noyes (Eliot) House

 

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Last updated and links verified on: Tuesday January 01/26/10 09:24:34 PM

 

 

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