Artist: Pietro Paolo Olivieri ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Pietro Paolo Olivieri.

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Domenico Veneziano - Portrait of Michele Olivieri c. 1440-55 tempera on panel Chrysler Museum of Art Italian
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Giovanni Olivieri Veduta della Piazza di Monte Cavallo... 1824
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Pietro Barboni Veduta dell'Incendio di S. Paolo 18th - 19th century
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Pietro Paolo Bonzi Sketches of Figures Pen and brown ink on laid paper mounted to heavier sheet 16th - 17th century
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Pietro Testa ( il Lucchesino) St. Catherine, after Pietro Testa Etching 17th century
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Pietro Berrettini (Pietro da Cortona) Daniel Freed from the Lion's Den, after Pietro da Cortona Engraving 18th century
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Pietro Testa ( il Lucchesino) Mythological Scene with Bacchus and Persephone, after Pietro Testa Etching 17th century
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Pietro Testa ( il Lucchesino) Two Figures, after a drawing by Pietro Testa Etching mounted to a heavier sheet 17th century
The Minneapolis Institute of Arts -
Artist: Pietro da Cortona (Pietro Berrettini) Title: Portrait of Cardinal Pietro Maria Borghese (created cardinal
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Pietro Berrettini (Pietro da Cortona) Cleopatra(?), after Pietro da Cortona, from the series Disegni originali d'eccelenti pittori... Etching 18th century
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Pietro Berrettini (Pietro da Cortona) Santa Bibiana refusing to sacrifice to pagan gods Etching 1626
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Pietro Testa ( il Lucchesino) The Death of Cato etching 1648
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Pietro Testa ( il Lucchesino) The Symposium Etching with drypoint 1648
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Pietro Testa ( il Lucchesino) Sacrifice of Abraham Etching 1640 - 1642
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Pietro Testa ( il Lucchesino) Self-Portrait etching circa 1645 - 1648
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Pietro Testa ( il Lucchesino) The Martyrdom of St. Erasmus etching 17th century
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Pietro Testa ( il Lucchesino) The Departure of the Prodigal Son Etching circa 1645
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Pietro Testa ( il Lucchesino) St. Jerome Etching circa 1631 - 1637
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Pietro Testa ( il Lucchesino) Allegory of Winter: Apotheosis of the Artist*s Genius Etching 1644
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Pietro Testa ( il Lucchesino) Socrates at the Table with his Friends Etching 1648
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Pietro da Cortona - Portrait of Cardinal Pietro Maria Borghese c. 1633-35 oil on canvas Minneapolis Institute of Arts Italian
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Pietro Testa ( il Lucchesino) The Prodigal Son Tending the Swine Etching circa 1645
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Pietro Testa ( il Lucchesino) St. John the Baptist Red chalk on laid paper 17th century
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Pietro Testa ( il Lucchesino) The Holy Family with St. John the Baptist Etching circa 1630
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Pietro Testa ( il Lucchesino) The Way of Virtue: Young Man Arriving on Parnassus Etching circa 1645 - 1650
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Pietro Testa ( il Lucchesino) Nymphs and Satyrs in a Wooded Landscape Reproductive etching 17th century
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Pietro Testa ( il Lucchesino) The Adoration of the Magi Etching with drypoint circa 1640
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Pietro Testa ( il Lucchesino) Two Saints Invoking the Virgin to stay the Plague, copy after Testa Etching 17th century
The Metropolitan Museum of Art -
The Massacre of the Innocents, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
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Pietro Testa ( il Lucchesino) The Infant Christ Embracing the Cross (or, The Dream of Joseph) Etching circa 1635 - 1637
The Metropolitan Museum of Art -
The Adoration of the Magi, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
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Titian - Pietro Aretino 1548-51 oil on canvas The Frick Collection Italian
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Pietro Testa ( il Lucchesino) Three Lucchese Saints Interceding with the Virgin for the Victims of the Plague Etching circa 1630 - 1631
The Metropolitan Museum of Art -
Portrait of a Woman, 1430s Attributed to Paolo Uccello (Paolo di Dono) (Italian, Florentine, 1397-1475)Tempera
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Jean-Auguste Dominique Ingres - Paolo and Francesca c. 1855-60 oil on canvas The Hyde Collection French
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Pietro Berrettini (Pietro da Cortona) Ceiling of Palazzo Barberini Engraving 16th - 17th century
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Auguste Rodin - Paolo and Francesca c. 1909 marble Corcoran Gallery of Art French
The Metropolitan Museum of Art -
Madonna and Child with the Donor, Pietro de"Lardi, Presented by Saint Nicholas Master of the
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Canaletto - Venice: S. Pietro in Castello 1734-1742 oil on canvas The National Gallery, London Italian
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Orazio Farinati The Descent from the Cross, after Paolo Farinati Etching and engraving 1586
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Titian - Cardinal Pietro Bembo c. 1540 oil on canvas National Gallery of Art Italian
The Metropolitan Museum of Art -
The Visit, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
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G. Petrignani St. Peter Delivered From Prison, after Pietro Testa Etching 17th century
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Tommaso Piroli The Crucifixion, after Pietro Cavallini Etching and engraving 1825
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Orazio Farinati The Crossing of the Red Sea, after a design by Paolo Farinati from the woodblock print by Titian Etching 1583
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Auguste Rodin - The Kiss (Paolo and Francesca) 1886 painted plaster Milwaukee Art Museum French
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Pietro Ghigi Portrait of Giovanni Pietro Foliari, after the fresco by Raphael in the Stanza de Eliodoro in the Vatican Palace Etching-engraving 18th - 19th century
The Metropolitan Museum of Art -
The Letter, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
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Pietro Berrettini (Pietro da Cortona) Sacrifice of Iphigenia Pen and brown ink and brown wash over traces of black chalk on laid paper 17th century
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Jacopo Robusti Tintoretto - Portrait of Doge Pietro Loredan 1567-70 oil on canvas Kimbell Art Museum Italian
The Metropolitan Museum of Art -
The Temptation, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
The Metropolitan Museum of Art -
The Burial of Saint Martha, predella panel Sano di Pietro (Ansano di Pietro di Mencio)
The Metropolitan Museum of Art -
The Meeting, probably 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x
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Pietro Testa ( il Lucchesino) Recto:Two Male Figures ~Verso: Study of Drapery r:Pen and brown ink, and brown wash,with graphite on blue laid paper onlaid to a heavier sheet ; v: Graphite and black chalk 17th century
The Metropolitan Museum of Art -
Madonna and Child with Saints, polyptych, 1454 Giovanni di Paolo (Giovanni di Paolo di Grazia)
The Metropolitan Museum of Art -
Saints Matthew and Francis, ca. 1436 Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian,
The Metropolitan Museum of Art -
Saint Catherine of Alexandria in Prison, ca. 1580-85 Paolo Veronese (Paolo Caliari) (Italian, Venetian, 1528-1588)Oil
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Bernardo Bellotto - The Campo di SS. Giovanni e Paolo, Venice 1743-1747 oil on canvas National Gallery of Art Italian
Museum of Fine Arts -
Pietro da Cortona (Pietro Berrettini, called Pietro da Cortona), Italian (Roman), 1596-1669 Virgin and Child
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Pietro Bonato Three Young Women, after Canova Engraving and etching 19th century
The Metropolitan Museum of Art -
Madonna and Child with Two Angels, 1490s Pietro di Domenico (Italian, Sienese, 1457–?1506)Tempera and gold
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Pietro Longhi Bal Masque oil on canvas 18th century
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Stefano Mulinari The Death of Dido, after Pietro Testa Etching and engraving 18th century
The Metropolitan Museum of Art -
Paradise, predella panel, ca. 1445 Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Sienese,
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Carlo Cesio (or Carlo Cesius) Jupiter and Juno Etching circa 17th century
The Metropolitan Museum of Art -
The Crucified Christ, fragment of a crucifix Pietro da Rimini (Italian, Riminese, active 1324-33)Tempera and
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Sir Anthony Van Dyck - Paolo Adorna, Marchesa di Brignole Sale 1622-27 oil on canvas The Frick Collection Flemish
The Metropolitan Museum of Art -
Saint Ursula and Her Maidens, ca. 1410 Niccolò di Pietro (Italian, Venetian, active 1394-1427/30)Tempera and
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Pietro Berrettini (Pietro da Cortona) Sixtus V. P. ä ad Basilicam S. Petriä, fourth plate after Picturae Francisci Albani in aede Verospia ([Rome?]: no publisher, [1704?]), second part in miscellany with spine title: Opere d. div. pittori et
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Francesco Bartolozzi Rachel Hiding the Idols of Laban, after Pietro da Cortona Engraving in sepia ink 1765
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Giovanni Girolamo Frezza Polyphemus following Acis and Galatea, after Pietro da Pietri after Sisto Badalocchio Engraving 1704
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Pietro Barboni Teatro di Marcello... 1827
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Pietro Aquila The Death of the Virgin, after G.M. Morandi Engraving 17th century
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Carlo Cesio (or Carlo Cesius) Fortitude, after Annibale Carracci from the Farnese Gallery Panels Etching 17th century
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Carlo Cesio (or Carlo Cesius) Charity, after Annibale Carracci from the Farnese Gallery Panels Etching 17th century
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Carlo Cesio (or Carlo Cesius) Moderation, after Annibale Carracci from the Farnese Gallery Panels Etching 17th century
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Pietro Berrettini (Pietro da Cortona) untitled, fifth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) Faustulus apportant Remus et Romulus ( Faustulus brings forth Remus & Romulus)... fourteenth plate in the book...Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2 Engraving and etching 16th - 17th
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Pietro Berrettini (Pietro da Cortona) untitled, second plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Longhi A Theatrical Performance oil on canvas 18th century
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Pietro Salvatori Il Violinista, after Raphael Engraving 19th century
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Pietro Berrettini (Pietro da Cortona) Eminentissime et Rev.me Princeps, eleventh plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine t
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Francesco Villamena The Presentation of Christ in the Temple, after Paolo Veronese Engraving 1773
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Pietro Berrettini (Pietro da Cortona) Virtutem, first plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Carlo Cesio (or Carlo Cesius) Jupiter and Juno, from the series The Farnese Gallery Etching 1657
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Pietro Berrettini (Pietro da Cortona) untitled, twelfth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, eighth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, seventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, sixth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) untitled, fourth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, eleventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Carlo Cesio (or Carlo Cesius) Diana and Pan, after Annibale Carracci, pl.4 from the series The Farnese Gallery Etching 1675
The Metropolitan Museum of Art -
Madonna and Child Enthroned Workshop of Paolo Veneziano (Italian, Venetian, active by 1333, died 1358-62)Tempera
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Pietro Barboni Veduta del Tempio di Minerva... 1825
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Pietro Barboni Veduta dell'Arco di Druso... 1826
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Pietro Barboni Veduta delle antiche... 1825
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Pietro Barboni Veduta del Sepolchro di Cajo... 1825
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Pietro Berrettini (Pietro da Cortona) Achilles among the Daughters of Lycomedes Black chalk, red chalk, pen and brown ink, brown wash, and white opaque watercolor on laid paper mounted to a heavier sheet, attached to a second heavy sheet 17th century
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Giovanni Cesare Testa Achilles on the back of the Centaur Chiron Etching 17th century
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Pietro Berrettini (Pietro da Cortona) untitled, third plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O

Artnews Articles and Exhibition Information: (2)
Click on any of the links below to read about artnews or exhibitions related to Olivieri

John Michael Kohler Arts Center: One Thousand Words: Storytelling Images from Cultures Around the World
Storytelling has historically served as a form of entertainment but also as a cultural necessity. Stories carry histories, map moral laws and religious beliefs, and teach lessons of survival. Whether bearing sorrow, humor, or wisdom, they are reme...
Philadelphia Museum of Art: The Splendor of 18th-Century Rome
A strong sense of their city's cultural centrality encouraged Rome's 18th-century civic and religious leaders to construct or embellish numerous churches, palaces, fountains, public plazas (piazze), gardens and gallerie...

Further Artwork and Information:

Pietro Paolo Olivieri (1560 - 1617) Biography, Artwork Images, Exhibitions, Reviews
Marlia Roots, Family Tree, Marlia Radici
World Famous Artists - Index o
Liberali Democratici Europei
Art History - Famous Artists - Index o
Comanducci Arte Italia - Catalogo Artitsti
Famous Italians - The Garibaldis campaign in Southern Italy
AUGUSTA ON LINE - Speciale Elezioni Amministrative 2003
Elenco ufficiale dei Garibaldini sbarcati a Marsala - The Garibaldis campaign in Southern Italy
Giuseppe Garibaldi Camice rosse e la spedizione dei Mille a Marsala

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