Artist: Felice Palma ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Felice Palma.

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Edward Weston - Palma Cuernavaca II 1925 platinum print High Museum of Art American
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Palma Giovane (Jacopo Negretti) Christ and the Woman Taken in Adultery, copy after Palma Giovane Etching 17th century
J. Paul Getty Museum -
Venus and Mars
The Metropolitan Museum of Art -
The Crucifixion Jacopo Palma the Younger (Italian, Venetian, 1544-1628)Oil on canvas; 85 x 53 1/4
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Raffaello Guidi St. Jerome in the Desert, after Palma il Giovane Engraving 1597
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Sito Conte Commemorative palma in the shape of a harpy eagle Stone ca. 900
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Palma Giovane (Jacopo Negretti) Judith With The Head of Holofernes Etching 16th - 17th century
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Giulio Tomba The Studio of Francesco Rosaspina, after Felice Giani Engraving 1811
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Palma Giovane (Jacopo Negretti) St. John the Baptist in the Wilderness, from the series Principles of Drawing Etching 1636
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Palma Giovane (Jacopo Negretti) Figure Studies Pen and brown ink on laid paper mounted to heavier sheet late 16th century
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Palma Giovane (Jacopo Negretti) The Madonna and Child with St. Jerome and St. Francis, from the series Principles of Drawing Etching 16th - 17th century
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Palma Giovane (Jacopo Negretti) The Tutelary Goddess of the City of Rome, from the series Principles of Drawing Etching 16th - 17th century
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Palma Giovane (Jacopo Negretti) The Doubting Thomas (Incredulity of St. Thomas), from the series De excellentia et nobilitate delineationis libri duo (Principles of Drawing) Etching 16th - 17th century
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Palma il Vecchio (Jacomo de Antonio de Negreto) Portrait of a Woman with Her Lover oil on canvas 15th - 16th century
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Palma Giovane (Jacopo Negretti) St. Jerome, Pope Damasus, and Two Putti, from the drawing manual, De excellentia et nobilitate delineationis libri duo Principles of Drawing) Etching circa 1611
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Palma Giovane (Jacopo Negretti) Recto: Studies of the Transfiguration and Saint John the Baptist ~Verso: Horsemen in Combat r: Pen and brown ink and brown wash on laid paperv: Pen and brown ink on laid paper 1611
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-5/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-3/8
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-3/8
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-5/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-1/4 x W.10-5/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-3/16 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-5/16 x W.8-1/4
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-7/16 x W.11
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-3/4 x W.11-1/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-5/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-1/4 x W.10-3/8
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-15/16 x W.8-15/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.8-5/16 x W.10-3/8
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-1/2 x W.8-1/4
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-5/16 x W.7-13/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-1/4
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-3/8 x W.8-3/16
The Minneapolis Institute of Arts -
Artist: Felice A. Beato Title: Untitled Date: n.d. Medium: albumen print Dimensions: H.10-7/16 x W.8-3/16
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Palma Giovane (Jacopo Negretti) Tutelary Goddess of the City of Rome, from the series De excellentia et nobilitate delineationis libri duo (Principles of Drawing) (Rome: Giacomo Franco, 1611) Etching circa 1611
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Robert Sargent Austin The Cathedral, Palma etching 1927
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Francesco (Felice) Polanzani Ascension of the Virgin Mary etching 18th century
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William Strang Porta Felice, Palermo, Sicily drypoint 19th - 20th century
J. Paul Getty Museum -
Secundra Bagh Interior
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Francesco (Felice) Polanzani Old Woman Warming Her Hands at a Brazier, after Giuseppe Nogari Engraving (and etching?) 18th century
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Francesco (Felice) Polanzani Portrait of Giovanni Battista Piranesi, from the series Le Antichit‡ di Roma (The Antiquities of Rome) Etching 1750
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Jacopo Palma il Giovane - Lamentation c. 1620 oil on canvas National Gallery of Art Italian
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Palma il Giovane - Portrait of a Collector 1600-1620 oil on canvas Birmingham Museums and Art Gallery Italian
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Jacopo il Vecchio Palma - Venus and Cupid c. 1523-1524 oil on canvas The Fitzwilliam Museum Italian
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E. Gullan Island of Capri, twelfth plate opposite page 215 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint 1815
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Elizabeth Frances Batty Arco Felice, opposite page 158 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
Museum of Fine Arts -
Felice Casorati, Italian, 1886-1966 A Student Oil on plywood panel 123.7 x 86.7 cm (48
Museum of Fine Arts -
Felice Casorati, Italian, 1886-1966 City Dwellers Oil on canvas 150.0 x 84.5 cm (59 1/16
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Jacopo Palma il Vecchio - Venus and Cupis in a Landscape c. 1515 Oil on Canvas Norton Simon Museum Italian
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I. Girtin Map of the Country, Islands, & etc. in the Vicinity of Naples, third plate opposite page 1 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) etching with
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Felice Beato - Satsuma's envoys c. 1864-1867 hand painted albumen The Royal Photographic Society British
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Anonymous False title page ,opposite frontispiece and preceding the title page, second plate in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with add
Museum of Fine Arts -
After Jacopo Palma, the Younger, Italian, 1544-1628 The Deposition from the Cross late 16th to
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I. Girtin Plan of the Barracks, Theatres, &c. of Pompeji, fifth plate opposite page103 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint 1815
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Anonymous A View near Naples, sixteenth plate opposite page 350 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand coloring 1815
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Anonymous View of the Temple of Isis in Pompeji, sixth plate opposite page 107 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand c
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Anonymous View of the Gate and High Street of Pompeji, seventh plate opposite page 124 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional
J. Paul Getty Museum -
Head Quarter Staff, Pehtang Fort
Museum of Fine Arts -
Follower of Jacopo Palma, the Younger, Italian, 1544-1628 Christ Being Nailed to the Cross and
Museum of Fine Arts -
Jacopo Palma, the Younger, Italian, 1544-1628 Sheet of Studies, including a Penitent St. Jerome, a
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Thomas Rowlandson Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) Book with 18 color aquatints with additional hand coloring 1815
Museum of Fine Arts -
Jacopo Palma the Younger, Italian, 1544-1628 The Annunciation with God the Father Oil on canvas
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Felice A. Beato - Girl Playing the Samisen n.d. hand tinted black an Smith College Museum of Art Italian
Museum of Fine Arts -
Felice Giani, Italian, 1760-1823 The Men of Ithaca Separated by Athena in the Guise of
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Felice Torelli - Martyrdom of St. Peter Martyr c. 1727 oil on laid paper The Detroit Institute of Art Italian
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Thomas Rowlandson Sleeping TÍte ‡ TÍte, at a First visit of Don Luigi's, eleventh plate opposite page 195 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 18
The Metropolitan Museum of Art -
A Descriptive Atlas of the Cesnola Collection of Cypriote Antiquities in the Metropolitan Museum of
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Giovanni Battista Piranesi Veduta del Castello dell'Acqua Felice (View of The Fontana dell'Acqua Felice) from Vedute di Roma (Views of Rome) Etching 1751
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Thomas Rowlandson Don Michele Getting Up the Ship's Side, thirteenth plate opposite page 323 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with addi
J. Paul Getty Museum -
Allegory on the Life of Canova
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Thomas Rowlandson Don Michele Preparing for His Triumphal Expedition, seventeenth plate opposite page 366 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquat
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Thomas Rowlandson First frontispiece page preceding the title page, first plate in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand
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Thomas Rowlandson A Bacchanalian Scene at Don Luigi's Ball, fifteenth plate opposite page 346 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with add
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Thomas Rowlandson Don Luigi's Baggage Seized by Four Lazzaroni, fourth plate opposite page 4 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with ad
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Thomas Rowlandson Ancient Greek Paintings from Herculaeum, tenth plate opposite page 178 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with addition
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Thomas Rowlandson Ancient Greek Paintings from Herculaneum, eighth plate opposite page 166 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additi
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Thomas Rowlandson The Letter Writer,eighteenth plate opposite page 375 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand coloring
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Thomas Rowlandson Don Luigi's Ball, fourteenth plate opposite page 342 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with additional hand coloring 1
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Felice A. Beato - Interior of Fort Immediately After Its Capture 1860 albumen print from w Cincinnati Art Museum British
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Thomas Rowlandson Don Luigi Meets Donna Anna in the Museum,ninth plate opposite page 176 in the book Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802 (London: R. Ackermann, 1815) color aquatint with addition
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Palma Il Giovane - The Humiliation of Emperor Federic Barbarosa before Pope Alexander III and Doge 1fter 1575 chalk and ink Arkansas Arts Center Italian
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Wolfgang Kilian Satyr with woman Engraving 16th - 17th century
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Francisco Montaner or Muntaner El R. P. F. Martin Sarmiento Steel engraving 18th century
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Giacoma or Jacopo del Leonardis Dies tenebiarum et Engraving 1768
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Jan Eillarts St. Jerome Reading, sitting at the trunk of a tree ENG 17th century
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Giacoma or Jacopo del Leonardis Fac nobis deos, qui nos praecedant Engraving 1768
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Lucas Kilian Raising of Lazarus Engraving 16th - 17th century
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Conrad Martin Metz St. Jerome Soft ground etching 18th - 19th century
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Marco Boschini Portrait of Duke Erizzo of Venice Engraving 17th century
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Marcantonio Raimondi The Martyrdom of St. Felice Engraving 15th - 16th century
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Aegidius or Gilles Sadeler The stoning of St. Stephen Etching, engraving 16th - 17th century
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Jacob M‰nnl Dead Christ Supported by an Angel Mezzotint circa 1720
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Pasquale Ottino The Entombment Etching and engraving 17
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Pasquale Ottino The Entombment Etching with some engraving 17
J. Paul Getty Museum -
Study of the Martyrdom of Saint Peter Martyr
The Metropolitan Museum of Art -
Madonna and Child with Saints Bonifazio Veronese (Bonifazio de" Pitati) (Italian, Venetian, 1487-1553)Oil on wood;
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Antonio Beato Bronze Statue of Dai-Bouts, near Kamakura Albumen print mounted to an album page circa 1867

Artnews Articles and Exhibition Information: (19)
Click on any of the links below to read about artnews or exhibitions related to Palma

Gaya Fusion of Senses: Filippo Sciascia: VIDEO - PAINTING
He begins with a video film, “looking for the real, translated digitally in a photo image”, filtered through the classic media of oil painting, in what could be described as the transposition of a video realistic image into a video painted image ...
Anderson Gallery, Drake University: Brice Dellsperger: Body Double 15
The Anderson Gallery will present Body Double 15 (2001), a single-channel DVD projection that takes as its scaffold the famous museum pick-up sequence from Brian de Palma's Dressed to Kill (1980). In this ten-minute piece the artist, dressed as a ...
Whitney Museum of Art: Black Box/White Cube Series - In Sync: Cinema and Sound in the Work of Julie Becker and Christian Marclay

Witte de With Center for Contemportary Art: Squatters 2: Space in Rotterdam and Porto
Runa Islam (UK) emphasizes the local differences in a side by side screening of two films based on the same script but shot in the resp...
Art Instutite ofChicago: Raphael and Titian: The Renaissance Portrait
The Raphael and Titian portraits will be on loan to the Art Institute from the Pitti Gallery in Florence, where they are considered to be two of the greatest masterpieces in the collection. This exhibition offers a rar...
Art History Museum: Cypriot Art from the Collection of Classical Antiquities
The Kunsthistorisches Museum’s collection of Cypriot art contains over 700 objects dating from the early Bronze Age to the Roman Empire, it is thus one of the largest ...
Metropolitan Museum of Art: New Cypriot Galleries
Acquired by General Luigi Palma di Cesnola while he was serving as American consul in Cyprus, these works were purchased by the Metropolitan Museum between 1874 and 1876 and constituted i...
Art Miami, Advanstar Communications: Art Miami 2004: A Fresh Perspective on Contemporary Art from Europe, Asia and the Americas
1 of 2 "We’ve made some very positive changes to the show," offers Vardy, "We've altered the floor plan to create more spacious hallways, re-examined our programming to include more projects and, significantly, set stricter criteria for partic...
Modern Culture At The Gershwin Hotel: Alberto Garcia-Alix: Tell Me Words Of Love In Spanish
Tell Me Words Of Love In Spanish will include portraits of Rossy de Palma (star of the films of Pedro Almodovar), Johnny Thunders, and Martin ...
Michael Dunev Art Projects: THE ARCHITECT DRAWS: Homage to JL Sert
Linked to the city of Barcelona, these architects present drawings in pencil and ink, watercolours or sketches that weave the complex tapestry beauty and the creative process.  Somewhere between the architectural plan, sometimes visionary, and the...
Joan Miró Foundation: Klee, Tanguy, Miró. Three approaches to landscape
Paul Klee (München-Buchsee, Berne, 1879 – Locarno, 1940) stands as a lone figure in the panorama of twentieth-century painting. A member of the Expressionist group Der Blaue Reiter, he was also a teacher at the Bauhaus. In the 1920s he began to t...
Michael Dunev Art Projects: Beau Geste : Abstract Paintings in Torroella di Montgri
Eschewing at first glance obvious pictorial references, these works celebrate the vital gesture that is the basis of all painting, inviting the viewer to participate in a dialogue with each work, sharing at the same time in the mystery of the crea...
Americas Society: Picturing Guatemala: Images From the CIRMA Photography Archive, 1870-1997
Many of the photographs on view will be rare vintage prints, including a number of nineteenth-century cartes ...
Photofusion Photography Centre: Eulogy to Beauty:
The concern here is not with nudity for its own sake, but with the aesthetics of beauty. However, it is a commonplace that the male - and indeed often female - gaze finds its target for this aesthetic in the feminine form, and the erotic represent...
photo san francisco, Stephen Cohen Gallery: 5th annual San Francisco Photographic Art Exposition Opened Yesterday
The phenomenal success of photo san francisco has attracted more than 70 galleries andprivate dealers from the United States and around the world presenting the finest photographic art ranging from rare 19th century prints to the most progressive ...
Art New York: New Contemporary Art Expostion to Open Tomorrow
According to Joyce Jamison, show director, “Many will be looking for undiscovered artists and this fair is an especially good source for discovering emerging artists and galleries since a number have never before exhibited in New York. In fact, ...
Guggenheim Museum: presents Conversations Between Shadows and Light: Italian Cinematography
Organized by guest curator Antonio Monda, Professor, Department of Film and Television, Tisch School of the Arts at New York University, and Maria-Christina Villaseñor, Associate Curator of Film and Media Arts at the Guggenheim Museum, Conversatio...
San Diego Museum of Art: José Clemente Orozco in the United States, 1927-1934
The Museum is delighted to be able to present such a significant exhibition of works by Orozco who, along with Diego Rivera, Frida Kahlo, and David Alfaro Siqueiros, is counted among the most important Mexican artists of the twentieth century. Wit...
Centre de Cultura Contemporania de Barcelona: Paris and The Surrealists
The Centre de Cultura Contemporània de Barcelona presents the exhibition PARIS AND THE SURREALISTS, curated by the art historian and critic Victoria Combalía, which will run in Gallery 2 of the CCCB from 17 February to 22 May 2005. The exhibition ...

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