Artist: Frances Palmer ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Frances Palmer.

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Frances F. Palmer "Wooding Up" on the Mississippi Lithograph with hand coloring 1863
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Frances F. Palmer American Farm Scenes. No. 1. from a set of 4 Lithograph with hand coloring 1853
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Frances F. Palmer The Farmers Home - Harvest Lithograph with hand coloring 1864
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Frances F. Palmer American Country Life: Pleasures of Winter Lithograph with hand coloring 1855
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Frances F. Palmer "Rounding a Bend" on the Mississippi. The parting Salute Color lithograph with hand coloring 1866
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Samuel Palmer "Christmas" etching in Samuel Palmer, a memoir by A. H. Palmer etching 19th century
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Alfred Herbert Palmer Portrait of J.C. Hook 19th century
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Samuel Palmer The Bellman ET 1879
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Samuel Palmer An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) book with 5 etchings and 9 photogravures after drawings 1883
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Samuel Palmer Moonlit Scene graphite 1863
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Samuel Palmer The Sepulchre ET 19th century
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Samuel Palmer The Skylark ET 19th century
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Samuel Palmer The Willow ET 19th century
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Samuel Palmer The Cypress Grove etching 1883
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William Hogarth - Frances Arnold 1738-1740 oil on canvas The Fitzwilliam Museum British
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Samuel Palmer The Willow etching 19th century
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Samuel Palmer The Herdsman, or The Weary Ploughman 1865
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Samuel Palmer The Rising Moon ET 19th century
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Samuel Palmer The Cypress Grove ET 19th century
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Samuel Palmer The Early Ploughman ET 19th century
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Samuel Palmer Moeris and Galatea ET 19th century
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Samuel Palmer The Homeward Star ET 19th century
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Samuel Palmer "O fortunate old man...",first illustration for Eclogue 1, opposite page 18 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "O fortunate old man...",second illustration for Eclogue 1, opposite page 20 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Thomas Gainsborough - The Hon. Frances Duncombe c. 1777 oil on canvas The Frick Collection British
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Samuel Palmer "Thy very cradle quickens...", illustration for Eclogue 4, opposite page 48 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Anders Leonard Zorn - Mrs. Potter Palmer 1893 oil on canvas The Art Institute of Chicago Swedish
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Samuel Palmer Opening the Fold; or, Early Morning ET 19th century
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Samuel Palmer The Herdsman's Cottage; or sunset ET 19th century
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Samuel Palmer "Come fairest, if thou care for me at all..," illustration for Eclogue 7, opposite page 70 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Pan came, Arcadian shepherd ever good...", first illustration for Eclogue10, opposite page 92 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Tis gentle Phillis I love best of all...", illustration for Eclogue 3, opposite page 40 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Pan came, Arcadian shepherd ever good",second illustration for Eclogue10, opposite page 94 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "And while the troubled moon shrunk in and out...", second illustration for Eclogue 8, opposite page 82 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer "Ripe apples are our supper...",third illustration for Eclogue 1, opposite page 22 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer "Untimely lost and by a cruel deathä", illustration for Eclogue 5, opposite page 54 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer Opening the Fold; or, Early Morning ET 19th century
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Samuel Palmer The Sleeping Shepard; Early Morning ET 19th century
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Samuel Palmer "_till Vesper bade the swain...", illustration for Eclogue 6, opposite page 64 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Scarce with her rosy fingers had the dawn...", first illustration for Eclogue 8, opposite page 76 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer "But see, the weary-pacing oxen, slow...", illustration for Eclogue 2, opposite page 30 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Then, to our goats at milking time return..", illustration for Eclogue 9, opposite page 88 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer The Herdsman's Cottage or Sunset etching from a steel plate 1850
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Joshua Reynolds - Lady Frances Warren 1759 oil on canvas Kimbell Art Museum English
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Samuel Palmer The Shorter Poems of John Milton (London: Seeley & Company, 1889) book with 12 etchings 1889
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Marcus Geeraerts the Elder - Sir Henry Palmer, Knight 1586 oil on panel Memorial Art Gallery of the University of Rochester Flemish
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Abbott Handerson Thayer - Anne Mumford Palmer 1879 oil on canvas Memorial Art Gallery of the University of Rochester American
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Erastus Salisbury Field - Paul Smith Palmer 1835-1838 oil on canvas National Gallery of Art American
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Frances A. Atwell Quilt, Album/Christmas Cross/Chimney Sweep cotton 1850
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George Romney - Portrait of Richard Palmer 1787 oil on canvas Los Angeles County Museum of Art English
J. Paul Getty Museum -
Sir Guyon Tempted by Phaedra
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Erastus Salisbury Field - Mrs. Paul Smith Palmer and Her Twins 1835-1838 oil on canvas National Gallery of Art American
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Elizabeth Frances Batty Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) book with 60 engravings 1820
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Sir Peter Lely - Portrait of Anne, first wife of Sir Frances Warre n.d. oil on canvas Mead Art Museum, Amherst College Dutch
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Samuel Palmer Lycidas, illustration to the poem Lycidas, opposite page 2 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Curfew, first illustration to the poem Il Penseroso, opposite page 22 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Prospect, second illustration to the poem L'Allegro, opposite page 14 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Bellman, second illustration to the poem Il Penseroso, opposite page 26 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Elizabeth Frances Batty Venice, opposite page 166 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty La Riccia, opposite page 123 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Pisa, opposite page 39 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Coliseum, opposite page 75 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Rapallo, opposite page 37 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Bay of Genoa, opposite page 34 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Florence, opposite page 44 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Samuel Palmer The Dell of Comus, second illustration to the poem Comus, opposite page 60 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Eastern Gate, first illustration to the poem L'Allegro, opposite page 10 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer A Towered City, third illustration to the poem L'Allegro, opposite page 18 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Brothers under the Vine, first illustration to the poem Comus, opposite page 52 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Waters Murmuring, fifth illustration to the poem Il Penseroso, opposite page 34 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer Morning, fourth illustration to the poem Il Penseroso, opposite page 32 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Lonely Tower, third illustration to the poem Il Penseroso, opposite page 30 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Frederick R. Spencer - Frances Ludlum Morris (Mrs. Robert Morris) oil on canvas National Gallery of Art American
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Elizabeth Frances Batty Arch of Janus, opposite page 87 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Castle of St. Angelo, opposite page 83 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Genoa, Lighthouse, opposite page 20 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Pass of Bramante, opposite page 5 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Untitled title page vignette in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Virgil's Tomn, opposite page 145 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Naples, from the Mole, opposite page 141 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Cascade at Tivoli, opposite page 121 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Lake Avenue, opposite page 155 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Castle Gandolfo, opposite page 126 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Domo d'Ossola, opposite page 188 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Lago d'Agnano, opposite page 153 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Lake of Albano, opposite page 128 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Naples from St. Elmo, opposite page 130 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty View from the Chiaja, opposite page 143 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Bridge of Gondo, opposite page 192 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Arco Felice, opposite page 158 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Scene at Tivoli, opposite page 120 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Village of Simplon, opposite page 194 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Lorenzo Palmer Latimer Landscape oil on canvas 1882
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Elizabeth Frances Batty Florence, from the Road to Arezzo, opposite page 59 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty The Temple of Venus & Rome,, opposite page 79 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Venice, Piazzetta di San Marco, opposite page 170 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Villa on the Coast of Posilipo, opposite page 161 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Villa Borghese, near Florence, opposite page 56 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Terni, from the Road to the Cascade, opposite page 69 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820
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Elizabeth Frances Batty Porta del Palazzo, near Florence, opposite page 67 in the book Italian Scenery from drawings made in 1817 by Miss [Elizabeth Frances] Batty (London: Rodwell & Martin, 1820) engraving 1820

Artnews Articles and Exhibition Information: (18)
Click on any of the links below to read about artnews or exhibitions related to Palmer

California Museum of Photography: Mediating Site/Mediated Vision
Mediating Site/Mediated Vision looks at various ways in which photographic work makes the mediation of technology apparent and brings the viewer's attention back to the apparatus itself. The exhibition is curated by Kate Palmer, a second year grad...
Centre for Contemporary Photography: Call for Artists: e-Media Gallery calling for for NET ART WORKS, CD-ROM & DVD
The small Gallery, which features a wooden facade with a cut-out for the mouse and the monitor screen, acts as a 'digital portal' at CCP and is visited by hundreds of visitors each week. CCP promotes all exhibitions on its full colour monthl...
Lawrence Gallery Portland: New Works by Painter Ann Ruttan
Patron’s of Ruttan’s work will be dazzled by her new collection as they are revealed in the main gallery on 1st Thursday, September 1st. Those seeking Ruttan’s work for the first time, should look forward to large scale canvases which mirror t...
Fuller Museum of Art: Environmental Arts, Inc Presents Sixth Annual Outdoor Sculpture Exhibition
For the past six years, the Outdoor Sculpture Exhibition has been located on the grounds of the Fuller Museum of Art where a path, through twenty-two acres of wooded area, was created for the establishment of sites for permanent as well as tempora...
IAO Gallery: Outart Festival Of Oklahoma
The 4 selected were artists that showed a level of presentation that was superb, Richard Ray Whitman said. Clayton Keyes, David Cockerell, Joe Dale Tate Nevaquaya and Mark Maxey were selected for this prestigious award. Over ...
Tate Gallery, Liverpool: Figurative Art at the End of the Century
Many of these works have only just been acquired by the Tate and are on show in Liverpool for the first time. Together, they create a powerful spectacle and raise issues ...
Kettle's Yard Gallery, University of Cambridge: Alan Reynolds: 50 Years after the Royal College of Art
A quest for structure and equilibrium has always been at the heart of Reynolds' work. His engagement with landscape, from his native Suffolk to the hop gardens and orchards of his adoptive Kent, was inspired in part by Constable and Samuel Palmer ...
Kettle's Yard Gallery, University of Cambridge: EXODUS: between promise and fulfilment
Photographs from the Ordnance Survey of the Peninsula of Sinai 1869 by Sgt. James McDonald (1822-1885) David Austen
Vija Celmins
Ian Davenport
Helmut Federle
Callum Innes
John McCracken
John Zurier Sgt.McDo...
Singapore Art Museum: Photographica Australis
WITTY, OFTEN BEAUTIFUL AND SOMETIMES UNNERVING, photography is amongst the most fascinating Australian art being made today. The background for the present confidencelies in the success of artists such as Tracey Moffatt and Bill Henson, who hav...
Seattle Art Museum: Hero/Antihero: What Heroes Are Made Of
Hero/Anti-Hero will examine a wide range of personalities including the Roman Emperor Claudius, Muhammad Ali, Jackie Robinson, and Ulysses S. Grant; characters who have inspired dreams, ambivalence, and even hostility. Among the artists represente...
Smart Museum of Art: Critical Mass
* Training: They usually hold degrees from art schools and many also teach or administrate at cultural institutions. * Sensibilities: They pursue an ethical, self-reflective practice and are committed to social engagement. They conside...
Brian Gross Fine Art: Robert Arneson: Political Drawings
Arneson addressed the threat of global annihilation and the destructiveness of war, and often caricatured world leaders to highlight their shortcomings.  In the masterful drawings, Club Social, Field Trip, and Special Forces, Arneson depicts night...
Corcoran Gallery of Art: Picturing the Banjo
"For more than two centuries, the banjo has played an integral role in American history and culture and has inspired an eclectic array of artists," said Sarah Cash, the Corcoran's Bechhoefer Curator of American Art. "A highlight of the Corcoran...
Blaffer Gallery, University of Texas: Single Channel: Collaborating with the Moving Image
"Exhibiting films and videos as visual installations alongside formal screenings in a gallery setting is something new for Microcinema and we are excited about the prospects for the viewers as well as the filmmakers," comments Patrick Kwiatkowsk...
Fogg Art Museum, Harvard: A New Kind of Historical Evidence: Highlighting an Extraordinary Range of Photographic Practice
The title of the exhibition comes from a 1967 Harvard Alumni Bulletin article reporting the establishment of the Carpenter Center collection and heralding photography as “a new kind of historic evidence.” The collection contains some of photograph...
Cleveland Museum of Art: Nature Sublime: Landscapes from the Nineteenth Century
During the 19th century, in both European and American art, the landscape emerged as a subject of profound significance. As industry flourished, many artists turned to nature as an escape. Nature Sublime will examine the ways that the major artist...
Centre for Contemporary Photography: Four Exhibitions Open Today: THE ART BAR by Nat & Ali, Matthew Sleeth's TOUR OF DUTY, Jack Sweetman and James Cecil's LOCATION, John Tonkin's MENISCUS
Nat & Ali Present
THE ART BAR
Gallery One Collaborative artist team Nat & Ali present THE ART BAR, a mixed media installation/event transforming CCP's front gallery into a public bar and artist hang-out. Surrounded by atmospheric l...
Citibank: Kathryn Henneman: Empowering the Dream
The passion with which she has embraced her new surroundings is exceeded by her passion for her craft. “Painting is the rhythm of my life,” Henneman says. The abstract impressionist artist has been painting professionally for the last 20 y...

Further Artwork and Information:

Frances Palmer
Frances Palmer Pottery
Frances Palmer Biography
Passenger Index for Hawaiian Ships
Frances Palmer - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Frances Flora Palmer - Artist Painting - Artist Summary [AskART.com]
Scott Holmes Genealogy - Frances Palmer Hempstead
Frances Palmer, National Agricultural Statistics Service, Department of Agriculture, U.S. Government, UNITED STATES
Frances Flora Bond Palmer Online
Frances Palmer, National Agricultural Statistics Service, Department of Agriculture, U.S. Government, UNITED STATES

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