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Artist: Sir James Palmer ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Sir James Palmer.
- Samuel Palmer
"Christmas" etching in Samuel Palmer, a memoir by A. H. Palmer
etching
19th century
- Alfred Herbert Palmer
Portrait of J.C. Hook
19th century
- Frances F. Palmer
"Wooding Up" on the Mississippi
Lithograph with hand coloring
1863
- Frances F. Palmer
American Farm Scenes. No. 1. from a set of 4
Lithograph with hand coloring
1853
- Frances F. Palmer
The Farmers Home - Harvest
Lithograph with hand coloring
1864
- Samuel Palmer
The Bellman
ET
1879
- Samuel Palmer
An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
book with 5 etchings and 9 photogravures after drawings
1883
- Samuel Palmer
Moonlit Scene
graphite
1863
- Frances F. Palmer
American Country Life: Pleasures of Winter
Lithograph with hand coloring
1855
- Samuel Palmer
The Willow
ET
19th century
- Samuel Palmer
The Skylark
ET
19th century
- Samuel Palmer
The Sepulchre
ET
19th century
- Samuel Palmer
The Cypress Grove
etching
1883
- Frances F. Palmer
"Rounding a Bend" on the Mississippi. The parting Salute
Color lithograph with hand coloring
1866
- Samuel Palmer
The Herdsman, or The Weary Ploughman
1865
- Samuel Palmer
The Rising Moon
ET
19th century
- Samuel Palmer
Moeris and Galatea
ET
19th century
- Samuel Palmer
The Homeward Star
ET
19th century
- Samuel Palmer
The Early Ploughman
ET
19th century
- Samuel Palmer
The Willow
etching
19th century
- Samuel Palmer
The Cypress Grove
ET
19th century
- Samuel Palmer
"O fortunate old man...",first illustration for Eclogue 1, opposite page 18 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"O fortunate old man...",second illustration for Eclogue 1, opposite page 20 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Thy very cradle quickens...", illustration for Eclogue 4, opposite page 48 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Anders Leonard Zorn - Mrs. Potter Palmer 1893 oil on canvas The Art Institute of Chicago Swedish
- Samuel Palmer
Opening the Fold; or, Early Morning
ET
19th century
- Samuel Palmer
The Herdsman's Cottage; or sunset
ET
19th century
- Samuel Palmer
"And while the troubled moon shrunk in and out...", second illustration for Eclogue 8, opposite page 82 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"Tis gentle Phillis I love best of all...", illustration for Eclogue 3, opposite page 40 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Come fairest, if thou care for me at all..," illustration for Eclogue 7, opposite page 70 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Pan came, Arcadian shepherd ever good...", first illustration for Eclogue10, opposite page 92 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Pan came, Arcadian shepherd ever good",second illustration for Eclogue10, opposite page 94 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Ripe apples are our supper...",third illustration for Eclogue 1, opposite page 22 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"Untimely lost and by a cruel deathä", illustration for Eclogue 5, opposite page 54 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
Opening the Fold; or, Early Morning
ET
19th century
- Samuel Palmer
The Sleeping Shepard; Early Morning
ET
19th century
- Samuel Palmer
"But see, the weary-pacing oxen, slow...", illustration for Eclogue 2, opposite page 30 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Then, to our goats at milking time return..", illustration for Eclogue 9, opposite page 88 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"_till Vesper bade the swain...", illustration for Eclogue 6, opposite page 64 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Scarce with her rosy fingers had the dawn...", first illustration for Eclogue 8, opposite page 76 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
The Herdsman's Cottage or Sunset
etching from a steel plate
1850
- Samuel Palmer
The Shorter Poems of John Milton (London: Seeley & Company, 1889)
book with 12 etchings
1889
- Marcus Geeraerts the Elder - Sir Henry Palmer, Knight 1586 oil on panel Memorial Art Gallery of the University of Rochester Flemish
- Abbott Handerson Thayer - Anne Mumford Palmer 1879 oil on canvas Memorial Art Gallery of the University of Rochester American
- Erastus Salisbury Field - Paul Smith Palmer 1835-1838 oil on canvas National Gallery of Art American
- George Romney - Portrait of Richard Palmer 1787 oil on canvas Los Angeles County Museum of Art English J. Paul Getty Museum
- Sir Guyon Tempted by Phaedra
- Erastus Salisbury Field - Mrs. Paul Smith Palmer and Her Twins 1835-1838 oil on canvas National Gallery of Art American
- Samuel Palmer
Lycidas, illustration to the poem Lycidas, opposite page 2 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889)
etching with photogravure
1889
- Samuel Palmer
The Curfew, first illustration to the poem Il Penseroso, opposite page 22 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889)
etching with photogravure
1889
- Samuel Palmer
The Prospect, second illustration to the poem L'Allegro, opposite page 14 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889)
etching with photogravure
1889
- Samuel Palmer
The Bellman, second illustration to the poem Il Penseroso, opposite page 26 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889)
etching with photogravure
1889
- Samuel Palmer
The Eastern Gate, first illustration to the poem L'Allegro, opposite page 10 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889)
etching with photogravure
1889
- Samuel Palmer
The Dell of Comus, second illustration to the poem Comus, opposite page 60 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889)
etching with photogravure
1889
- Samuel Palmer
A Towered City, third illustration to the poem L'Allegro, opposite page 18 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889)
etching with photogravure
1889
- Samuel Palmer
Morning, fourth illustration to the poem Il Penseroso, opposite page 32 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889)
etching with photogravure
1889
- Samuel Palmer
The Waters Murmuring, fifth illustration to the poem Il Penseroso, opposite page 34 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889)
etching with photogravure
1889
- Samuel Palmer
The Lonely Tower, third illustration to the poem Il Penseroso, opposite page 30 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889)
etching with photogravure
1889
- Samuel Palmer
The Brothers under the Vine, first illustration to the poem Comus, opposite page 52 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889)
etching with photogravure
1889 Museum of Fine Arts
- James Dow, American, Born in 1942 Monroe County Courthouse, (Palmer), Rochester, New York, 1977-1977, printed
- Lorenzo Palmer Latimer
Landscape
oil on canvas
1882
- Samuel Palmer
The Brothers Discovering the Pallace of Comus, third illustration to the poem Comus, opposite page 64 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889)
etching with photogravure
1889
- Patrick Palmer
Stey Guard II
watercolor, graphite and acrylic
1980
- Lorenzo Palmer Latimer
Landscape
oil on canvas
19th - 20th century
- William Palmer Robins
Old Dutch Mill
woodcut
1923
- William Palmer Robins
St. Paul's Dome from the Thames
Etching
1929 Museum of Fine Arts
- Ethan Allen Greenwood, American, 1779-1856 Hon. James Ellis 1815-20 Oil on panel 66.36 x 52.39
- William Palmer Robins
The Richyard
Drypoint and etching
19th - 20th century
- William Palmer Robins
Two Willows
Drypoint and etching
19th - 20th century
- J. Harris
Rochester, Inscribed to Sir Thomas Palmer, etc
17th - 18th century Museum of Fine Arts
- Ethan Allen Greenwood, American, 1779-1856 Mrs. James Ellis (Martha Bridgham) 1815-20 Oil on panel 66.04
- William Palmer Robins
The Pilot's House
Etching and aquatint
19th - 20th century
- Walter Launt Palmer
Fleeing from perscution - pages 614 & 615,from Harper's Weekly 4 Aug. 1877
wood engraving
19th - 20th century
- Walter Launt Palmer
"The sole surviver"paged 646 & 647,from Harper's Weekly,5 Aug. 1876
Wood Engraving
19th - 20th century
- James Bard - Steamship James Fisk, Jr. 1870 oil on board Memorial Art Gallery of the University of Rochester American
- James Basire, Sr.
Portrait of Sir James Burrow
Engraving
18th - 19th century
- Walter Launt Palmer
Throwing out Papers for the Light-House - p.28 from Harpers Weekly 13 January 1877
wood engraving
19th - 20th century
- Walter Launt Palmer
"The wild west coast of the North Countrie" from Harper's Weekly,10 June 1876
Wood Engraving
19th - 20th century
- Walter Launt Palmer
The Preserving Tanks at the Fish-Market, Berlin, Prussia - p.980 from Harper's Weekly 28 November 1874
wood engraving
19th - 20th century The Metropolitan Museum of Art
- Mrs. Rufus Prime (Augusta Temple Palmer, 1807-1840), 1828 Jean Baptiste Isabey (French, 1767-1855)Card; Oval, 5 Museum of Fine Arts
- John Singleton Copley, American, 1738-1815 Isaac Royall 1769 Oil on canvas 127 x 101.6 cm The Minneapolis Institute of Arts
- Artist: attributed to James Frothingham Title: Portrait of Rev. James M. Winchell. Date: 19th century
- James Heath
James II
stipple engraving
18th - 19th century
- James Beard
Dog with Puppies
oil on canvas
1863
- Edward Francis Burney
James Thomson, frontispiece in the book The Seasons by James Thomson (London: F. J. du Roverayä, 1802)
engraving
1801
- Currier and Ives
View on the Rondout.
Lithograph with hand coloring
19th century
- Joseph Jonathan Blackburn - Mrs. James Pitts 1757 oil on canvas The Detroit Institute of Art American
- Joseph Jonathan Blackburn - James Pitts 1757 oil on canvas The Detroit Institute of Art American
- Gilbert Stuart - James Munroe c. 1817 oil on wood National Gallery of Art American
- Matthew Harris Jouett - James G. McKinney n.d. oil on canvas Cleveland Museum of Art American
- Jacob Eichholtz - James P. Smith c. 1835 oil on canvas National Gallery of Art American
- Gilbert Stuart - James Madison c. 1821 oil on wood National Gallery of Art American
- Sir Henry Raeburn - Mrs. James Cruikshank c. 1805-08 oil on canvas The Frick Collection British
- Sir Henry Raeburn - James Cruikshank c. 1805-08 oil on canvas The Frick Collection British
- El Greco - Portrait of St. James the Less c. 1595 oil on canvas The Hyde Collection Greek/Spanish
- Daniel Huntington - Dr. James Hall 1857 oil on canvas National Gallery of Art American
- Joseph Badger - James Bowdoin 1746-47 oil on canvas The Detroit Institute of Art American
- Jeremiah Theus - James Cuthbert c. 1765 oil on canvas National Gallery of Art American
- Randall Palmer - The Young Artist c. 1838-1839 oil on canvas Los Angeles County Museum of Art American Museum of Fine Arts
- William Baxter Palmer Closson, American, 1848-1926 Preparing for the Pageant about 1915 Oil on paperboard
Artnews Articles and Exhibition Information: (18) Click on any of the links below to read about artnews or exhibitions related to Palmer
California Museum of Photography: Mediating Site/Mediated Vision Mediating Site/Mediated Vision looks at various ways in which photographic work makes the mediation of technology apparent and brings the viewer's attention back to the apparatus itself. The exhibition is curated by Kate Palmer, a second year grad...
Centre for Contemporary Photography: Call for Artists: e-Media Gallery calling for for NET ART WORKS, CD-ROM & DVD The small Gallery, which features a wooden facade with a cut-out for the mouse and the monitor screen, acts as a 'digital portal' at CCP and is visited by hundreds of visitors each week.
CCP promotes all exhibitions on its full colour monthl...
Lawrence Gallery Portland: New Works by Painter Ann Ruttan
Patron’s of Ruttan’s work will be dazzled by her new collection as they are revealed in the main gallery on 1st Thursday, September 1st. Those seeking Ruttan’s work for the first time, should look forward to large scale canvases which mirror t...
Fuller Museum of Art: Environmental Arts, Inc Presents Sixth Annual Outdoor Sculpture Exhibition For the past six years, the Outdoor Sculpture Exhibition has been located on the grounds of the Fuller Museum of Art where a path, through twenty-two acres of wooded area, was created for the establishment of sites for permanent as well as tempora...
IAO Gallery: Outart Festival Of Oklahoma The 4
selected were artists that showed a level of presentation that was
superb,
Richard Ray Whitman said. Clayton Keyes, David Cockerell, Joe Dale Tate
Nevaquaya and Mark Maxey were selected for this prestigious award.
Over ...
Tate Gallery, Liverpool: Figurative Art at the End of the Century Many of these works have only just been
acquired by the Tate and are on show in Liverpool for the first
time. Together, they create a powerful spectacle and raise issues
...
Kettle's Yard Gallery, University of Cambridge: Alan Reynolds: 50 Years after the Royal College of Art A quest for structure and equilibrium has always been at the heart of Reynolds' work. His engagement with landscape, from his native Suffolk to the hop gardens and orchards of his adoptive Kent, was inspired in part by Constable and Samuel Palmer ...
Kettle's Yard Gallery, University of Cambridge: EXODUS: between promise and fulfilment Photographs from the Ordnance Survey of the Peninsula of Sinai 1869 by Sgt.
James McDonald (1822-1885)
David Austen
Vija Celmins
Ian Davenport
Helmut Federle
Callum Innes
John McCracken
John Zurier
Sgt.McDo...
Singapore Art Museum: Photographica Australis
WITTY, OFTEN BEAUTIFUL AND SOMETIMES UNNERVING, photography is amongst the most fascinating Australian art being made today. The background for the present confidencelies in the success of artists such as Tracey Moffatt and Bill Henson, who hav...
Seattle Art Museum: Hero/Antihero: What Heroes Are Made Of Hero/Anti-Hero will examine a wide range of personalities including the Roman Emperor Claudius, Muhammad Ali, Jackie Robinson, and Ulysses S. Grant; characters who have inspired dreams, ambivalence, and even hostility. Among the artists represente...
Smart Museum of Art: Critical Mass
* Training: They usually hold degrees from art schools and many also teach or administrate at cultural institutions.
* Sensibilities: They pursue an ethical, self-reflective practice and are committed to social engagement. They conside...
Brian Gross Fine Art: Robert Arneson: Political Drawings Arneson addressed the threat of global annihilation and the destructiveness of war, and often caricatured world leaders to highlight their shortcomings. In the masterful drawings, Club Social, Field Trip, and Special Forces, Arneson depicts night...
Corcoran Gallery of Art: Picturing the Banjo "For more than two centuries, the banjo has played an integral role in
American history and culture and has inspired an eclectic array of
artists," said Sarah Cash, the Corcoran's Bechhoefer Curator of American
Art. "A highlight of the Corcoran...
Blaffer Gallery, University of Texas: Single Channel: Collaborating with the Moving Image
"Exhibiting films and videos as visual installations alongside formal screenings in a gallery setting is something new for Microcinema and we are excited about the prospects for the viewers as well as the filmmakers," comments Patrick Kwiatkowsk...
Fogg Art Museum, Harvard: A New Kind of Historical Evidence: Highlighting an Extraordinary Range of Photographic Practice The title of the exhibition comes from a 1967 Harvard Alumni Bulletin article reporting the establishment of the Carpenter Center collection and heralding photography as “a new kind of historic evidence.” The collection contains some of photograph...
Cleveland Museum of Art: Nature Sublime: Landscapes from the Nineteenth Century During the 19th century, in both European and American art, the landscape emerged as a subject of profound significance. As industry flourished, many artists turned to nature as an escape. Nature Sublime will examine the ways that the major artist...
Centre for Contemporary Photography: Four Exhibitions Open Today: THE ART BAR by Nat & Ali, Matthew Sleeth's TOUR OF DUTY, Jack Sweetman and James Cecil's LOCATION, John Tonkin's MENISCUS Nat & Ali Present
THE ART BAR
Gallery One
Collaborative artist team Nat & Ali present THE ART BAR, a mixed media installation/event transforming CCP's front gallery into a public bar and artist hang-out. Surrounded by atmospheric l...
Citibank: Kathryn Henneman: Empowering the Dream The passion with which she has embraced her new surroundings is exceeded by her passion for her craft.
“Painting is the rhythm of my life,” Henneman says.
The abstract impressionist artist has been painting professionally for the last 20 y...
Further Artwork and Information:
Sir James Palmer
Sir James Frederick Palmer - Parliament of Victoria
THE LATE SIR JAMES PALMER, M.D., PRESIDENT OF THE LEGISLATIVE COUNCIL OF VICTORIA.
Welcome to The City of Boroondara - Things To Do
Science and the making of Victoria, Alphabetical List of Members 1854-1872, page 167
Palmer Family British Military Careers
S
Bodega Norton Winery
Wikipedia: Roger Palmer, 1st Earl of Castlemaine
James Dean Palmer
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Edward Hopper Nighthawks, 1942
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