Artist: 1503 Parmigianino (1540 - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by 1503 Parmigianino.

-
Parmigianino (Francesco Mazzola) The Sacrifice Woodcut 16th century
-
Parmigianino (Francesco Mazzola) St. ThaÔs Etching 16th century
-
Parmigianino (Francesco Mazzola) The Entombment etching 16th century
-
Parmigianino (Francesco Mazzola) The Annunciation Etching 16th century
-
Parmigianino (Francesco Mazzola) The Nativity Etching 16th century
-
Parmigianino (Francesco Mazzola) Astrology Etching 16th century
-
Parmigianino (Francesco Mazzola) A Youth With Two Old Men Etching 16th century
-
Parmigianino (Francesco Mazzola) The Entombment Etching 16th century
-
Parmigianino (Francesco Mazzola) The Entombment etching and drypoint 16th century
-
Parmigianino (Francesco Mazzola) The Ressurection Etching circa 1527 - 1530
The Metropolitan Museum of Art -
The Annunciation Attributed to Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma, 1503-1540)Oil on wood; 33
-
Parmigianino (Francesco Mazzola) Male Figure Study Red and white chalks 17th century
-
Parmigianino (Francesco Mazzola) Venus Pen and brown ink and brown ink wash over black crayon on laid paper 17th century
-
Parmigianino (Francesco Mazzola) Celleberrimi Francisci Mazzola Parmensis graphidesä (Bologna: Ludovico Inig, 1788) book with engravings and aquatints 1788
-
Parmigianino (Francesco Mazzola) A Roman soldier and a woman extending their hands towards a flaming globe on an altar (Mucius Scaevola?) Etching 16th century
-
Parmigianino (Francesco Mazzola) Recto:Diana~Verso: Studies of Heads r: Pen and brown ink and brown wash over black chalk on laid paperv: Black chalk 17th century
-
Parmigianino (Francesco Mazzola) Faith, from a series of Christian Virtues Color chiaroscuro woodcut printed in black and two shades of brown, with watercolor and pen and ink additions by another hand 16th century
-
Parmigianino (Francesco Mazzola) Recto:Circe greeting the Companions of Ulysses~Verso: The Christian Hero by Andrea Andreani (lower fragment) Color chiaroscuro woodcut printed in black and tan 1602
-
Portrait de jeune homme (1867 acquis) by LE PARMESAN (dit), PARMIGIANINO IL (dit), MAZZOLA Francesco (d'après)
-
Master F P Woman Examining an Armillary Sphere, after Parmigianino Etching circa 1527
-
Portrait de Galeazzo Sanvitale (1ère moitié 16e siècle) by anonyme ; LE PARMESAN (dit), PARMIGIANINO IL (dit), MAZZOLA Francesco (d'après)
-
Adoration des bergers (1938 acquis ; 1937 entrée matérielle) by MAZZOLA Francesco (d'après), LE PARMESAN (dit), PARMIGIANINO IL (dit)
-
Master F P St. Paul (or, St. Matthias) from the series Christ and the Twelve Apostles, after Parmigianino Etching circa 1527
-
Master F P St. James Major, from the series Christ and the Twelve Apostles, after Parmigianino Etching circa 1527
-
Lévriers poursuivant un cerf (1ère moitié 16e siècle) by MAZZUOLA Francesco
-
Femme nue, debout, portant une corbeille de fleurs sur la tête (1ère moitié 16e siècle) by MAZZUOLA Francesco
-
Jacob tenant un lièvre mort (1ère moitié 16e siècle) by MAZZUOLA Francesco
-
Giuseppe Zocchi Eneas (?), after Parmigianino Etching 18th century
-
Philosophe assis, de profil vers la droite (1ère moitié 16e siècle) by MAZZUOLA Francesco
-
Vierge à l'Enfant sur une nuée (1526 vers) by MAZZOLA Francesco, IL PARMIGIANINO (dit)
-
DEUX ETUDES D'HOMMES NUS, SANS TETE (2E QUART 16E SIECLE ; 2E MOITIE 16E SIECLE) by LE PARMESAN (dit), PARMIGIANINO IL (dit), MAZZOLA Francesco
-
Giovanni Antonio Faldoni Two Nude Shepherds, after Parmigianino Engraving 1724
-
ENFANT TENANT UNE CHEVRE (2E QUART 16E SIECLE ; 2E MOITIE 16E SIECLE) by LE PARMESAN (dit), PARMIGIANINO IL (dit), MAZZOLA Francesco
-
Antonio da Trento St. Andrew, after Parmigianino Chiaroscuro woodcut in 3 blocks, in brown ink 16th century
-
Antonio da Trento The Lute Player, after Parmigianino chiaroscuro woodcut from two blocks early 16th century
-
Philyra et Saturne, sous la forme d'un cheval (1ère moitié 16e siècle) by MAZZUOLA Francesco
-
Francesco Rosaspina The Entombment, after a study by Parmigianino Etching and aquatint 1788
-
Quatre têtes d'enfant (1522 entre ; 1523 et) by MAZZOLA Francesco, IL PARMIGIANINO (dit)
-
Antonio da Trento The Martyrdom of St. Peter and St. Paul, after Parmigianino Chiaroscuro woodcut in three blocks 16th century
-
Antonio da Trento The Martyrdom of St. Peter and St. Paul, after Parmigianino Chiaroscuro woodcut in three blocks 16th century
-
Trois chevreaux devant une barrière (1530 vers) by MAZZOLA Francesco, IL PARMIGIANINO (dit)
-
Antonio da Trento Madonna and Child, after Parmigianino Chiaroscuro woodcut in 2 blocks, in blue-gray ink 16th century
J. Paul Getty Museum -
Studies of Madonna and Child
-
Composition allégorique avec deux figures (1ère moitié 16e siècle) by MAZZUOLA Francesco
-
Antonio da Trento St. Thomas, after Parmigianino Chiaroscuro woodcut in 3 blocks, printed in red and black inks 16th century
-
Woman Spinning and Visitor, Israhel van Meckenem the Younger (Germany, Mechenem, circa 1440/45 - 1503) , circa 1495-1503, Engraving
-
Francesco Rosaspina Virgin and Child with Saints, after Parmigianino Etching 17 - 18th century
-
Trois canéphores (1ère moitié 16e siècle) by MAZZUOLA Francesco
-
L'Amour fabricant son arc (1ère moitié 16e siècle) by MAZZOLA Francesco, IL PARMIGIANINO (dit)
-
Homme nu assis sur le sol, appuyé sur une main (1ère moitié 16e siècle) by MAZZUOLA Francesco
-
Ange soulevant une draperie au dessus de sa tête (1524 entre ; 1530 et) by MAZZOLA Francesco, IL PARMIGIANINO (dit)
-
Ugo Da Carpi The Surprise, after Parmigianino Chiaroscuro woodcut in three blocks, in grey inks 16th century
J. Paul Getty Museum -
Two Studies for the Holy Family
-
Vierge tenant l'Enfant Jésus, adoré par un ange (1ère moitié 16e siècle) by MAZZUOLA Francesco
-
Canéphore se dirigeant vers la droite (1ère moitié 16e siècle) by MAZZUOLA Francesco
-
Enea Vico Lucretia Preparing to Kill Herself, after Parmigianino Engraving 1546
-
Ugo Da Carpi Circe, after Ugo da Carpi's chiaroscuro woodcut print after Parmigianino Chiaroscuro woodcut in two blocks, in brown and black ink 16th century
-
Adoration des bergers (1ère moitié 16e siècle) by MAZZUOLA Francesco
-
Giulio di Antonio Bonasone St. Roch, after Parmigianino Engraving 16th century
-
Groupe de trois femme et deux hommes (1527 entre ; 1530 et) by MAZZOLA Francesco, IL PARMIGIANINO (dit)

Artnews Articles and Exhibition Information: (2)
Click on any of the links below to read about artnews or exhibitions related to Parmigianino

Bonnefanten Museum: The Age of Titian: Prints and Printmaking in Renaissance Venice
Reflecting a superior quality of printmaking, the prints included in the exhibition are on loan from the most celebrated print collections, including the Albertina in Vienna, the British Museum in London, the Metropolitan Museum of Art in New York...
Frick Collection: When is a Work of Art Complete: Prints by Rembrandt, Piranesi, Degas, Munch and More
In the process of printmaking, an artist will normally take proof impressions as he makes changes to his plate. These proof states, as will be apparent through many groupings in the exhibition, can establish an exact record of the image in the pr...

Further Artwork and Information:

[an error occurred while processing this directive]

Search the Art History Database for artists, titles, media, year, and other indepth information: