Artist: William Mcgregor Paxton ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William McGregor Paxton.

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William McGregor Paxton - Woman Sewing c. 1913 oil on canvas The Detroit Institute of Art American
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Man’s Swim Trunks, McGregor , circa 1950, Printed cotton
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Man’s Shirt, McGregor , early 1960s, Polyester/cotton blend
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Sarah Paxton Ball Dodson, American, 1847-1906 Le Berceau 1903 Oil on canvas 117.47 x 73.98
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Sarah Paxton Ball Dodson, American, 1847-1906 The Wych, Malvern about 1892 Oil on canvas 40.64
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Sarah Paxton Ball Dodson, American, 1847-1906 Psyche Carried Away by the Zephyrs about 1883 Oil
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Sarah Paxton Ball Dodson, American, 1847-1906 In Ashdown Forest, Sussex about 1899 Oil on paperboard
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Elizabeth Vaughan Okie Paxton, American, 1877-1971 The Open Window 1922 oil on canvas 61.59 x
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Wigley & McGregor, English, 1811-1825 Bass flute in C England, (London), 1811-16 Boxwood, ivory, brass
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Wigley & McGregor, English, 1811-1825 Alto flute in G (flauto di voce) England, (London), 1811
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Quilt, ’Log Cabin’ Pattern, Mary Burritt Needham  (Maker), 1872, Pieced and tied cotton and wool
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Samuel William Reynolds, Senior William, Youngest Son of Lord William Russell Mezzotint 18th - 19th century
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Mote Spoon, Maker’s mark possibly that of William Cripps or William Chawner  (Artist), circa 1760-1780, Silver
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Mote Spoon, Maker’s mark possibly that of William Cripps or William Chawner  (Artist), circa 1760-1780, Silver
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William Faithorne The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) Book with 9 etchings with engraving 1662
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William Henry Watt William Lourdsworth 19th century
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William Page - Mrs. William Page 1860-61 oil on canvas The Detroit Institute of Art American
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Arthur William Devis - The Hon. William Monson and His Wife, Ann Debonnaire c. 1786 oil on canvas Los Angeles County Museum of Art English
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William Nicholson London Types (London: William Heinemann, 1898) book with color plates 1898
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William Page - Colonel William Leete Stone 1839 oil on canvas Cleveland Museum of Art American
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William Nicholson An Almanac of Twelve Sports (London: William Heinemann, 1898) book with color plates 1898
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William Bagdatopoulos - Dr. William Henry Holmes 1929 oil on canvas Smithsonian American Art Museum American
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William Nicholson Any Bar, twelfth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Tower, third plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Hammersmith, fifth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Kensington, second plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Merritt Chase - Portrait of President William Waugh Smith 1907 oil on canvas The Maier Museum of Art American
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Adriaen Pynacker William of Orange (William III) Commemorative Plate polychrome tin - glazed earthenware 1690
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Scene from Chūshingura, Act 7, Katsushika Hokusai (attributed to) (Japan, Tokyo, 1760 - 1849) , 1806, Color woodblock print
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Scene from Chūshingura, Act 7, Katsushika Hokusai (attributed to) (Japan, Tokyo, 1760 - 1849) , 1806, Color woodblock print
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William Hancock Wilke William Andrew Clark, Jr. Drypoint 19th - 20th century
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The Hon. William Monson and His Wife, Ann Debonnaire, Arthur William Devis (England, 1762 - 1822)  (Artist), circa 1786
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William Nicholson Any Corner, eleventh plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The City, ninth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Horse Guards, first plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Rotten Row, sixth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Faithorne Hot to Choose Your Needles..., plate 3 opposite page 10 in te book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne Hot to Guide Your Needles..., plate 4 opposite page 12 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne How to Dry or Harden the Varnish..., plate 2 opposite page 9 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne How to Use the Oval Points..., plate 5 opposite page 15 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840

Artnews Articles and Exhibition Information: (4)
Click on any of the links below to read about artnews or exhibitions related to Paxton

Muse at 269 Gallery: A Solo Exhibition of Work by Joseph Paxton
He has increasingly tried to create a more confrontational interaction between the viewer and the work by producing his pieces on a large scale. Life size sculptures of hounds instantly take on a much more real and threatening dimension. Ano...
Portland Museum of Art: New Aquisitions 1999
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Guild of Boston Artists: The Boston Lineage: Transmission Of Knowledge - A Tribute to Robert Douglas Hunter
Phaneuf's two paintings on exhibit, J'ai la Pêche, and Relics of the Sea are both decorative and allegorical. “These paintings were chosen because compositionally they emulate Hunter's decorative arrangements, which appeal to a refined aesthetic a...
MMGalleries: Here and Now - Encaustics and Time
Textured, thick, shiny, translucent, colorful, subtle, engaging, encaustic is a cutting edge medium, yet millenniums old. Made of beeswax, tree resin, and pigments melted together on a heated palette, it is then applied in layers on a wooden panel...

Further Artwork and Information:

William McGregor Paxton Online
William Paxton - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Sylvia
The New Necklace (1910)
William McGregor Paxton - Reference Page
WILLIAM MCGREGOR PAXTON 1869
Des toiles de William McGregor Paxton
informations connexes touchant William McGregor Paxton
Maryland ArtSource - Artists - William McGregor Paxton
William McGregor Paxton - Artist Painting - Artist Summary [AskART.com]

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