Artist: Beverly Pepper ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Beverly Pepper.

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Edward Weston - Pepper #30 1930 gelatin silver print The Art Institute of Chicago American
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Michael Book - Collinwood; Saranac and Pepper 1990 gelatin silver print Cleveland Museum of Art American
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John Frederick Kensett - Beach at Beverly c. 1869-1872 oil on canvas National Gallery of Art American
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Shreve & Co. Pepper shaker sterling silver 1903 - 1917
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Shreve & Co. Pepper shaker sterling silver 1903 - 1917
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Shreve & Co. Pepper shaker sterling silver 1903 - 1917
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Shreve & Co. Pepper shaker sterling silver 1903 - 1917
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Shreve & Co. Pepper shaker sterling silver 1903 - 1917
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Shreve & Co. Pepper shaker sterling silver 1903 - 1917
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Shreve & Co. Pepper shaker sterling silver 1903 - 1917
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Shreve & Co. Pepper shaker sterling silver 1903 - 1917
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Shreve & Co. Pepper shaker sterling silver 1903 - 1917
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Shreve & Co. Pepper shaker sterling silver 1903 - 1917
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Salt, Pepper, and Fire, Mark Jilg , 1980, Dye-imbibition print
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Salt, Pepper, and Fire, Mark Jilg , 1980, Dye-imbibition print
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United States Glass Co. Pepper shaker non-flint glass circa 1895
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Toby Edward Rosenthal - The Trial of Constance de Beverly 1880-1883 oil on canvas Los Angeles County Museum of Art American
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Pepper, Edward Weston (United States, 1886 - 1958) , Gelatin-silver print
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Pepper, Edward Weston (United States, 1886 - 1958) , 1930, Gelatin-silver print
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Pepper, Edward Weston (United States, 1886 - 1958) , 1929, Gelatin-silver print
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Pepper Peddler, Jobun (Japan, died N/A) , late 18th-early 19th century, Wood with inlays
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Pair of Salt and Pepper Shakers, Georg Jensen (1866 - 1935) , fabricated circa 1960, Silver
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Pepper No. 4, Edward Weston (United States, 1886 - 1958) , 1930, Gelatin-silver print
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Harold Malette Dean Pepper Plant Wood engraving 20th century
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Pepper, Edward Weston (United States, 1886 - 1958) , 1930, printed 1930, Gelatin-silver print
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’Town and Country’ Salt and Pepper, Red Wing Pottery , designed circa 1945-1946, produced 1947-circa 1950, Earthenware
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’Town and Country’ Salt and Pepper, Red Wing Pottery , designed circa 1945-1946, produced 1947-circa 1950, Earthenware
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Pepper Cellar, Renaissance Style, Tiffany Studios (United States, New York, 1889 - 1902) , circa 1900, Black ink framed in blue crayon
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Hokkei Eggplants and Red Pepper, facsimile of print by Hokkei from the set of Three Lucky Dreams originally published in late 1820s color woodcut surimono circa 1892 - 1895
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Woman’s Beret, Rex of Beverly Hills  (Label), circa 1955, Nylon mesh, nylon thread, beads
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Costume Sketch of Mary Jane Shores as ’Pepper’ in the 20th Century Fox Production, ’Diamond Horseshoe’, Charles Le Maire (United States, Illinois, Chicago, 1896 - 1985/06/08) , 1944, Pencil, gouache on paper
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Beverly Hills Backyard, Margrethe Mather (United States, 1885 - 1952) , 1925, Gelatin-silver print
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Randolph Caldecott The Seasons/ pepper, illustration on page 4 in the book A Sketch-Book of R. Caldecott*s. Reproduced by Edmund Evans (London and New York: George Routledge & Sons, n.d.) wood engraving ca. 1885 - 1900
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’American Modern’ Salt and Pepper, Wright Accessories, Inc. , designed circa 1937, produced 1939-1959, Earthenware
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’American Modern’ Salt and Pepper, Wright Accessories, Inc. , designed circa 1937, produced 1939-1959, Earthenware
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’American Modern’ Salt and Pepper, Wright Accessories, Inc. , designed circa 1937, produced 1939-1959, Earthenware
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Cabot Street Cinema, Beverly, MA, Hiroshi Sugimoto (Japan, Tokyo, born 1948) , 1979, Gelatin-silver print
Museum of Fine Arts -
Possibly by William Fleming, free 1695 Kitchen Pepper London, England England, (London), 1725-26 Silver H.8.2
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Home of Benjamin Glazer, Beverly Hills, Margrethe Mather (United States, 1885 - 1952) , circa 1927, Gelatin-silver print
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The Trial of Constance de Beverly, Toby Edward Rosenthal (United States, Connecticut, New Haven, 1848 - 1917)  (Artist), 1880-1883, Oil on canvas
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Oxford, Beverly, Western, Edward Ruscha (United States, Nebraska, Omaha, born 1937) , 1999, Lithograph
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Bedroom of Blanche Sweet and Marshall Neilan, Beverly Hills, Margrethe Mather (United States, 1885 - 1952) , 1927, Gelatin-silver print
J. Paul Getty Museum -
Beverly Hills, California
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Residence of Blanche Sweet and Marshall Neilan, Beverly Hills, Margrethe Mather (United States, 1885 - 1952) , circa 1927, Gelatin-silver print
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Dining Room, Residence of Blanche Sweet and Marshall Neilan, Beverly Hills, Margrethe Mather (United States, 1885 - 1952) , 1927, Gelatin-silver print
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Oscar Levant, Pianist, Beverly Hills, California, 1972, Richard Avedon (United States, 1923 - 2004) , 1972, printed 1973, Gelatin-silver print
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Dining Room of Blanche Sweet and Marshall Neilan, Beverly Hills, Margrethe Mather (United States, 1885 - 1952) , circa 1927, Gelatin-silver print
Museum of Fine Arts -
Marked by William Fleming, free 1695 Kitchen Pepper London, England England, (London), 1713-14 Silver Overall:
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Portfolio II [Lucy & Ricky Ricardo, Beverly Palms Hotel Suite (I Love Lucy)], Mark Bennett (United States, Tennessee, Chattanooga, born 1956) , 1997, Lithograph
Museum of Fine Arts -
Marked by Augustine Courtauld, 1686-1751 Kitchen Pepper Pair of Dredgers London, England England, (London), 1729-30
Museum of Fine Arts -
Marked by Augustine Courtauld, 1686-1751 Kitchen Pepper Pair of Dredgers London, England England, (London), 1729-30
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Beverly Hallam - Paperweight 1987 acrylic on canvas National Museum of Women in the Arts American
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Santa Monica, Melrose, Beverly, La Brea, Fairfax, Edward Ruscha (United States, Nebraska, Omaha, born 1937) , 1998, Acrylic on canvas
Museum of Fine Arts -
John Frederick Kensett, American, 1816-1872 Smith"s Point, Beverly, Massachusetts 1867 Oil on canvas 56.2 x
Museum of Fine Arts -
Coin with bust of Caracalla Coin; Roman Provincial Roman Provincial Imperial Period, A.D. 211–217 Thrace,
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Madeleine en prière (1826) by SENTIES Pierre Asthasie Théodore ; RENI Guido, LE GUIDE (dit, d'après)
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David Low Bring Out Your Dead graphite 19th - 20th century
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Woman’s Hat, Saks Fifth Avenue (born 1924) , 1953, Fur felt, net
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Robert Bastian Great Wave ink and opaque watercolor 1961
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(Vicky) Victor Weisz Krushchev and Eisenhower ink and colored pencil 1959

Artnews Articles and Exhibition Information: (16)
Click on any of the links below to read about artnews or exhibitions related to Pepper

Armory Art Center: Images of Seminole Identity: Dialogues in Art and Anthropology
Imagesof Seminole Identity was organized by The Claude Pepper Foundation in Tallahassee Florida, an educational organization bringing new and informative analysis to the attention of policy m...
Laumeier Sculpture Park: Cromlech Glen By Beverly Pepper to Reopen
The restoration project began in May, 2002, and continued for nearly a year. The labor-intensive work of restoring this magnificent piece involved re-installing the steps, replacing much of the pathway around the top of the mounds, using 90 tons ...
Oval Artist Management and Gallery: Oval Artists: Selection of New Works
Gary Bolyer is a New York City based landscape artist who will be one of about twenty represented by the gallery. His style reflects his early influences, especially his formative years growing up in a rural area of northwest Louisiana, and his...
Wasmer Gallery at Ursuline College: PATRICK CORRIGAN AND ELLIOTT FAYE: PHOTOGRAPHS
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Birmingham Museum and Art Gallery: Brilliantly Birmingham: Museum of the Jewellery Quarter
The annual celebration is a chance for the city to promote the Jewellery Quarter's reputation as the largest centre for jewellery making in Europe and raise the profile of the up and coming makers that are the quarter's hidden tal...
Arte Communications, Venice Council's Office for Culture and Entertainment, Lido-Malamocco-Alberoni District Council: OPEN'99 2nd International Exhibition of Sculptures and Installations
The participating artists have been selected by a committee of international critics presided over by the French art critic, Mr. Pierre Restany. The artists come from 20 different countries: China, Costa Rica, Denmark, Finland, France, Germany, Ja...
Museum of Arts and Sciences: Crossing the Threshold with Thelma and Louise
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Joslyn Art Museum: An American Century of Photography: From Dry-Plate to Digital, The Hallmark Photographic Collection
Local support for this exhibition has been made possible in part by the ConAgra Foundation. By about 1890, the art and impact of photography in American culture had been transformed by several important developments: the...
Zeitgeist Gallery: Visions and Images: Recent Paintings by John Jaegel
After all, painting an image on a flat surface is what it is all about, whether it is illusionistic or abstract. A revelation occurs each and every time I face a blank canvas. The task for me is to find the means, the language to create something ...
Perth Institute of Contemporary Arts: Mirage: A Group Show Curated by Bec Dean
Mirage transforms perception through a combination of atmosphere and heat. It creates an illusion interpreted not only through our sensory perceptions but possibly conditioned by our psychological states. Is Mirage an optical illusion that plays b...
William Traver Gallery: John Miller: Blue Plate Special
The concept for Blue Plate Special began a couple years ago, with John sketching designs for glass works to execute. John’s prior body of work focused on large scale Venetian goblets, and he wanted to create art of everyday objects – in some respe...
Museum of Modern Art: Van Gogh's Postman: The Portraits of Joseph Roulin
Joseph Roulin was a postal employee in Arles, and van Gogh painted him for the first time in the summer of ...
hug - Gallery for International Photography: John ‘Hoppy’ Hopkins: 1960 to 1965 – A Taster
Through Melody Maker Hoppy worked with the biggest groups of the day “...they were having difficulty getting good pictures of The Rolling Stones because the group was so unreliable and they asked me to help,” he says. “We booked a studio for 11am ...
Amon Carter Museum: Edward Weston: Life Work
Weston moved to California in 1906 from Illinois and began to earn his living in photography by doing house-to-house portraiture. In 1911 he opened a studio in Glendale taking photographs in the pictorial style, but by 1922 he had reached a turni...
Ca’ Rezzonico: EaTable Glass (Table Glassware)
The exhibition, organised by the Trieste Contemporanea Committee in collaboration with Musei Civici Veneziani and the Revoltella Museum of Trieste, is an integral part of the Sixth International Design Competition coordinated by the Committee with...
Arte Communications: International Exhibition of Sculptures and Installations OPEN2OO3 Art and the Cinematic Vision
The Chief Curator, in this edition, is the international critic Robert C. Morgan, afterwards the loss of the esteemed French Art Critic Pierre Restany, who gave his precious collaboration for the previous editions. As in the foregoing editions, Ch...

Further Artwork and Information:

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