Artist: Irene Perez ( - )
Artworks in Museum Collections: (72)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Irene Perez.

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Irene Perez Goldweight with box design brass 20th century
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Irene Perez (one calendar of twelve serigraph images- Huicholes- "Alumbrando el pensamiento del Hombre", Mayo) screenprint 1975
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Irene Perez Goldweight with box design brass 20th century
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Irene Perez Goldweight with box design brass 20th century
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Irene Perez Goldweight with box design brass 20th century
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Irene Perez Goldweight with box design brass 20th century
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Mark Rothko - Irene 1933 oil on canvas National Gallery of Art American
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Vincent Perez Man, Thinking Woodcut 1966
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Eugene Delacroix - St. Sebastian with St. Irene and Attendant 1858 oil on panel Los Angeles County Museum of Art French
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Hendrick ter Brugghen - Saint Sebastian Tended by Irene 1625 oil on canvas Allen Memorial Art Museum at Oberlin College Dutch
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Irene Zevon Untitled wood cut 1959
The Metropolitan Museum of Art -
Don Tiburcio Pérez y Cuervo, the Architect, 1820 Francisco de Goya y Lucientes (Spanish, 1746-1828)Oil
Museum of Fine Arts -
© Irene Chou ; Irene Chou, Chinese–Australian, Born in 1924 A Poetic Verse With Seven
Museum of Fine Arts -
© Irene Chou ; Irene Chou, Chinese–Australian, Born in 1924 Circles upon Circles Painting Australian
Museum of Fine Arts -
Maria de Gracia Perez, Spanish Band sampler Spain, 1841 Linen plain weave embroidered with silk
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Irene De Bohus Portrait of Modest‡ charcoal and colored chalks 1940
J. Paul Getty Museum -
Saint Sebastian Tended by Saint Irene
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Irene Lagorio Magic Journey Screenprint 1956
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Irene Rice Pereira The Lapis ([New York: George Wittenborn, 1957]) book with color plates 1957
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Antoine Louis Romanet Quel bonheur effroyable . . . from Irene, Act III, Scene 6 Engraving and etching 18th - 19th century
Museum of Fine Arts -
Maria Perez, Spanish Sampler Spain, 19th century Linen plain weave embroidered with silk 22.9 x
The Metropolitan Museum of Art -
Don Sebastián Martínez y Pérez (1747-1800), 1792 Francisco de Goya y Lucientes (Spanish, 1746-1828)Oil on
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Jean Michel Moreau the Younger Quel Bonheur effroyable! - Illlustration to work of Voltaire (Irene, Act III, Sc.6) etching and engraving 18th - 19th century
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Irene Lagorio Thank You Card Design collage of cutout shapes with ink,watercolor, and opaque watercolor circa mid 20th century
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Lodovico Lana The Empress Irene Binding up the Wounds of St. Sebastian Etching circa 1643 - 1649
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Jean Michel Moreau the Younger Proof before the title of: Quel Bonheur effroyable! - Illlustration to work of Voltaire (Irene, Act III, Sc.6) etching and engraving 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: Quel Bonheur effroyable! - Illlustration to work of Voltaire (Irene, Act III, Sc.6) etching and engraving 18th - 19th century
The Metropolitan Museum of Art -
Jacket, ca. 1785 Frenchsilk, linen; L. at center back: 15 ¾ in. (40 cm).Purchase, Irene
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Ramon Atiles-Perez - Dama desconocido (Unknown Lady) 1843 watercolor on ivory Smithsonian American Art Museum American
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Ramon Atiles-Perez - Clerigo desconocido (Unknown Cleric) 1843 watercolor on ivory Smithsonian American Art Museum American
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Corona Painter Amphoriskos terracotta 575 BC - 550 BC
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Adolphe Irene Guillon - Country Landscape 1882 ink Arkansas Arts Center French
J. Paul Getty Museum -
Tending to St. Sebastian
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Charles-Etienne Gaucher Couronnement de Voltaire sue le ThÈatre Francais, le 30 mars 1778, apres la sixieme reprÈsentation d'Irene (The Crowning of Voltaire on the stage of the ThÈatre Francais in Paris, after the sixth performance of Irene
Museum of Fine Arts -
Attributed to Gonzalo Peréz, Spanish (Valencian), active in first quarter, 15th century Virgin and Child
Museum of Fine Arts -
Gilbert Stuart, American, 1755-1828 Mrs. Perez Morton (Sarah Wentworth Apthorp) about 1802 Oil on canvas
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Ipolito Salazar DAVID Lithograph 19th century
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Shiko Munakata Head Woodcut 20th century
J. Paul Getty Museum -
Female Student with Beach Ball
Museum of Fine Arts -
Bernardo Strozzi, Italian (Genoese), 1581-1644 St. Sebastian Tended by St. Irene and Her Maid Oil
The Metropolitan Museum of Art -
Philip IV (1605-1665), King of Spain, probably 1624 Workshop of Diego Rodríguez de Silva y
The Metropolitan Museum of Art -
Suit, 1774-1792 French; Made Paris, Francesilk; a) L. at center back: 42 in. (106.7 cm).
The Metropolitan Museum of Art -
Robe à l"Anglaise, 1785-1787 Frenchsilk; (a) L. at center back 59 1/2 in. (151.1 cm);
The Minneapolis Institute of Arts -
Artist: Charles Francois Daubigny Title: The Dunes at Camiers Date: 1871 Medium: oil on canvas
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Adja Yunkers Untitled Color woodblock (red, black & white) 1952
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Jacques Callot St.Luke, Evangelist, October 18; St.Lucian,Bishop and Martyr, October 19; St. Irene, Virgin and Martyr , October 20; St.Hilarion, Hermit, October 21; ninety-fourth plate from the book, Les IMAGES DE TOUS/LES SAINCTS ET SAINTES /DE L*ANN
Museum of Fine Arts -
Sampler Spain, 1842 Linen plain weave embroidred with silk 19 x 63.7 cm (7 1/2
The Metropolitan Museum of Art -
Round Gown, ca. 1795 Italian; Made Naplessilk, linen; L. at center back: 57 ½ in.
The Minneapolis Institute of Arts -
Artist: Roy Lichtenstein Title: Brushstrokes Date: 1967 Medium: color screenprint Dimensions: H.22 x W.30 in.
Museum of Fine Arts -
Gilbert Stuart, American, 1755-1828 Councillor John Dunn about 1798 Oil on canvas 73.98 x 61.91
The Metropolitan Museum of Art -
Coat, ca. 1927 Designed by Gabrielle "Coco" Chanel (French, 1883-1971)French; Used Francesilk, metal; L. at
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Antonio Frasconi Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) Book with 19 linoleum cuts on Rives paper 1954
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Antonio Frasconi Double page illustration on the title page in the book, Twelve Fables of Aesop ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Half title page in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Crab in the Mouth of the Fox, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Stag in His Own Opin ion, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Man Bitten by a Flea, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, TheAmbitious Woman and the Fat Hen, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Stag in His Own Opin ion, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Starved Farmer and His Fat Dogs, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Caged Nightingale and the Intelligent Bat, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Caged Nightingale and the Intelligent Bat, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Starved Farmer and His Fat Dogs, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Flattered Raven and the Crafty Fox, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Gnat, the Lion, and the Spiderweb, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Jackdaw with the Eclectic Plumage, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Untitled vignette (portrait of Aesop) on publisher's page in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Double page illustration for the fable, The Fishrmean with the Stone in His Net, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Double page illustration for the fable, The Beekeeper Robbed and Stung, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Hare with Ability and the Tortoise with Staying Power, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Hare with Ability and the Tortoise with Staying Power, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
The Metropolitan Museum of Art -
Waistcoat, 1747; Rococo Textile designed by Anna Maria Garthwaite (English, 1690 - 1763); Textile manufactured

Artnews Articles and Exhibition Information: (16)
Click on any of the links below to read about artnews or exhibitions related to Perez

Yale School of Art, Holcombe T. Green Jr. Gallery: Intersections/ Intersecciones: An Exhibition of Cuban Artists
Artists participating in this show are Giovanni Bosch, Christian Curiel, Florencio Gelabert, Coco Fusco, Marco Lau, Leonel Matheu, Julio Armando Mendoza, Maritza Molina, Eduardo Muñoz Ordoqui, Chantal Perez, Hugo Perez, Jesus Rivera and Leandro So...
Il Ramo d'Oro: The sign and the Dream/Il Segno e il Sogno
It gives a synthesis of the artists of ìIl segno e il sognoî (the sign and the dream) whose works of small size we are showing , in October, November and December 2005, collected in the elegant box-frame projected by the architect Gianfranco Erba...
ARCO 2003: 22nd International Contemporary Art Fair Features Young Swiss Art
A total of 280 galleries, including some of the world’s most important, representing Europe (214), North-America (27), Latin-America and the Caribbean (27), Asia (8) and Oceania (4), will furnish the ARCO'03 official program with content, offering...
Perugi artecontemporanea: Ciao! Manhattan: Recent Painting from New York
A Warholian mood, in fact, seems to have gripped the New York art world and Andy's presence feels inevitable. And we might even consider that in the implacable face of current events, for an American artist a (d)Andified detachment might be an act...
Woman Made Gallery: Call for Artists: Call for Women’s Art
We are looking for fine crafts in all media and forms except clothing: glass, clay, wood, fiber, mixed-media, metals and jewelry, paper (no drawing or painting) for a series of exhibitions. The exhibition time and length will coincide wi...
Oakland Museum of Califoria: La Flor y la Calavera: Altars and Offerings for the Days of the Dead
This years exhibition examines the centrality of the concept of balance in pre-Columbian traditions as well as in our time. In the Breuner Gallery, the roots of the Días de los Muertos celebration are traced back to the early cultures of Mexico. T...
CreArte, Chicano Latino Arts Center and Museum: A Day in the Life of ArTrujillo
Artists were encouraged to work large and to complete each work within 24 hours, in keeping with the exhibition title, with no restrictions on media or theme. The result is a vigorous sampling of ArTrujillo artists.  This an extraordinari...
Reina Sofía Art Gallery of the Alzheimer Foundation: DIN A4 Project
Initially it took place in Holland, and consequently in countries like Germany, Belgium, France, Great Britain, Poland, Spain, Bosnia and the United States. Currently, it has touched Latin American territory. The project organization has been poss...
Cantor Arts Center Stanford University: Vanishing Worlds: Art and Ritual in Amazonia
"Using brilliantly colored feathers of some 40 species, including parrots, macaws, and herons, the Amazonian Indians create objects that call upon a range of physical and magical forces — forces integral to their conception of the environment arou...
Field Museum: Americanos: Latino Life in the United States
The Field Museum features the sections depicting Family, Work, Sports, and Culture and the Arts. The Mexican Fine Arts Center Museum showcases photos of Community and Spiritual Life. Located approximately four miles apart, The...
Woman Made Gallery: Fabrications: Cat Chow, Anne Elizabeth and Jill Ziccardi
Cat Chow is showing three new works from her Mourning Gowns series which is inspired by Victorian mourning/memorial jewelry.  Chow’s work blurs the distinctions between sculpture, fashion and architecture. She manipulates everyday objects into fa...
Skirball Cultural Center: C.O.L.A. 2001: New Work by Ten Artists
The C.O.L.A. exhibition is the culmination of the year's Individual Artist Grant-supported activities. Each artist received an award of $10,000 to encourage the creation of new work, and in recognition of individual achievement, impact in the ...
Museo del Prado: The Spanish Portrait from El Greco to Picasso
Over the course of three and a half months and through a selection of 84 works, the exhibition devoted to the Spanish portrait will present a survey of the development of this genre in Spanish art from the late fifteenth century to the ea...
Art Miami, Advanstar Communications: Art Miami 2004: A Fresh Perspective on Contemporary Art from Europe, Asia and the Americas
1 of 2 "We’ve made some very positive changes to the show," offers Vardy, "We've altered the floor plan to create more spacious hallways, re-examined our programming to include more projects and, significantly, set stricter criteria for partic...
Gandy Gallery: Glass Fab: Three Exhibitions of Artists Working in Glass
The Context In a country which follows the model of the new international economic order and which will thus certainly loose in the coming years a significant amount of the know-how held by its unique craftsmen. Can we help to safeguard this ...
Fogg Art Museum, Harvard: Geometric Abstraction: Latin American Art from The Patricia Phelps de Cisneros Collection
We are very pleased to be able to present this exhibition from the renowned Patricia Phelps de Cisneros Collection, said James Cuno, the Elizabeth and John Moors Cabot Director of the Harvard University Art Museums. Not only is the work of these ...

Further Artwork and Information:

Irene Perez (1782 - 1847) Biography, Artwork Images, Exhibitions, Reviews
Irene Perez
Irene Pérez
Irene Perez
Irene Perez
Dña. Irene Pérez comisionada en Portugal
Irene Gomez-Perez
EL CURRICULUM - Vitae de Irene Perez Martinez (empleo, trabajo, empresas, etc...)
Irene Pérez Pintos | LG3 | O soportal da Literatura Galega
Irene Perez Campdepadros, Enginyeria Quimica, Universitat Politecnica de Catalunya, Espanya

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