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Artist: Carter Potter ( - )
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Carter Potter.
- John Carter
Portrait of John Carter at Work, frontispiece in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868)
1868
- John Carter
Virgin and Child by Carter, opposite apge 28 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868)
1868
- John Carter
Sketch of Desk, Brush, and Pencil used by Carter, opposite page 26 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868)
1868
- Anders Leonard Zorn - Mrs. Potter Palmer 1893 oil on canvas The Art Institute of Chicago Swedish
- Charles Mercier Dupaty - Mme Potter, nee Vaublanc c. 1820 plaster Dahesh Museum of Art French
- John Carter
The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868)
book with 11 plates
1868
- John Carter
Letter, opposite page 43 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868)
1868
- John Carter
"The Head of a Fox," opposite page 39 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868)
1868
- John Carter
Painted Butterfly, opposite page 16 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868)
1868
- John Carter
Bird on Flower, opposite page 17 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868)
1868
- John Carter
Syrian Goat, opposite page 18 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868)
1868
- John Carter
Head after Rembrandt, opposite page 23 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868)
1868
- John Carter
Wood-cut of our Lord, opposite page 31 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868)
1868
- John Carter
"The Sick Horse," opposite page 39 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868)
1868
- Taureau vu de trois quarts (1878) by POTTER Paulus
- Paulus Potter
[Two cows]
17th century
- Paulus Potter
The Cowherd
Etching
1649
- Paulus Potter
The Herdsman
Etching
17th century
- Paulus Potter
The Bull
Heliogravure
17th century
- Paulus Potter
Bull
Etching
17th century
- Paulus Potter
La Mazette
Etching
17th century
- Paulus Potter
Le cheval hennissant
Etching
1652
- Paulus Potter
Le courtaud
Etching
17th century
- TROUPEAU (1652) by POTTER Paulus
- Paulus Potter
The piping Shepherd
Etching
17th century
- Paulus Potter
La Vache qui pature
Etching
17th century
- Vache et taureau by POTTER Paulus (d'après)
- Paulus Potter
Le cheval de la Frise
Etching
17th century
- Paulus Potter
La Vache a la corne crochue
Etching
17th century
- Cinq études de vaches et de porcs by POTTER Paulus (manière de)
- LE BOIS DE LA HAYE (1650) by POTTER Paulus
- Paulus Potter
La Vache debout pres de celle qui est couchee
Etching
17th century
- John Carter
Candlestick with bobeche
silver
circa 1772 - 1773
- Paulus Potter
La Vache couchee pres de la barriere de quatre planches
Etching
17th century
- LE CHEVAL PIE (1653) by POTTER Paulus
- John Carter
Candlestick with two-candle insert
silver
circa 1772 - 1773
- John Carter
Candlestick with two-candle insert
silver
circa 1772 - 1773
- Quatre taureaux dans une prairie, près de deux arbres (1653 en) by POTTER Paulus (d'après)
- John Carter
Lear, Act III, Scene III
18th - 19th century
- John Carter
Lear, Act III, Scene III
18th - 19th century
- John Carter
Richard II, Act III, Scene II
18th - 19th century
- John Carter
Beatrice, Much Ado About Nothing, Act I, Scene II
18th - 19th century
- John Carter
Richard II, Act III, Scene II
18th - 19th century
- John Carter
Beatrice, Much Ado About Nothing, Act I, Scene II
18th - 19th century
- Henry Wolf
Mr James C. Carter
19th - 20th century
- John Carter
Caliban from The Tempest, Act II, Scene II
18th - 19th century
- John Carter
Troilus & Cressida, Act II, Scene IV
18th - 19th century
- John Carter
Ophelia, Hamlet, Act IV, Scene VII
18th - 19th century
- John Carter
Bardolph, Henry IV, Act II, Scene IX
18th - 19th century
- John Carter
Caliban, The Tempest, Act II, Scene II
18th - 19th century
- John Carter
Bardolph, Henry IV, Act II, Scene IX
18th - 19th century
- John Carter
Falstaff, Henry IV, Act V, Scene IV
18th - 19th century
- Brooch, Warren Carter (United States, Pennsilvania, 1915 - 1969) , 1940s, Sterling silver
- View of a Meadow, Paulus Potter (Holland, Enkhuizen, 1625 - 1654) (Artist), 1649, Etching
- John Carter
Edgar in King Lear, Act III, Scene III
18th - 19th century
- John Carter
Cassandra, Troilus & Cressida, Act II, Scene IV
18th - 19th century
- John Carter
York, Henry IV Part 2, Act V, Scene IV
18th - 19th century
- John Carter
Shylock, Merchant of Venice, Act IV, Scene I
18th - 19th century
- John Carter
Shylock, Merchant of Venice, Act IV, Scene I
18th - 19th century
- John Carter
York, Henry IV Part 2, Act V, Scene IV
18th - 19th century
Artnews Articles and Exhibition Information: (38) Click on any of the links below to read about artnews or exhibitions related to Potter
Washington Art Association: MARK WINSLOW POTTER RETROSPECTIVE Mark Winslow Potter (1929-1995) is perhaps best known for his
brilliantly lit landscapes and scenes of rural life in New England,
and in the Adirondacks, where he spent summers throughout his
entire life. He received a B...
Center for Photography at Woodstock: Put Yourself in the Picure Artists include Kelley Badham (Princeton, NJ), Pam Berridge (Wales, UK), Nicholas Gaffeny
(Brooklyn, NY), Marcia Reid Marstead (Canton, CT), Patricia McDonough (NYC), Clayton
Miller (Chicago, II), Jamie Nicholl (Philidelphia, PA), Chloe Potter ...
Anderson Gallery, Drake University: Syntagm :: Paradigm | Wade Carter :: William Porter For Jakobson these were two fundamental inclinations of the creative mind; he associated similarity disorders with mastery of the paradigmatic axis of language and the literary figure of metaphor, and contiguity disorders with the sytagmatic axis ...
National Gallery of Victoria: Call for Artists: 2002 Contempora Fellowship Award for Australian Visual Arts "The Fellow will also act as an ambassador for the Gallery and travel to
regional galleries to assist with outreach programs associated with the
Fellowship and contemporary art," she said.
"This is part of the Bracks Government's commitmen...
Binney and Smith Gallery, Banana Factory: Native American Potter Lawrence Namoki “Lawrence uses only clay native to Hopi land, natural dyes for the painted surface of his works and the traditional Hopi firing process using sheep dung,” says Banana Factory Director Diane LaBelle. “Anyone who visits the Banana Factory while he’...
Cafe Gallery Project: Story Telling Narrative Paintings by Debbie Lee It
seemed already the vision of an undying child, endowed with an awkward
grace that was utterly compelling. Could she hold onto that raw
creativity even in mature adulthoodNULL
- Timothy Hyman
Debbie Lee graduated with a first class...
Geelong Gallery: Shearing the Rams Touring Regional Galleries The painting will be shown as part of the National Gallery of Victorias Centenary of Federation celebrations.
Dr Vaughan said the exhibit was a fantastic opportunity for people in regional Victoria to view the much-loved artwork without ha...
ArtSpace: DAMP: What we Want, What We'll Do for It DAMP has been described as the funky squad, the angry mob, the art club, the cult, the choir, the cheersquad and the DAMP team. Their collaborative practice, including performances, exhibitions, memorabili...
Xiem Gallery: Yakimono: 11 Japanese American Ceramic Artists The artists featured in the Yakimono exhibition are 2nd and 3rd generation Americans of Japanese ancestry, most of whom live in Southern California. Each of the selected artists is individually established in the field of fine art ceramics. They a...
National Gallery of Australia: 2004: Emerging Trends in Contemporary Australian Art 2004 - unbounded by media or thematic parameters - shows how artists, crafts workers, game-designers, networked media creators, architects and moving image makers are confronting rapid change in new and old media. It draws individual artists into...
Centre for Contemporary Photography: 2004 Nikon Summer Salon: Open Entry Photomedia Exhibition Celebrating the latest developments in photomedia practice, the Salon is an annual national event, now in its twelfth year. An open-entry exhibition and competition, the Salon is supported by leaders in the photographic industry and over $5500 wor...
Thyssen-Bornemisza Museum and Fundación Caja Madrid: The Shadow: Projected Shadow in Western Art A classical tale recounted by Pliny the Elder (died 79AD) locates the origins of painting in Corinth
when a young woman, daughter of the potter Butades of Sicyon, drew the outline of her beloved
on a wall, helped by the light of a candle. The ...
National Gallery of Victoria: Seeing the Centre: The Art of Albert Namatjira 1902 – 1959 "As traditional custodian for the land he painted - the Western Aranda country in central Australia - Namatjira's personal and spiritual attachment flows through every work.
"It is hard for anyone to view these works without sensing the powerful ...
Centre for Contemporary Photography: Leica/CCP Documentary Photography Award In recognising the key influence of photography on our lives, it examines the power and effect of the medium through works presented in essay format. Bringing together a diverse collection of works, the fourth Leica/CCP Documentary Photography Awa...
Art Adventures New Zealand: Call for Artists: Nominate a New Zealand Artist for an Icon Award The 2003 Icon Artists were Len Castle – potter; Janet Frame – writer (1924-2004); Maurice Gee – writer; Ralph Hotere – visual artist; Russell Kerr – choreographer; Sir Donald McIntyre – opera singer; Milan Mrkusich – painter/visual artist; Diggere...
Centre for Contemporary Photography: Call for Artists : National Indigenous Photographers' Forum 2009 The keynote address will be delivered by Dr Brenda L. Croft, Lecturer, Indigenous Art, Culture and Design, University of South Australia, at the conference dinner on Monday 12 October, 7pm at Tjanabi @ Fed Square, The Atrium, Federation Square, Fl...
Clay Art Center: Andrew Coombs : I want to show you something
Andrew Coomb’s thoughtful pots harmoniously combine opposites: spontaneity and precision, humor and sincerity, cool and warm. This subtle push-pull makes his work a delight to see, handle, and use. His use of text on the work is often a pla...
Silent Space: Broad Thinking: A Group Project with Chris Twomey and Peggy Cyphers Using economic, social, and historical themes, these artists create work through the filter of their gender and propose direction. Ethnically diverse, young and old, the ideas can be subtle and the forms elusive, but "female" is at the core of thi...
University of New South Wales, School of Anatomy: Call to Artists: Step into Leonardo's Shoes...Draw Human Anatomical Specimens at this 5-day Intensive Workshop Personalized teaching
is provided for all levels in a
non-competitive atmosphere with a
limit of 18 participants. The
...
Shire Pottery Gallery and Studios: Andrzej Klimowski: Day for Night Head of Illustration at the Royal College of Art, Klimowski is enthusiastic about bringing his work up to Northumberland, indeed he has produced paintings especially for this exhibition. This artistic coup for the region is due in the main to an ...
Cairns Regional Gallery
: Torres Strait Exhibition starts national tour The exhibition includes rare 19th century artefacts from Australian and
overseas collections alongside the work of contemporary artists from the
Torres Strait Islands.
This major exhibition highlights the unique culture and artwork of
Australia...
National Gallery of Victoria: Peter Booth: Human / Nature Booth was born in Sheffield, England, in November, 1940. The Booth family migrated to Australia in 1957, and settled in Altona. He worked in the steel mills alongside his father until he went to the National Gallery School in 1962 to study paintin...
National Academy of Design: Challenging Tradition: Women of the Academy, 1826-2003 A strength of this exhibition is the numerous self-portraits by women artists. One membership requirement of newly elected Academicians is that all must donate a portrait of themselves to the museum's permanent collection. This has provided the Ac...
Walker Art Center: Dirt on Delight: Impulses That Form Clay Ranging from modestly scaled pots to figurines to large sculptures, the 88 works on view cross a spectrum that includes fine art, craft, and outsider practices. Collectively they suggest that clay appeals to basic impulses, starting with the delig...
Kentucky Museum of Art and Craft: Master Makers: Stephen Rolfe Powell, A Retrospective Stephen began working with KMAC when he first arrived in Kentucky to teach at Centre College in 1983. “I will always remember the Museum’s support in the early days when I was feeling my way around the art world and trying to understand what it mi...
Mountclair Art Museum: Paris 1900: The American School at the Universal Exposition Works of art exhibited in Paris have been lent by museums across the United States
and Europe, including Whistler's Symphony in White No. 2 from the Tate Gallery
...
University of New South Wales, School of Anatomy: step into Leonardo's shoes...
WORKSHOPS in DRAWING from HUMAN ANATOMICAL SPECIMENS The workshops are generally held once a month on weekends. Personalized teaching is provided for all levels in a non-competitive atmosphere with a limit of 18 participants. The workshops are open to anyone under 100!
The workshops fill a ga...
University of New South Wales, School of Anatomy: Artist Opportunity - Step into Leonardo's Shoes...Workshop in Drawing from Human Anatomical Specimens The workshops are generally held bimonthly on weekends. Personalized
teaching is provided for all levels in a non-competitive atmosphere with a
limit of 18 participants. The workshops are open to anyone under 100!
The workshops fill a gap ...
Bates College Museum of Art: Cryptozoology: From Nessie to yeti,
The exhibition is curated by Bates museum director Mark H.C. Bessire and Raechell Smith, director of the H&R Block Artspace at the Kansas City Art Institute, where it opens in late October.
"It really has been an artist-driven project," sa...
Pallant House Gallery: Colin Self: Art in the Nuclear Age Simon Martin, curator of the exhibition, said: “The
subjects of war and nuclear threat which Colin Self has
been addressing in his work since the 1960s are as
pertinent to today’s society as they have ever been. His
work, both in terms of ...
College of the Atlantic, Blum Gallery: A Place to Take Root: The History of Flower Pots and Garden Containers in America In the same way Linnaeus was organizing the plant kingdom to fit a scientific system, flower pot forms were designed to "work" for horticulturists with ever greater efficiency. Individualized terra cotta items such as seed pans, graduated pots and...
GO Gallery: Pleasant: Suspended Thoughts Pleasant’s grandfather David Carter was a widely recognized sculptor who exhibited at the Smithsonian Institute in Washington DC during the 1940’s. Artist Pleasant’s father was a recognized regional painter in the Savannah area. Pleasant has perfo...
Metropolitan Museum of Art: Vermeer and the Delft School The exhibition has been organized by The Metropolitan Museum of Art, New
York, in collaboration with The National Gallery, London.
Philippe de Montebello,...
Fenimore Art Museum: Being Indian: The 6th Contemporary Iroquois Art Biennial Peter B. Jones (Onondaga-Seneca) is a renowned potter and sculptor from the Beaver Clan, Onondaga Nation. Jones, who resides on the Cattaraugus Territory of the Seneca Nation of Indians, studied under Hopi artist Otellie Loloma while attending the...
Crow Collection of Asian Art: Treasures From an Unknown Reign: Shunzi Porcelain Until the 1980s, Shunzhi's reign had been neglected by scholars and
researchers in China and the West. During this era, exports were
greatly reduced and Imperial porcelain was not produced. However,
scholarly findings and a series of exhibiti...
York Quay Centre: Aftertaste: Ten Young Designers Other exhibitions include Sleepwalking at The Photo Passage and Flutter at Canada Quay.
York Quay Gallery presents Aftertaste, an exhibition by thenewthis design collective. Ten young Canadian designers working in industrial, furniture, cerami...
Ch’i Contemporary Fine Art: “Tea Bowls and tea bowls” Traditional Japanese Tea Ceremony Bowls by Peter Callas, Joe Campbell, Kristin Muller, Takao Okazaki, and Shane Sellers
The exhibit consists of a minimum of 30 bowls, at least 6 from each artist, and will explore both the “traditional” styles and techniques, and the “not so traditional”. All 5 of the artists work, at times, within the relatively tight constraint...
Kimbell Art Museum: Gauguin and Impressionism The exhibition and its scholarly catalogue deal with the full range of the artist’s participation in the Impressionist movement: the paintings he submitted to the Impressionist exhibitions, the ways in which his extensive private collection inspi...
Further Artwork and Information:
artnet.com Magazine Reviews - D.C. Diary
Julie Saul Gallery
Carter Potter Online
Carter Potter Art Images
Art in America: Carter Potter at Rocket - Brief Article
Dewayne E. Perry -- Potter: Chris Carter
Und jetzt alle zusammen
Julie Saul Gallery - exhibition chronicle
Cast Jason Carter as Sirius Black!
Tennessee Death Records 1908 - 1912: P [Pt. 6]
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Vincent van Gogh Corn Field and Cypress Arles, 1889
Our Supplier's Price: $21.00

Norman Rockwell Marbles Champ
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Vincent van Gogh Cafe At Night 1888
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Pablo Picasso Bullfight I Horse Air
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Henri Matisse Pasiphae {e}
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