Artist: William Purser ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William Purser.

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William Purser Barmouth, Merionnethshire lithograph 19th century
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George Stubbs First of two plates for the First Anatomical Table of the Skeleton of a Horse explained, which is the third plate in the book, The Anatomy of the Horse (London: printed by J. Purser, for the author, 1766) Etching with engraving 1766
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George Stubbs Plate for the Second Anatomical Table of the Skeleton of a Horse explained, which is the seventh plate in the book, The Anatomy of the Horse (London: printed by J. Purser, for the author, 1766) Etching with engraving 1766
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George Stubbs Plate for the Third Anatomical Table of the Skeleton of a Horse explained, which is the tenth plate in the book, The Anatomy of the Horse (London: printed by J. Purser, for the author, 1766) Etching with engraving 1766
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George Stubbs Second of two plates for the First Anatomical Table of the Skeleton of a Horse explained, which is the fourth plate in the book, The Anatomy of the Horse (London: printed by J. Purser, for the author, 1766) Etching with engraving 1766
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George Stubbs Second of two plates for the First Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the second plate in the book, The Anatomy of the Horse (London: printe
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George Stubbs First of two plates for the Second Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the fifth plate in the book, The Anatomy of the Horse (London: printe
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George Stubbs First of two plates for the First Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the first plate in the book, The Anatomy of the Horse (London: printed
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George Stubbs First of two plates for the Fifth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained,which is the fourteenth plate in the book, The Anatomy of the Horse (London: pri
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George Stubbs First of two plates for the Fifth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the thirteenth plate in the book, The Anatomy of the Horse (London: pri
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George Stubbs Second of two plates for the Third Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the eighth plate in the book, The Anatomy of the Horse (London: print
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George Stubbs First of two plates for the Third Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the eighth plate in the book, The Anatomy of the Horse (London: printe
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George Stubbs Second of two plates for the Second Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the sixth plate in the book, The Anatomy of the Horse (London: printe
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George Stubbs First of two plates for the Fourth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the eleventh plate in the book, The Anatomy of the Horse (London: pri
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George Stubbs Second of two plates for the Fourth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the twelfth plate in the book, The Anatomy of the Horse (London: prin
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George Stubbs Plate for the Fourteenth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed posteriorly, explained, which is the twenty-third plate in the book, The Anatomy of the Hor
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George Stubbs Plate for the Eleventh Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed posteriorly, explained, which is the twentieth plate in the book, The Anatomy of the Horse (Lon
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George Stubbs Plate for the Twelfth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed posteriorly, explained, which is the twenty-first plate in the book, The Anatomy of the Horse (L
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George Stubbs Plate for the Thirteenth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed posteriorly, explained, which is the twenty-first plate in the book, The Anatomy of the Horse
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George Stubbs Plate for the Tenth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed in front, explained, which is the nineteenth plate in the book, The Anatomy of the Horse (London: pri
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George Stubbs Plate for the Ninth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed in front, explained, which is the eighteenth plate in the book, The Anatomy of the Horse (London:
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George Stubbs Plate for the Seventh Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed in front, explained, which is the sixteenth plate in the book, The Anatomy of the Horse (London:
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George Stubbs Plate for the Sixth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed in front, explained, which is the fifteenth plate in the book, The Anatomy of the Horse (London:
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George Stubbs Plate for the Eighth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed in front, explained, which is the seventeenth plate in the book, The Anatomy of the Horse (London
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George Stubbs Plate for the Fifteenth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed posteriorly, explained, which is the twenty-fourth plate in the book, The Anatomy of the Horse
Museum of Fine Arts -
Edward Meyer Kern, American, 1823-1863 Entrance to Lloyd Harbor October 29 1854 Graphite and watercolor
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Samuel William Reynolds, Senior William, Youngest Son of Lord William Russell Mezzotint 18th - 19th century
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Mote Spoon, Maker’s mark possibly that of William Cripps or William Chawner  (Artist), circa 1760-1780, Silver
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Mote Spoon, Maker’s mark possibly that of William Cripps or William Chawner  (Artist), circa 1760-1780, Silver
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William Faithorne The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) Book with 9 etchings with engraving 1662
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William Henry Watt William Lourdsworth 19th century
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William Page - Mrs. William Page 1860-61 oil on canvas The Detroit Institute of Art American
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Arthur William Devis - The Hon. William Monson and His Wife, Ann Debonnaire c. 1786 oil on canvas Los Angeles County Museum of Art English
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William Nicholson London Types (London: William Heinemann, 1898) book with color plates 1898
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William Page - Colonel William Leete Stone 1839 oil on canvas Cleveland Museum of Art American
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William Nicholson An Almanac of Twelve Sports (London: William Heinemann, 1898) book with color plates 1898
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William Bagdatopoulos - Dr. William Henry Holmes 1929 oil on canvas Smithsonian American Art Museum American
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William Nicholson Hammersmith, fifth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Tower, third plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Kensington, second plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Any Bar, twelfth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Merritt Chase - Portrait of President William Waugh Smith 1907 oil on canvas The Maier Museum of Art American
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Adriaen Pynacker William of Orange (William III) Commemorative Plate polychrome tin - glazed earthenware 1690
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The Hon. William Monson and His Wife, Ann Debonnaire, Arthur William Devis (England, 1762 - 1822)  (Artist), circa 1786
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William Hancock Wilke William Andrew Clark, Jr. Drypoint 19th - 20th century
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George Stubbs The Anatomy of the Horse (London: for the author, 1766) Book with 24 etchings with engraving 1766
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William Nicholson Any Corner, eleventh plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Rotten Row, sixth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The City, ninth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Horse Guards, first plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Faithorne Hot to Guide Your Needles..., plate 4 opposite page 12 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne How to Use the Oval Points..., plate 5 opposite page 15 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne How to Dry or Harden the Varnish..., plate 2 opposite page 9 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne Hot to Choose Your Needles..., plate 3 opposite page 10 in te book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840

Artnews Articles and Exhibition Information: (1)
Click on any of the links below to read about artnews or exhibitions related to Purser

Castello Estense di Ferrara: Traces of Memory
An illuminated cross point in the sign of Renaissance , between Wechsler’s paintings and the fascinating Castle d’Este. It was then Renaissance of the senses and the truth of beauty; they were then re-discovering the traces of authenticity in...

Further Artwork and Information:

William Purser (1620 - 1694) Biography, Artwork Images, Exhibitions, Reviews
I7207: William Purser ( - )
I7207: William Purser ( - )
Welcome to the 1901 Census
I13057: William Purser Geoghegan (18 MAR 1843 - 1935)
William Purser, Sr. & Anne Unknown
William Purser, Sr. & Anne Unknown
I10040: Arthur William Purser (Brigadier) (21 SEP 1884 - 21 DEC 1953)
Werneth CC - Play-Cricket - William Purser - Statistics
Descendants of William and Martha Eddon

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