Artist: William Purser ( - )
Artworks in Museum Collections: (40)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William Purser.

Fine Arts Museum of San Francisco -
William Purser, Barmouth, Merionnethshire, 19th century
Fine Arts Museum of San Francisco -
George Stubbs, First of two plates for the First Anatomical Table of the Skeleton of a Horse explained, which is the third plate in the book, The Anatomy of the Horse (London: printed by J. Purser, for the author, 1766), 1766
Fine Arts Museum of San Francisco -
George Stubbs, Plate for the Second Anatomical Table of the Skeleton of a Horse explained, which is the seventh plate in the book, The Anatomy of the Horse (London: printed by J. Purser, for the author, 1766), 1766
Fine Arts Museum of San Francisco -
George Stubbs, Plate for the Third Anatomical Table of the Skeleton of a Horse explained, which is the tenth plate in the book, The Anatomy of the Horse (London: printed by J. Purser, for the author, 1766), 1766
Fine Arts Museum of San Francisco -
George Stubbs, Second of two plates for the First Anatomical Table of the Skeleton of a Horse explained, which is the fourth plate in the book, The Anatomy of the Horse (London: printed by J. Purser, for the author, 1766), 1766
Fine Arts Museum of San Francisco -
George Stubbs, Second of two plates for the First Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the second plate in the book, The Anatomy of the Horse (London: printed b
Fine Arts Museum of San Francisco -
George Stubbs, First of two plates for the First Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the first plate in the book, The Anatomy of the Horse (London: printed by
Fine Arts Museum of San Francisco -
George Stubbs, First of two plates for the Second Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the fifth plate in the book, The Anatomy of the Horse (London: printed by
Fine Arts Museum of San Francisco -
George Stubbs, First of two plates for the Fifth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the thirteenth plate in the book, The Anatomy of the Horse (London: printe
Fine Arts Museum of San Francisco -
George Stubbs, First of two plates for the Third Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the eighth plate in the book, The Anatomy of the Horse (London: printed by
Fine Arts Museum of San Francisco -
George Stubbs, Second of two plates for the Second Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the sixth plate in the book, The Anatomy of the Horse (London: printed b
Fine Arts Museum of San Francisco -
George Stubbs, First of two plates for the Fifth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained,which is the fourteenth plate in the book, The Anatomy of the Horse (London: printed
Fine Arts Museum of San Francisco -
George Stubbs, Second of two plates for the Third Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the eighth plate in the book, The Anatomy of the Horse (London: printed b
Fine Arts Museum of San Francisco -
George Stubbs, Second of two plates for the Fourth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the twelfth plate in the book, The Anatomy of the Horse (London: printed
Fine Arts Museum of San Francisco -
George Stubbs, First of two plates for the Fourth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the eleventh plate in the book, The Anatomy of the Horse (London: printed
Fine Arts Museum of San Francisco -
George Stubbs, Plate for the Eleventh Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed posteriorly, explained, which is the twentieth plate in the book, The Anatomy of the Horse (Londo
Fine Arts Museum of San Francisco -
George Stubbs, Plate for the Twelfth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed posteriorly, explained, which is the twenty-first plate in the book, The Anatomy of the Horse (Lon
Fine Arts Museum of San Francisco -
George Stubbs, Plate for the Thirteenth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed posteriorly, explained, which is the twenty-first plate in the book, The Anatomy of the Horse (
Fine Arts Museum of San Francisco -
George Stubbs, Plate for the Fourteenth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed posteriorly, explained, which is the twenty-third plate in the book, The Anatomy of the Horse (
Fine Arts Museum of San Francisco -
George Stubbs, Plate for the Sixth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed in front, explained, which is the fifteenth plate in the book, The Anatomy of the Horse (London: pri
Fine Arts Museum of San Francisco -
George Stubbs, Plate for the Eighth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed in front, explained, which is the seventeenth plate in the book, The Anatomy of the Horse (London:
Fine Arts Museum of San Francisco -
George Stubbs, Plate for the Ninth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed in front, explained, which is the eighteenth plate in the book, The Anatomy of the Horse (London: pr
Fine Arts Museum of San Francisco -
George Stubbs, Plate for the Tenth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed in front, explained, which is the nineteenth plate in the book, The Anatomy of the Horse (London: pr
Fine Arts Museum of San Francisco -
George Stubbs, Plate for the Seventh Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed in front, explained, which is the sixteenth plate in the book, The Anatomy of the Horse (London: p
Fine Arts Museum of San Francisco -
George Stubbs, Plate for the Fifteenth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed posteriorly, explained, which is the twenty-fourth plate in the book, The Anatomy of the Horse (
Museum of Fine Arts -
Edward Meyer Kern, American, 1823-1863 Entrance to Lloyd Harbor October 29 1854 Graphite and watercolor
Fine Arts Museum of San Francisco -
William Faithorne , The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662), 1662
Fine Arts Museum of San Francisco -
Samuel William Reynolds, Senior, William, Youngest Son of Lord William Russell, 18th - 19th century
Fine Arts Museum of San Francisco -
Adriaen Pynacker, William of Orange (William III) Commemorative Plate, 1690
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William Page - Mrs. William Page 1860-61 oil on canvas The Detroit Institute of Art American
Fine Arts Museum of San Francisco -
William Henry Watt, William Lourdsworth, 19th century
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Arthur William Devis - The Hon. William Monson and His Wife, Ann Debonnaire c. 1786 oil on canvas Los Angeles County Museum of Art English
Fine Arts Museum of San Francisco -
William Faithorne , How to Use the Oval Points..., plate 5 opposite page 15 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662), 1662
Fine Arts Museum of San Francisco -
William Faithorne , Hot to Guide Your Needles..., plate 4 opposite page 12 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662), 1662
Fine Arts Museum of San Francisco -
William Faithorne , Hot to Choose Your Needles..., plate 3 opposite page 10 in te book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662), 1662
Fine Arts Museum of San Francisco -
William Faithorne , How to Dry or Harden the Varnish..., plate 2 opposite page 9 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662), 1662
Fine Arts Museum of San Francisco -
William Hancock Wilke, William Andrew Clark, Jr., 19th - 20th century
Fine Arts Museum of San Francisco -
William Dickinson, Portrait of the Reverend William Preston, 18th - 19th century
Fine Arts Museum of San Francisco -
William Nicholson, London Types (London: William Heinemann, 1898), 1898
Fine Arts Museum of San Francisco -
William Matthew Prior, Isaac Josiah and William Mulford Hand, circa 1845

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Further Artwork and Information:

William Purser (1620 - 1694) Biography, Artwork Images, Exhibitions, Reviews
I7207: William Purser ( - )
I7207: William Purser ( - )
Welcome to the 1901 Census
I13057: William Purser Geoghegan (18 MAR 1843 - 1935)
William Purser, Sr. & Anne Unknown
William Purser, Sr. & Anne Unknown
I10040: Arthur William Purser (Brigadier) (21 SEP 1884 - 21 DEC 1953)
Werneth CC - Play-Cricket - William Purser - Statistics
Descendants of William and Martha Eddon

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