Artist: Ludovico Quaroni ( - )
Artworks in Museum Collections: (74)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Ludovico Quaroni.

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Andrea Le Jeune Scacciati The Entombment of Christ, after Ludovico Carracci, from the series Disegni originali d'eccelenti pittori... Etching in green ink 18th century
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Ludovico Carracci The Adoration of the Magi, after Ludovico Carracci's painting in Santa Maria della Piogga, Bologna Etching and engraving 16 - 17th century
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Ludovico Carracci The Adoration of the Magi, after Ludovico Carracci's painting in Santa Maria della Piogga, Bologna Etching and engraving 16 - 17th century
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Flaminio Torri Madonna and Child in Glory with St. Francis and St. Jerome, after the painting by Ludovico Carracci, The Madonna degli Scalzi in the Pinacoteca Nazionale, Bologna Engraving 17th century
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Giovanni Battista Coriolano The Crowning with Thorns, after a drawing by Cavedone from the painting by Ludovico Carracci for the Carthusian Monastery in Bologna, now in the Pinacoteca Nazionale, Bologna Etching (with some engraving?) 17th century
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Multiple Artists Original Designs of the Most Celebrated Masters ä in His Majesty*s Collection (London: G. and W. Nicholä, 1812). BOUND WITH: Engravings from the Original Designs of Annibale, Agostino, and Ludovico Caracci, in His Majesty*s C
The Metropolitan Museum of Art -
The Adoration of the Shepherds with Saint Catherine of Alexandria, 1599 Cigoli (Ludovico Cardi) (Italian,
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Giuseppe Maria Mitelli Aeneas departs for the Battle, plate 5 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Pal
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Giuseppe Maria Mitelli The Shadow of Creusa Appears to Aeneas, plate 7 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in
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Giuseppe Maria Mitelli Aeneas offers a Sacrifice to Apollo, plate 8 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in th
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Giuseppe Maria Mitelli Venus leading Aeneas out of the Flames, plate 4 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
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Giuseppe Maria Mitelli The Wooden Horse entering Troy, plate 2 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Pa
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Giuseppe Maria Mitelli The Trojans Taking Sinon Prisoner, plate 1 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
J. Paul Getty Museum -
St. Sebastian Thrown into the Cloaca Maxima
The Metropolitan Museum of Art -
The Lamentation, ca. 1582 Ludovico Carracci (Italian, Bolognese, 1555-1619)Oil on canvas; 37 1/2 x 68
The Metropolitan Museum of Art -
The Holy Family with Angels, possibly ca. 1700 Sebastiano Ricci (Italian, Venetian, 1659-1734)Oil on canvas;
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Antonio Tempesta Il Coraggioso Ruggiero, La Bella Bradamante, from Ludovico Ariosto's Orlando Furioso Etching 16th century
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Antonio Tempesta L'Amoroso Angelica, Il Bellissimo Medoro from Ludovico Ariosto's Orlando Furioso Etching late 16th century
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Ludovico Carracci The Holy Family Under an Arch Engraving 1585 - 1590
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Ludovico Carracci - Susannah and the Elders 1616 oil on canvas The National Gallery, London Italian
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Ludovico Mazzanti - The Death of Lucretia c. 1730 oil on canvas Los Angeles County Museum of Art Italian
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Ludovico Carracci - The Agony in the Garden c. 1590 oil on canvas The National Gallery, London Italian
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Ludovico Carracci - The Marriage of the Virgin c. 1590 oil on copper The National Gallery, London Italian
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Ludovico Lombardo - The Emperor Hadrian c. 1550 bronze National Gallery of Art Italian
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Ludovico Carracci Madonna and Child with St. John Engraving and drypoint (possibly on tin rather than copper) circa 1602 - 1604
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Ludovico Carracci - The Vision of Saint Francis c. 1583-1586 oil on canvas The National Gallery, London Italian
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Parmigianino (Francesco Mazzola) Celleberrimi Francisci Mazzola Parmensis graphidesä (Bologna: Ludovico Inig, 1788) book with engravings and aquatints 1788
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Giuseppe Maria Mitelli Frontispiece of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Palazzo Fava, Bologna Engraving
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc
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Giuseppe Maria Mitelli Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carrac
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carrac
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Giuseppe Maria Mitelli Aeneas and his Companions Combat the Harpies, plate 10 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Car
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Giuseppe Maria Mitelli Aeneas and his Family Fleeing Troy, plate 6 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in th
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Giuseppe Maria Mitelli Polyphemus pursuing Aeneas' Fleet, plate12 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
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Giuseppe Maria Mitelli The Greeks dragging Cassandra out of the Temple, plate 3 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
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Giuseppe Maria Mitelli The Trojans Sacrifice Bulls to Neptune, plate 9 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
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Giuseppe Maria Mitelli Aeneas Pours Wine into the Sea in Gratitude for his Arrival in Italy, plate 11 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Ann
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Ludovico Cardi Cigoli - Study of head and bust of youth, looking to lower left n.d. oil on paper laid do The Fitzwilliam Museum Italian
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Cornelis Galle the Elder Lucifer Engraving 16th - 17th century
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Giovanni Battista Brustoloni The Piazza S. Marco Etching and engraving 18th century
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Giovanni Battista Brustoloni The Gateway to the Armory Etching and engraving 18th century
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Giovanni Battista Brustoloni The Church of SS. Giovanni e Paolo Etching and engraving 18th century
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Giovanni Battista Brustoloni The Rialto, after Canaletto Etching and engraving 18th century
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Giovanni Battista Brustoloni The Doge Offers a Banquet, after Canaletto Etching and engraving 1766
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Cornelis Bloemaert Virgin and Child, caressing a lamb Engraving 17th century
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Giovanni Battista Brustoloni The Rialto Bridge, after Canaletto Etching and engraving 18th century
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Giovanni Battista Brustoloni The Piazza S. Marco, after Canaletto Etching and engraving 18th century
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Giovanni Battista Brustoloni The Bucentaro on Ascension Day, after Canaletto Etching and engraving 18th century
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Giovanni Battista Brustoloni The Piazza S. Giacomo in Rialto, after Moretti Etching and engraving 18th century
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Giovanni Battista Brustoloni The Church of the Redeemer, at Night, after Canaletto Etching and engraving 18th century
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Carlo Antonio Pisarri Allegorical Scene after Lodovico Carracci Etching and engraving 18th century
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Giovanni Battista Brustoloni The Church of S. Pietro in Castello, at Night, after Moretti Etching and engraving 18th century
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Giovanni Battista Brustoloni The Piazza and Church of S. Giacomo in Rialto, after Moretti Etching and engraving 18th century
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Giovanni Battista Brustoloni Wells in the Courtyard of the Ducal Palace, after Canaletto Etching and engraving 18th century
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Giovanni Battista Brustoloni The Cappuccine church of the Servites on the Fondamente Nuova, after Canaletto Etching and engraving 18th century
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Giovanni Battista Brustoloni View of the Bank Facing the Ducal Palace, after Canaletto Etching and engraving 18th century
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Giovanni Battista Brustoloni The Biblioteca Marciana and the Beginning of the Grand Canal, after Canaletto Etching and engraving 18th century
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Giacomo Maria Giovannini St. Sebastian, after Lodovico Carracci Engraving 17 - 18th century
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Antonio Visentini Piazza San Marco, View of the Public Library, pl. IV from a series of four scenes of the Piazza after Canaletto Etching circa 1745
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Antonio Visentini Piazza San Marco, View Between Church and Tower, pl. III from a series of four scenes of the Piazza after Canaletto Etching circa 1745
J. Paul Getty Museum -
Cupid Overpowering Pan
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Alessandro Tiarini Madonna and Child with Infant St. John and Two Prophets Pen and brown ink,blue-gray and brown washes with opaque watercolor over black chalk on laid paper mounted to heavier sheet 17th century
The Metropolitan Museum of Art -
Study for an Equestrian Monument, ca. 1482-1483 Antonio Pollaiuolo (Italian [Florence], 1431-32–1498)Pen and brown ink,
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Francesco Brizio Mary Magdalen engraving 1600
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Valentine Green Placing Christ in the Sepulchre Mezzotint 18th - 19th century
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Francesco Brizio The Virgin and Child in a Landscape, after Agostino Carracci Engraving 1595
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Francesco Brizio The Holy Family Near a Fountain engraving 16th - 17th century
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Francesco Brizio The Holy Family Returning from Egypt engraving circa 1610
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Francesco Brizio St. Roch Interceding for the Divine Protection of a Donor. After Parmagianino engraving 16th - 17th century

Artnews Articles and Exhibition Information: (6)
Click on any of the links below to read about artnews or exhibitions related to Quaroni

Joan Miro Foundation: ESPAI 13: Psychodrome - Curated by Grazia Quaroni and David Renaud
Psychodrome, the title of the cycle, refers to a circuit in a defined space – the exhibition space in which a basic module will be installed in the form of a circular structure that will change according to the needs of the different artists. It a...
Juan Miro Foundation: Homo ludens. Art at play: Lightworks

This cycle is concerned with art and play, two concepts that are and always have been necessary in all epochs and all civilisations. As children, we learn about the world through play, and at every stage of our life we need time for play so that n...
Joan Miro Foundation: Homo ludens. Art at play: You and I by Thomas Huber
The emphasis is on the notion of the pictorial space – a space with a certain depth where a very "different" universe develops in which the radical figures, landscapes and architecture exist in two dimensions, totally unconcerned with what is goin...
Joan Miro Foundation: Espai 13, Homo ludens. Art at play - Olympia by Grazia Toderi
Born in Padua in 1963, Grazia Toderi lives and works in Milan. Focusing on video, she operates with real images, altered very discreetly by computer. Distant galaxies, theatres, stadia – her subject matter is varied but she creates an atmosphere t...
Joan Miro Foundation: Flock by Aernout Mik
This exhibition by Aernout Mik, his first one-man show in Spain, was preceded by those by Xavier Veilhan, Daniel Chust Peters, Grazia Toderi, Vik Muniz and Thomas Huber. Born in Gröningen in the Netherlands, Aernout Mik lives and works in Am...
Joan Miro Foundation: Psychodrome.02: Michel Gouery, Franz Ackerman, Fred Tomaselli
It also refers to "psychedelia", a familiar word since the 1960s that means a disorder of consciousness through some external stimulus, in this case visual art, that in this exhibition takes the viewer on a journey through cities and galaxies.

Further Artwork and Information:

Ludovico Quaroni [de]
Università degli Studi di Roma La Sapienza - Prima Facoltà di Architettura Ludovico Quaroni
traarchit - Ludovico Quaroni
Ludovico Quaroni (1494 - 1552) Biography, Artwork Images, Exhibitions, Reviews
Ludovico Quaroni [en]
Ludovico Quaroni [en]
Ludovico Quaroni [de]
artnet.com: Resource Library: Quaroni, Ludovico
Corpo Docente
architectura: La città meravigliosa di Ludovico Quaroni: un resoconto

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