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Artist: Samuel Read ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Samuel Read.
- Samuel Read
Warwick Castle, from Harper's Weekly, 20 Aug. 1874
Wood Engraving
19th century
- Samuel Read
The Danube, at the junction of the Pruth ,.from Harper's Weekly, page 433,2 June 1877.
Wood Engraving
19th century
- Royall Brewster Smith - Eliza R. Read 1833 oil on canvas National Gallery of Art American
- Royall Brewster Smith - John G. Read 1833 oil on canvas National Gallery of Art American
- Jacob Lawrence - In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement. 1940-41 tempera on gesso on The Museum of Modern Art American The Minneapolis Institute of Arts
- Artist: James B. Read Title: Portrait of a Boy Date: 1856 Medium: oil on canvas
- Richard Read
Moses in the Bulrushes
Engraving
18th century
- A. Ridgton Read
The Sweep
color woodcut
1923
- A. Ridgton Read
Turkeys
color woodcut
20th century Museum of Fine Arts
- Thomas Buchanan Read, American, 1822-1872 Sheridan"s Ride 1871 Oil on canvas 73.34 x 60.32 cm
- Samuel Palmer
"Christmas" etching in Samuel Palmer, a memoir by A. H. Palmer
etching
19th century
- A. Ridgton Read
Carcassone under Snow
color woodcut
20th century
- A. Ridgton Read
Roquefixade, Pyranees
color woodcut
20th century The Minneapolis Institute of Arts
- Artist: David Charles Read Title: Evening: Landscape with Two Figures Date: about 1830 Medium: watercolor
- A. Ridgton Read
Fine Weather for Ducks
color woodcut
20th century
- Samuel Palmer
The Bellman
ET
1879
- Samuel Palmer
Moonlit Scene
graphite
1863
- Francesco Curti
The Virgin Teaching the Infant Jesus to Read, after Guercino
Engraving
17th century
- Samuel William Reynolds, Senior
Samuel Whitbred, Esq.
Mezzotint
18th - 19th century
- Samuel Palmer
The Sepulchre
ET
19th century
- Samuel Palmer
The Skylark
ET
19th century
- Samuel Palmer
The Willow
ET
19th century
- Samuel Palmer
The Cypress Grove
etching
1883
- Samuel Palmer
The Rising Moon
ET
19th century
- Samuel Palmer
The Early Ploughman
ET
19th century
- Samuel Palmer
Moeris and Galatea
ET
19th century
- Samuel Palmer
The Homeward Star
ET
19th century
- Samuel Palmer
The Cypress Grove
ET
19th century
- Samuel Palmer
The Herdsman, or The Weary Ploughman
1865
- Samuel Palmer
The Willow
etching
19th century
- Samuel Palmer
Opening the Fold; or, Early Morning
ET
19th century
- Samuel Palmer
An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
book with 5 etchings and 9 photogravures after drawings
1883
- William Dunlap - Samuel Griffin c. 1809 oil on canvas National Gallery of Art American
- Benjamin West - Dr. Samuel Boude 1755 oil on canvas National Gallery of Art American
- Thomas Lawrence - Samuel Woodburn c. 1820 oil on panel The Fitzwilliam Museum British
- Eastman Johnson - Samuel W. Rowse c. 1881 oil on board Cleveland Museum of Art American
- Washington Allston - Samuel Williams c. 1817 oil on canvas Cleveland Museum of Art American
- Samuel Palmer
The Herdsman's Cottage; or sunset
ET
19th century
- Toyohara Kunichika
The Meiji Empress Teaching Children to Read
color woodcut oban diptych
1887 The Metropolitan Museum of Art
- Libation Dish, ca. 2960-2770 B.C.E.; Dynasty 1; Archaic period EgyptianSiltstone; W. 5 3/4 in. (14.5
- Samuel Palmer
Opening the Fold; or, Early Morning
ET
19th century
- Samuel Palmer
The Sleeping Shepard; Early Morning
ET
19th century
- Samuel Palmer
The Herdsman's Cottage or Sunset
etching from a steel plate
1850
- Walter Launt Palmer
"The wild west coast of the North Countrie" from Harper's Weekly,10 June 1876
Wood Engraving
19th - 20th century
- Samuel Palmer
"O fortunate old man...",second illustration for Eclogue 1, opposite page 20 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"O fortunate old man...",first illustration for Eclogue 1, opposite page 18 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Walter Ufer - Portrait of Samuel Lustgarten c. 1925-1927 oil on canvas Los Angeles County Museum of Art American
- Winthrop Chandler - Mrs. Samuel Chandler c. 1780 oil on canvas National Gallery of Art American
- Samuel Palmer
"Thy very cradle quickens...", illustration for Eclogue 4, opposite page 48 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Gilbert Stuart - Samuel Alleyne Otis 1811-1813 oil on wood National Gallery of Art American
- Henry Dexter - Samuel Atkins Eliot 1837 plaster bust Boston Athenaeum American
- Leopold Seyffert - Samuel Henry Kress 1953 oil on canvas National Gallery of Art American
- John Trumbull - Judge Samuel Livermore 1792 oil on panel Currier Museum of Art American
- Samuel Palmer
"And while the troubled moon shrunk in and out...", second illustration for Eclogue 8, opposite page 82 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"Pan came, Arcadian shepherd ever good",second illustration for Eclogue10, opposite page 94 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Ripe apples are our supper...",third illustration for Eclogue 1, opposite page 22 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"Pan came, Arcadian shepherd ever good...", first illustration for Eclogue10, opposite page 92 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Come fairest, if thou care for me at all..," illustration for Eclogue 7, opposite page 70 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Tis gentle Phillis I love best of all...", illustration for Eclogue 3, opposite page 40 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Untimely lost and by a cruel deathä", illustration for Eclogue 5, opposite page 54 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"_till Vesper bade the swain...", illustration for Eclogue 6, opposite page 64 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Then, to our goats at milking time return..", illustration for Eclogue 9, opposite page 88 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"Scarce with her rosy fingers had the dawn...", first illustration for Eclogue 8, opposite page 76 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"But see, the weary-pacing oxen, slow...", illustration for Eclogue 2, opposite page 30 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Augustus Saint Gaudens - The Puritan (Deacon Samuel Chapin) 1899 bronze Los Angeles County Museum of Art American
- Winthrop Chandler - Captain Samuel Chandler c. 1780 oil on canvas National Gallery of Art American J. Paul Getty Museum
- The Shade of Samuel Invoked by Saul
- Samuel Palmer
The Shorter Poems of John Milton (London: Seeley & Company, 1889)
book with 12 etchings
1889
- Benjamin West - Mary Bethel Boude (Mrs. Samuel Boude) 1755-1756 oil on canvas National Gallery of Art American Museum of Fine Arts
- Statuette of Isis as a mourner Egyptian Late Period, Dynasty 26, about 664–525 B.C. Egypt Museum of Fine Arts
- Philippi Read, British Sampler Britain, 1742 Wool plain weave embroidered with silk and metallic thread
- Samuel Williamson
Sugar urn
silver
circa 1800
- Samuel Ely Hamlin
Porringer
pewter
1801 - 1856
- Samuel Lovett Waldo
Mrs. C. F. Lindsley
oil on canvas
1844 The Metropolitan Museum of Art
- Diaries of Samuel P. Avery, 1871-1882 Author: Samuel Putnam Avery (American, 1822-1904)Bound manuscript; 5 vols.; The Minneapolis Institute of Arts
- Artist: attributed to Master of the Passion Diptych Title: Diptych Date: about 1375 Medium: ivory
- Samuel William Reynolds, Senior
Hagia Yousuph Effendi
Mezzotint
1795
- Samuel William Reynolds, Senior
The Fisherman's Dog
mezzotint
18th - 19th century
- Samuel Prout
At York
1821
- John Singleton Copley - Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis) c. 1764 oil on canvas National Gallery of Art American
- Samuel William Reynolds, Senior
The Death of Cicero
Mezzotint
18th - 19th century
- Samuel William Reynolds, Senior
John Opie
Mezzotint
18th - 19th century
- Samuel Williamson
Coffeepot
silver, wood
circa 1800
- Samuel William Reynolds, Senior
The Chapeau de Paille
Mezzotint
18th - 19th century Museum of Fine Arts
- John Smibert, American (born in Scotland), 1688-1751 Judge Samuel Sewall 1729 Oil on canvas 76.2
- Samuel William Reynolds, Senior
Portrait of Josiah Wedgwood, Esq.
18th - 19th century
- John Wesley Jarvis - Portrait of Captain Samuel Chester Reid, 1783-1861 1815 oil on canvas Minneapolis Institute of Arts American The Minneapolis Institute of Arts
- Artist: John Wesley Jarvis Title: Portrait of Capt. Samuel C. Reid Date: 1815 Medium: oil
- Samuel Howitt
The Hare and the Tortoise
Etching
1809
- Samuel Marsden Brookes
Fish
oil on panel
circa 1870
- Samuel A. Robb
Indian Maiden
zinc and paint
1870
- Samuel Edmund Waller
The Poacher's Daughter
lithograph
1886
- Samuel Sartain
The Last Prayer
etching
19th - 20th century
- Samuel Sangster
The Victim
etching and engraving
19th century The Metropolitan Museum of Art
- Autographs and Sketches from Artist Friends to Samuel P. Avery, 1874-1880 Author: Samuel Putnam Avery
- Samuel Walker
Mrs. Mary Jane White
oil on canvas
1871
- Samuel Ireland
Portrait of William Hogarth
1764
- Samuel MacIntyre
Game table
mahogany
early 19th century
- Samuel William Reynolds, Senior
William, Youngest Son of Lord William Russell
Mezzotint
18th - 19th century
- Samuel Palmer
Lycidas, illustration to the poem Lycidas, opposite page 2 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889)
etching with photogravure
1889
Artnews Articles and Exhibition Information: (30) Click on any of the links below to read about artnews or exhibitions related to Read
The British Museum: Cracking Codes: The Rosetta Stone and Decipherment The exhibition shows the variety of the world's writing systems and
relate the story of the Stone's discovery, how it entered the British Museum in 1802,
and how it inspired decipherment by the young ...
Dundee Contemporary Arts: Roddy Buchanan: Players Buchanan, born in Glasgow in 1965, has used photography, video, text and
objects to examine how we read people's identity and how individuals identify themselves in
society. Many of his works have been collaborative, seeking the co-operation of ama...
Laurence Miller Gallery: John Gutmann: Instant Messaging In these intimate vintage black
and white prints, we read signs that say "WE WANT THE 40 HOUR WEEK" and "FOR
THE PROTECTION OF LIVES CUT YOUR SPEED." Automobiles became billboards,
where messages were posted, both private (CQ de SM5YU) and pub...
Cleveland Center for Contemporary Art: Once Upon A Time: Contemporary Art for Children's Books Featuring original artwork
created by popular
contemporary artists Keith
Haring, Fai...
Jewish Museum: Charlotte Salomon: Life Or Theatre Executed in three primary colors, the gouaches read like a series
of storyboards for a film, following the events of Salomon's life. Art, texts
and musical references recreate a life scarred by family tragedy and Nazi
persecution, yet intersp...
Taipei Caves Art Center: The Art of Lin Chi-fong Lin Chi-fong's oeuvre maybe divided into two distinct groups.
In the first group, Lin Chi-fong bases himself on masterpieces that
deal with Taoist and Buddhist material as handed down from age to age
by the anci...
Kiasma: Kite Stories: Installation by Brian Eno The text is taken from the Japanese story Onmyo - Ji by Reiko Otano and was read
by Kyoko Inatome. I time-stretched her readings using Sound-Designer software,
and then re-pitched the stretched voi...
31 Grand: Adam Stennett: Before the Accident The installation IF YOU CAN READ THIS YOU ARE ALREADY DEAD, involves 30-50 live mice which run through a series of industrial Clear Schedule 40 PVC pipe hanging a few feet overhead and extending into the walls of the gallery.
...
Portland Museum of Art: Sa Schloff: Portrait Gallery ...
Artboard.co.uk: Call for Entries: Images of Conscience Artboard is putting together this exhibition of artwork that is about people who are not too well off, whether though urban depravation or political greed, local or far away. It has launched a search across the net for really strong images that depic...
Kemper Museum of Contemporary Art: Kathryn Spence: Wild ...
Bartley Nees Gallery: Max Gimblett: Paintings and Drawings Max Gimblett’s art is timeless. Born out of 20th century abstract expressionism and early modernist concerns to express the spiritual in art, it is also inflected by the artist’s interest in Asian art and religion.
His paintings, which are at onc...
Daniel Langlois Foundation: Call for Artists: Grants for Researchers in Residence Individuals wishing to submit a research proposal are asked to read the program's guidelines:
href=http://www.fondation-langlois.org/flash/e/index.php?NumPage=121<...
Index - Swedish Contemporary Art Foundation: Andreas Korsar: Lite lik dig The exhibition "Lite lik dig" (A bit like you) is Andreas Korsár’s first presentation in Stockholm and contains a mix of new work and old, colour and black & white, animation and drawing. Andreas Korsár has previously also worked with music video...
Addison Gallery of American Art: Love and Loss: American Portrait and Mourning Miniatures from the Yale University
Art Gallery Small
enough to fit in the palm of your hand, the miniature stands apart from
any other art form because of its highly personal content. Revealing people’s
private selves and secrets, these treasures portray loved one...
Craft ACT: Craft and Design Centre: Dichasium: New Work by Morgan James In Dichasium, twenty six panels of embroidered cloth emerge from black and disappear into white with a rich spectrum in between. Each panel is machine embroidered with a pattern celebrating an indigenous flowering plant.
Morgan James is an a...
South London Gallery: Christian Boltanski: Les Abonnes du Telephone Whichever course they choose, it will inevitably be a personal one and this oscillation between the global and the individual, the international and the local is central to the work. These relationships are further developed in a specially commiss...
MAK Center for Art and Architecture: TRESPASSING: Houses x Artists The projects engage the house as subject, investigating its forms, functions and significance while imagining a wide variety of prototypes for living. Presenting renderings, models, video and an interactive installation, the artists and architects...
Sara Tecchia Roma New York: R E A D: A New Series of Paintings by Duston Spear Spear explains: “I took up a relationship with Crane’s text, what critic Deborah Frizzell called ‘ventriloquizing his lines in word-image conjunctions.’[1] Crane has this black and white take on war—so sarcastic and haunting—‘these men were born t...
Blackrock College: Art Exhibition to Feature Works by Cummiskey From the Artist's Statement
"I am a watercolourist.
"I paint on the theme of the writings and wanderings of James Joyce, Samuel Beckett and on specific themes. I have a special interest in combining literature and painting. I put my spi...
Kunstlerhaus Cinema: MOVED PICTURES OF LAWRENCE WEINER Weiner’s filmmaking represents a continuous line of concerns in his oeuvre. Capturing reality
in moved pictures in context with his statements and linguistic structures, the films are
cha...
Harvard University Art Museums, Arthur M. Sackler Museum: The Sensuous and the Sublime: Representations of Love in the Arts of the Middle East and Southern Asia Inspired by a wealth of sacred literature, lyric poetry, and folk tales, artists often created paintings and sculptures that could be read alternately as visualizations of overt sensuality or as symbols of spiritual union. In these beautiful works...
Unisa Art Gallery: Tribute to Lucky Sibiya
Lucky Sibiya is internationally renowned for his abstract paintings and
sculptural carvings. Sibiya's works have been exhibited, and collected
locally and globally. His richly carved flowing rhythmic lines and painted
wood panels are perha...
Grand Rapids Art Museum: Contemporary Art From Cuba: Irony and Survival on the Utopian Island But for an outsider, the context of the work, contemporary Cuba, is riveting. Its culture is rich in
complexity, with many ethnic sources; and its history includes invasions by the Spanish, English,
...
King County Washington Public Art Program: Call for Artists: Harborview Medical Center Ninth Avenue Streetscape As part of the current Bond Program the campus is undergoing extensive seismic upgrades and construction over the next two to six years. Two new buildings will be constructed and significant improvements will be made to the campus streetscape and...
NSA Gallery: Recent Works by Michael Croeser Culled from an archive of old magazines and postcards (mass media debris of sorts), these collages were meticulously drawn and rendered on a large scale – and look like humongous high contrast photocopies from a distance.
Canberra Contemporary Art Space, Gorman House: Call for Artists: 2004 CCAS Contemporary Art Award HOW TO ENTER
Enter by filling in the entry form found onlin at http://www.ccas.com.au/ and submitting it to CCAS with a maximum of 2 slides, photographs or digital images (JPEG format) of the artwork. Sl...
Parsons Exhibition Gallery, Parsons School of Design: SPEECHLESS: A Retrospective of Peter Kuper
SPEECHLESS will include cover illustrations, paintings, sculptures and wordless comics in Kuper's unique stencil style. Also featured are examples of Kuper's step-by-step process of illustration, a comic chronicling his experience serving as an ex...
gallery twenty-four: Call for Artists: Autodidactic and Undiscovered Artists from Around the World In order to expand their exhibition program to provide the Berlin art community with a well rounded lineup of talent, they are providing four exhibition periods devoted to "self-curated" shows for individuals or groups, who wish to assemble and ex...
Diane Farris Gallery: Kathryn Jacobi: The Minor Pantheon Inspired by the surrealist artists, in particular, Max Ernst and Paul Klee,
the paintings are a meditation on the randomness of fate. Thematically they
present history as a game, a puzzle. Things are not what they seem - are
fragmented and tr...
Further Artwork and Information:
Samuel Read, I
George Samuel J. Read
Samuel R. Anderson, Brigadier General, P.A.C.S.
Samuel Read Hall
WIEM: Hall Samuel Read
Hall, Samuel Read
Samuel Read Anderson Biography
Ancestors of Janet Helen Raub Samuel Read
The Brownington Historic District
Ancestors of Janet Helen Raub Samuel D. Read
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Vincent van Gogh Branches L'ammandier En Fleur
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