Artist: George Richardson ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by George Richardson.

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George Richardson Crossing the brook Engraving 19th century
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George Vertue Portrait Matthew Prior, after Jus. Richardson engraving 1719
Museum of Fine Arts -
George de Forest Brush, American, 1855-1941 The Thomas Sisters (Margaret Thomas Gardiner and Helen Thomas
Museum of Fine Arts -
Joseph Richardson, Jr., about 1752-1831 Nathaniel Richardson Candlestick (one of a pair) United States, Pennsylvania,
Museum of Fine Arts -
Joseph Richardson, Jr., about 1752-1831 Nathaniel Richardson Candlestick, one of a pair United States, Pennsylvania,
Museum of Fine Arts -
Joseph Richardson, Jr., about 1752-1831 Nathaniel Richardson Teapot United States, Pennsylvania, (Philadelphia), about 1780 Silver
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Rembrandt Peale - Richardson Stuart c. 1815 oil on canvas National Gallery of Art American
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Jonathan Richardson Alexander Pope 17th - 18th century
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Jonathan Richardson Bust of John Milton 17th - 18th century
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George C. Shreve Miniature case clock mahogany and brass circa 1900
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William Ward, A.R.A. Portrait of Rev. W. Richardson Mezzotint 18th - 19th century
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Sérigraphie plus/times (1974) by RICHARDSON-JONES Keith
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Jonathan Richardson Portrait of Alexander Pope Black, white and red chalks on tan laid paper 17th - 18th century
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Relief blanc, séries - syzygy - sub-set 5, "1:2/1:4" (1988) by RICHARDSON-JONES Keith
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Julius John Pommer Richardson Bay Etching 19th - 20th century
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Mary Curtis Richardson The Sleeping Child oil on canvas 1911
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William Richardson Bolton Abbey: The Choir, first plate opposite page 60, and forty-second plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph 1848
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William Richardson Easby Abbey: The Refectory, first plate opposite page 76, and sixty-third plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph 1848
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Mary Curtis Richardson Girl Reading oil on canvas circa 1900
Museum of Fine Arts -
Unidentified artist, British, late 18th century John Richardson 1770s Oil on canvas 75.88 x 63.18
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C. Richardson Dundee, from the Opposite Side of the Tay, plate opposite page 35 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by
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William Richardson Roche Abbey: Gateway, on page [41], and twenty-fourth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph on text page 1848
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William Richardson Fountains Abbey: Southwest View, second plate opposite page 40, and twenty-second plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph 1848
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William Richardson Byland Abbey: Looking West, first plate opposite page 48, and twenty-eighth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph 1848
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William Richardson Kirkham Priory: Gateway , first plate opposite page 80*,and seventy-sixth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph 1848
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William Richardson Borrowdale etching 19th century
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William Richardson Fountains Abbey: Interior of Choir and Nave, first plate opposite page 40, and twenty-first plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph 1848
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William Richardson Selby Abbey: North Porch, on page [57], and thirty-seventh plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph on text page 1855
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William Richardson Fountains Abbey: Ladye Chapel, on page [35], and twentieth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph on text page 19th century
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William Richardson Southwest View, Whitby Abbey, second plate opposite p. 16, and fifth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring circa 1843
The Minneapolis Institute of Arts -
Artist: Theodore J. Richardson Title: Near the Fiord Date: n.d. Medium: watercolor Dimensions: H.8-7/8 x
J. Paul Getty Museum -
Self-Portrait Wearing a Cloth Hat
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William Richardson Whitby Abbey: Transept, title plate for vol. 1 on p.[ 1], and first plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring mounted on book page 1843
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William Richardson Northeast View, Whitby Abbey, first plate opposite p. 16, and fourth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring circa 1843
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William Richardson Whitby Abbey: Nave and Choir, on p. [11], and third plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring mounted on text page circa 1843
The Minneapolis Institute of Arts -
Artist: Theodore J. Richardson Title: Near the Fiords. Silver and Gray. Evening Date: n.d. Medium:
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Tête d'homme barbu, de dos, se retournant (4e quart 16e siècle ; 1ère moitié 17e siècle) by RENI Guido
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William Richardson Rievaulx Abbey: Abbey in the Vale, first plate opposite page 34, and seventeenth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring circa 1843
Museum of Fine Arts -
Richard Wilson, British, 1713-1782 River Landscape with a Boy Fishing (On the Arno) Oil on
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William Richardson Kirkstall Abbey: Northwest View, first plate opposite page 20, and ninth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring circa 1843
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William Richardson Rievaulx Abbey: East End, on page [28], and sixteenth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring mounted on text page circa 1843
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William Richardson Mt. Grace Priory: Exterior View, first plate opposite page 56, and thirty-fifth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring circa 1848
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William Richardson Roche Abbey: West View, first plate opposite page 44, and twenty-fifth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring circa 1848
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William Richardson Guisborough Priory: Guisborough Priory and the Vale of Cleveland, on page [49], and thirty-first plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring mounted on text
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William Richardson Bolton Abbey: West Front, second plate opposite page 60, and forty-third plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring circa 1848 - 1855
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William Richardson Selby Abbey: Interior of Nave, first plate opposite page 58, and thirty-eighth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring circa 1855
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William Richardson St. Mary*s Abbey, York: West End, on page [21], and twelfth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring mounted on text page circa 1843
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Arthur Pond [Mythological Scene(?)] E Museo Domini Jonathanis Richardson 1734
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William Richardson Byland Abbey: Southeast View, second plate opposite page 48, and twenty-ninth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring circa 1848
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William Richardson Easby Abbey: Exterior of the Refectory, second plate opposite page 76, and sixty-fourth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring circa 1848
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William Richardson Byland Abbey: Gateway, on page [45], and twenty-seventh plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring mounted on text page circa 1848
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William Richardson Mt. Grace Priory: Gateway, on page [51], and thirty-fourth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring mounted on text page circa 1848
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William Richardson Guisborough Priory: Interior Wall of the East End, first plate opposite page 50, and thirty-second plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring circa 1848
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William Richardson St. Mary*s Abbey, York: North Side of Nave, first plate opposite page 26, and thirteenth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring circa 1843
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William Richardson Kirkstall Abbey: Interior, Nave and Choir, on page [17], and eighth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring mounted on text page circa 1843
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Arthur Pond [Three figures in a river landscape] E Museo Jonathanis Richardson 18th century
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Arthur Pond [A river landscape] E Museo Domini Jonathanis Richardson 18th century
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Mary Curtis Richardson Little Miss Muffet graphite on paper mounted to card circa 1872
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Thomas Miles Richardson Alnwick Castle, Northumberland Mezzotint 18th - 19th century
The Minneapolis Institute of Arts -
Artist: Theodore J. Richardson Title: Oldest Graves on the Beach, Kasaan Date: 19th century Medium:

Artnews Articles and Exhibition Information: (26)
Click on any of the links below to read about artnews or exhibitions related to Richardson

Fold Gallery: Silly Things : A Group Exhibition
Marcus Cope's work avoids easy classification. Using a wide array of visual languages Cope wryly comments on art history, Americana and the discourse between the paintings themselves. The result is a schizophrenic and unpredictable assemblage of s...
Fogg Museum, Harvard: Before and After the End of Time: Architecture and the Year 1000
Harvard's contribution to the rediscovery of this moment in architectural history will also be addressed in the exhibition. Photographs and drawings by a...
Art Gallery of Ontario: Provisional Worlds: Expendables Surrounding Us
Through the skilful, yet playful, use of provisional commodities, ranging from plastic bottles and record sleeves, to Styrofoam, bar codes and B movies, these artists raise questions about what everyone sees and consumes. “This exhibition i...
Spanish Absinthe, Absenta.com: Cab Gallery
Artists Participants include Peter Liversidge (1999 John Moores nominee), Bob and Roberta Smith, Steve Bunn (winner of The Battersea Outdoor Sculpture Prize 1999; winner of Madame Tussauds Prize, RCA Best Graduate 1999), Abigail Cohen, Jemi...
Boomalli Aboriginal Artists Co-operative: NEW BEGINNINGS, NEW IDEAS
An opening for the exhibition will be held Wednesday 5th July, 2000 at 6.00 p.m. Mr. Herb Simms/Elder, La Perouse Aboriginal Community, Sydney will open the show at Boomalli, 191 Parramatta Road, Annandale. N.S.W. 2038 Boomalli Abor...
Canberra Contemporary Art Space: Perfect Strangers: Denis Beaubois, Deej Fabyc, Alex Kershaw, Sandy Nicholson, Deborah Ostrow, Elvis Richardson, Silvia Velez, Justene Williams
Perfect Strangers stages a set of encounters between the individual, private figure and public space. Who do we become in the public register of photography - the register of memory and...
Modern Museum: Fashination: Art and Fashion
Throughout the 20th century, fashion and art have repeatedly cross-fertilised one another. This exchange was at its most intense during three periods: 1920s surrealism, 1960s pop art, and now, since the early 1990s. It is this latter period that i...
Frye Art Museum: Lilian Broca: Mirrors and Reflections
Also on view are drawings from an earlier series, Brides, a metaphor for the conflict between t...
Photo Review: Call for Entries: 2001 Photo Review Photography Competition
Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia. Because their work was seen in The Photo Review, past winners have been given one-person exhibitio...
ArtSpace: Temporary Fixtures: Jonathan Bottrell, Chris Fox, Claire Healy, Horst Kiechle, Raquel Ormella, Elvis Richardson and Rodney Spooner
The observation of, and speculation about, this socially and economically heterogeneous urban space is a highly sensitive undertaking and one which the artists have problematised throughout the process of developing site-specific installations fo...
Conical Gallery: KISSS: Kinship International Strategy on Surveillance and Suppression
KISSS was launched in August 2005 at the Whitechapel Gallery London where KISSS strategies were presented to a full house in a live, intermedia combination of performance, video, interventions and working sessions. An audience member observed how ...
Photo Review: Call for Artists: 2003 Photo Review Photography Competition
Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia. Because their work was seen in The Photo Review, past winners have been given one-person exhibitio...
Pretoria Art Museum: Pandemic: Imaging AIDS
Imaging AIDS illuminates the worldwide struggle against the epidemic, revealing the range of responses to and against a disease that has thoroughly altered the way we approach life, our bodies, and relationships both personal and political. These ...
Sanford L. Smith & Associates: New York Photography Fair
The show offers something for everyone. This is a downtown show, said Sanford Smith, with a mix of emerging and established dealers that appeals to both younger and seasoned ...
Photo Review: Call for Artists: Photo Review 2005 International Photography Competition
Because their work was seen in The Photo Review, past winners have been given one-person exhibitions, have had their work reproduced in other leading photography magazines like DoubleTake, and have sold their work to collectors throughout the coun...
Photo Review: Call to Artists: 2004 Photo Review Photography Competition
Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia. Because their work was seen in The Photo Review, past winners have been given one-person exhibitio...
Photo Review: Call to Artists: 2004 Photo Review Photography Competition
Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia. Because their work was seen in The Photo Review, past winners have been given one-person exhibitio...
Victoria and Albert Museum: Stepping In and Out: Contemporary Documentary Photography
The theme of the exhibition is two-fold; certain photographers have immersed themselves, or 'stepped in’ to, communities different from their own, documenting the situations and relationships that then unfold. Other photographers adopt the new ro...
Organization of Independent Artists: Patterned Behavior - Moku-Hanga: Japanese Waterbase Woodcuts by April Vollmer and Sarah Hauser
April Vollmer received an M.F.A. at Hunter College. In addition to a recent solo exhibit at A.I.R. Gallery, the artist has exhibited at the Islip Art Museum, Goddard Riverside Art Center, Dieu DonnÈ Papermill and other galleries nationally a...
Photo Review: Call for Artists: 2009 Photo Review Photography Competition
Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia. And a major traveling exhibition in 2010 will feature entrants from 25 years of The Photo Review Competi...
Photo Review: Call for Artists:2007 Photo Review Photography Competition
Because their work was seen in The Photo Review, past winners have been given one-person exhibitions, have had their work reproduced in other leading photography magazines like DoubleTake, and have sold their work to collectors throughout the co...
Biggs Museum of American Art: From Tankards to Teacups: The Art of Serving Beverages in Early America
When tea met boiling water in China in 2737 BC, a revolution began that spread to Europe, Great Britain, and finally, the colonies in the 1600s. Legend says that the Emperor of China, Shen Nung, discovered the drink when a few leaves of the Camel...
Corcoran Gallery of Art: The Eyes of History: The US' Most Distinguished Photojournalists
The photographs were selected from the White House News Photographers' Association annual contest, Eyes of History, which names a photographer of the year and recognizes the work of leading still and video photojou...
Jersey Galleries: Reconcilable Differences: Curated by Luis Formaiano and Alison A. Raimes
The history of Modern art has been the narrowing of horizons towards the individual viewpoint. Try to think about a chain of individuals, posting messages, and trying to be understood either by words or by artistic work. This is ARTLIVES... Cl...
Cafe Gallery Project: Reap: 19 artists, 30 installations, 365 days
Mark Anderson, Anne Bean, Lucy Baldwyn, David Chapman, Marcus Coates, Rachel Cohen, Holly Darton, Gail Dickerson, Graham Fagen, Brian Gilson, Illur Malus Islandus, Meg Mosley, Miyako Narita, Lucille Power, Emily Richardson, Harald Smykla, Eden Sol...
International Short Film Festival Oberhausen: Call for Entries
The Competitions
Drama, grotesque, experimental film or animation, the USA or Kazakhstan, Japan or Senegal, 30 seconds or 35 minutes: anything goes, as long as they make it short. Every year the Festival receives about 3,000 entries, out ...

Further Artwork and Information:

GPR home page
Killeshandra - George Richardson
pbase Artist GEORGE RICHARDSON
faces2003-1938richardsongeorge
George Richardson (1731 - 1810) Biography, Artwork Images, Exhibitions, Reviews
Swampscott MA Lawyer - George Richardson
George Richardson
George Richardson
Loop Polarity, Loop Dominance, and the Concept of Dominant Polarity
George Richardson Irvine

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