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Artist: John Riley (1646 - 1691)
Nationality: British
Movement:
Media: Painting
Influences:
Biography: The early details of John Riley’s career in portraiture are unclear. However, his presence in the field began after Lely’s death in 1680 and lasted until Kneller rose to dominance. In 1688, he was appointed principal painter to William III and Mary II, along with Kneller. But his best portraits were not done in the court, they depicted sitters from the lower classes. The two most famous of these portraits were The Scullion and Bridget Holmes. Riley also taught Jonathan Richardson the Elder.
Artworks in Museum Collections: (40) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by John Riley.
Fine Arts Museum of San Francisco
- Thomas Riley, Speke Hall, Lancashire, 19th - 20th century Fine Arts Museum of San Francisco
- Thomas Riley, The Town Hall, Manchester, England, 19th - 20th century
- Bridget Riley - Deny IV 1966 acrylic on canvas Minneapolis Institute of Arts British Museum of Fine Arts
- Emil Otto Grundmann, German (active in the United States), 1844-1890 Study of a Hindu Oil Fine Arts Museum of San Francisco
- John Kay, John Campbell of Blythewood, 1784
- John Steuart Curry - John Brown 1938 Lithograph Arkansas Arts Center American
- John Vanderlyn - John Sudam 1829-1830 oil on canvas National Gallery of Art American
- John Wollaston - John Stevens c. 1749-1752 oil on canvas National Gallery of Art American
- John Singleton Copley - Mrs. John Greene 1769 oil on canvas Cleveland Museum of Art American
- John Singleton Copley - John Gray 1766 oil on canvas The Detroit Institute of Art American
- John Singleton Copley - John Greene c. 1769 oil on canvas Currier Museum of Art American Fine Arts Museum of San Francisco
- John Sartain, Portrait of John A. Sutter, 1850 Fine Arts Museum of San Francisco
- John Smibert, John Nelson, 1732
- John Frazee - John Marshall 1834-35 marble Boston Athenaeum American
- John Durand - John Lothrop c. 1770 oil on canvas National Gallery of Art American
- John Johnston - John Peck c. 1795 oil on canvas National Gallery of Art American
- John Durand - Mrs. John Lothrop c. 1770 oil on canvas National Gallery of Art American
- John Hoppner - John Granville 1790-95 oil on canvas The Detroit Institute of Art English
- John Smibert - Mrs. John Pitts 1735 oil on canvas The Detroit Institute of Art American
- Charles Willson Peale - Mrs. John Nicholson (Hannah Duncan) and John Nicholson, Jr. 1790 oil on canvas The Art Institute of Chicago American Fine Arts Museum of San Francisco
- John Smith, Sir John Percival Bart, 1704 Fine Arts Museum of San Francisco
- John Stuart Curry, John Brown, 1939 Fine Arts Museum of San Francisco
- John Smith, John Duke of Marlborough, 1705 Fine Arts Museum of San Francisco
- John B. Neagle, William Helmuth (or John Henry Helmuth), 1834
- John Singleton Copley - Portrait of John Scollay 1764 black and white chal Pennsylvania Academy of the Fine Arts American
- John R. Johnston - Mrs. John R. Johnston before 1857 salted paper print f Cleveland Museum of Art American
- John Singleton Copley - The Honorable John Erving c. 1774 oil on canvas Smith College Museum of Art American The Metropolitan Museum of Art
- Portrait of a Man, Said to Be John Durham, ca. 1790 John Barry (British, active The Minneapolis Institute of Arts
- Artist: artist unknown Title: Tapestry Fragment of Virgin and St. John Date: about 1520 - Fine Arts Museum of San Francisco
- John Faber the Younger, St. John, Apostle and Evangelist, 1754
- John Wesley Jarvis - Commodore John Rodgers c. 1814 oil on canvas National Gallery of Art American
- John Singleton Copley - Colonel John Montresor c. 1771 oil on canvas The Detroit Institute of Art American Fine Arts Museum of San Francisco
- John James Audubon, Douglass" Squirrel, a study for pl. 48 ofViviparous Quadripeds of North America by John James Audubon and Rev. John Bachman (New York: John James Audubon, 1845-1848), circa 1843 Fine Arts Museum of San Francisco
- John Sartain, John Calvin, 19th century Fine Arts Museum of San Francisco
- John Smith, John Lambert the Elder, (after same), 17th - 18th century
- John Trumbull - John Trumbull 1793 oil on canvas The Detroit Institute of Art American Fine Arts Museum of San Francisco
- John Hall, King John, Act IV, Scene I, 18th century
- John R. Johnston - John R. Johnston with Painting late 1850's salted paper print f Cleveland Museum of Art American Fine Arts Museum of San Francisco
- William Blake , Fables by John Gay (London: John Stockdale, 1793), vol. 1, 1793 Fine Arts Museum of San Francisco
- William Blake , Fables by John Gay (London: John Stockdale, 1793), vol. 2, 1793
Artnews Articles and Exhibition Information: (30) Click on any of the links below to read about artnews or exhibitions related to Riley
Museum of Contemporary Art, Sydney: Bridget Riley: 1960 to Present "No painter, dead or alive, has ever made us more aware of our eyes than Bridget Riley." - Robert Melville, The New Statesman, 1970.
Included in this exhibition is a selection of the artist‚s dynamic black and white "dazzle" paintings, whi...
Mobius: Deeper, Deeper (Out, Out, Jezebel Spirit)
(anOther ongoing performance) by Shannon Rose Riley This work is a contra-diction. (To speak against.) Deeper Deeper the work moves in goes into penetrates Out Out the work casts
out ejects the abject separates removes. The work is a contradiction. It speaks against itself. What i...
Dia Center for the Arts: Bridget Riley: Reconnaissance Bridget Riley: Reconnaissance, installed on the fourth floor of Dia's exhibition
facility at 548 West 22nd Street, will focus on key paintings from the 1960s and 1970s by
this British artist. Riley's paintings fuse space, light, and drawing in a...
Tate Britain: Bridget Riley: A Major Retrospective Her participation
in the seminal exhibition The Responsive Eye at The Museum
of Modern Art, New York in 1965 established her as an artist of
the first rank. This position was confirmed at the Venice Biennale
in 1968 when she became the fir...
IAO Gallery: Outart Festival Of Oklahoma The 4
selected were artists that showed a level of presentation that was
superb,
Richard Ray Whitman said. Clayton Keyes, David Cockerell, Joe Dale Tate
Nevaquaya and Mark Maxey were selected for this prestigious award.
Over ...
Sheffield Galleries and Museum Trust, Graves Art Gallery: Jeremy Moon: A Retrospective Exhibition He made large, bright, abstract canvasses of great simplicity and ingenuity using flat blocks of intense, pure color in regular, geometric shapes and patterns. His work, however, had ready wit and playfulness that gives it a startling contemporary...
Art Gallery of New South Wales: YIRIBANA ABORIGINAL AND TORRES STRAIT
ISLANDER GALLERY Representing some of
the most prominent indigenous art
producing communities, the exhibition
also includes works by some of
Australia's leading Aboriginal artists,
such as Emily Kame Kngwarreye, Long Tom
Tjapanangka and Ginger Riley....
Monash Gallery: RE-TAKE : Contemporary Aboriginal and Torres Strait Islander Photography ...
Christie's: PRINTS CHARMING: 20th Century Prints
Two etchings printed with tone by Lucien Freud will be on offer in the British section of the sale, Man Resting
(1988) may fetch up to £4,000 while Two men in the Studio (1989) carries an estimate of £1,000-1,200. An
...
Thomas Dane: Translations - Creative Copying and Originality The idea that artists create autonomously is a great myth. The exhibition shows how artists have always been attracted by the works of their predecessors and contemporaries and how they have explored the creative potential of copying for their own...
Boomalli Aboriginal Artists Co-operative: Black to Basics and 1+1=1 Have issues changed for Aboriginal people in the last ten yearsNULL
Inserting Boomalli's posters of past exhibitions in between the works of art creates an historical backdrop that will give the exhibition a framework that anchors the works of...
Boomalli Aboriginal Artists Co-operative: NEW BEGINNINGS, NEW IDEAS
An opening for the exhibition will be held Wednesday 5th July, 2000 at 6.00 p.m. Mr. Herb Simms/Elder, La Perouse Aboriginal Community,
Sydney will open the show at
Boomalli, 191 Parramatta Road, Annandale. N.S.W. 2038
Boomalli Abor...
Cambridge Galleries: Angela Leach: Shimmy Leach's meticulously crafted and visually magnetic paintings have been credited with single-handedly revitalizing Op Art, and comparisons have been made to the British painter Bridget Riley. Yet, Leach's work has developed less from the influence ...
Frye Art Museum: Tony Foster: World Views Foster focuses his energy on painting fragile wilderness
regions with an eye to conservation: My work is about
wilderness, a celebration of the fact that even on our
overcrowded and increasingly polluted planet there exist
places o...
Epistrofi Gallery: Katrina Lodge: Selected Works
Lodge's work of spectral abstraction stems from early modern
abstraction with major influences from Russian Constructivism
and Suprematism, Op art pioneer Victor Vasarelly and the work
of Bridget Riley. Parallel influences from Eastern textil...
Contemporary Arts Museum Houston: The Inward Eye: Transcendence in Contemporary Art The exhibition features twenty-nine works created between 1970 and 2001 that capture the viewer's attention in a variety of ways.
From perceptual work like that of Charles Ray or James Turrell that allows us to see ourselves seeing, to ...
Columbia Museum of Art: Edward Hopper and Urban Realism Drawn entirely from the Whitney Museum of American Art’s preeminent collection, this exhibition presents the work of Hopper alongside paintings by his peers – those artists who documented and explored the many faces of life in the changing urban e...
Ohio Art League: The Forbidden Fruit: Alison Chism, Robert Falcone, Ellen Grevey Chism and Grevey’s glass pieces began as an exercise in symbolism and form – using shape and curve to illustrate the connection between edible fruits and the human body. These artists see fruit as directly symbolic of womanhood, drawing parallels ...
Hayward Gallery: Paul Klee: The Nature of Creation Paul Klee (1879 – 1940) is one of the great masters of modern art. Widely known for
the magical quality and spontaneity of his intimate paintings and drawings, he is
...
Dallas Museum of Art: Through the Needle’s Eye: American Quilts Through the Needle’s Eye is part of Quilt Mania, a citywide collaboration among 11 Dallas-area cultural institutions exhibiting a wide variety of quilts and hosting quilt-related events. To learn more about Quilt Mania, visit the Web site at quilt...
Aron Packer Gallery: Politics as Usual: A Group Exhibition of Politically Charged Artwork Though social awareness and art are never at great length from one another,
politically charged artwork is returning to the forefront of the art scene
in abundance. A new surge of this genre of work emerges in an equally
politicized landscape....
Eiteljorg Museum of American and Western Art: Seeing What the Heart Knows: The Art of Howard Terpning At the same time, the Eiteljorg Museum will open the exhibition Seeing What
the Heart Knows: The Art of Howard Terpning, which runs for only one month,
April 21 through May 20. The exhibition is sponsored by Eiteljorg Museum
Western Art Society...
Municipal Art Society of New York: The Long View The title The Long View refers to Mr. Johnson’s unique perspective among observers of
contemporary architecture. Since organizing MoMA’s first architecture exhibition in 1932––Modern
Architecture–International Exhibition––and...
Queens Museum of Art: Art at Work: Forty Years of
the Chase Manhattan
Collection This landmark exhibition will present a
wondrous display of 120 contemporary
masterpieces, including: a powerful
thirty-eight foot mural by Sam Francis;
a soaring mobile by Alexander Calder;
and a landmark video installation by
Nam Jun...
Saint Louis Art Museum: WONDERLAND The ten artists participating in the exhibition – Janet Cardiff, Olafur Eliasson, Teresita Fernández,
Stephen Hendee, Bill Klaila, Joep van Lieshout, Ernesto Neto, Pipilotti Rist, Gregor Schneider,
...
Fogg Art Museum, Harvard: Extreme Connoisseurship - How Traditional Study of Objects Can Be Adapted to Illuminate Current Works
The Fogg’s decision four years ago to create a Department of Modern and Contemporary Art was, in a way, the genesis of this exhibition, said James Cuno, Elizabeth and John Moors Cabot director of the Harvard University Art Museums. Extreme Connois...
Istanbul Biennial: 8th Istanbul Biennial: Curated by Dan Cameron of New Museum of Contemporary Art in New York The artistic framework of the 8th International Istanbul Biennial is formed
around the concept of Poetic Justice. In proposing this phrase as the basis
for a sustained investigation into the latest developments in contemporary
art, the exhibiti...
Museum of Modern Art: The Un-Private House The Un-Private House is the first of five projects in The Lily Auchincloss Series of
Architecture Exhibitions, named in honor of the Museums longtime trustee and patron of
its Department of Architecture and Design, who died last year. The...
De Pont Foundation for Contemporary Art: Angela Bulloch: Public Structures and Social Systems In connection with the exhibition, a monograph containing texts by Helmut Draxler, Dominic Eichler, Branden W. Joseph and Juliane Rebentisch will be published in the spring of 2006.
Angela Bulloch (Rainy River, Canada 1966) lives and works i...
Bell-Roberts Art Gallery: Sue Pam -Grant: Simplicity Miss Petite Size 8mp Andrea Vinassa continues, "This became the springboard for a new creative direction for the artist, who has distinguished herself as an actress, playwright, scriptwriter and director in theatre and television.
"South Africans know and love h...
Further Artwork and Information:
John Riley
John G.Riley@ UCLA
Drummerworld: John Riley
John Riley Online
John Riley - Actuary
Folkden: John Riley
Amazon.com: Books: John Rileys Daughter
John Riley (1646 - 1691) Biography, Artwork Images, Exhibitions, Reviews
IMDb name and title search
Wikipedia: John Riley
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