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Artist: Hugh Cornwall Robertson ( - )
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Hugh Cornwall Robertson.
- Vase, Hugh Cornwall Robertson (England, 1845 - 1908) , 1884-89, Stoneware
- Vase, Hugh Cornwall Robertson (England, 1845 - 1908) , 1884-89, Stoneware
- Vase, Hugh Cornwall Robertson (England, 1845 - 1908) , circa 1900, Stoneware, glaze
- Vase, Hugh Cornwall Robertson (England, 1845 - 1908) , circa 1900, Earthenware, sang de boeuf red glaze
- Vase, Hugh Cornwall Robertson (England, 1845 - 1908) , circa 1900, Earthenware, volcanic pink crackle glaze
- Vase, Hugh Cornwall Robertson (England, 1845 - 1908) , circa 1900, Earthenware, volcanic streaked glaze
- Paul Dougherty - Coast of Cornwall n.d. oil on canvas Memorial Art Gallery of the University of Rochester American
- David Johnson - West Cornwall, Connecticut 1875 oil on canvas Florence Griswold Museum American The Metropolitan Museum of Art
- William Robertson, Lord Robertson (1753-1835), 1805 Sir Henry Raeburn (Scottish, 1756-1823)Oil on canvas; 49 1/2
- Sidney Tushingham
Looe Harbour Cornwall
19th - 20th century
- John Saddler
St. Michael's Mount Cornwall
19th century The Metropolitan Museum of Art
- The Ferry Beach and Inn at Saltash, Cornwall, 1811 Joseph Mallord William Turner (British, 1775-1851)Oil
- J. D'Oyley
Towan Head, Newquay, Cornwall
watercolor
1889
- John Singleton Copley - Hugh Hall 1758 pastel on off-white The Metropolitan Museum of Art American
- Henry Raeburn - Hugh Hope c. 1810 oil on canvas Cleveland Museum of Art British
- Albert Henry Payne
Lands End, Cornwall
19th - 20th century
- Elizabeth Colwell
Cornwall Coast
Color woodcut
19th - 20th century
- J. D'Oyley
Coast of East Looe, South Cornwall
watercolor
1889
- S. Bradshaw
Kynance Rocks, Cornwall
19th century
- Adventurers, Coulton Waugh (England, Cornwall, 1896 - 1973) (Artist), early 20th century, Oil on canvas
- Adventurers, Coulton Waugh (England, Cornwall, 1896 - 1973) (Artist), early 20th century, Oil on canvas
- Joseph Farington
Rocks at the Land's End; Part IV containing twenty-four views in Cornwall
1814
- Sir Nathaniel Dance - Portrait of Sir Hugh Palliser c. 1770 oil on canvas Los Angeles County Museum of Art English
- Joseph Farington
Nottar Rock and Bridge; Part IV containing twenty-four views in Cornwall
1814 The Metropolitan Museum of Art
- Edward VI (1537-1553), When Duke of Cornwall Workshop of Hans Holbein the Younger (British, after
- Samuel Buck
The Southwest Prospect of St. Michael's Mount in Cornwall
Engraving
1739
- William R. A. Daniell
The entrance to Portreath Cornwall
Color Aquatint
1819
- Joseph Farington
Launceton from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Lostwithiel from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Truro from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Mevagissey from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Saltash from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
St.Ives from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Fowey from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Tabbins Hole Rock; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Penryn from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Thomas Phillips - Hugh Percy, 3rd Duke of Northumberlan 1803 oil on canvas The Fitzwilliam Museum British
- Joseph Farington
Curlaze Tin-mine from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Falmmouth from Trefus from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
North View of Polperro from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Pentilly on the River Tamar from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
South View of Polperro from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Poulton Bridge and Lounceton from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- William R. A. Daniell
The long-ships light house off the lands end Cornwall
Color Aquatint
1819
- William R. A. Daniell
Boscastle Pier on the coast of Cornwall
Color Aquatint
18th - 19th century
- Thomas Rowlandson
Indian Queen at Kerwilly, N. Cornwall
watercolor
circa 1810 - 1820
- Joseph Farington
South view of St. Michaels Mount from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
North view of St. Michaels Mount from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
East view of St. Michaels Mount from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Carn-bre Hill and the Town of Redruth from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Thomas Rowlandson
Twickenham Meadows (Devon or Cornwall view?)
watercolor
18th - 19th century
- Joseph Farington
East Looe and West Looe from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall (just cover sheet & text, no prints)
1814
- Anna Mary Robertson ("Grandma") Moses
Belvedere
oil on hardboard
1945
- Joseph Farington
North View of Roche rock and Hermitage from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Portrait of Ethel Agnes Bartlett Robertson, Dame Laura Knight (England, Long Eaton, 1877 - 1970) (Artist), 20th century, Charcoal
- Inkwell, Newlyn Industrial Class (England, Newlyn, Penzance, Cornwall) (Artist), circa 1900, Copper, glass insert (replaced)
- John Singleton Copley - Portrait of Hugh Montgomerie, Later Twelfth Earl of Eglinton 1780 oil on canvas Los Angeles County Museum of Art American
- Vase, Fred H. Robertson (1898 - 1952) , circa 1915, Stoneware
- Mug, Alexander W. Robertson (England, 1840 - 1925) , 1897, Earthenware
Artnews Articles and Exhibition Information: (28) Click on any of the links below to read about artnews or exhibitions related to Robertson
Bartley Nees Gallery: Player Breaker Dancer Faker: Natalie Robertson In the Pacific, Trickster plays an
important role, where the superhero Maui of a Thousand Tricks (Maui Tikitiki
a Taranga) is known for many acts that tested boundaries and hierarchies.
Maui is acknowledged as the ancestor who fished up the isl...
Queens Museum of Art: Queens International 2006: Everything All at Once Driven by the local/international flavor of the museum and given the astonishing cultural diversity of the borough, a conscious effort has been made to avoid arranging this exhibition by theme, national origin, or aesthetic affinity. What results ...
Forest City Gallery: Stories For Grandchildren: Mitch Robertson Contrasting these ritzy and often humourous texts, two groups of personal photos titled People I Know, test the artist’s memory by acknowledging the people in the photos forgotten over time. In one series, the artist has enlarged every class photo...
Museum of New Zealand Te Papa Tongarewa: Experiencing Turbulence: Art and The Weather Some of the works use weather to directly represent a mood or state, while
others convey more subtly the reflection of human experience in natural
forces. Other works reflect the spiritual meaning that weather holds for
many artists.
Exp...
Workmens Cirle: Call for Artists: Utopia Jurors are Mark Vallen, artist and social commentator; Mark Greenfield,
artist and Director of the Los Angeles Municipal Art Gallery; and Alice
Wexler, writer, scholar and biographer of Emma Goldman.
Artists are asked to submit slides of u...
Institute of Modern Art, Brisbane: Hetero Camp: Works of Guy Benfield, Nat Paton, Peter Robertson, Daniel Wallwork and Paul Wrigley Subtitled "Hetero Camp", the work of all of the artists explores activities that are pursued to such excess in the "straight" world that they approach the status of gay camp. Lush, colourful images overstimulate the senses, taking the viewer throu...
Montclair Art Museum: WILL BARNET: A TIMELESS WORLD IMAGE:
Will Barnet
Old Mans Afternoon, 1947
Oil on canvas
47 x 36 in.
Private collection Works from the Permanent Collection of The Montclair
Art Museum by ...
Frye Art Museum: An Imperial Collection: Women Artists from the State Hermitage Museum The paintings, sculptures and watercolors once adorned the walls of Russian palaces and reflect the collecting tastes of royalty and well-born families in 18th- and 19th- century Russia. For many years, the paintings have been part of Russia’s off...
National Museum of Women in the Arts: Anna Mary Robertson: Grandma Moses and Her Place in History Moses, a farmer and homemaker from upstate New York who became one of the most respected folk artists of the pre-World War II period,
was also one of the first artists to become a media superstar and probably the best known woman artist of her...
Yerba Buena Center for the Arts: Mark Lombardi: Global Networks A former librarian, Lombardi culled information from published sources, but made a point of stating that his study did not stem from primary research. Part of the 14,500 index cards upon which he recorded and noted this information will also be on...
Yorkshire Sculpture Park / Longside Gallery: Size Matters: Exploring Scale in the Arts Council Collection Artists represented in the exhibition: Eric Bainbridge, Jordan Baseman, Sara Bradbury, Martin Creed, Alan Currall, Rose Finn-Kelcey, Leo
Fitzmaurice, Laura Ford, Mark Francis, Pamela Golden, Andrew Grassie, Steve Johnson, Michael Landy, Abigail L...
Illinois State Museum: 50 Years of Pow-Wow Photographs, regalia, posters, and video footage document 50 years of powwow tradition in Chicago. The photographs in the exhibition celebrate a half century of the Chicago powwow experience, documenting drumming, singing, and dancing, and highlig...
Pharmaka: Dear Mr. Saltz: Photography in Painting The article, as one might expect, provoked heated discussions within artist communities in regards
to the meaning of painting and representation in an age of mass media visual saturation. Conversely,
Mr. Saltz then calls for the „celebration of ...
Kettle's Yard Gallery, University of Cambridge: Alan Reynolds: 50 Years after the Royal College of Art A quest for structure and equilibrium has always been at the heart of Reynolds' work. His engagement with landscape, from his native Suffolk to the hop gardens and orchards of his adoptive Kent, was inspired in part by Constable and Samuel Palmer ...
George Billis Gallery, L.A.: Summer Salon: Paintings and Photographs by Gallery Artists The Summer Salon will highlight the work of artists new to the gallery, as well as recent work by painters and photographers the gallery has exhibited since opening in September of last year.
The works on view will demonstrate the diverse style...
Changing Room: Past Standing: New Work by Artists from Scotland and Beyond Artists include: Tobias Anderson (Stockholm); Julianna Capes (Edinburgh); Lucy Gibson (Leeds); Jenny Hogarth (Edinburgh); Magnus Lawrie (Glasgow); Cecilia Lundqvist (Stockholm); Andrew MacKenzie (Edinburgh); Ellen Munro (Edinburgh); Kevin Reid (Du...
The Dahesh Museum: Revealing the Holy Land: The Photographic Exploration of Palestine The images include tightly composed details of architectural assemblies that
record layers of occupation of an ancient city, panoramas of the Sinai
desert that defy any understanding of scale, iconic views of Jerusalem
sought out by visitors today...
Bayly Art Museum: Beyond the Vanishing Point: Media and Myth in America Photographs by Warren Neidich Section I - Camp O.J. - presents a site-specific installation of large-scale color photographs depicting the
media circus that literally surrounded the O. J. Simpson trial. Beautiful, mythic, and surreally mad, these
photographs, ...
Tate Britian: Stanley Spencer In addition there will
be two specially made films; the first presenting the murals in the Sandham Memorial
Chapel at Burghclere, the second a digital recreation of the Church-House project,
Spencer's imagined s...
San Diego Museum of Art: Grandma Moses in the 21st Century Grandma Moses is one the great icons among 20th century folk artists, and it is with great pleasure that the San Diego Museum of Art now makes her lively paintings available and accessible to our community, says the Museum’s executive director, Do...
The Dahesh Museum: Last Chance! Revealing the Holy Land: The Photographic Exploration of Palestine The images include tightly composed details of architectural assemblies that
record layers of occupation of an ancient city, panoramas of the Sinai
desert that defy any understanding of scale, iconic views of Jerusalem
sought out by visitors today...
Brooklyn Museum of Art: Committed to the Image: Contemporary Black Photographers All of the artists in this exhibition were selected by a committee of four people, Anthony Barboza, founder of International Black Photographers; Beauford Smith, one of the founders of the Black Photographers Annual and Candid...
Smithsonian, National Museum of American Art and its Rewick Gallery: 11th Annual Eldredge Prize Awarded for
New Interpretation of 1960s American Art Jones argues that the artists she examines identified closely with postwar industry and
corporate culture. Drawing from extensive interviews with artists and their assistants, Jones
presents the idea that much of the major work of the 1960s...
Art and Science Collaborations, Inc. (ASCI): State of the Art: Digital Prints, a panel discussion in conjunction with the opening reception of DIGITAL'2000
State of the Art: Digital Prints will examine important technical aspects
that artists should know about creating long-lasting digital prints with
Henry Wilhelm announcing surprising results of his recent testing that will
revolutionize fine ...
Women in Photography: Call for Artists: Women In Photography International Celebrates It's 25th Anniversary with a Juried Black & White Print Collection "Turning Silver" entries will be juried by an accomplished panel of professionals that will include: art directors, curators, editors, gallery owners, photo educators, photographers and publishers. The 100 juried images and artist statements will ...
Ars Electronica 2002: Call for Entries: 16th Edition of the Competition for Cyberarts The total prize money for the Prix Ars Electronica 2002
amounts to Euro 100.000 / USD 88,466. The international
juries will award 6 x 3 money prizes and up to 52 Honorary
Mentions. Selected works of all categories will be presented
to the ...
Huntington Library, Art Collections, & Botanical Gardens: A MIROUR POLISSHED BRYGHT: REFLECTIONS OF CHAUCER, 1400-2000 Chaucer (c.1343-1400), the first great poet to write in English, has never lacked for critics. Daniel Defoe thought him not fit for modest persons to
read; Lord Byron found him obscene and contemptible; and Matthew Arnold deplored his lack of hig...
Wadsworth Atheneum Museum of Art: Marsden Hartley: First Retrospective in over 20 Years Widely acknowledged as the greatest of the early American modernists, Marsden Hartley (1877-1943) belonged to a circle of artists promoted by photographer and gallery owner Alfred Stieglitz that included Georgia O’Keeffe, John Marin, Arthur Dove, ...
Further Artwork and Information:
artnet.com: Resource Library: Robertson, Hugh Cornwall
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