Artist: William Ronald (1926 - )
Nationality: Canadian-American
Movement: Abstract Expressionism
Media: Painting
Influences:


Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William Ronald.

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Ronald Greenberg Stumps, I, California Photo etching 1971
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Ronald Greenberg Stumps, II, California Photo etching 1971
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Ronald Greenberg Stump, Oregon Photo etching 1971
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Ronald Brooks (R. B.) Kitaj Barcelonetta screenprint 1979
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Lord Ronald Gower Le Feu Vidame de Chartres 19th century
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Lord Ronald Gower Madame de Miolan 19th century
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Lord Ronald Gower Mousier de Guise le Pere as a young man 19th century
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Ronald Searle Doing the Splits in Cyprus, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1985
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Ronald Searle Switzerland: Bottling Time, from the series, Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Olympus: Nectar Time, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Striking It Rich in Texas, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1985
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Ronald Searle Greece: Keeping an Eye on the Press, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1985
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Ronald Searle Rather Unusual, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Vermont: Bottling It Up in Brattleboro, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1987
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Ronald Searle A Little Forward in Character, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Needs a Lift on the Nose, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Needs More Time to Round Out, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle The Cup, drawing for the back cover of the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle A Little Broad but Quite Pleasant, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Tennesee Moonwining. (Le Knoxville nouveau est arrivÈ), from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1986
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Ronald Searle A Good Reliable Style, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle May Appeal to Those Who Like the Fuller Style, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Very Impressive Drinking Style, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Slightly Oily Palate, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Byzantium: Frustrating Ceremony of Trying to Round-up Square Grapes, from the series, Wine Ceremonies of the World Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Brazil: Traditional Ceremony of Facing Up to Room Termperature, from the series, Wine Ceremonies of the World Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Ireland:Touching( and Rather Dampish) Ceremony of Wailling O*er the Wine, from the series, Wine Ceremonies of the World. Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1982
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Ronald Searle Right!, drawing for page 25 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Untitled (Statue of Liberty Skipping through Vineyard with a Bottle of Clos du Val wine) Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper circa 1986 - 1987
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Ronald Searle Rome: Abbreviated Course of Wine-tasting Chez the Borgias, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1987
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Ronald Davis - Plinth 1969 polyresin and fiberg Cleveland Museum of Art American
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Ronald Searle Alaska: Time-honoured Ritual of Decanting Kotzebue Klaret , from the series, Great Wine Ceremonies Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1986
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Ronald Searle Untitled (Kangaroo Sailing on a Bottle of Wine),from the series, Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper circa 1983 - 1986
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Ronald Searle Frequently Drunk Long Before Reaching Their Potential, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Austria: Authorities Submitting Suspect Wine to Ever More Profound Analysis, from the series, Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1986
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Walter Ronald Locke - In Savannah, GA 1934 etching on paper Telfair Museum of Art American
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Ronald Searle Wrong (man with a saw), drawing for page 5 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (Man with Explosives), drawing for page 17 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Untitled (man with a gun), drawing for the front cover of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle South Africa: Colourful Ceremony of Offering Limited Recognition to the Black Grape, from the series,Wine Ceremonies of the World Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Getting Warmer (Wrong (Man with Electric Drill), drawing for page 23 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 19
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Ronald Searle Wrong (Man Ringing a Bell), drawing for page 21 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (man by railroad tracks), drawing for page 11 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong ( Karate Kick), drawing for page 15 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Oh no...(Woman on Airplane Runway), drawing for page 19 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (Man with boxing gloves), drawing for page 9 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (Circus Performer and Elephant), drawing for page 13 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (woman forcing corkscrew into wrong end of bottle), drawing for page 7 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier s
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Ronald Searle Untitled (Waiter Drawing a Long Cork), drawing for page 28, the back cover of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sh
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Ronald Davis - Bent Beam 1975 aquatint, etching an Hirshhorn Museum American
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Ronald Davis - Blue-Black 1968 polyester resin and Hirshhorn Museum American
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Ronald Davis - Bent Beam 1974 acrylic and dry pigm Hirshhorn Museum American
Museum of Fine Arts -
Courtesy Ronald Feldman Fine Arts, New York ; Carl Fudge, English, Born in 1962 Rhapsody
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Gianni Cacciarini Musica Etching circa 1976
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Robert Spencer Courtyard at Dusk oil on canvas circa 1915
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Linda Adato On the Floor color etching and aquatint 1981
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Eugene Bejot Un Mousse etching 1893
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John Taylor Arms Mont-Saint-Michel; also called Abbey Church of St. Michel etching 1926
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Alphonse Legros Le Menege Etching circa 1870
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Maurice Realier-Dumas Corinne Color lithograph 1897
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Varney Masalay Knife and sheath metal, leather, and ivory or bone 20th century
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Jean Louis Forain Debout les Morts! Lithograph 1917
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Alphonse Legros Le Reflectoire Etching 19th - 20th century
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Bruce Nauman Lip, from Studies for Holograms Color photo screenprint 1970
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Louis-Auguste Girardot Femme du Riff Color lithograph 1897
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Benjamin S. Rotch Untitled (Landscape) graphite on paper circa 1850
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Worcester Factory Punch pot with lid soft paste porcelain circa 1750 - 1760
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Luigi Lucioni White Over White Etching 1974
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Edgar Chahine S. Girolamo, Venice Etching 19th - 20th century
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Emil Orlik Untitled color lithograph 1911
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Alphonse Legros Children Playing Etching 19th - 20th century
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Luigi Kasimir St. Michael's Gate, Vienna Etching 19th - 20th century
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Lilian MIller Japanese Dwarf Tree Color woodcut 1928
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Luigi Kasimir Winter Park Scene with Church Etching 19th - 20th century
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Albert Besnard Femme Blonde a Sa Toilette Etching 1909
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Anonymous Untitled [Gods of Fortune poling rafts down a river] color woodcut 1850 - 1870
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Lilian MIller Little White Plum Tree Color woodcut 19th - 20th century
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Lilian MIller Snow on Temple Roof Color woodcut 19th - 20th century
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Albert Besnard Nude etching 19th - 20th century
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Albert Besnard Nude etching 19th - 20th century
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Theodore Roussel Profile of a Little Girl Drypoint 19th - 20th century
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Jean Louis Forain Un raid audesses d'une "place forte" anglaise Lithograph 1917
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Marie Auguste Emile Rene MÈnard Automne Color lithograph 1897
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Jean Louis Forain Pourquoi cette froideur?!!(Why this coldness?) lithograph circa early 20th century
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Theodore Roussel Portrait of a Little Spanish Girl Drypoint 19th - 20th century
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Samuel William Reynolds, Senior William, Youngest Son of Lord William Russell Mezzotint 18th - 19th century
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Jean Louis Forain Fraulein, j'em affelle ‡ notre souverain!... lithograph circa early 20th century
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William Faithorne The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) Book with 9 etchings with engraving 1662
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William Henry Watt William Lourdsworth 19th century
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William Page - Mrs. William Page 1860-61 oil on canvas The Detroit Institute of Art American
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Arthur William Devis - The Hon. William Monson and His Wife, Ann Debonnaire c. 1786 oil on canvas Los Angeles County Museum of Art English
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William Nicholson London Types (London: William Heinemann, 1898) book with color plates 1898
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Jean Louis Forain L'Ecole des Neutres III: Le sous-main a cru qu'on voulait le couper Lithograph 19th - 20th century
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Alphonse Mucha L'Estampe Moderne, Numero I, May 1897. cover sheet Letterpress 19th - 20th century
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William Page - Colonel William Leete Stone 1839 oil on canvas Cleveland Museum of Art American
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William Nicholson An Almanac of Twelve Sports (London: William Heinemann, 1898) book with color plates 1898
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Joseph Pennell Polperro #2 Lithograph 1897
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William Bagdatopoulos - Dr. William Henry Holmes 1929 oil on canvas Smithsonian American Art Museum American
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William Nicholson Any Bar, twelfth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Hammersmith, fifth plate in the book London Types (London: William Heinemann, 1898) color plate 1898

Artnews Articles and Exhibition Information: (24)
Click on any of the links below to read about artnews or exhibitions related to Ronald

Komaneka Gallery: Patterns of Identity: Artists Experience Bali
Patterns of Identity will explore the use of patterns and repetition in Balinese traditional textiles and contemporary art to locate identities, individual, social and national. The participating artists include: Dewa Putu Mokoh
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Tate Britain: Ronald Moody 1900 – 1984: A Reputation Restored
The sculpture's dignified calm and air of permanence is perhaps deceptive. This is the first time that Ronald Moody's work has been officially recognised as part of the mainstream of British art, although Moody, who was born in Jamaica, spent most...
Dayton Art Institute: Go Figure: Exploring The Human Body In Art
The Art Institute's new Experiencenter exhibition, Go Figure: Exploring the Human Body in Art, will invite all ages to explore how the human figure is depicted in western and non-western cultures. The Mead Corporation Foundation is pleased to spon...
Forest Lawn Museum: Positive/Negatives: The Unity of Film
Amazing moments in political history are captured, the lives of forgotten people become stories of dignity and courage, daily scenes in Mexico are seen with new eyes, and the beauty of light and human form meld together. Photography becomes so muc...
Wing Luke Asian Museum: Beyond Talk: Redrawing Race
Inspired by past programming and community collaboration work addressing racism, discrimination, and stereotypes, the Wing Luke Asian Museum and community partners are preparing Beyond Talk: Redrawing Race, a juried art exhibition that will explor...
Yerba Buena Center for the Arts: Mark Lombardi: Global Networks
A former librarian, Lombardi culled information from published sources, but made a point of stating that his study did not stem from primary research. Part of the 14,500 index cards upon which he recorded and noted this information will also be on...
Ohio Wesleyan, Ronald M. Ross Art Museum: Ron Anderson: Figuratively Speaking - The Human Figure in Art
Ron Anderson’s art commissions include an original painting commissioned for the Absolut Spirits 3rd annual art collection and two portraits housed in the George Washington Williams Memorial room at the Ohio Statehouse. He is currently co...
Museum of Modern Art: Pixar: 20 Years of Animation
The exhibition also includes a complete retrospective of Pixar films. Demonstrating the symbiotic relationship between traditional and digital media pioneered by the studio over its twenty-year history, Pixar: 20 Years of Animation is a tribute t...
Galerie Im Neuen Kranzler Eck: Alice Burton: Crosscurrents
In addition to the Berlin show, Alice is currently exhibiting at the Regional Palace, Andalucía and her works will move to the Museum of Fine Arts in Seville before travelling on to Madrid and Barcelona.  The three-city tour runs until February 20...
Department of Communications, Information Technology and the Arts: New Chairman of the Australia Foundation for Culture and the Humanities
Mr Walker holds a number of high profile corporate positions, including joint MD of Hudson Conway Limited, Chairman of the Australian Grand Prix Corporation, and Trustee, National Gallery of Victoria. He is also currently the...
Pierre Gianadda Foundation: Vincent van Gogh (1853-1890)
The exhibition brings together between 90 and 100 paintings and works on paper. As for Van Gogh, drawing was ...
Photographer's Gallery: Gary Lee Boas: Starstruck
Through his work, which inhabits an area between fantasy and reality, we can start to examine our fascination with fame. His subject is the complete spectrum of popular media celebrity from porn stars and pageant queens to politicians and ...
Museum Boijmans Van Beuningen: Out of Senses: Seven Exhibitions where Artists Use the Museum as a Laboratory
Maurizio Cattelan

This enigmatic artist places a sculpture, which stands in direct confrontation with the permanent collection of 19th century art. Cattelan was recently present at the Venice Biennial with the pope knocked down by a stone and ...
Columbia Museum of Art: Testimony: Vernacular Art of the African-American South
The artworks in Testimony are organized into six overlapping themes: witness to history, allegorical animals, Biblical scenes, iconic human figures, spiritual messages, and observation and decoration. Underlying the different styles and technique...
Yale Center for British Art: Cooking the Books: Ron King and Circle Press
The Yale Center for British Art now holds a complete set of the works of Circle Press and is celebrating that event with the exhibition Cooking the Books: Ron King and Circle Press. The retrospective has been organized by Elisabeth Fairman, Curat...
Thomas Erben Gallery: Jay Batlle and Paul Pagk: Curated by Adrian Dannatt
Batlle is exhibiting a wall work "Stencil Index Utensil", loosely derived from the architecture of a fire escape. Its wooden armature is aggressed by red spray paint echoing a 3D psycho-geographical map. The movable floor piece "Optimistic Island...
Bonhams London: The Sovereign European Art Prize 2005
Commenting on the short listing process Sir Peter Blake said ‘This was a tricky business. There were many surprises and new discoveries. If this standard is maintained the Sovereign European Prize will quickly establish itself as an important p...
Confederation Centre Art Gallery: Picturing a Canadian Life: L.M. Montgomery's Personal Scrapbooks and Book Covers
This virtual exhibit, created in partnership with the Virtual Museum of Canada (VMC), is the first online exhibit hosted by the Confederation Centre Art Gallery. Everyone is invited to go to http...
Stroom hcbk: InfoArcadia: Manifestation about information design
The manifestation InfoArcadia consists of an exhibition and a conference. The exhibition is build up like a three-dimensional type page, CD-ROM or web page. The visitor can find or lose his own way in the forest of information. He is confronted wi...
Ketterer Kunst: Spring Auctions Begin With Modern Art on Paper in Hamburg
Nu pour Cleveland was made 14 years earlier. This signed engraving of 1932 by Henri Matisse is more than just an appreciation of femininity. It is estimated at DM 15,000 - 17,000. Another outstanding work of the auction is Marc Chagalls Piro...
Kunstmuseum Wolfsburg: Richard Avedon in the American West
He introduced a new emphasis into portrait photography by unveiling unexpected facets of well-known and unknown individuals against a plain white background. A portrait is not a likeness. The moment an emotion or fact is transformed into a ph...
Yale Center for British Art: The School of London and their Friends: The Collection of Elaine and Melvin Merians
The term School of London was coined by American-born painter Ronald Kitaj in order to draw attention to the extraordinary range and power he found in contemporary British art after the Second World War. The expression called attention to a common...
Kunsthaus Bregenz: Jenny Holzer: Truth Before Power
Almost all texts used by Holzer are US government documents – primarily official communications, reports, and letters made available to the public under the landmark legislation, the “Freedom of Information Act.”  Many texts were originally “class...
Arizona State University Art Museum: SITES AROUND THE CITY: ART AND ENVIRONMENT
Citywide project committee is co-managed by Heather Sealy Lineberry and Felicie Regnier. EXHIBITION AT THE ARIZONA STATE UNIVERSITY ART MUSEUM:
The ASU Art Museum's exhibition and catalogue will present the most challenging contemp...

Further Artwork and Information:

TRIBUTE TO CANADIAN PAINTER, WILLIAM RONALD (1926-1998)
William Ronald - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
William Ronald (1734 - 1802) Biography, Artwork Images, Exhibitions, Reviews
WILLIAM RONALD
William RONALD
William Ronald Bruce McCondach
William Ronald Kemp
William Ronald
MSN Encarta - William Ronald
Reid, William Ronald

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