Réunion de satyres dans un paysage (1ère moitié 16e siècle) by ROSSO Fiorentino
Artnews Articles and Exhibition Information: (7)
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Harvard University, Arthur M. Sackler Museum: Medardo Rosso: Second Impressions
Medardo Rosso: Second Impressions will focus on five sculptures spanning Rosso’s mature career. The works are Aetas aurea (The Golden Age), 1886–87; Grande rieuse (Large Laughing Woman), 1891; Bambino ebreo (Jewish Boy), c. 1892–93; Bookmaker, c. ...
Frick Collection: Master Drawings from the Smith College Museum of Art
Among the other artists represented in the exhibition are Northern European masters Matthias Grünewald, Jan van Goyen, Adoph von Menzel, Piet Mondrian, and Paul Klee. Italian artists include Fra Bartolommeo, Rosso Fiorentino, Federico Barocci, Gi...
San Francisco Museum of Modern Art: Degas to Picasso: Painters, Sculptors and the Camera
Dating from roughly 1885 to 1915, the 364 paintings, drawings, sculptures and photographs on
view demonstrate the pervasive and diverse role of photography in the work and working
processes of these significant artists. The works...
Kunsthalle Wien, Museumsquartier: Sculpture: Precarious Realism between the Melancholy and the Comical
The sculptures show what is human and everyday, and at the same time observe the disappearance and dissolution
of the ordinary in its transitions from the human/animal/organic to the machinetoollike or architectural. The
sculptures’ character ...
Akademie der Kuenste: SPACE. Sites for Art
“SPACE. Sites for Art” is a first attempt to reveal and discuss this situation in the current horizon of the arts and in their interdisciplinary philosophical and motific dimensions.
In both of the Academy’s buildings, the exhibition investi...
National Gallery of Art: Virtue and Beauty: Leonardo's - Ginevra de' Benci - and Renaissance Portraits of Women
The Gallery is pleased to present this remarkable exhibition that brings together some of the most
outstanding examples of Florentine portraits of women from the mid-15th and 16th centuries, said Earl
...
Salone delle Mostre Temporanee - Complesso del Vittoriano: Alberto Sughi: 1946 to Present
“The play by Eugene Ionesco (The Rhinoceros) is obviously a metaphor representing modern society, which transforms men into monsters. Is this a possible clue one could use to interpret the work of Alberto Sughi?... Sughi has probably read Sartre’s...
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