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Artist: Pedro Ruiz Gonzalez ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Pedro Ruiz Gonzalez.
- George Benjamin Luks - Pedro early 1920's oil on canvas Los Angeles County Museum of Art American
- Pablo Picasso - Pedro Manach 1901 oil on canvas National Gallery of Art Spanish
- Diego Velazquez - Don Pedro de Barberana c. 1631-33 oil on canvas Kimbell Art Museum Spanish The Metropolitan Museum of Art
- Christ before Pilate; Saints Paul and Peter; Saints John the Baptist and John the Evangelist,
- Francisco Goya y Lucientes - Don Pedro, Dugue de Osuna 1790-1800 oil on canvas The Frick Collection Spanish
- Francisco de Goya - The Matador Pedro Romero c. 1795-98 oil on canvas Kimbell Art Museum Spanish
- Francisco Jose de Goya y Lucientes - Friar Pedro Wrests the Gun from El Maragato c. 1806 oil on panel The Art Institute of Chicago Spanish
- Frederic Edwin Church - The Monastery of San Pedro (Our Lady of the Snows) 1879 oil on canvas Cleveland Museum of Art American
- Francisco Jose de Goya y Lucientes - Friar Pedro Clubs El Maragato with the Butt of the Gun c. 1806 oil on panel The Art Institute of Chicago Spanish
- Francisco Jose de Goya y Lucientes - Friar Pedro Binds El Maragato with a Rope c. 1806 oil on panel The Art Institute of Chicago Spanish
- Francisco Jose de Goya y Lucientes - El Maragato Threatens Friar Pedro de Zaldivia with His Gun c. 1806 oil on panel The Art Institute of Chicago Spanish
- Francisco Jose de Goya y Lucientes - Friar Pedro Shoots El Maragato as His Horse Runs Off c. 1806 oil on panel The Art Institute of Chicago Spanish The Metropolitan Museum of Art
- Snuff Tray, 4th–10th century; San Pedro de Atacama Chile, San Pedro de Atacama regionWood; L.
- Francisco Jose de Goya y Lucientes - Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun c. 1806 oil on panel The Art Institute of Chicago Spanish
- Pasaual Pedro Moles
The Heir to the Throne
18th century
- Pedro Joseph Lemos
Russian River
etching
1915
- Marco Zim
Pedro
Etching
19th - 20th century The Metropolitan Museum of Art
- Harquebus Armor of Pedro II, King of Portugal, ca. 1683 Attributed to Richard Holden (recorded
- Max Pollak
Guatemala, Volcano San Pedro
Drypoint
1949
- Max Pollak
Fiesta San Pedro, Guatemala
color etching and aquatint
ca. 1950
- Pedro Joseph Lemos
A Long Day
Etching
19th - 20th century
- Pedro Joseph Lemos
The Path to the Sea
Color woodcut
circa 1915
- Pedro Pruna
La Vie de Polichinelle: costume design
drawing: pencil and watercolor
1934
- Pedro Joseph Lemos
Fishing Day
color aquatint
19th - 20th century
- Pedro Joseph Lemos
Lifting Fog
Color Aquatint
19th - 20th century
- Pedro Joseph Lemos
Summer Evening
Color Aquatint
19th - 20th century
- Francesco Pedro
Fishermen, after Vernet
Etching and engraving
18th century
- Pedro Preux
Coventry
Mixed media, in color
1971
- Pedro Joseph Lemos
The Wood Chopper's Cabin
Color Aquatint
19th - 20th century
- Anonymous
His Excellency Senor Doctor Don Pedro Moya de Contreras
oil on canvas
late 16th century
- Pedro Gualdi
Colegio de Mineria.(College of the Minorites)
Lithograph
1840
- Pedro Gualdi
Casa Municipal (City Hall)
Lithograph
ca. 1840 - 1845
- Pedro Gualdi
Interior de la Catedral (Interior of the Cathedral)
Lithograph
ca. 1840 - 1845
- Pedro Gualdi
Catedral de MÈjico (Cathedral of Mexico City)
Lithograph
ca. 1840 - 1845
- Pedro Gualdi
Santuario de N. S. de Guadalupe.(Sanctuary of Our Lady of Guadalupe)
Lithograph
ca. 1840 - 1845
- Juan Antonio Gonzalez
Indiscretion
Etching
1881
- Francisca Gonzalez
Monterey 1860
hand colored photograph
1860
- Pedro Gualdi
Interior del Colegio de Mineria (Interior of the Minorite College)
Lithograph
ca. 1840 - 1845
- Pedro Gualdi
Paseo de la Independencia.( Paseo of the Independence in Mexico City)
Lithograph
ca. 1840 - 1845
- Tom·s LÛpez EnguÌdanos
Pedro Obispo de Orense/ AÒo de 1810 (Peter, Bishop of Orense in 1810)
Engraving
1810
- Juan Antonio Gonzalez
Chez l'Impressario
Etching
1879
- Juan Antonio Gonzalez
The Singer
Etching
19th century
- Juan Antonio Gonzalez
Chez l'impressario
Etching
1879
- Juan Antonio Gonzalez
Indiscretion
Etching
19th century J. Paul Getty Museum
- A Male Saint in Glory
- Sergio Gonzalez-Tornero
Twelve Chambers
Intaglio
1964
- Sergio Gonzalez-Tornero
A Tree
color etching
1964 The Metropolitan Museum of Art
- Lion from a Frieze, after 1200 Spanish; Made in San Pedro de Arlanza, Castile-LeónFresco, mounted
- Pedro Alcantara
Tormento (Torture), first plate in the portfolio, 21 Estampadores de Colombia, Mexico y Venezuela (21 Printmakers of Colombia, Mexico and Venezuela)
Color screenprint
1972
- Pedro Gualdi
Plaza de S.to Domingo y Aduana en Mejico (Plaza of S. Domingo and the Custom House in Mexico City)
Lithograph
ca. 1840 - 1845 Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Pedro Romero Killing a Bull that He Has
- Pedro Berruguete - The Last Supper c. 1495-1500 distemper on linen Los Angeles County Museum of Art Spanish
- Pedro Cervantez - Geraniums 1938 oil on canvas Fred Jones Jr. Museum of Art at The University of Oklahoma American
- JosÈ Sanchez
S. Pedro Apostol (St. Peter the Apostle),printed on page 1 of RESPONSORIUM/ IN HONOREM BEATI PETRI...(CÛrdoba: Don Rafael Garcia Rodriguez, 1816)
Etching and engraving
1814 J. Paul Getty Museum
- Study for a Statue of Isabella
- Viveros
S. ANDRES, S. PABLO,S. PEDRO, S. BARTHOLOME, S. TIAGOEL MAIIOR, S. JVAN EVANGELISTA, S.TO THOMAS, S.TIAGO EL MENOR, S. PHELIPE, S. THADDEO, S. SIMON, S. MATHEO (The Twelve Apostles)
Engraving
19th century
- Pedro Gualdi
Vista del Palacio Nacional de Mejico/ despues de la memorable jornada del 15 al 27 de Julio de 1840 (View of the National Palace of Mexico after the memorable expedition of July 15-27, 1840)
Lithograph
circa 1840
- Pedro Gualdi
Esquina del Portal de Mercaderes y Agustinos de Mejico/ despues de la memorable jornada del 15 al 27 de Julio de 1840 (Corner of the Gate of the Market and the Augustinian Church after the memorable expedition of July 15-27, 1840)
Lithograph
- Pedro Gualdi
Capilla del SeÒor de S.ta Teresa/ Despues del horroroso terremoto del dia 7 de Abril de 1845, en Mexico~(Chapel of the Lord of Sta. Teresa after the horrible earthquake of 7 April 1845 in Mexico City)
Color lithograph
ca. 1840 - 1845
- Francisco Aguera Bustamante
Untitled (Our Lady of Guadalupe), a page accompanying a thesis submitted to the law faculty in Guadalajara by Joseph Turibius Gonzalez et Ramirez
Engraving
1796
- Pedro Campana - The Conversion of the Magdalen c. 1580-1600 oil on pear wood The National Gallery, London Spanish
- Pedro Gualdi
Vista de la Esquina de los Portales y Costado de la Casa Municipal de Mejico. /despues de la memorable jornada del 15 l 27 Julio de 1840 (View of the Gates and Side of the City Hall of Mexico City after the memorable expedition of July 15-27,
- Pedro Pruna - A Woman Arranging Her Hair 1928 oil on canvas Cleveland Museum of Art Spanish
- Julio Gonzalez - Woman with Hair in a Bun c. 1930 iron on stone base The Art Institute of Chicago Spanish
- Antonio Gonzalez Velazquez - The Birth of the Virgin 1755-57 oil on canvas The Detroit Institute of Art Spanish
- Felix Gonzalez-Torres - Untitled (Veteran's Day Sale) 1989 offset print on pape Milwaukee Art Museum American
- Felix Gonzalez-Torres - Untitled (Portrait of Ross in L.A.) 1991 multicolored candies The Art Institute of Chicago
- Julio Gonzalez - Woman Combing Her Hair 1936 wrought iron The Museum of Modern Art Spanish
- Pieter Perret
Galathea and Polyphemus
Engraving
1590
- Pieter Perret
Christ with the doctors in the Temple
Engraving
1591 The Metropolitan Museum of Art
- Six Apostles Spanish (Oña) Painter, late 15th centuryTempera on wood, gold ground; Overall 35 1/8
- Juan BernabÈ Palomino
El V. P.eAlonso Rodriguez de la Comp.ade Jesus...
Engraving
18th century J. Paul Getty Museum
- Curved Bridge of St. Anthony River Aqueduct
- Thomas Almond Ayres
The Three Graces
graphite on tan paper
1855
- Thomas Almond Ayres
Tuttletown, California, April 1852
graphite on tan wove paper
1852
- Thomas Almond Ayres
The Yosemite Falls
lithograph
1855 The Metropolitan Museum of Art
- A Knight of Alcántara or Calatrava, ca. 1650-55 Bartolomé Esteban Murillo (Spanish, 1617-1682)Oil on canvas;
- Thomas Almond Ayres
North Beach: San Francisco from off Meiggs* Wharf
charcoal and pastel on marble-dusted drawing board
1854
- Thomas Almond Ayres
Bay of San Francisco, View from Telegraph Hill looking toward Sausalito
charcoal and pastel on marble-dusted drawing board
1854
- Thomas Almond Ayres
Sullivan*s Cascade, near Sonora, Tuolumne County
charcoal and pastel on marble-dusted drawing board
1854
- Thomas Almond Ayres
Benicia and Mount Diablo, From the Straits of Carquinez
charcoal and pastel on marble-dusted drawing board
1854
- Thomas Almond Ayres
Entrance to Golden Gate from off Point Lobos Looking East
charcoal and pastel on marble-dusted drawing board
1854 The Metropolitan Museum of Art
- Frog Pendant, 11th–16th century; Chiriquí Costa Rica, Puntarenas ProvinceCast gold; H. 4 1/8 in. (10.5 Museum of Fine Arts
- Frans Snyders, Flemish, 1579-1657 Boar Hunt about 1625-30 Oil on canvas 220.6 x 505.1 cm Museum of Fine Arts
- Rogier van der Weyden, Flemish, about 1400-1464 St. Luke Drawing the Virgin about 1435-40 Oil The Metropolitan Museum of Art
- Odalisque, 1984 Anthony Caro (British, born 1924)Steel; H. 77, W. 96, D. 60-1/2 in. (195.6
- Pablo Picasso
TÍte de femme (Head of a woman)
Lithograph
1925
- Pablo Picasso
Seated Woman
bronze
1903
- Pablo Picasso
L'atelier (The studio)
Etching on Rives BFK paper
1927
- Pablo Picasso
Les saltimbanques (The acrobats), from La suite des saltimbanques (The acrobats set)
Drypoint on Van Gelder paper
1905
- Pablo Picasso
Metamorphoses
Pen and black ink on Arches paper
1938
- Pablo Picasso
SalomÈ, from La suite des saltimbanques (The acrobats set)
Drypoint on Van Gelder paper
1905
- Pablo Picasso
TÍte de femme (Head of a woman), from La suite des saltimbanques (The acrobats set)
Etching on Van Gelder paper
1905
- Pablo Picasso
"Bonne FÍte" Monsieur Picasso
Color lithograph poster
1961
- Pablo Picasso
TÍte de femme de profil (Head of a Woman in Profile), from La suite des saltimbanques (The Acrobats Set)
drypoint
1905
- Pablo Picasso
Deux figures nues (Two Nude Figures)
Drypoint
1909
- Pablo Picasso
Untitled
lithography reproduction
19th - 20th century
- Pablo Picasso
Edition Picasso Flower in Duck
polychrome glaze
1953
- Pablo Picasso
Reclining nude
Graphite on wove paper
1920
- Pablo Picasso
Le viol, VII (The rape,VII)
Drypoint and aquatint on Montval paper
1933
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Maxfield Parrish Hunt Farm (Daybreak)
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Pierre-Auguste Renoir Lady At the Piano C. 1875
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Norman Rockwell Making Friends
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Vincent van Gogh Iris 1890
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Last updated and links verified on: Monday October 10/05/09 06:42:35 AM
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