Artist: Andrea Sacchi (1599 - 1661)
Nationality: Italian
Movement: Baroque
Media: Painting
Influences:

Biography:
Andrea Sacchi was devoted to the Baroque Classicism style of his time and was unappreciative of the work of other Baroque artists such as Pietro da Cortona and Gianlorenzo Bernini. He believed that historical paintings should contain few figures in order to retain the simplicity of classic artwork. However, Cortona debated against him and this fact at the Academy of Saint Luke, thinking that paintings with more figures and complexity were superior. Sacchi’s work was in accordance with that of his friends, sculptor Alessandro Algardi and painter Nicolas Poussin. His classical style became dominant at the end of the 17th century, spread by Sacchi’s pupil Carlo Maratti.

Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Andrea Sacchi.

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Andrea Sacchi (Ouche) Festa Fatta in Roma 1648
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Andrea Sacchi (Ouche) Satyr Red chalk and traces of white chalk on laid paper mounted to a heavier sheet 17th century
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Andrea Sacchi (Ouche) St. Nicholas of Bari Intervening at the Martyrdom of Two Saints Pen and brown ink and ink wash over traces of black chalk on laid paper mounted to heavier sheet 17th century
The Metropolitan Museum of Art -
Marcantonio Pasqualini (1614-1691) Crowned by Apollo, 1641 Andrea Sacchi (Italian, Roman, 1599-1661)Oil on canvas; 96
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Andrea Sacchi (Ouche) untitled, first plate followingthe series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div. pitt
Museum of Fine Arts -
Agostino Scilla, Italian, 1629-1700 Portrait of an Artist (said to be Andrea Sacchi) Oil on
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Andrea Sabbatini (Andrea da Salerno) Two Saints Pen and brown ink on laid paper mounted to a heavier sheet 16th century
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Andrea Zittel - A-Z Escape Vehicle: Customized by Andrea Zittel 1996 Exterior: steel, ins The Museum of Modern Art American
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Domenico Corvi - The Glorification of Andrea Doria c. 1750 oil on canvas Minneapolis Institute of Arts Italian
The Minneapolis Institute of Arts -
Artist: Andrea Vicentino (Andrea Michelli) Title: Alexius Comnenus Appearing Before The Doge Date: 16th century
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Titian - Doge Andrea Gritti 1546-1548 oil on canvas National Gallery of Art Italian
The Metropolitan Museum of Art -
Portrait of a Man Andrea del Sarto (Andrea d"Agnolo) (Italian, Florentine, 1486-1530)Oil on canvas, transferred
The Metropolitan Museum of Art -
Head of the Madonna, fragment Andrea del Sarto (Andrea d"Agnolo) (Italian, Florentine, 1486-1530)Oil on wood;
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Vincenzo Catena - Portrait of the Doge, Andrea Gritti 1523-31 oil on canvas The National Gallery, London Italian
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Francesco Guardi - Forte S. Andrea Del Lido, Venice 1760-1770 oil on canvas The Fitzwilliam Museum Italian
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Andrea Andreani The Captives chiaroscuro woodcut in four blocks 1598
The Metropolitan Museum of Art -
The Marriage of Cupid and Psyche Andrea Schiavone (Andrea Medulich or Meldolla) (Italian, Venetian, 1522?–1563)Oil
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Lorenzo Loli The Holy Family, after Giovanni Andrea Sirani Etching 17th century
The Metropolitan Museum of Art -
I quattro libri dell"architettura di Andrea Palladio . . ., 1570 Author: Andrea Palladio (Andrea
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Carlo Antonio Sacchi The Adoration of the Magi etching 1649
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Andrea Andreani Virtue, after Jacopo Ligozzi Chiaroscuro woodcut printed in brown and ochres from 3 blocks 1585
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Andrea Andreani The Christian Hero chiaroscuro woodcut 16 - 17th century
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Andrea Andreani The Adoration of the Magi Chiaroscuro woodcut in three blocks 16 - 17th century
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Andrea Schiavone (Andrea Meldolla) Minerva and the Muses Etching 16th century
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Andrea Schiavone (Andrea Meldolla) The Entombment woodcut circa mid 16th century
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Andrea Andreani Christ Led Away from Pontius Pilate, right half of a diptych, after Giambologna Chiaroscuro woodcut in four blocks 1585
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Andrea Andreani Bathing Nymphs, after Parmigianino Chiaroscuro woodcut printed in grey and black from 3 blocks 1605
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Andrea Schiavone (Andrea Meldolla) Prophet Reading A Scroll Etching with drypoint 16th century
The Metropolitan Museum of Art -
Virgin and Child, Relief, 15th century (ca. 1470-75) By Andrea della Robbia (1435-1525)Italian (Florence); Made
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Andrea Andreani The Entombment, after Raffaellino da Reggio Chiaroscuro woodcut printed in brown and black from 4 blocks 1585
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Andrea Schiavone (Andrea Meldolla) Jesus and St. John Embracing in the Presence of Saints Etching 16th century
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Andrea Andreani Hope, after Parmigiano, from a series of Christian Virtues Chiaroscuro woodcut printed in brown and black from 3 blocks 16 - 17th century
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Andrea Rossi (de Rubeis) Carolo III 18th century
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Richard Woodman Andrea Palladio etching and engraving 18th - 19th century
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Andrea di Lione Adoration of the Golden Calf oil on canvas 16th - 17th century
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Giovanni-Battista Cecchi Title page for series of the Life of St. John the Baptist, after the frescoes in the cloister of the Compagnia dello Scalzo by Andrea del Sarto Engraving 1794
The Minneapolis Institute of Arts -
Artist: Andrea Mantegna Title: Battle of the Sea Gods Date: about 1485 - 1488 Medium:
The Metropolitan Museum of Art -
The Holy Family with the Infant Saint John the Baptist, ca. 1530 Andrea del Sarto
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Andrea di Bartolo The Martyrdom of St. Lawrence tempera on panel early 15th century
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Henri Thiriat Madonna- Par Andrea Della Rubbia etching and engraving 14th century
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Andrea Gomez El Campesino (The Farm Worker) linoleum cut circa 1940 - 1950
The Minneapolis Institute of Arts -
Artist: Domenico Corvi Title: Glorification of Andrea Doria Date: 18th century Medium: oil on canvas
The Minneapolis Institute of Arts -
Artist: Andrea Mantegna Title: Bacchanalian Group with a Wine Press Date: about 1490 Medium: engraving
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Andrea Casali Madonna and Child, after Raphael Etching 18th century
J. Paul Getty Museum -
Tending to St. Sebastian
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Andrea Casali The Champion; or Innocence Triumphant Etching 18th century
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Andrea Boscoli Death of the Virgin Mary pen and brown ink and opaque watercolor over graphite 16th - 17th century
The Metropolitan Museum of Art -
Rodolfo Gonzaga (1451-1495) Style of Andrea Mantegna (Italian, Mantuan, about 1490-95)Tempera on wood; 4 1/4
The Minneapolis Institute of Arts -
Artist: Andrea Mantegna Title: The Risen Christ between Saints Andrew and Longinus Date: about 1472
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Dietrich Theodore Cruger Portrait of Andrea de Sarto Engraving 16th - 17th century
The Metropolitan Museum of Art -
Doge Andrea Gritti (1455-1538) Workshop of Titian (Italian, Venetian, born about 1488, died 1576)Oil on
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Giovanni Andrea Podest‡ Bacchanal Etching 1640
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Carlo Maratti The Visitation Etching mid 17th century
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Carlo Maratti The Annunciation Etching 17th century
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Carlo Maratti Pope Clement IX 17th - 18th century
The Metropolitan Museum of Art -
The Crucifixion, predella panel Andrea di Bartolo (Italian, Sienese, active by 1389, died 1428)Tempera on
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Carlo Maratti Portrait of Raphael Etching mid 17th century
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Carlo Maratti The Birth of the Virgin Etching mid 17th century
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Carlo Maratti The Adoration of the Magi Etching 17th century
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Carlo Maratti Holy Family red chalk 17th - 18th century
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Carlo Maratti The Assumption of the Virgin Etching 17th - 18th century
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Carlo Maratti The Mystic Marriage of St. Catherine Etching mid 17th century
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Carlo Maratti The Mystic Marriage of St. Catherine Etching mid 17th century
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Carlo Maratti The Holy Family With Angels Etching mid 17th century
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Andrea Rossi (de Rubeis) Prospectus Horti Romani (Map of horticultural Roman gardens) Etching 18th century
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Carlo Maratti Portrait of Raphael Etching mid 17th century
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Carlo Maratti The Madonna with the Young Christ Sleeping Etching mid 17th century
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Giovanni Andrea Podest‡ Allegory With Cupid and Putti Etching 1640
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Carlo Maratti The Virgin and Child with the Young St. John the Baptist Etching 1647
The Metropolitan Museum of Art -
Tobit Burying the Dead, 1640s Andrea di Lione (Italian, Neapolitan, 1610-1685)Oil on canvas; 50 1/4
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Giovanni Andrea Maglioli Homage to Seneca after the painting by Peter Paul Rubens Engraving 17th century
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Andrea Casali Edward the Martyr Stabbed by Order of his Step-Mother Elfrida at Corfe Castle Etching 1773
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Swain Facsimile of part of the Celebrated print of the Sea Monsters Engraved by Andrea Mantegna, 11th plate opposite page 508 in the book, An Inquiry into the Origin and Early History of Engraving upon Copper and Wood by William Young Ottley (London: J
J. Paul Getty Museum -
Two Standing Male Figures
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Carlo Maratti Studies of Heads (Head of Christ and Two Putti) red chalk on laid paper 17 - 18th century
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Giovanni Andrea Podest‡ Bacchanal with Altar, Faun, and Silenus Etching and burin 1640
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Carlo Maratti The Martyrdom of St. Andrew, after a painting by Domenichino for the Chapel of St. Andrew in S. Gregorio, Rome. Etching 17th century
The Metropolitan Museum of Art -
Madonna and Child with Seraphim and Cherubim, ca. 1460 Andrea Mantegna (Italian, Paduan, born no
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Carlo Maratti Christ and the Samaritan Woman at the Well, after a painting by Annibale Carracci in the SzÈpm¸vÈszeti M*zeum, Budapest Etching 1649
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Giovanni Andrea Podest‡ Bacchanal With Bacchus and a Sleeping Woman, after Titian Etching 17th century
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Andrea Le Jeune Scacciati The Triumph of Flora(?), after Vincenzo Dand, from the series Disegni originali d'eccelenti pittori... Etching 18th century
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Giovanni Andrea Podest‡ Statue of Venus with Numerous Putti, after Titian etching 1636
J. Paul Getty Museum -
Drapery Study; Nude Man
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Giovanni Andrea Podest‡ Statue of Venus with Numerous Putti, after Titian etching 1636
The Metropolitan Museum of Art -
Madonna and Child, ca. 1470 Workshop of Andrea del Verrocchio (Italian, Florentine, 1435-1488)Tempera and gold
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Andrea del Sarto Beheading of St. John the Baptist and presentation of his head ink and wash circa 1600
The Metropolitan Museum of Art -
Christ Blessing Andrea Solario (Italian, Milanese, active by 1495, died 1524)Oil on wood; 80 1/4
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Carlo Maratti Holy Family Black and white chalks with brown ink on laid paper mounted a heavier sheet late 17th century
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Elisabetta Sirani The Holy Family with St. Elizabeth and St. John the Baptist Etching 17th century
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Andrea Le Jeune Scacciati Putto and Three Bathers, after Titian, from the series Disegni originali d'eccelenti pittori... Etchingin grey ink 18th century
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Parmigianino (Francesco Mazzola) Recto:Circe greeting the Companions of Ulysses~Verso: The Christian Hero by Andrea Andreani (lower fragment) Color chiaroscuro woodcut printed in black and tan 1602
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Carlo Maratti Hercules and Omphale Pen and black ink and wash with traces of white watercolor on faded blue laid paper early 18th century
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Andrea Le Jeune Scacciati Venus and Adonis, after Malosso, from the series Disegni originali d'eccelenti pittori... Etching, aquatint 18th century
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Carlo Maratti St. Proculus Pen and brown ink and brown wash over red chalk with black chalk on laid paper mounted to a heavier sheet early 18th century
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Carlo Maratti Recto:Madonna with Saints~Verso: Architectural Details r:Pen and gray- brown ink over graphite on laid paperv: Graphite late 17th century
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Giovanni Pietro da Birago Ornamental Panel: Nereid and Two Children Playing Musical Instruments, from a series of twelve ornamental panels Engraving circa 1505 - 1515
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Andrea Zucchi Presentation of the Virgin in the Temple, after Titian's painting in the Galleria Accademia, Venice Etching and engraving 18th century
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Andrea del Sarto - Charity before 1530 oil on panel National Gallery of Art Italian
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Andrea Briosco Riccio - Lamp n.d. bronze The Frick Collection Italian
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Andrea Andreani - Virtue 1585 woodcut Arkansas Arts Center Italian

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Further Artwork and Information:

Andrea Sacchi Online
SACCHI, Andrea
www.abramo.it/service/arte/musei/carical/sacchi.htm
Recherche-Assistent
Andrea Sacchi (Getty Museum)
Biography
Andrea Sacchi -- Encyclopædia Britannica
chef Andrea Sacchi
Bulletin 14, Andrea Sacchis Portrait of a Cardinal by Ann Sutherland Harris
Biografía - Sacchi, Andrea

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