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Artist: Georges Seurat (1859 - 1891)
Nationality: French
Movement: Post-Impressionism
Media: Painting
Influences:
Biography: Seurat acquired the role of the founder of Neoimpressionism because his work embraced the landscape and Parisian scenes of impressionism but contained other symbolic influences. For example, his paintings explore light and color thoroughly, but his figures contain references to Egyptian art. Seurat is also credited with the development of Divisionism, which unlike Pointillism used small dots of paint of the tip of a brush to create color separations, rather than merging them together. This technique is seen in his most famous painting, Sunday Afternoon on the Island of the Grande Jatte. Seurat was trained by Henri Lehmann, who in turn, studied under his idol, Ingres. His first work, conte crayon drawings of painter, Aman-Jean were displayed in 1883, followed by his first painting exhibition in 1884. Seurat’s career ended suddenly by his untimely death at the age of 32.
The French Post-Impressionist painter Seurat was born and died in Paris. His main achievement was the development of Pointillism, a system of painting by applying colors in dots of relatively uniform size. He painted a few very large paintings, spending a year or more on each of them after he had completed an endless series of preliminary studies. Two of his famous large-scale compositions are -The Bathers - of 1883-84, with the Impressionist characteristics of brilliant colors and the effects of intense sunlight, and - The Side Show - (La Parade) of 1887-88. He believed that the tiny dots of color would merge in the viewer's eye and produce intermediary tints more luminous than those obtainable from pigments mixed on the palette. The synthetic, austere character of his pictures resulted from his reaction to Impressionism. He wanted to keep the vitality of Impressionism, stay with its subject matter and use of color and luminosity. But he also sought an architectonic precision, and an art of harmony through geometrizing form and the studied control of color and composition. Little is known about him privately; he kept largely to himself and worked incessantly.
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Georges Seurat.
The Minneapolis Institute of Arts
- Artist: Georges Seurat Title: Port-en-Bessin Date: 1888 Medium: oil on canvas Dimensions: H.25-1/2 x W.32-1/2 The Metropolitan Museum of Art
- Gray Weather, Grande Jatte, ca. 1888 Georges-Pierre Seurat (French, 1859-1891)Oil on canvas; 27 3/4 x The Metropolitan Museum of Art
- Study for "Les Poseuses", ca. 1887 Georges Seurat (French, 1859-1891)Conté crayon on paper; 11 11/16 The Metropolitan Museum of Art
- The Gardener, 1882-83 Georges-Pierre Seurat (French, 1859-1891)Oil on wood; 6 1/4 x 9 3/4 in. The Metropolitan Museum of Art
- View of the Seine, 1882-83 Georges-Pierre Seurat (French, 1859-1891)Oil on wood; 6 1/4 x 9 The Metropolitan Museum of Art
- Landscape at Saint-Ouen, 1878 or 1879 Georges-Pierre Seurat (French, 1859-1891)Oil on wood, mounted on wood; J. Paul Getty Museum
- Poplars The Metropolitan Museum of Art
- Circus Sideshow, 1887-88 Georges-Pierre Seurat (French, 1859-1891)Oil on canvas; 39 1/4 x 59 in. (99.7
- Georges Seurat
Eiffel Tower
oil on panel
circa 1889 The Metropolitan Museum of Art
- Study for "A Sunday on La Grande Jatte", 1884-85 Georges-Pierre Seurat (French, 1859-1891)Oil on canvas; The Metropolitan Museum of Art
- The Forest at Pontaubert Georges-Pierre Seurat (French, 1859-1891)Oil on canvas; 31 1/8 x 24 5/8 J. Paul Getty Museum
- Woman Strolling
- Georges Pierre Seurat - Rue St. Vincent c. 1884 oil on panel The Fitzwilliam Museum French Museum of Fine Arts
- Georges Pierre Seurat, French, 1859-1891 Guerrier Casqué (Helmeted Warrior) about 1877-78 Charcoal on laid paper
- Georges Seurat
Woman Bending, Viewed from Behind
black crayon on cream laid paper
circa 1881 - 1882
- Georges Seurat
Soldier and Figures, Brest Notebook
graphite and colored pencils on white wove paper
1880
- Georges-Pierre Seurat - Evening, Honfleur 1886 oil on canvas The Museum of Modern Art French
- Georges Seurat - Port-en-Bessin 1888 oil on canvas Minneapolis Institute of Arts French
- Georges-Pierre Seurat - Grandcamp, Evening 1885 oil on canvas The Museum of Modern Art French
- Georges Seurat - Bathers at Asnieres 1884 oil on canvas The National Gallery, London French
- Georges Seurat - The Lighthouse at Honfleur 1886 oil on canvas National Gallery of Art French
- Georges Seurat
Study for the painting La parade (1888)~Study for "La Parade de Cirque" Clowns
Black crayon on laid paper
1886 - 1887
- Georges Seurat - Study for "La Grande Jatte" 1884-1885 oil on wood National Gallery of Art French
- Georges Seurat - Study for "Bathers at Asnieres" c. 1883-84 oil on wood panel Cleveland Museum of Art French
- Georges-Pierre Seurat - The Channel at Gravelines, Evening 1890 oil on canvas The Museum of Modern Art French
- Georges Seurat - Banks of the Seine near Courbevoie 1883 oil on wooden panel The Hyde Collection French
- Georges Pierre Seurat - View of Le Crotoy from Upstream 1889 oil on canvas The Detroit Institute of Art French
- Georges Seurat - A Sunday on La Grande Jatte 1884 oil on canvas The Art Institute of Chicago French
- Georges Seurat - Trees (Study for La Grande Jatte) 1884 black conte crayon o The Art Institute of Chicago French
- Georges-Pierre Seurat - Port-en-Bassin, Entrance to the Harbor 1888 oil on canvas The Museum of Modern Art French
- Georges Seurat - Seascape at Port-en-Bessin, Normandy 1888 oil on canvas National Gallery of Art French
- Georges Seurat - Monsieur Loyal, Study for the Painting- The Circus 1890 conte crayon Arkansas Arts Center French
- Stan Washburn
Seurat
Etching
1982
- Henri-Edmond Cross
Aux Champs-ElysÈes, Paris published in Pan
Color lithograph
1898
- Henri-Edmond Cross
Floral Still Life
watercolor over graphite on white wove paper
19th - 20th century
- Multiple Artists
Four Pamphlets with Poems by Georges Hugnet, Paris 1941 by Georges Hugnet (Paris: Georges Hugnet, 1941).
Pamphlets (4) with 9 illustrations total (6 original zincographs, 3 reproductions); box with 4 recessed areas to hold the pamphlets
- Edouard Manet - Georges Clemenceau 1879-80 oil on canvas Kimbell Art Museum French
- Auguste Renoir - Georges Riviere 1877 oil on cement National Gallery of Art French
- Georges Rouault
Portrait of a man
Etching
1928
- Georges Rouault
Portrait of a man
Etching
1928
- Georges Rouault
Untitled
Etching
1928
- Georges Rouault
Portrait of a man
Etching
1928
- Georges Rouault
Woman and a man
Etching
1928
- Georges Rouault
Untitled
Etching
1928
- Georges Rouault
Untitled
Etching
1928
- Georges Rouault
Portrait of a man
Etching
1928
- Georges Rouault
Untitled
Etching
1928
- Georges Rouault
Untitled
Etching
1928
- Georges Schreiber
Haying
Lithograph
1946
- Georges Schreiber
From Arkansas
Lithograph
1940
- Georges Schreiber
Without a Net
Lithograph
20th century
- Georges Schreiber
In Texas
Lithograph
1941
- Georges Le Meilleur
Les vieux chenes
Etching
1911
- Georges Michel
Harbor Scene
oil on panel
18th - 19th century
- Georges Jeannin
Azaleas
oil on canvas
19th - 20th century
- Georges Rouault
Judges
Aquatint
1938
- Georges Rouault
[man with glasses]
Etching
1928
- Georges Rouault
[man with a suitcase]
Etching
1928
- Georges Rouault
Portrait of a man with a bandana
Etching
1928
- Georges Rouault
Portrait of two woman
Etching
1928
- Georges Rouault
Portrait of a woman with a hat
Etching
1928
- Georges Rouault
Portrait of a woman
Etching
1928
- Georges Schreiber
Noon
Lithograph
20th century
- Georges Schreiber
Southern Siesta
Lithograph
1939
- Georges Rouault
Portrait of Verlaine
Lithograph
1933
- Georges Rouault
Pierrot
Aquatint
1936
- Michel Georges-Michel
The Opening of "La Parade'
oil on board
1917
- Georges Rouault
Pierrot
Aquatint
1936
- Georges Rouault
Pierrot
Aquatint
1936
- Georges Rouault
Pierrot
Aquatint
1936
- Georges Rouault
Pere Ubu: Man in profile
Etching
1918
- Georges Labadie Pilotell
Self-Portrait
19th - 20th century
- George Seurat - Trombonist (Study for "Circus Slide Show") 1887-88 conte crayon and cha Philadelphia Museum of Art French
- Georges Rouault
Petite Banlieue
Lithograph
1929
- Georges Rouault
Head of Woman
Etching
1928
- Georges Le Meilleur
Cancalais a Portrieux
Etching
19th - 20th century
- Georges Schreiber
Mare and Colt
Lithograph
20th century
- Georges Le Meilleur
Le Clocher de Varvannes
Etching
19th - 20th century
- Georges Schreiber
Circular Motion
Lithograph
20th century
- Georges Rouault
Portrait of a woman with a necklace
Etching
1928
- Georges Charles Montbard
Flambez Finances
Etching
1875
- Georges Rouault
Portrait of a man
Etching
19th - 20th century
- Georges Rouault
Portrait of a Nude Woman
Etching
1928
- Georges Rouault
Petite Banlieue
Lithograph
1929
- Georges Rouault
Petite Banlieue
Lithograph
1929
- Georges Rouault
Petite Banlieue
Lithograph
1929
- Georges Rouault
Petite Banlieue
Lithograph
1929
- Georges Rouault
Petite Banlieue
Lithograph
1929
- Georges Rouault
Disciples
19th - 20th century
- Georges Rouault
Christ en Croix
Lithograph
1925
- Georges Rouault
Self-Portrait
Color lithograph
circa 1928
- Georges Rouault
Self-Portrait from Souvenirs Intimes
Lithograph
1926
- Henri Georges Adam
Dalles, Sables et Eau, No. 11
engraving
1957
- Georges Rouault
Les Tentations De Saint Antoine
1918
- Georges de La Tour
Old Man
oil on canvas
circa 1618 - 1619
- Georges Labadie Pilotell
Portrait of Carlyle
19th - 20th century
- Georges-Charles Dufresne
Le Banjo
Etching
19th - 20th century
- Georges Le Meilleur
Le bout de Pont aux andelys
Etching
19th - 20th century
- Georges Schreiber
Evening in South Carolina
Lithograph
20th century
- Georges C. Belin-Dollet
Peasants Going To Work
Etching
19th - 20th century
Artnews Articles and Exhibition Information: (21) Click on any of the links below to read about artnews or exhibitions related to Seurat
Musee d'Orsay: Theo van Gogh : art-dealer, collector,
Vincent's brother ...
Saint Louis Art Museum: Vincent van Gogh and the Painters of the Petit Boulevard Van Gogh actively participated in discussing and debating new ideas, which ultimately became
the shape and substance of modern art in Europe. He identified these artists as the painters of the petit
boulevard, a term that reflected their desire...
Metropolitan Museum of Art: Romanticism and the School of Nature: Nineteenth-Century Drawings and
Paintings from the Karen B. Cohen Collection The Cohen collection represents several artists in depth; thus, the exhibition
features a varied range of work by such masters as Couture, Gericault, Daubigny,
...
Metropolitan Museum of Art: Neo-Impressionism: The Circle of Paul Signac
Flourishing from 1886 to 1906, the artists who worked in this avant-garde
style came to be called Neo-Impressionists. The term was coined by art critic
Félix F...
National Gallery: Light The first section, Symbolic Light, contains works in which light takes on a metaphorical meaning, such as the Gallery’s 'Adoration of the Shepherds' by Rembrandt and the rarely seen 'After the Deluge; the Forty-First Day' by G. F. Watts (Guildfor...
Thomas Dane: Translations - Creative Copying and Originality The idea that artists create autonomously is a great myth. The exhibition shows how artists have always been attracted by the works of their predecessors and contemporaries and how they have explored the creative potential of copying for their own...
Van Gogh Museum: Paul Signac: Marter of Pointilism Often wrongly considered to be a mere follower of the better known
Georges Seurat, the exhibition follows the course of his varied career from his earliest works in an Impressionist style,
through the Neo-Impressionist phase ...
Louvre Museum: From Delacroix to Matisse: Drawings from the Algiers Museum of Art Exhibition curators :
Arlette Sérullaz, curator at the Department of Graphic Arts, at the
Louvre, assigned to the Musée Delacroix
Dalila Orfali, director of the Algiers Museum of Fine Arts
The restoration of the works was supervised by Nathali...
SCENE Metrospace: Cir*cus/Car*ni*val Stern sates about her work, "I play God(dess), attributing characteristics to my medium and by being consistent within one piece, I aim to convince the audience of their validity.
In some instances, I find, recreate, and reinforce the parallels ...
Metropolitan Museum of Art: Signac 1863-1935: Master Neo-Impressionist Often viewed as the second man of Neo-Impressionism, Paul Signac
(1863-1935) has long been considered an artist of talent in the shadow of
the more celebrated ...
Museum of Fine Arts, Houston: The Draftsman's Art: Master Drawings from the National Gallery of Scotland The Draftsman's Art spans the 15th to the 19th centuries with drawings by
Leonardo da Vinci, Raphael, Peter Paul Rubens, François Boucher, William
...
Frick Collection: The Draftsman’s Art: Master Drawings from the National Gallery of Scotland The exhibition is accompanied by a presentation organized by The Frick
Collection and offered at this venue only. Generously on loan from the
National Gallery of Scotland from December 5, 2000 through January 21, 2001,
is one of its most popul...
National Gallery: Encounters: NEW art from OLD The National Gallery has always been a resource for artists, and
the Collection offers many examples of how artists in other times
have wrestled with traditi...
Metropolitan Museum of Art: The Annenberg Collection of Impressionist and Postimpressionist
Masterpieces Philippe de Montebello, director of the Metropolitan
Museum, stated: For six months out of each year,
this extraordinary loan signi...
Van Gogh Museum: Jean-François Millet: Drawings Millet was a talented draughtsman. Although he employed an academic
technique, in a certain sense one can say he reinvented it: by depicting
his models in their natural surroundings, by scrupulously reproducing the
effects of light, and by care...
Frick Collection: Master Drawings from the Smith College Museum of Art Among the other artists represented in the exhibition are Northern European masters Matthias Grünewald, Jan van Goyen, Adoph von Menzel, Piet Mondrian, and Paul Klee. Italian artists include Fra Bartolommeo, Rosso Fiorentino, Federico Barocci, Gi...
Temple Bar Gallery and Studios: Bathers: Gary Coyle, A K Dolven, Justine Pearsall, Michael John Whelan Nonetheless, the trope has become a well established point of reference for contemporary artists many of whom have produced memorable variations on the theme as for instance the staged photographic portraits by Rineke Dijkstra, whose adolescent ...
College Art Asociation: Conference to Feature Interviews with Ann Hamilton and Ed Paschke Internationally renowned installation artist Ann Hamilton has made numerous
installations in North America and Europe and represented the Unites States at the 1997
Venice Biennale. She holds a Master of Fine Art in sculpture from Yale University...
Phillips Collection: Degas to Matisse: Impressionist and Modern Masterworks from the Detroit Institute of Arts
September 23 through January 21, 2001
FUTURE . . .
Wayne Thiebaud: A Paintings Retrospective
Fe By
integrating works from The Phillips Collection into the Tannahill exhibition, Degas to Matisse: Impressionist and Modern Masterworks
from The Detroit Institute of Arts highlights the similarities and the differ...
Fogg Art Museum, Harvard: Passionate and Obstinate: The Lois Orswell Collection Passionate and Obstinate (the phrase is Orswell’s self-description) will feature works from the Lois Orswell Collection as a cohesive group for the first time. Orswell was a distinctive collector whose methods were unlike those of her contemporari...
Kimbell Art Museum: Gauguin and Impressionism The exhibition and its scholarly catalogue deal with the full range of the artist’s participation in the Impressionist movement: the paintings he submitted to the Impressionist exhibitions, the ways in which his extensive private collection inspi...
Further Artwork and Information:
WebMuseum: Seurat, Georges
Georges Seurat Online
Georges Seurat
SPECTRUM Biographies - Georges Seurat
Georges Seurat - Olgas Gallery
Georges Seurat Biography
Georges Seurat
GEORGES SEURAT
Georges Seurat
CGFA- Georges Seurat
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