Artist: William Sharp ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William Sharp.

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William Sharp "Say Ah-ahh-ah" Lithograph 20th century
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William Sharp Art Fair Etching and aquatint 1940
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William Sharp Historical Illustration 20th century
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William Sharp The Hypochondriac Lithograph 20th century
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William Sharp "Just Liquor Doc" Lithograph 20th century
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William Sharp The Psychiatrist Lithograph 20th century
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William Sharp Men in White Lithograph 20th century
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William Sharp Diagnosis Lithograph 20th century
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William Sharp The Last One (Dentist) Lithograph 20th century
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William Sharp Madame Malibran de Beriot 20th century
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William Sharp The Waiting Room Lithograph 20th century
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William Sharp Heart Trouble Lithograph 20th century
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William Sharp Lincoln Park Marabous Etching and aquatint 1940
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William Sharp C. Heidegger 18th - 19th century
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William Sharp Mayo, Esq. 18th - 19th century
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William Sharp The Right Honorable Robert Dundas 1790
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William Sharp A fine point of law Lithograph 20th century
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William Sharp Silver Spoon Acquired Lithograph 20th century
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William Sharp The Reading Party (Eye Doctor) Lithograph 20th century
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William Sharp The Chief Making the Rounds Lithograph 20th century
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William Sharp Edward Long 18th - 19th century
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William Sharp The Late Dr. Burney 18th - 19th century
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William Sharp Holy Family 18th - 19th century
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William Sharp The Doctors of the Church Line engraving 18th - 19th century
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William Sharp Shakespeare: King Lear. Act V, Scene III color stipple engraving 1792
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William Sharp Shakespeare:King Lear, (Act. III, Sc. 4) Color engraving 18th - 19th century
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William Henry Potter, English, 1760-1848 Flute England, (London), about 1810 Ivory, silver Overall Length: 65.5
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William Sharp Charles the First, seventeenth plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)] Engraving 1813
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William Sharp Charles the First, eighteenth plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)] Engraving 1813
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William Sharp Unidentified saint, third plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)] Engraving 1814
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Louis-Leopold Boilly - The Card Sharp on the Boulevard 1806 oil on wood National Gallery of Art French
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William Sharp Unidentified saint, second plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)] Engraving 18th century
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William Whiteley, American, 1789-1871 Clarinet in B-flat United States, New York, (Utica), about 1830 Boxwood,
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William Sharp Lamentation, twenty-sixth plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)] Engraving 18th century
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William Sharp Thomas Howard, Earl of Arundel, nineteenth plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)] Engraving 1814
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William Sharp Thomas Howard, Earl of Arundel, twentieth plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)] Engraving 1814
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Clarinet in E-flat Europe, about 1840-50 Boxwood, horn, brass 47.3 cm (18 5/8 in.) Museum
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Norman Lindsay The C-Sharp Minor Quartet Etching, engraving, and stipple engraving 1927
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William Sharp, American, 1803-1875 Fruit and Flower Piece 1848 Oil on canvas 91.44 x 73.66
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William Sharp, American, 1803-1875 Railroad Jubilee on Boston Common 1851 Oil on canvas 99.69 x
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George B. Sharp Ewer repousse and chased silver 1848 - 1850
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Bass clarinet in B-flat England, late 19th century Boxwood, nickel silver Overall Length: 155 cm
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Grenser & Wiesner, German, 1817-1826 Basset-horn in E-flat Germany, (Dresden), about 1820 Boxwood, horn, ivory,
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Flute England, about 1800 Boxwood, ivory, brass Overall: 59.6 cm (23 7/16 in.) Museum of
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William Bainbridge, English, before 1803-1834 Alto flute in F England, (London), about 1810 Boxwood, ivory,
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William Henry Potter, English, 1760-1848 Alto flute in G England, (London), about 1815 Blackwood, ivory,
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Charles Hazelwood Shannon A Sharp Corner Lithograph on Japan Paper 1918
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Henry Emerson Tuttle Head of Sharp-shinned Hawk drypoint 19th - 20th century
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Rivière & Hawkes, English, 1876-1889 Clarinet in B-flat England, (London), about 1880 Rosewood, nickel silver
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Astor & Horwood, English, 1815-1819 Flute England, (London), about 1815-19 Boxwood, ivory, pewter Overall Length:
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Pietro Grassi Florio, Italian (active in England), about 1730-1795 Flute England, (London), about 1780 Boxwood,
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Distributed by Henry H. Prentiss, American, 1801-1860 Clarinet in C United States, Massachusetts, (Boston), 1830-45
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Bass oboe England, about 1760 Maple, brass Overall Length: 100.8 cm (39 11/16 in.) Museum
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Thomas Key, 1800-1858 Alto clarinet in F England, (London), about 1830-35 Boxwood, ivory, brass Overall
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Anonymous Warning / The Sharp Ears of Enemy Agents Are Always Listening - World War II Poster lithograph poster circa 1940 - 1945
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William Bainbridge, English, before 1803-1834 Double flageolet England, (London), about 1815 Boxwood, ivory, silver 39.9
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Wigley & McGregor, English, 1811-1825 Bass flute in C England, (London), 1811-16 Boxwood, ivory, brass
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Caleb Gedney, English, 1729-1769 Flute England, (London), 1769 Boxwood, ivory, silver 67.9 cm (26 3/4
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Wolfgang Küss, Austrian, about 1779-1834 English horn Austria, (Vienna), about 1830 Boxwood, ivory, brass Overall
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Clementi & Co., English, 1802-1831 Clarinet in C England, (London), about 1820 Boxwood, ivory, brass
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Wigley & McGregor, English, 1811-1825 Alto flute in G (flauto di voce) England, (London), 1811
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Biglioni, Italian Flute Italy, (Rome), about 1750-75 Boxwood, ivory, silver Overall: 63.4 cm (24 15/16
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Woven by Pierre Dumon, French, 17th century The Martyrdom of Saint Ursula (from the series,
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Raymund Griesbacher, Austrian, 1751-52–1818 Basset-horn in F Austria, (Vienna), about 1810-18 Boxwood, ivory, brass Overall
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William Bainbridge, English, before 1803-1834 Double flageolet England, (London), about 1830 Boxwood, ivory, brass 49.9
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John Simpson, about 1826-1869 Double flageolet England, (London), about 1830 Boxwood, ivory, brass Overall: 47.9
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Distributed by John Ashton, American, 1813-1849 Flute United States, Massachusetts, (Boston), about 1830 Maple, brass
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Meacham & Co., American, 1806-1832 Flute United States, New York, (Albany), about 1825 Maple, ivory,
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Joseph Henry Sharp - Hunting Son 1926 oil on canvas Fred Jones Jr. Museum of Art at The University of Oklahoma American
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Ludwig Embach & Co., Netherlandish, about 1810-1844 Walking-stick flute Netherlands, (Amsterdam), about 1840 Boxwood, ivory,
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Wood & Ivy, English, 1837-1847 Alto bassoon England, (London), about 1830 Boxwood, brass Overall Length:
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Firth & Hall, American, 1821-1841 Flute United States, New York, (New York City), about 1830
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Distributed by Klemm & Brothers, American, 1819–about 1880 Clarinet in C United States, Pennsylvania, (Philadelphia),
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Jacob David Helwert, German, 1812-1866 Flute Germany, (Stuttgart), about 1850 Maple, horn, brass 67.6 cm
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Joseph Henry Sharp - Fine Bull n.d. Oil on canvas Fred Jones Jr. Museum of Art at The University of Oklahoma American
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Joseph Henry Sharp - Grand Canyon n.d. oil on canvas Fred Jones Jr. Museum of Art at The University of Oklahoma American
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Joseph Henry Sharp - Harvest Dance 1893-94 oil on canvas Cincinnati Art Museum American
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Flute Germany, late 19th century Blackwood, nickel silver 70.5 cm (27 3/4 in.) Museum of
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Joseph Henry Sharp - Sidi-bou-Said, (Tunisia) n.d. oil on masonite pane Fred Jones Jr. Museum of Art at The University of Oklahoma American
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P. L. Gautrot aîné, French, 1845–after 1884 Flageolet France, (Paris), mid-19th century Ebony, nickel silver
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William Bainbridge, English, before 1803-1834 Triple flageolet England, (London), 1830 Boxwood, ivory, silver 57 cm
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Samuel William Reynolds, Senior William, Youngest Son of Lord William Russell Mezzotint 18th - 19th century
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George Miller, English, about 1765–after 1790 Flute England, (London), about 1785 Boxwood, ivory, silver 63.3
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William Faithorne The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) Book with 9 etchings with engraving 1662
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William Henry Watt William Lourdsworth 19th century
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William Page - Mrs. William Page 1860-61 oil on canvas The Detroit Institute of Art American
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Arthur William Devis - The Hon. William Monson and His Wife, Ann Debonnaire c. 1786 oil on canvas Los Angeles County Museum of Art English
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William Nicholson London Types (London: William Heinemann, 1898) book with color plates 1898
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Study of a Nude Boy
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Mask (bikereu) Fang people Gabon, Middle Ogowe River area, 19th–20th century Wood, pigment 48.26 cm
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Flute Germany, late 19th century Rosewood, ivory, silver nickel Overall Length: 71.1 cm (28 in.)
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Andrea Fornari, Italian, 1753-1841 English horn Italy, (Venice), 1st quarter of 19th century Pearwood, leather,
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William Page - Colonel William Leete Stone 1839 oil on canvas Cleveland Museum of Art American
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William Nicholson An Almanac of Twelve Sports (London: William Heinemann, 1898) book with color plates 1898
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William Bagdatopoulos - Dr. William Henry Holmes 1929 oil on canvas Smithsonian American Art Museum American
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William Nicholson Any Bar, twelfth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Hammersmith, fifth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Tower, third plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Kensington, second plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Merritt Chase - Portrait of President William Waugh Smith 1907 oil on canvas The Maier Museum of Art American

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Sharp

MUSE Gallery: Keith Sharp: Recent Works
This exhibition runs from December 4 - 29, 2002. The artist's reception is Friday, December 6, 5:00 - 8:30 p.m. Hours are Wednesday through Sunday 12 - 5 p.m. The phone number of the gallery is (215) 627-5310. This is Sharp's second solo show at M...
Fraser Gallery: Catriona Fraser and Malcolm Sharp: Landscapes of Scotland
Art critic J.W. Mahoney wrote about Fraser's work in the Washington Review: "The single eye of Catriona Fraser's camera has been directed toward the timeless world of her Celtic ancestors for many years ...
Ella Sharp Museum: Call for Artists: Opportunity for Public Exposure of Artwork on a Major Corporate Campus & Sale of Existing Work
A Design Review Board will select one piece that will serve as the focal point of Consumers Energy's corporate plaza. Three additional pieces will be selected for installation along the stretch of the Grand River Arts Walk closest to the corpor...
Neuberger Museum of Art: Jed Devine Photographs
Devine is a staff member of the renowned Purchase College Photography Department. Curated by Judy Collischan, Ph.D., Neuberger Museum of Art Associate Director for Curatorial Affa...
Plus Ultra Gallery: Team Lump: Beggars and Thieves
Working organically, Team Lump adapts to each new exhibition space, installing a mix of paintings, drawings, sculpture, wall drawings, and video to create an installation that offers a seemingly chaotic vision, but still offers access into individ...
Association of Photographers Gallery: 02 Photographic Images of 2002
Another showcase for the exceptional talent that comprises the membership of the AOP, the End of Year Show 2002 stems from an invitation to members to submit the images that they have taken over the year that they feel most proud of. The diversity...
Albright-Knox Art Gallery: John Bisbee: Arc and Plume

Van Gogh Museum: Light! Art, technology and society in the Industrial Age, 1750-1900
By means of approximately 300 objects, the evolution of light and the resulting impact on social, economic and artistic realms is highlighted. Included are some spectacular loans, such as the Statue of Liberty from the Jardin du Luxembourg in Pari...
Museum of Contemporary Art: Guan Wei Nesting, or the Art of Idleness 1989-1999
This exhibition, which inaugurates the new artist’s project space on level 4 of the MCA, traces the development of Guan Wei’s work since 1989. This was the year of the Tiananmen Square massacre in Beijing - an event which helped pro...
Neuberger Museum of Art: Marisol
Humor and pathos are reflected in her lively and engaging wood and mixed-media sculpture, indicating this artist's talents and abilities to capture a ...
Tempus: Penn State Erie, The Behrend College: A Call for Creative Submissions
Writers Guidelines Prose msut be double-spaced and no more than 15 pages in length. Poetry should be single-spaced, and no more than 3 to 5 poems per envelope. All work must be accompanied by a self-addressed stamped envelope. ...
Henry Art Gallery, University of Washington: Volume: Bed of Sound
VOLUME: Bed of Sound explores the roots of sound art and presents audio works by over sixty artists, spanning the last three decades. The exhibition runs the gamut from historical works - sound effects tracks from Apoca...
Focus Gallery: Women Nude: Photographs by Sandra Merritt
Working with a 4x5 view camera, Sandra uses black and white to enhance and contrast the symmetry of the female form and the natural world. But where she uses color in medium format, she takes a playful and whimsical approach in expressing the fem...
National Gallery of Victoria: Techno craft: the work of Susan Cohn 1980 to 2000
Cohn is one of the intellectual, avant-garde producers of metalwork in Australia. She has produced a large and diverse body of work that engages with modern life. Looking beyond the conventions of precious jewellery and towards the urban environme...
Biblioteca Statale Isontina: The Introspection of The Outside: Work by Fulvio Tomasi
And what does a passive mind doNULL A passive mind absorbs and sends out its product without processing it. A passive ...
Oakville Galleries: Rachel Harrison: Brides and Bases
Rejecting conventions, Harrison’s work invites viewers to look closely and think imaginatively: why this specific image or that particular form? Each piece combines unusual materials, for example, framed photographs with Styrofoam, papier-mâché, p...
Whitney Museum of Art: Bitstreams: Contemporary Art Harnesses Digital Media
In conjunction with BitStreams, Performance on 42nd presents Pulse, a series of four events featuring live performances intertwined with digital media. ...
Everson Museum of Art: Marc Leuthold, Ceramics
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Museum of Fine Arts, Houston: Cos Cob Art Colony: Impressionists on the Connecticut Shore
They challenged artistic conventions and benefited from the stimulus of the writers, editors, and journalists who were also members of the art colony. ...
MoMA QNS: Masterworks of German Expressionism
Also featured are works by artists active after World War I, such as Max Beckmann and Käthe Kollwitz, who found that the bold, graphic use of black-and-white printmaking perfectly suited their stark, socially critical imagery. Printmaking was of c...
ARTSCI'99: BUCKY - a one-man performance
Through the powerful universal principles that Buckminster Fuller discovered and utilized during his lifetime, namely, Synergy, Precession, Ephemeralization, and Acceleration of Acceleration, we can explain and predict some of the fastest mutatin...
Studio Museum in Harlem: Fred Wilson: Objects and Installations: 1979-2000
His oeuvre consisting of "mock" museum installations into which the artist places provocative and beautifully rendered objects, explore the question of how the museum consciously or unconsciously perpetuates racist beliefs and behavior. The exhib...
Dahl Arts Center: Deena des Rioux: Robotic Portraiture
As a retrospective, her exhibition at The Dahl features "Cable Network", the first computer print to be represented at the Polish International Graphic Triennale in 1991. Over the Internet in tandem to this year’s Polish event, the artist was des...
Malmo Konsthall: Moderna Museet c/o Malmo Kunsthall
The exhibition focuses on the more eccentric and sharp parts of the 20th-century collection, including such works as Paulina Wallenberg-Olsson's bullet-proof dress, Marcel Duchamp's notorious urinal and Edward Kienholz's The State Hospital. -It'...
Axiom Gallery: Peter Cramond, Bryce Brown and Graham Grow Bare Their Figures
After spending time working on complex paintings that focused on surface rather than image, Crow is excited about his return to his artistic roots. His latest mixed media drawings show a distinct return to basics with the human form being the pr...
Cafe Gallery Project: Almuth Tebbenhoff: Pillar
ARTIST'S STATEMENT: "Imagine a stack of perfect industrial steel angle section: 6m lengths, sharp, hard edged, strong and waiting. Enter the artist (Almuth Tebbenhoff) who cuts all of it into small pieces ˆ each with a different angle and...
d.u.m.b.o. arts center: Pass Me The Butterfly
Ross Knight (New York) makes sculptures from metal rail and vinyl sheeting that have very large dimensions but very little volume, while Erwin Wurm (Vienna), who is showing concurrently at MoMA and MassMoCA, contributes a pedestal that allows vi...
neues Kunstmuseum Luzern: Body as Byte
Furthermore, they realize how problematic the reduction of the body to pure information would be. Therefore, they suggest a critique and discovery of simple Expectations and steadfast portray the embodiment in Real Life. Included in the exhibiti...
Davis Museum and Cultural Center: Hold: Vessel 1, by Australian artist Lynette Wallworth
This is Hold: Vessel 1, by Australian artist Lynette Wallworth, a 3 channel DVD multimedia installation challenging the traditional boundaries between visual art and the sciences and examining the relationship between scientific technologies and h...
Museum of New Zealand Te Papa Tongarewa: Pacific Rim: Ann Robinson's Stunning Glasswork
These five impressive Seville works are presented alongside her important earlier works, and a larger selection of works produced after Seville. 'These later works demonstrate how a more skilled and confident Ann Robinson, freed from many of th...

Further Artwork and Information:

SLAINTE
William Sharp - eBook Titles - Software Technology
William Sharp - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Sharp / Hedge Family Genealogy
William Sharp & Mary Smith
William Sharp
William Sharp - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
William Sharp
Fiona Macleod/William Sharp
Teaching Clinical Psychology - Dream Manual

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