Artist: William Sharp ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William Sharp.

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William Sharp "Say Ah-ahh-ah" Lithograph 20th century
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William Sharp Art Fair Etching and aquatint 1940
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William Sharp Historical Illustration 20th century
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William Sharp The Psychiatrist Lithograph 20th century
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William Sharp The Last One (Dentist) Lithograph 20th century
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William Sharp Diagnosis Lithograph 20th century
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William Sharp Men in White Lithograph 20th century
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William Sharp The Hypochondriac Lithograph 20th century
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William Sharp "Just Liquor Doc" Lithograph 20th century
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William Sharp Madame Malibran de Beriot 20th century
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William Sharp The Waiting Room Lithograph 20th century
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William Sharp Heart Trouble Lithograph 20th century
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William Sharp Lincoln Park Marabous Etching and aquatint 1940
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William Sharp C. Heidegger 18th - 19th century
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William Sharp Mayo, Esq. 18th - 19th century
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William Sharp The Right Honorable Robert Dundas 1790
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William Sharp A fine point of law Lithograph 20th century
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William Sharp The Chief Making the Rounds Lithograph 20th century
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William Sharp The Reading Party (Eye Doctor) Lithograph 20th century
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William Sharp Silver Spoon Acquired Lithograph 20th century
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William Sharp The Late Dr. Burney 18th - 19th century
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William Sharp Edward Long 18th - 19th century
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William Sharp Holy Family 18th - 19th century
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William Sharp The Doctors of the Church Line engraving 18th - 19th century
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William Sharp Shakespeare: King Lear. Act V, Scene III color stipple engraving 1792
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William Sharp Shakespeare:King Lear, (Act. III, Sc. 4) Color engraving 18th - 19th century
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William Henry Potter, English, 1760-1848 Flute England, (London), about 1810 Ivory, silver Overall Length: 65.5
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William Sharp Charles the First, eighteenth plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)] Engraving 1813
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William Sharp Charles the First, seventeenth plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)] Engraving 1813
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William Sharp Unidentified saint, third plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)] Engraving 1814
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William Sharp Unidentified saint, second plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)] Engraving 18th century
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William Whiteley, American, 1789-1871 Clarinet in B-flat United States, New York, (Utica), about 1830 Boxwood,
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William Sharp Lamentation, twenty-sixth plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)] Engraving 18th century
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William Sharp Thomas Howard, Earl of Arundel, nineteenth plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)] Engraving 1814
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William Sharp Thomas Howard, Earl of Arundel, twentieth plate in the book, [Buchanan*s Gallery], an untitled collection of engravings primarily from Select Work of Engravings (London: Historic Gallery, 1813-14)] Engraving 1814
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Louis-Leopold Boilly - The Card Sharp on the Boulevard 1806 oil on wood National Gallery of Art French
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Norman Lindsay The C-Sharp Minor Quartet Etching, engraving, and stipple engraving 1927
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Clarinet in E-flat Europe, about 1840-50 Boxwood, horn, brass 47.3 cm (18 5/8 in.) Museum
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William Sharp, American, 1803-1875 Fruit and Flower Piece 1848 Oil on canvas 91.44 x 73.66
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William Sharp, American, 1803-1875 Railroad Jubilee on Boston Common 1851 Oil on canvas 99.69 x
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George B. Sharp Ewer repousse and chased silver 1848 - 1850
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William Bainbridge, English, before 1803-1834 Alto flute in F England, (London), about 1810 Boxwood, ivory,
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Bass clarinet in B-flat England, late 19th century Boxwood, nickel silver Overall Length: 155 cm
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William Henry Potter, English, 1760-1848 Alto flute in G England, (London), about 1815 Blackwood, ivory,
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Grenser & Wiesner, German, 1817-1826 Basset-horn in E-flat Germany, (Dresden), about 1820 Boxwood, horn, ivory,
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Flute England, about 1800 Boxwood, ivory, brass Overall: 59.6 cm (23 7/16 in.) Museum of
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Charles Hazelwood Shannon A Sharp Corner Lithograph on Japan Paper 1918
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Henry Emerson Tuttle Head of Sharp-shinned Hawk drypoint 19th - 20th century
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Rivière & Hawkes, English, 1876-1889 Clarinet in B-flat England, (London), about 1880 Rosewood, nickel silver
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Astor & Horwood, English, 1815-1819 Flute England, (London), about 1815-19 Boxwood, ivory, pewter Overall Length:
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William Bainbridge, English, before 1803-1834 Double flageolet England, (London), about 1815 Boxwood, ivory, silver 39.9
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Pietro Grassi Florio, Italian (active in England), about 1730-1795 Flute England, (London), about 1780 Boxwood,
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Distributed by Henry H. Prentiss, American, 1801-1860 Clarinet in C United States, Massachusetts, (Boston), 1830-45
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Bass oboe England, about 1760 Maple, brass Overall Length: 100.8 cm (39 11/16 in.) Museum
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Thomas Key, 1800-1858 Alto clarinet in F England, (London), about 1830-35 Boxwood, ivory, brass Overall
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Attaque d'un carosse dans la montagne (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (attribué à) ; ALLAN Sir William (inspiré par)
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Clementi & Co., English, 1802-1831 Clarinet in C England, (London), about 1820 Boxwood, ivory, brass
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Anonymous Warning / The Sharp Ears of Enemy Agents Are Always Listening - World War II Poster lithograph poster circa 1940 - 1945
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Statuette : John Brown with the Pony Flor and the Collie Sharp (1869) by BOEHM Joseph-Edgar
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Wigley & McGregor, English, 1811-1825 Bass flute in C England, (London), 1811-16 Boxwood, ivory, brass

Artnews Articles and Exhibition Information: (40)
Click on any of the links below to read about artnews or exhibitions related to Sharp

MUSE Gallery: Keith Sharp: Recent Works
This exhibition runs from December 4 - 29, 2002. The artist's reception is Friday, December 6, 5:00 - 8:30 p.m. Hours are Wednesday through Sunday 12 - 5 p.m. The phone number of the gallery is (215) 627-5310. This is Sharp's second solo show at M...
Fraser Gallery: Catriona Fraser and Malcolm Sharp: Landscapes of Scotland
Art critic J.W. Mahoney wrote about Fraser's work in the Washington Review: "The single eye of Catriona Fraser's camera has been directed toward the timeless world of her Celtic ancestors for many years ...
MUSE Gallery: Naked – Four Artists: Eric Fausnacht, Erin McGee Ferrell, Ed Marston, and Keith Sharpg
Eric N. Fausnacht is a Philadelphia based artist who paints portraits of domestic fowl in a contemporary/pop/baroque style. His portraits of roosters and chickens are based on photographs taken at farm exhibitions and county fairs throughout Penns...
Ella Sharp Museum: Call for Artists: Opportunity for Public Exposure of Artwork on a Major Corporate Campus & Sale of Existing Work
A Design Review Board will select one piece that will serve as the focal point of Consumers Energy's corporate plaza. Three additional pieces will be selected for installation along the stretch of the Grand River Arts Walk closest to the corpor...
Neuberger Museum of Art: Jed Devine Photographs
Devine is a staff member of the renowned Purchase College Photography Department. Curated by Judy Collischan, Ph.D., Neuberger Museum of Art Associate Director for Curatorial Affa...
Plus Ultra Gallery: Team Lump: Beggars and Thieves
Working organically, Team Lump adapts to each new exhibition space, installing a mix of paintings, drawings, sculpture, wall drawings, and video to create an installation that offers a seemingly chaotic vision, but still offers access into individ...
Association of Photographers Gallery: 02 Photographic Images of 2002
Another showcase for the exceptional talent that comprises the membership of the AOP, the End of Year Show 2002 stems from an invitation to members to submit the images that they have taken over the year that they feel most proud of. The diversity...
Albright-Knox Art Gallery: John Bisbee: Arc and Plume

Van Gogh Museum: Light! Art, technology and society in the Industrial Age, 1750-1900
By means of approximately 300 objects, the evolution of light and the resulting impact on social, economic and artistic realms is highlighted. Included are some spectacular loans, such as the Statue of Liberty from the Jardin du Luxembourg in Pari...
Museum of Contemporary Art: Guan Wei Nesting, or the Art of Idleness 1989-1999
This exhibition, which inaugurates the new artist’s project space on level 4 of the MCA, traces the development of Guan Wei’s work since 1989. This was the year of the Tiananmen Square massacre in Beijing - an event which helped pro...
Neuberger Museum of Art: Marisol
Humor and pathos are reflected in her lively and engaging wood and mixed-media sculpture, indicating this artist's talents and abilities to capture a ...
Tempus: Penn State Erie, The Behrend College: A Call for Creative Submissions
Writers Guidelines Prose msut be double-spaced and no more than 15 pages in length. Poetry should be single-spaced, and no more than 3 to 5 poems per envelope. All work must be accompanied by a self-addressed stamped envelope. ...
Henry Art Gallery, University of Washington: Volume: Bed of Sound
VOLUME: Bed of Sound explores the roots of sound art and presents audio works by over sixty artists, spanning the last three decades. The exhibition runs the gamut from historical works - sound effects tracks from Apoca...
Focus Gallery: Women Nude: Photographs by Sandra Merritt
Working with a 4x5 view camera, Sandra uses black and white to enhance and contrast the symmetry of the female form and the natural world. But where she uses color in medium format, she takes a playful and whimsical approach in expressing the fem...
National Gallery of Victoria: Techno craft: the work of Susan Cohn 1980 to 2000
Cohn is one of the intellectual, avant-garde producers of metalwork in Australia. She has produced a large and diverse body of work that engages with modern life. Looking beyond the conventions of precious jewellery and towards the urban environme...
Biblioteca Statale Isontina: The Introspection of The Outside: Work by Fulvio Tomasi
And what does a passive mind doNULL A passive mind absorbs and sends out its product without processing it. A passive ...
Oakville Galleries: Rachel Harrison: Brides and Bases
Rejecting conventions, Harrison’s work invites viewers to look closely and think imaginatively: why this specific image or that particular form? Each piece combines unusual materials, for example, framed photographs with Styrofoam, papier-mâché, p...
Whitney Museum of Art: Bitstreams: Contemporary Art Harnesses Digital Media
In conjunction with BitStreams, Performance on 42nd presents Pulse, a series of four events featuring live performances intertwined with digital media. ...
Everson Museum of Art: Marc Leuthold, Ceramics
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Mill Valley Community Center: Michael Crawford: Textures of Man and Nature
One aspect of the exhibition focuses on nature while another on architectural elements and shadows captured at decisive moments. “I stalk shadows. I’ve always been amazed at how varied they are, how fast they move and how much they change from day...
Museum of Fine Arts, Houston: Cos Cob Art Colony: Impressionists on the Connecticut Shore
They challenged artistic conventions and benefited from the stimulus of the writers, editors, and journalists who were also members of the art colony. ...
MoMA QNS: Masterworks of German Expressionism
Also featured are works by artists active after World War I, such as Max Beckmann and Käthe Kollwitz, who found that the bold, graphic use of black-and-white printmaking perfectly suited their stark, socially critical imagery. Printmaking was of c...
Brian Gross Fine Art: Marco Casentini: Recent Paintings
In contract to these colorful paintings, Casentini makes quieter reductive, monochromatic paintings where subtle changes in surface and transparencies create shifts in the spatial reading of these moody landscapes. Here, the artist explores the ge...
ARTSCI'99: BUCKY - a one-man performance
Through the powerful universal principles that Buckminster Fuller discovered and utilized during his lifetime, namely, Synergy, Precession, Ephemeralization, and Acceleration of Acceleration, we can explain and predict some of the fastest mutatin...
Studio Museum in Harlem: Fred Wilson: Objects and Installations: 1979-2000
His oeuvre consisting of "mock" museum installations into which the artist places provocative and beautifully rendered objects, explore the question of how the museum consciously or unconsciously perpetuates racist beliefs and behavior. The exhib...
Dahl Arts Center: Deena des Rioux: Robotic Portraiture
As a retrospective, her exhibition at The Dahl features "Cable Network", the first computer print to be represented at the Polish International Graphic Triennale in 1991. Over the Internet in tandem to this year’s Polish event, the artist was des...
Malmo Konsthall: Moderna Museet c/o Malmo Kunsthall
The exhibition focuses on the more eccentric and sharp parts of the 20th-century collection, including such works as Paulina Wallenberg-Olsson's bullet-proof dress, Marcel Duchamp's notorious urinal and Edward Kienholz's The State Hospital. -It'...
Bert Green Fine Art: Three Exhibitions of New Paintings: Scott Siedman, Jeff Britton, Jeff Gillette
In the Project Windows, Jason Chakravarty's neon installation (in association with the Museum of Neon Art), "Pickled - to preserve or flavor" uses light and ordinary objects as humanizing narratives. Parris Patton's "The Reverse Gravity of Glass" ...
Axiom Gallery: Peter Cramond, Bryce Brown and Graham Grow Bare Their Figures
After spending time working on complex paintings that focused on surface rather than image, Crow is excited about his return to his artistic roots. His latest mixed media drawings show a distinct return to basics with the human form being the pr...
Cafe Gallery Project: Almuth Tebbenhoff: Pillar
ARTIST'S STATEMENT: "Imagine a stack of perfect industrial steel angle section: 6m lengths, sharp, hard edged, strong and waiting. Enter the artist (Almuth Tebbenhoff) who cuts all of it into small pieces ˆ each with a different angle and...
d.u.m.b.o. arts center: Pass Me The Butterfly
Ross Knight (New York) makes sculptures from metal rail and vinyl sheeting that have very large dimensions but very little volume, while Erwin Wurm (Vienna), who is showing concurrently at MoMA and MassMoCA, contributes a pedestal that allows vi...
neues Kunstmuseum Luzern: Body as Byte
Furthermore, they realize how problematic the reduction of the body to pure information would be. Therefore, they suggest a critique and discovery of simple Expectations and steadfast portray the embodiment in Real Life. Included in the exhibiti...
Davis Museum and Cultural Center: Hold: Vessel 1, by Australian artist Lynette Wallworth
This is Hold: Vessel 1, by Australian artist Lynette Wallworth, a 3 channel DVD multimedia installation challenging the traditional boundaries between visual art and the sciences and examining the relationship between scientific technologies and h...
Museum of New Zealand Te Papa Tongarewa: Pacific Rim: Ann Robinson's Stunning Glasswork
These five impressive Seville works are presented alongside her important earlier works, and a larger selection of works produced after Seville. 'These later works demonstrate how a more skilled and confident Ann Robinson, freed from many of th...
Joao Ferreira Fine Art: Ivor Sias: Longings
This exhibition has been produced in association with Greatmore Studios. With the wide eyes of a child I'm moved to wonder at everything there is to see. Art, I believe has the function to save us from disaster by creating alongside the eve...
State Gallery: Danny Singer : Streetscapes
Spending several summers visiting these towns, Singer was initially struck by the ìlineal and spatial nature of the townís main streetî. Noticing the absence of industrial or suburban sprawl found in urban centres, each location contained ìall the...
Columbia Museum of Art: Winslow Homer: The Civil War Years and Winslow Homer: The Gloucester Years (Focus Gallery 3)
Newspaper illustrations at the time were using an improved method of woodblock reproduction know as wood engraving. Using the end grain of boxwood, the illustrator could draw finer line...
McMaster Museum of Art: Germaine Koh: Open Hours
Among the eight works in this exhibition are: 4w 2d a/c - a dense pattern of silver car lot tinsel is strung beneath the gallery ceiling to reveal the hidden currents of air. This work is inspired in part by the Museums intensive overhaul of air ...
Gallery Neubacher: Social Life: Why Partying is Important for Young Women Everywhere
Social exchange dominates social life. The artists represented in this group exhibit work within a discourse of social exchange, a culture of participation. Though such exchange-based art and practices ostensibly speak a language of intellectual g...
La Petite Mort Gallery: RIDE ME / The Art of Urban Transport
In artfully, delicious ways La Petite Mort in union with local and not so local artist is bringing the environment, custom design and the beat of urban culture to a pavement near you. From August 1st to August 31st 2008 La Petite Mort will be fea...

Further Artwork and Information:

SLAINTE
William Sharp - eBook Titles - Software Technology
William Sharp - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Sharp / Hedge Family Genealogy
William Sharp & Mary Smith
William Sharp
William Sharp - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
William Sharp
Fiona Macleod/William Sharp
Teaching Clinical Psychology - Dream Manual

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