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Artist: Charles William Sherborn ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Charles William Sherborn.
- Charles William Sherborn
Dante Gabriel Rossetti
Etching
1890
- Charles William Sherborn
Bookplate for Francis Seymour Haden
Etching
1880
- Charles William Sherborn
Bookplate for Francis Seymour Haden
Etching with annotations in black and red ink
1880
- Charles William Sherborn
Bookplate for Francis Seymour Haden
Etching (with central area for portrait missing or cut out)
1880
- Mather Brown - Master Charles William Park 1785-90 oil on canvas The Detroit Institute of Art American
- Charles William Cain
Peterhead, Scotland
Drypoint
19th - 20th century
- Charles Turner
The Reverand William Vincent, Dean of Westminster
mezzotint
1811
- William Strang
Portrait of Charles Mackan, Comedian
etching
1888
- Charles William Taylor
Before Burford
ET
19th - 20th century
- William Charles Frederick Gillam
Mission Dolores. San Francisco. California
Etching
1923
- Charles William Taylor
Corn in Essex
engraving
19th - 20th century
- Charles William Cain
Curiousity
19th - 20th century
- Charles William Cain
The Hunter
19th - 20th century
- Charles William Cain
The Hunter
drypoint
19th - 20th century
- William Finden
Charles Lamb
18th - 19th century
- William Marshall
Portrait of Charles I
Engraving
17th century
- Charles Frederick William Mielatz
Woodland Water Source
1898
- Charles Frederick William Mielatz
Woodland Water Source.
1898
- William Charles Frederick Gillam
Low Tide
Monotype
1933
- William Charles Frederick Gillam
Monarchs
Monotype
1933
- Charles Frederick William Mielatz
Fresh Pond
Lithograph
1898
- Charles William Cain
Arabian Girl
19th - 20th century
- Charles William Cain
The Buddha
Drypoint
19th - 20th century
- Charles Frederick William Mielatz
Fresh Pond
color plate
1898
- William Charles Frederick Gillam
Mallard
Drypoint
1930
- William Walcot
King Charles in Whitehall
Etching
19th - 20th century
- Charles Loring Elliot - William Sidney Mount c. 1850 oil on canvas National Gallery of Art American
- Charles Wilson Peale - General William North 1785 oil on canvas The Detroit Institute of Art American
- Charles Frederick William Mielatz
Colonial Residence.
19th - 20th century
- Charles Frederick William Mielatz
Colonial Residence
19th - 20th century
- Charles Frederick William Mielatz
Beaver Brook.
19th - 20th century
- Charles Frederick William Mielatz
Fresh Pond.
19th - 20th century
- Charles Frederick William Mielatz
Beaver Brook.
19th - 20th century
- William Charles Frederick Gillam
Monterey Cypress
Monotype
1932
- William Charles Frederick Gillam
Monterey Cypress
Monotype
1933
- William Charles Frederick Gillam
Land Marks
Monotype
1933
- Charles Frederick William Mielatz
The path to the Lake
Etching and drypoint
1898
- Charles Frederick William Mielatz
The path to the Lake
Wash drawing
1898
- Charles Frederick William Mielatz
The path to the Lake
Etching and drypoint
1898
- William Charles Frederick Gillam
The Triple Doorways
Etching
1922
- William Charles Frederick Gillam
The Carp
Etching
ca. 1920 - 1925
- William Charles Frederick Gillam
Mallard Duck
Drypoint
1930
- William Charles Frederick Gillam
Well Hooked
Etching
ca. 1920 - 1925
- William Charles Frederick Gillam
"China Town" San Francisco
Etching
1923
- William Charles Frederick Gillam
"Doorway" Museum. San Francisco
Etching
1923
- Charles I. Grignion
William Duke of Cumberland
18th - 19th century
- Charles William Day
Great Cone of Mt. Etna, June 29,1838
watercolor
19th century
- William Strang
Portrait of Charles Cotton, Esq. - Illustrations to Compleat Angler Winchester ed.
etching
19th - 20th century
- William Faithorne
Portrait of Emperor Charles V
engraving
17th century
- William Charles Wilson
Measure For Measure, Act 4, Scene 2.
18th - 19th century
- William Charles Wilson
Measure for Measure, Act IV, Scene II
18th - 19th century
- William Charles Wilson
Measure for Measure, Act II, Scene IV
18th - 19th century
- William Charles Frederick Gillam
Ely Cathedral. England
Etching
ca. 1900 - 1910
- Charles Frederick William Mielatz
Woodland Water Source
19th - 20th century
- Charles Frederick William Mielatz
Beaver Brook, The Mill Site
Lithograph
1898
- Charles Frederick William Mielatz
Beaver Brook, The Mill Site
Lithograph
1898
- Charles Howard Hodges
Portrait of Mrs. William Hope, of Amsterdam
Mezzotint
18th - 19th century
- William Charles Frederick Gillam
Trout - Salmo Fario
Etching
1923
- William Charles Frederick Gillam
The Cloister, Gloucester
Etching
ca. 1900 - 1920
- Charles Bestland
European magazine, William Julius Mickle, Esquire
18th - 19th century The Metropolitan Museum of Art
- Mrs. William Tennant (Mary Wylde, died 1798), 1780s Thomas Gainsborough (British, 1727-1788)Oil on canvas; 49
- William Page - Portrait of Senator Charles Sumner 1874 oil on canvas Los Angeles County Museum of Art American
- William Charles Frederick Gillam
The Old Hulk, Sausalito
Etching
ca. 1921 - 1930
- William Charles Wilson
Shakespeare: As You Like It. Act IV, Scene III
Colored engraving
18th - 19th century
- William Charles Frederick Gillam
Launching the FishingSmack, Brighton Beach
Etching
ca. 1920
- William Charles Frederick Gillam
Ely Cathedral, England
etching
19th - 20th century
- William Faithorne
Portrait of Charles XII, King of Sweden
Mezzotint
17th century
- William Charles Frederick Gillam
Chartres Cathedral, France
19th - 20th century
- Charles Frederick William Mielatz
Beaver Brook, The Mill Site
Pencil drawing
1898
- Charles Frederick William Mielatz
Beaver Brook, The Mill Site
Etching and drypoint
1898
- William Charles Frederick Gillam
Windmill, Visitacion Valley, California
Etching
1924
- William Charles Frederick Gillam
"Fish Traps" Sausalito
Etching
ca. 1920 - 1930
- William Charles Frederick Gillam
Doorway, M.H. de Young Memorial Museum, San Francisco
etching
1923
- William Wynne Ryland
Portrait of Charles Rogers
Mezzotint
18th century
- William Charles Frederick Gillam
Launching the Fishing Boat
etching
19th - 20th century
- William Charles Frederick Gillam
Solitude (Monterey Cypress)
Etching
19th - 20th century
- William Charles Frederick Gillam
Fishermans Wharf, Monterey, California
Etching
ca. 1920 - 1940
- William Charles Frederick Gillam
Tower of Mission El Carmel/ San Carlos Borromeo
Etching
1928
- William Charles Frederick Gillam
Olympic Club. Lake Side San Francisco
Etching
ca. 1920 - 1930
- William Charles Frederick Gillam
Tripple [sic] Doorway, "Memorial Museum" San Francisco
Etching
1923
- Cham (AmÈdÈe Charles Henri de NoÈ)
Celebrites Charivariques: Mr. William Rogers dentiste de la Cour
Lithograph
19th century
- William Ridley
Charles Edmund Nugent, Esquire, Rear Admiral of the Blue Squadron
18th - 19th century
- Charles William Smith
Four Cocks
Color linoleum cut
circa 1935
- Charles Frederick William Mielatz
Georgian type Mansion in wide lawn with old trees
Etching, drypoint
1898
- William Henry Egleton
Children of The Lady Elizabeth & Charles Scrace Dickins, Esq.
19th century
- James Charles Armytage
Maryport, plate opposite page 53 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (L
- James Charles Armytage
Holyhead, plate opposite page 101 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
- James Charles Armytage
Swansea Bay, plate opposite 127 page of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D
- James Charles Armytage
Blackpool, plate opposite page 78 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
- James Charles Armytage
Alloney, plate opposite page 62 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lo
- James Charles Armytage
Beaumaris, plate opposite page 82 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
- Charles Frederick William Mielatz
Campus and group of unidentified college bldgs
Etching, drypoint
19th - 20th century
- James Charles Armytage
The Walls of Southampton, plate opposite page 133 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
- James Charles Armytage
The Mersey at Liverpool, plate opposite page 118 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
- James Charles Armytage
Conway Castle, plate opposite page 69 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M
- James Charles Armytage
Blackpool Sands, plate opposite page 80 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
- James Charles Armytage
Conway Quay, plate opposite page 70 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D Museum of Fine Arts
- Charles Sheeler, American, 1883-1965 Spring Interior 1927 Oil on canvas 76.2 x 63.82 cm (30
- Charles Willson Peale - William Smith and His Grandson, Robert Smith Williams 1788 oil on canvas Virginia Museum of Fine Arts American
- James Charles Armytage
Fort Penryn and Bangor, plate opposite page 76 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Be
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Further Artwork and Information:
JRULM: Special Collections Guide: Viner Bookplate Collection
Rossetti Artwork and Images at arthistoryresearch.com
BOOKPLATES
Great Britain
Bookplates of Great Britain - Part I
www.rod-neep.co.uk/books/indexes/0216ham1830.txt
Crocker ~ Ashley Genealogy - Person Page 50
www.thedorsetpage.com/Genealogy/info/dorset1.txt
Art / Famous Artists / Index- s
Directory of Pages each page represents one object in the collection
Search the Art History Database for artists, titles, media, year, and other indepth information:
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Raphael School of Athens
Our Supplier's Price: $1.00

Claude Monet Parisians in the Parc Monceau
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Gustav Klimt (No Title)
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Vincent van Gogh Sunflowers no. 2
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Pablo Picasso Woman of Majorca 1905
Our Supplier's Price: $8.00
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Last updated and links verified on: Monday October 10/05/09 06:43:32 AM
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