Artist: Robert William Sievier ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Robert William Sievier.

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Agnes Jeffrey - Robert William Cunningham (1833-1841) c. 1840 watercolor on paper Memorial Art Gallery of the University of Rochester American
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Charles Willson Peale - William Smith and His Grandson, Robert Smith Williams 1788 oil on canvas Virginia Museum of Fine Arts American
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William Thomas Fry Robert Hills 18th - 19th century
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Robert Cooper William Shakespeare 18th - 19th century
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William Strang Portrait of Robert Annan of Glasgow DP 19th - 20th century
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Robert Edge Pine - General William Smallwood 1785-1788 oil on canvas National Gallery of Art American
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Agnes Jeffrey - Robert William Cunningham (1833-1841) and John George Cunningham (1835-1907) c. 1837 watercolor on paper Memorial Art Gallery of the University of Rochester American
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William Sharp The Right Honorable Robert Dundas 1790
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William Eley Teaspoon (one of twelve - 1986.35.33-44) silver 1821
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William Eley Teaspoon (one of twelve - 1986.35.33-44) silver 1821
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William Eley Teaspoon (one of twelve - 1986.35.33-44) silver 1821
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Robert White Portrait of William Bates, D.D. (age 74) Engraving 17th - 18th century
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Robert Henri - Portrait of Mrs. William Preston Harrison 1925 oil on canvas Los Angeles County Museum of Art American
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William Thomas Fry Robert Banks Jenkinson, Earl of Liverpool 18th - 19th century
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Robert Blyth To Sir William Forbes Etching 18th century
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WH Lt. Col. Sir Robert William Inglis, Men of the Day No. 2306, from Vanity Fair Supplement Lithograph 1913
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William Bell Teaspoon silver 1816
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William Elliot Teaspoon silver 1821
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Robert White Portrait of William and Mary, King and Queen Engraving 17th - 18th century
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California Landscape, William Wendt (Germany, Bernstadt, 1865 - 1946) , 1920, Oil on canvas
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William Theophilus Brown Study III lithograph 1983
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Robert Brandard Peterhead, plate opposite page 19 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
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Robert Brandard Broadstairs, Kent, plate opposite page 139 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
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Robert Brandard Slaines Castle, *near Peterhead, plate opposite page 17 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Robert Brandard Newhaven Pier, Frith of Forth, plate opposite page 50 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William B
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Robert Wallis Hastings, plate opposite page 127 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
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Robert Wallis Scene at Fleetwood, on Wye, plate opposite page 137 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beatti
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Robert Wallis Banff, plate opposite page 9 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London: Georg
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Robert Wallis Harlech Castle, plate opposite page 64 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lon
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Robert Wallis Lytham, plate opposite page 180 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
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Words Appearing in a Dream of William Burroughs, Robert Rauschenberg (United States, Texas, Port Arthur, 1925 - 2008-05-12) , 1972, Offset lithograph
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Robert Wallis Dover, from the Ramsgate Road, plate opposite page 155 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Bea
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Robert Wallis New Bridge and Bronielaw, Glasgow, plate opposite page 46 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Robert Wallis St. Bees College, plate opposite page 177 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
Museum of Fine Arts -
Sir Henry Raeburn, British, 1756-1823 Robert Hay Oil on canvas 77.5 x 64.1 cm (30
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Robert Wallis Leith Pier and Harbour, plate opposite page 43 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.
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William Van der Slice Pitcher silver circa 1865
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William Finden Rye (Sussex), plate opposite page 153 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lond
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William Richardson Dedication page, on p.[ 5,] and second plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph with hand coloring circa 1843
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The Pseudo-scopic Device/Robert Whitman with Philco-Ford, William Richard Crutchfield (United States, Indiana, Indianapolis, born 1932) , 1971, Black ink on paper
The Metropolitan Museum of Art -
The Old Bridge Hubert Robert (French, 1733-1808)Oil on canvas; Diameter 32 3/4 in. (83.2 cm)Gift
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William Richardson Whitby Abbey: Detail, third plate opposite p. 16, and sixth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1843
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William Richardson Selby Abbey: Details, third plate opposite page 58 , and fortieth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1855
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William Richardson Nun-Monkton: Plan and Details, plate opposite page 84 ,and eightieth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1855
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William Richardson Easby Abbey: Details, third plate opposite page 76, and sixty-fifth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1855
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William Richardson Bolton Abbey: View, on page [59], and forty-first plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph on text page 1855
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William Richardson Egglestone Abbey: Details, second plate opposite page 74, and sixty-first plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1855
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William West Fantastic Landscape brown washes 19th century
Museum of Fine Arts -
Robert Salmon, English, 1775-1845 or after The New Ship "Duncan" 1832 Oil on panel 41.27
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William Richardson Byland Abbey: Details, third plate opposite page 48, and thirtieth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1848
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William Richardson Kirkstall Abbey: Plan, third plate opposite page 20, and eleventh plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1843
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William Richardson Guisborough Priory: Interior, second plate opposite page 50, and thirty-third plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1848
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William Richardson Kirkstall Abbey: Details, second plate opposite page 20, and tenth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1843
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William Richardson Fountains Abbey: Details, third plate opposite page 40, and twenty-third plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Lithograph circa 1848
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Amelia Jane Murray Pictorial and descriptive Sketches of the Odenwald ([London]: William Robert and Lowes Dickinson, [1848?]), 3 parts book with color lithographs with hand coloring 1848
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Le sixième âge (4e quart 18e siècle ; 1ère moitié 19e siècle) by NORMAND Charles Pierre Joseph (attribué à) ; SMIRKE Robert (inspiré par)
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William Richardson Easby Abbey: The Refectory, first plate opposite page 76, and sixty-third plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph 1848
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William Richardson Bolton Abbey: The Choir, first plate opposite page 60, and forty-second plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph 1848
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Robert Goodnough One, Two, Three Color screenprint 1968
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William Richardson Egglestone Abbey: Choir, on page[ 73], and fifty-ninth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855]) Color lithograph on text page 1855

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Further Artwork and Information:

Robert William Sievier (1860 - 1942) Biography, Artwork Images, Exhibitions, Reviews
ROBERT WILLIAM SIEVIER
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Peter Schweller Fine Art: ROBERT WILLIAM SIEVIER (1794-1865) Portrait Bust of Lord Chief Justice Robert Dallas (...
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PETTIGREW PAPERS (Osborn Shelves Pettigrew)
Sclater-Booth, George, Baron Basing

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