Artist: Sir James Stirling ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Sir James Stirling.

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William Strang Stirling Castle etching 1896
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David Young Cameron In Stirling Castle Etching 1899
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I. Clark The Town of Stirling aquatint with color 1824
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Muirhead Bone Stirling Castle, No. 2 Drypoint 19th - 20th century
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Malcolm Osborne The Heart of Scotland (Stirling Castle) ET, DP 19th - 20th century
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Paine of Islington Mr. L. Murray and Mrs. Stirling as Orlando and Rosalind in As You Like It. 19th century
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Paul Gavarni The Potato-Can, preceding the essay by J. Stirling Coyne, opposite page 101 and twenty-second plate in the book Gavarni in London; Sketches of Life and Character, with Illustrative essays by Popular Writers, edited by Albert Smith (London
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Paul Gavarni TheBarmaid,preceding the essay by J. Stirling Coyne, opposite page 87 and nineteenth plate in the book Gavarni in London; Sketches of Life and Character, with Illustrative essays by Popular Writers, edited by Albert Smith (London: David B
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Reclining Nude Young Woman, Half-Naked, Leaning Against a
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es la verdadero (This is the Truth)
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Yo lo vi. (I saw it); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Por qué? (Why?); Fatales consequencias de la sangrienta
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No hay que dar voces. (It"s no use
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Que locura! (What madness!); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Las resultas. (The consequences); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No hay quien los socorra. (There is no
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Francisco de Goya y Lucientes, Spanish, 1746-1828 De qué sirve una taza? (Of what use
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Tambien esto. (This, too..); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Infame provecho (Vile Advantage) (Disasters of War, unpublished
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Qué alborato es este? (What is this hubbub?);
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Lo merecia. (He deserved it); Fatales consequencias de
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Algún partido saca. (He makes some use of
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Al cementerio. (To the cemetery); Fatales consequencias de
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Y esto tambien. (And this, too); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Si son de otro linage. (But they are
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Sanos y enfermos. (The Healthy and the Ill);
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Fuerte cosa es! (This is too much); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Lo peor es pedir. (The worst is to
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Asi sucedió. (This is how it happened); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Escapan entre las llamas. (They escape through the
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No se puede saber por qué. (There is
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No llegan á tiempo. (They do not arrive
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es malo. (This is bad); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Se defiende bien. (He defends himself well); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Tampoco. (Nor this); Fatales consequencias de la sangrienta
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Tristes presentimientos de lo que ha de acontecer.
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es peor. (This is worse); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Las camas de la muerte. (The beds of
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 El buitre carnívoro. (The carnivorous vulture); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Caridad de una muger. (A woman"s charity); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Carretadas al cementerio. (Cartloads to the cemetery); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Murió la verdad. (Truth died); Fatales consequencias de
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Toda va revuelto. (Everything is topsy-turvy); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Bárbaros! (Barbarians!); Fatales consequencias de la sangrienta guerra
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Por una navaja. (For [carrying] a knife); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Nada ello lo dice. (Nothing. It says as
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Grande Hazaña! Con muertos! (Heroic feat! Against the
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es peor. (This is worse); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Cruel lástima.! (Cruel tale of woe.!); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Extraña devocion! (Strange devotion!); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Que se rompe la cuerda. (The rope is
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Clamores en vano. (Vain laments); Fatales consequencias de
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Si resucitará? (Will she rise again?); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Jan van de Velde II, Dutch, 1593-1641 Amenissime Aliquot Regiunculae. Part 1 1616 Etching and
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James Bard - Steamship James Fisk, Jr. 1870 oil on board Memorial Art Gallery of the University of Rochester American
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James Basire, Sr. Portrait of Sir James Burrow Engraving 18th - 19th century
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Tanto y más. (All this and more); Fatales
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J. Merigot Stirling Castle, plate opposite page 229 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Curarlos, y á otra. (Take care of them
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Ya no hay tiempo. (There is no longer
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No se convienen. (They do not agree); Fatales
The Minneapolis Institute of Arts -
Artist: attributed to James Frothingham Title: Portrait of Rev. James M. Winchell. Date: 19th century
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James Heath James II stipple engraving 18th - 19th century
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James Beard Dog with Puppies oil on canvas 1863
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Edward Francis Burney James Thomson, frontispiece in the book The Seasons by James Thomson (London: F. J. du Roverayä, 1802) engraving 1801
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Joseph Jonathan Blackburn - James Pitts 1757 oil on canvas The Detroit Institute of Art American
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Joseph Jonathan Blackburn - Mrs. James Pitts 1757 oil on canvas The Detroit Institute of Art American
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El Greco - Portrait of St. James the Less c. 1595 oil on canvas The Hyde Collection Greek/Spanish
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Sir Henry Raeburn - James Cruikshank c. 1805-08 oil on canvas The Frick Collection British
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Jacob Eichholtz - James P. Smith c. 1835 oil on canvas National Gallery of Art American
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Matthew Harris Jouett - James G. McKinney n.d. oil on canvas Cleveland Museum of Art American
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Gilbert Stuart - James Munroe c. 1817 oil on wood National Gallery of Art American
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Joseph Badger - James Bowdoin 1746-47 oil on canvas The Detroit Institute of Art American
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Jeremiah Theus - James Cuthbert c. 1765 oil on canvas National Gallery of Art American
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Daniel Huntington - Dr. James Hall 1857 oil on canvas National Gallery of Art American
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Gilbert Stuart - James Madison c. 1821 oil on wood National Gallery of Art American

Artnews Articles and Exhibition Information: (9)
Click on any of the links below to read about artnews or exhibitions related to Stirling

Changing Room: Call for Artists: Summer Group Show 2003 - Souvenirs/Mementoes
Work submitted may take any form in relation to visual art. For more information and details on how to submit work please send an A5 SAE to: The Changing Room
35 The Crawford Arcade Stirling
FK8 1AX ...
Changing Room: Craig Mulholland R.F.I.D.
Craig Mulholland was born in Glasgow in 1969, and graduated from Glasgow School of Art in 1991. Recent solo exhibitions include Bearer on Demand, Transmission, Glasgow, 2005, Plastic Casino, Sorcha Dallas, 2004. Upcoming shows include a solo exhib...
Changing Room: Dirk Bell, Kate Davis, Alan Michael
he exhibition brings together new work by three artists, from Glasgow and Berlin. It centres on their use of drawing and mixed media to make work with multiple meanings around notions of memory, representation, beauty and layering of images. Di...
Changing Room: Wendy McMurdo: photography and digital media
Wendy McMurdo's images hover between fact and fiction, representing moments of play or reverie where children are isolated from the adult world. McMurdo combines traditional photography and digital technology to create a deliberately Œout of sorts...
Changing Room: Past Standing: New Work by Artists from Scotland and Beyond
Artists include: Tobias Anderson (Stockholm); Julianna Capes (Edinburgh); Lucy Gibson (Leeds); Jenny Hogarth (Edinburgh); Magnus Lawrie (Glasgow); Cecilia Lundqvist (Stockholm); Andrew MacKenzie (Edinburgh); Ellen Munro (Edinburgh); Kevin Reid (Du...
RED Gallery of Contemporary Art: Amy Marletta: Over the Top
"I started to paint onto different surfaces to escape from flatness and restrictive edges. By experimenting with different materials including thread, fringes and pins, I try to extend these works beyond their edges creating a sense of movement." ...
Museum of New Zealand Te Papa Tongarewa: Out on the Street - New Zealand in the 1970s
Challenge and change encapsulates the vigour and spirit of experimentation of the time, exploring youth culture of drugs, music and sexual freedom, the political climate, issues, and styles of the Labour and National Governments of the day. Libera...
Changing Room: Rings of Saturn: Maurice Doherty, Mick Peter, Owen Piper, David Sherry
Maurice Doherty takes a minimalist approach to art making, using simple visual devices to engage the viewer in his video and photographic works. ŒI like to present something that is essentially simplistic, but which potentially emanates into the m...
Philadelphia Museum of Art: Pew Charitable Trusts Teams with Art Museum to Initiate Outdoor Display of Calder Sculptures
Sculptures of varying scale, some of them monumental, could be placed on the two-acre site of the forthcoming Calder Museum at Benjamin ...

Further Artwork and Information:

James Stirling [de]
James Stirling - Great Buildings Online
Sir James Stirling (1539 - 1584) Biography, Artwork Images, Exhibitions, Reviews
James Stirling
WZB - About the WZB - Sir James Stirling
WZB - Das WZB - Sir James Stirling
Biografia de Stirling, James
Wikipedia: James Stirling (Australian governor)
Jan Kratochvíls ArchiWeb - Sir James Stirling
Clan Stirling Online! Bios

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