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Artist: 1289 Vitale D'aimo De Cavalli (1369 - Ital)
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by 1289 Vitale d'Aimo de Cavalli.

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Le Couronnement de la Vierge (1ère moitié 14e siècle) by VITALE d'AIMO de' CAVALLI, VITALE da BOLOGNA (dit, attribué)
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Justinien et son entourage d'après la mosaïque de San Vitale de Ravenne (1924) by HEBERT Ernest
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Colonnade de San Vitale, à Ravenne (19e siècle) by HEBERT Ernest
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Nicolo Cavalli Holy Family engraving 18th - 19th century
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Nicolo Cavalli Saint Joseph and Infant Jesus engraving 18th - 19th century
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VENISE, LE PALAIS CAVALLI (1885 vers) by ZIEM Félix
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Saint François d'Assise en prière (1877) by VITALE Filippo (d'après)
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La Vierge et l'Enfant by SANTI Raffaello (d'après)
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RaphaÎl Sadeler I The Tomb of St. Vitale in Salzburg Engraving 16th - 17th century
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Théodora, clercs et dames de cour, d'après la mosaïque de Saint-Vital (1924) by HEBERT Ernest
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Le Christ entre deux anges, d'après une mosaïque de l'abside Saint-Vital (1924) by HEBERT Ernest
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FEMME NUE ASSISE VERS LA DROITE, UNE MAIN AU SEXE, L'AUTRE DANS LE DOS (4e quart 19e siècle ; 1er quart 20e siècle) by RODIN Auguste
Museum of Fine Arts -
Anonymous, Chinese Formerly attributed to Zhao Yong, about 1289–about 1362 Two Grooms and Horses Panel
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Francesco Pedro Fishermen, after Vernet Etching and engraving 18th century
Museum of Fine Arts -
Attributed to Zhao Yong, about 1289–about 1362 Portrait of Chan Master Gaofeng Yuanmiao (1238-95) Hanging
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Pellegrino da Colle A Shepherd and his Family, after Giacoboni Engraving and etching 17 - 18th century
Museum of Fine Arts -
Giuseppe Maria Crespi, Italian (Bolognese), 1665-1747 Woman Playing a Lute about 1700-05 Oil on canvas
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Giovanni Battista Volpato Il Fornajo(the Baker), after F. Maggiotto Engraving 18th century
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Pellegrino da Colle Les fruits trop dangereux de l'humaine avarice (The most dangerous fruits of human greed), after Francesco Maggiotto Engraving and etching 17 - 18th century
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Giovanni Volpato Il Pentalajo (The Potseller), after F. Maggiotto Engraving 18th century
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La Visitation by RAMENGHI Bartolomeo le Vieux (entourage de)
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CORBEILLE DE RAISINS (2e quart 17e siècle ; 3e quart 17e siècle) by DUPUIS Pierre
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Giovanni Volpato L'Astrologio, after a painting by Francesco Maggiotto Etching and engraving late 18th century
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Frank Weston Benson Herons in a Pine Tree Etching-Dry point 1918
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Buste de femme, portant un chapeau (19e siècle) by MOTTEZ Victor ; MAESTRO DEL TRIONFO DELLA MORTE (inspiré par)
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Gary Stephan Working proof 1 for 1990 I 1990
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GITANES (1908) by MOREROD Edouard
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Buste de femme portant un chapeau, de trois quarts vers la gauche (19e siècle) by MOTTEZ Victor ; MAESTRO DEL TRIONFO DELLA MORTE (inspiré par)
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L'ADORATION DES MAGES (1640 vers ; 1645 ou) by TASSEL Jean
The Metropolitan Museum of Art -
The Annunciation Workshop of Fra Filippo Lippi (Italian, Florentine, born about 1406, died 1469)Tempera on
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TRIPTYQUE.PANNEAU CENTRAL : LE COURONNEMENT DE LA VIERGE ; LA CRUCIFIXION.VOLET GAUCHE : L'ANGE DE L'ANNONCIATION ; LA VIERGE DE MISERICORDE ; SAINTE MARGUERITE, SAINTE CATHERINE ET UNE SAINTE (LUCIE?) .VOLET DROIT : LA VIERGE DE L'ANNONCIATION ; LA NATIV
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Le temple de l'amour (Titre inscrit) (1894) by anonyme (ivoirier)
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Vue de plaine avec talus au premier plan (2e quart 17e siècle) by VADDER Lodewijck de
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LA VIERGE ET L'ENFANT ENTRE LE PETIT SAINT JEAN ET UN ANGE (4e quart 15e siècle) by Jacopo DEL SELLAJO
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Soissons - Cloître de Saint-Jean-des-Vignes (2004/01) by LAUTHELIN P (éditeur, libraire)
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EUGENE-MARIE LABICHE (1815-1888) (4e quart 19e siècle) by DESBOUTIN Marcelin Gilbert
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Madrépore (2e moitié 19e siècle) by MOREAU Gustave
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Deux figures (2e moitié 19e siècle) by CARPEAUX Jean-Baptiste
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Arrivée du duc d'Albe à Rotterdam (1567) (1844) by ISABEY Eugène
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COIN DE LINGERIE CHEZ LES DAMES HOSPITALIERES DE BEAUNE (4e quart 19e siècle) by BAIL Joseph
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Le comte de Paris et le duc de Chartres (1854) by anonyme
The Metropolitan Museum of Art -
Charles I (1600-1649), King of England, 1629 Daniel Mijtens the Elder (Dutch, 1590-1647/48)Oil on canvas;
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Etude de cheval (2e moitié 19e siècle) by CARPEAUX Jean-Baptiste
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ACADEMIE D'HOMME (1834 entre ; 1839 et) by HEBERT Ernest
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LA PAIX PAR L'ARBITRAGE (1912) by BESNARD Albert
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FRANCOISE DE RIMINI (1814) by INGRES Jean Auguste Dominique
Museum of Fine Arts -
Julian Alden Weir, American, 1852-1919 The Delft Plate 1888 Oil on panel 56.2 x 34.61
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Deux Seigneurs du temps d'Henri IV (Et une cuirasse médiévale) (19e siècle) by INGRES Jean Auguste Dominique
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Paul V (1620 vers) by anonyme (graveur)
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MESDEMOISELLES MOLLIEN (1811) by ROUGET Georges
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Une famille éplorée autour du père mourant (1833) by ROLLAND Benjamin de
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Exposition du Palais Bourbon / au profit des Alsaciens-Lorrains. / Ingres (Paolo et Francesca) (1874) by PIERSON & BRAUN ; INGRES Jean Auguste Dominique (d'après)
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Femme tournée vers la gauche, jouant de la harpe (1ère moitié 17e siècle) by MANNOZI Giovanni
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LA GLORIFICATION DE SAINT BERNARDIN DE SIENNE (1710 vers) by CRETI Donato
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Caravane dans un paysage, avec un ange (17e siècle) by anonyme
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LA MORT D'ABEL (1865) by FEUGERE DES FORTS Vincent Emile
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La Vierge (Sa main gauche) (1866) by INGRES Jean Auguste Dominique
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UN ARMATEUR ET SA FAMILLE (1650) by WILLAERTS Abraham
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Ossian (Son manteau sur ses genoux) (1813) by INGRES Jean Auguste Dominique
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Paysage d'imagination avec monuments et figures (2e moitié 18e siècle) by ROBERT Hubert (genre de)

Artnews Articles and Exhibition Information: (3)
Click on any of the links below to read about artnews or exhibitions related to Vitale d'Aimo de Cavalli


Galleria d'Arte Moderna e Contemporanea: Alighiero Boetti: Almost Everything
The exhibition, organized by the GAMeC together with Fondaciun PROA in Buenos Aires, is curated by Giacinto Di Pietrantonio - the Director of GAMeC - and Corrado Levi, combines over one hundred works by the artist, starting from 1962 with unpublis...

Micra Art Group: The Voice of Art in a Battle for Freedom: International Artists Create Book in Support of Key Political Figure
The book will be released to the public initially through an event called “Set a Book Free” on Mahatma Gandhi’s Birthday, October 2nd when all artists featured within the pages of the book will place a copy donated by Internet-based publishing sit...

Salone delle Mostre Temporanee - Complesso del Vittoriano: Alberto Sughi: 1946 to Present
“The play by Eugene Ionesco (The Rhinoceros) is obviously a metaphor representing modern society, which transforms men into monsters. Is this a possible clue one could use to interpret the work of Alberto Sughi?... Sughi has probably read Sartre’s...

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Last updated and links verified on: Thursday May 05/19/11 03:18:49 PM
 

 

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