Artist: Alfred Wallis (1855 - 1942)
Nationality: British
Movement:
Media: Painting
Influences:


Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Alfred Wallis.

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Thomas Wallis Dressing spoon (one of two - 1986.35.45-46) silver 1815
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Thomas Wallis Dressing spoon (one of two - 1986.35.45-46) silver 1816
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Robert Wallis Colchester Engraving 1827
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Robert Wallis The Bay of Naples etching and engraving 18th - 19th century
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Michael Burgers Portrait of Johannes Wallis, S. T. P., Oxon Engraving 1699
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Henry Wallis Bank of England and Royal Exchange Engraving 19th century
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Robert Wallis Stonehenge, no. 3 from Part VII of the series Picturesque Views in England and Wales, after a watercolor by J. M. W. Turner in an English private collection (Wilton 811) etching and engraving 1829
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Robert Wallis Stonehenge, no. 3 from Part VII of the series Picturesque Views in England and Wales, after a watercolor by J. M. W. Turner in an English private collection (Wilton 811) etching and engraving 1829
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Henri de Toulouse-Lautrec - Alfred la Guigne 1894 oil on cardboard National Gallery of Art French
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Robert Wallis Hastings, plate opposite page 127 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
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Robert Wallis Scene at Fleetwood, on Wye, plate opposite page 137 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beatti
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Robert Wallis Banff, plate opposite page 9 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London: Georg
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Robert Wallis Lytham, plate opposite page 180 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
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Robert Wallis Harlech Castle, plate opposite page 64 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lon
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Robert Wallis Workington (Cumberland), plate opposite page 171 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by
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Robert Wallis New Bridge and Bronielaw, Glasgow, plate opposite page 46 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Robert Wallis St. Bees College, plate opposite page 177 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Robert Wallis Dover, from the Ramsgate Road, plate opposite page 155 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Bea
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Robert Wallis Leith Pier and Harbour, plate opposite page 43 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.
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George Augustus Wallis - Cascate delle Marmore, Terni 1788-1806 oil on paper The Fitzwilliam Museum British
Museum of Fine Arts -
Marked by Thomas Wallis (II), first mark entered 1778 Sugar Sifter Spoon flatware London, England
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Alfred Brannon The picturesque Beauties of the Isle of Wight (Newport, Isle of Wight: Alfred Brannon, 1864) book with engravings 1864
The Metropolitan Museum of Art -
Alfred Dedreux (1810-1860) as a Child, 1818 Jean-Louis-André-Théodore Gericault (French, 1791-1824)Oil on canvas; 18 x
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Alfred Kubin Saturn Lithograph 1911
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Jean Alfred TaÔÈe Paris En Train 1868
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Peter Van Valkenburgh Alfred, Lord Tennyson lithograph 1929
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Alfred Boilot Revolte de Pavie Etching 1895
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Alfred Rethel Totentanz, No. 4 Woodcut 1849
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Alfred Rethel Totentanz, No. 2 Woodcut 1849
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Alfred Rethel Totentanz, No. 3 Woodcut 1849
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Alfred Rethel Totentanz, No. 5 Woodcut 1849
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Alfred Rethel Totentanz, No. 6 Woodcut 1849
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John Augustus Hows Forest Pictures in the Adirondacks with poems by Alfred B. Street (New York: James G. Gregory, 1865) Book with 16 full page wood engravings (1 with partial hand-coloring) 1865
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Alfred Kubin In Memoriam Dostojewski Lithograph 1919
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Guillaume-Philippe Benoist Alfred 18th century
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Alfred Richard Blundell The end of the day Etching 19th - 20th century
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Alfred Stevens Etude Etching 19th century
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Sir Alfred East On the Banks of the Seine Etching 1913
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Alfred Cossmann Pinzgauerin Etching 19th - 20th century
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Alfred Hugh Fisher Julius Knight in a Hat Drypoint 1933
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Sir Alfred East St. Ives Etching 19th - 20th century
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Sir Alfred East Taormina Etching 19th - 20th century
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Sir Alfred East Old Gateway Etching 19th - 20th century
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Alfred Kubin Im Keller Lithograph 19th - 20th century
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Alfred Henry Forrester Crowquill The Discovery 19th century
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Alfred Kubin Uhu (Owl) - Pl.25 from the Portfolio Wild Aninmals Lithographs--phototype 1920
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Alfred Comte D'Orsay A. Dorsay 1834 19th century
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Alfred Naumann S. Jadosolas photograph 1894
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Alfred Henry Forrester Crowquill "I should decidedly say. Try it." pen and black ink circa 1850
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Alfred Heber Hutty Across the Valley Etching with drypoint 1930
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Alfred Bentley Wayfarers Dry point 19th century
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Alfred Bentley The Firth of Forth Drypoint 19th century
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Jean Alfred TaÔÈe Paris En Train 19th century
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Jean Alfred TaÔÈe MinistËre Des Finances. 19th century
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Jean Alfred TaÔÈe MinistËre Des Finances. 19th century
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Jean Alfred TaÔÈe Marrons D'Inde 19th century
The Minneapolis Institute of Arts -
Artist: Alfred Stieglitz Title: The Hand of Man Date: n.d. Medium: photogravure Dimensions: H.6-3/16 x
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Alfred Rethel Der Tod als Erwurger Wood engraving circa 1885
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Alfred Bobbett The Little People of the Snow by William Cullen Bryant(New York: D. Appleton, 1873) book with 45 wood engravings 1873
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Oskar Kokoschka Mein Lied by Alfred Ehrenstein(Berlin: Ernst Rowohlt, 1931) book with reproductions of lithographs after drawings 1931
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Alfred Philippe Roll Call to Arms (Isadora Duncan) oil 1913
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Alfred Henry Forrester Crowquill Are you looking at my wife? pen and gray-black ink circa 1850
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Alfred von Wierusz Kowalski Merry Ride oil on panel 19th - 20th century
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Alfred Ray Burrell Minarets Etching 19th - 20th century
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Alfred Rudolph Companions Etching 19th - 20th century
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Alfred Heber Hutty Pines Drypoint ca. 1920 - 1930
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Alfred Kubin Auf der Fluch (Escape) Lithograph (on Japan paper) 1920
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Sir Alfred East A Normandy Road Etching 19th - 20th century
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Alfred Thompson Bricher Baby is King (Beach Scene) oil on canvas 1880
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Sir Alfred East Landscape with trees Etching 19th - 20th century
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Sir Alfred East The Lake in the Wood Etching 19th - 20th century
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Sir Alfred East Storm in the Cotswolds Etching 19th - 20th century
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Alfred Hugh Fisher Kingsgate, Winchester etching 19th - 20th century
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Alfred Henry Maurer Abstract Heads opaque watercolor and graphite 1920
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Alfred Heber Hutty Pines Etching 19th - 20th century
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Alfred Henry Forrester Crowquill The Merchants Ward 19th century
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Alfred Kubin Wˆlfe (Wolfs) - Pl.5 from the Portfolio Wild Aninmals Lithographs--phototype 1920
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Alfred Kubin Lˆwe (Lion) - Pl.1 from the Portfolio Wild Aninmals Lithographs--phototype 1920
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Alfred Kubin Hy‰ne (Hyena) - Pl.6 from the Portfolio Wild Aninmals Lithographs--phototype 1920
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Alfred Richard Blundell A Norfolk Mill Etching 19th - 20th century
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Alfred Richard Blundell Boats at Dortrecht Etching 19th - 20th century
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Alfred Henry Forrester Crowquill The Soul Agent 19th century
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Alfred Hartley A Storm in the Alps Aquatint 19th - 20th century
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Thomas Sully Alfred Sully oil on paperboard (now mounted on laminate board) 1839
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Alfred Bentley The Mantle of the Highlands Drypoint 19th century
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Alfred Bentley The Charm of the Valley Drypoint 19th century
The Minneapolis Institute of Arts -
s Artist: Alfred Stevens Title: Half-length Study of a Woman"s Right Arm Extended, Seen from
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Alfred Bentley Ramparts of Carcassone Dry point 19th century
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Alfred Bentley Hill Pastures Dry point 19th century
The Minneapolis Institute of Arts -
Artist: Alfred Stieglitz Title: Old and New New York Date: 1910 Medium: photogravure Dimensions: H.8
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Jean Alfred TaÔÈe Paris en train, Le Mail ET 19th century
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Jean Alfred TaÔÈe Le Berger De Villaneuve La Garenne 19th century
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Jean Alfred TaÔÈe Paris en train, 1786 Et-DP 19th century
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Jean Alfred TaÔÈe Paris En Train - La Rue Royal 19th century
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Jean Alfred TaÔÈe Paris en train, Le Mail ET 19th century
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Alfred Wyon Bookplate 18th - 19th century
The Minneapolis Institute of Arts -
Artist: Frank Eugene Title: Mr. Alfred Stieglitz Date: n.d. Medium: photogravure Dimensions: H.6-1/2 x 4-7/16
The Minneapolis Institute of Arts -
Artist: Alfred Stieglitz Title: The Steerage Date: 1907 Medium: photogravure Dimensions: H.7-3/4 x W.6-3/16 in.
The Minneapolis Institute of Arts -
Artist: Alfred Stieglitz Title: Going to the Start Date: 1904 Medium: photogravure Dimensions: H.8-3/8 x
The Minneapolis Institute of Arts -
Artist: Alfred Stieglitz Title: The Terminal Date: 1892 Medium: photogravure Dimensions: H.4-13/16 x W.6-1/4 in.

Artnews Articles and Exhibition Information: (9)
Click on any of the links below to read about artnews or exhibitions related to Wallis

Tate Liverpool: Modern British Art : The Tate Collection
Modern British Art begins with Free Time, a section exploring the relationship between art and leisure before the First World War. For many young artists, modern life with its cafes, dancing, music halls and spectator sports, suited the advanced t...
Cambridge Galleries: Translinear: 12 Canadian Artists
The concise premise of the exhibition is that painting has a particular visual language and that paintings exist to generate a state of awareness or understanding on the part of the viewer which is not limited by context, time or place. By bringin...
Kettle's Yard Gallery: Kettle's Yard Open 2002
Artists include: Jeremy Andrews , Alexandra Baraitser, Jutta Bastian, Susan Dalladay, Matt Davis, Mark Edwards, Neil Henderson , Frances Kearney, Jonathan Keep, David Kefford , Graham Murrell, Elspeth Owen, Martha Winter, Simon Whitnall, Fiona Saf...
Queensland Art Gallery: The Third Asia-Pacific Triennial of Contemporary Art, 1999 (APT3)
The Asia-Pacific Triennial aims to enhance cultural awareness and understanding of the contemporary art of the Asia-Pacific region. The Triennial is now established as a significant recurring international art event and ...
F.R.E.D.: Freedom Rules Every Democracy: A Town Meeting
Lets not kid ourselves, this public relations nightmare for the arts is not just about the Brooklyn Museum -- the implications clearly extend to all cultural institutions, libraries, parks, public schools and universities. Just because the May...
Irish Museum of Modern Art: Paul Morrison: Haematoxlyon
The exhibition comprises some 14 works including site-specific wall installations, paintings and a new video piece. All are produced by eliminating colour leaving the viewer to project their own vision onto the canvas utilizing “colour from behin...
Tate Gallery: Mona Hatoum
Responding to the architecture of the galleries, Hatoum has created large scale works which reflect her current interest in everyday objects. These sculptures, focusing on household objects, emphasise and yet undermine their charac...
Seattle Art Museum: Only Skin Deep: Photography’s Role in Shaping America’s Identity
The curators Coco Fusco, Associate Professor in the Visual Arts Division at Columbia University’s School of the Arts, and Brian Wallis, ICP’s Director of Exhibitions and Chief Curator, explore America’s stereotypical notions of race through more t...
San Francisco Museum of Modern Art: New Work: Wangechi Mutu
The urgency of her work speaks to art’s most powerful function: to show us the world through the highly subjective and personal lens of the artist. Particularly interested in myths about gender and ethnicity that have long circulated in Africa and...

Further Artwork and Information:

Raw Vision
Untitled Document
Alfred Wallis by Robert Jones
Storm Fine Arts - Alfred Wallis
Wikipedia: Alfred Wallis
Alfred Wallis (1726 - 1765) Biography, Artwork Images, Exhibitions, Reviews
Tate St Ives | Exhibitions | Pier Arts Centre Collection
www.waterman.co.uk/pages/thumbnails/artists/55.html
Alfred Wallis
Alfred Wallis 1855-1942

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