Artist: Henry Wallis ( - )
Artworks in Museum Collections: (40)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Henry Wallis.

Fine Arts Museum of San Francisco -
Henry Wallis, Bank of England and Royal Exchange, 19th century
Fine Arts Museum of San Francisco -
Robert Wallis, Colchester, 1827
Fine Arts Museum of San Francisco -
Robert Wallis, The Bay of Naples, 18th - 19th century
Fine Arts Museum of San Francisco -
Thomas Wallis, Dressing spoon (one of two - 1986.35.45-46), 1816
Fine Arts Museum of San Francisco -
Thomas Wallis, Dressing spoon (one of two - 1986.35.45-46), 1815
Fine Arts Museum of San Francisco -
Michael Burgers, Portrait of Johannes Wallis, S. T. P., Oxon, 1699
Fine Arts Museum of San Francisco -
Robert Wallis, Stonehenge, no. 3 from Part VII of the series Picturesque Views in England and Wales, after a watercolor by J. M. W. Turner in an English private collection (Wilton 811), 1829
Fine Arts Museum of San Francisco -
Robert Wallis, Stonehenge, no. 3 from Part VII of the series Picturesque Views in England and Wales, after a watercolor by J. M. W. Turner in an English private collection (Wilton 811), 1829
Fine Arts Museum of San Francisco -
Robert Wallis, Banff, plate opposite page 9 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London: Georg
Fine Arts Museum of San Francisco -
Robert Wallis, Scene at Fleetwood, on Wye, plate opposite page 137 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beatt
Fine Arts Museum of San Francisco -
Robert Wallis, Hastings, plate opposite page 127 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
Fine Arts Museum of San Francisco -
Robert Wallis, Lytham, plate opposite page 180 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
Fine Arts Museum of San Francisco -
Robert Wallis, Harlech Castle, plate opposite page 64 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lon
Fine Arts Museum of San Francisco -
Robert Wallis, Workington (Cumberland), plate opposite page 171 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by
Fine Arts Museum of San Francisco -
Robert Wallis, Dover, from the Ramsgate Road, plate opposite page 155 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Be
Fine Arts Museum of San Francisco -
Robert Wallis, New Bridge and Bronielaw, Glasgow, plate opposite page 46 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
Fine Arts Museum of San Francisco -
Robert Wallis, St. Bees College, plate opposite page 177 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
Fine Arts Museum of San Francisco -
Robert Wallis, Leith Pier and Harbour, plate opposite page 43 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M
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George Augustus Wallis - Cascate delle Marmore, Terni 1788-1806 oil on paper The Fitzwilliam Museum British
Museum of Fine Arts -
Marked by Thomas Wallis (II), first mark entered 1778 Sugar Sifter Spoon flatware London, England
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Peter Paul Rubens - The Reconciliation of King Henry III and Henry of Navarre 1628 oil on panel Memorial Art Gallery of the University of Rochester Flemish
Museum of Fine Arts -
George Romney, British, 1734-1802 Mrs. Billington as Saint Cecilia Oil on canvas 127.7 x 101.9
Fine Arts Museum of San Francisco -
Henry Cousins, Henry Leverage, 19th century
Fine Arts Museum of San Francisco -
Henry Wolf, Portrait of the Engraver Henry Wolf, 1905
Fine Arts Museum of San Francisco -
Henry William Bunbury, Falstaff reproved by King Henry - Shakespeare - Henry VI, Part 2, Act V, Scene 8., 18th - 19th century
Fine Arts Museum of San Francisco -
Henry Wolf, Henry Irving, 19th - 20th century
Fine Arts Museum of San Francisco -
Henry Wolf, Portrait of Mrs. Henry, 19th - 20th century
Fine Arts Museum of San Francisco -
Henry Wolf, Henry Irving at Home, 19th - 20th century
Fine Arts Museum of San Francisco -
Henry Wolf, Henry Mills Alden, 19th - 20th century
Fine Arts Museum of San Francisco -
Henry Wolf, Portrait of Henry Irving, 19th - 20th century
Fine Arts Museum of San Francisco -
John Henry Robinson, Henry Somerset, First, 18th - 19th century
Fine Arts Museum of San Francisco -
W. & D. Downey, Sir Henry Irving as Cardinal Wolsey in Shakespeare"s Henry VIII, 1892
Fine Arts Museum of San Francisco -
Charles Henry Jeens, Mr. Hackett as Falstaff in King Henry IV., 19th century
Fine Arts Museum of San Francisco -
Henry Meyer, The Right Honorable Henry Robert Stewart, 18th - 19th century
Fine Arts Museum of San Francisco -
Pieter van der Banck, King Henry VIII, Son Of Henry VII (1509-1547), 17th century
Fine Arts Museum of San Francisco -
Pieter van der Banck, King Henry V Of Monmouth, Son Of Henry IV (1413-1422), 17th century
Museum of Fine Arts -
Thomas Gainsborough, British, 1727-1788 John Taylor Oil on canvas 75.9 x 64.5 cm (29 7/8
Fine Arts Museum of San Francisco -
William Henry Bartlett, The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]), 1830
Fine Arts Museum of San Francisco -
Pieter van der Banck, King Henry II Of Anjou, Grandson Of Henry I. (1154-1189), 17th century
Fine Arts Museum of San Francisco -
Multiple Artists, The Pacific Tourist by Henry T. Williams (New York: Henry T. Williams, 1878), 1878

Artnews Articles and Exhibition Information: (9)
Click on any of the links below to read about artnews or exhibitions related to Wallis

Tate Liverpool: Modern British Art : The Tate Collection
Modern British Art begins with Free Time, a section exploring the relationship between art and leisure before the First World War. For many young artists, modern life with its cafes, dancing, music halls and spectator sports, suited the advanced t...
Cambridge Galleries: Translinear: 12 Canadian Artists
The concise premise of the exhibition is that painting has a particular visual language and that paintings exist to generate a state of awareness or understanding on the part of the viewer which is not limited by context, time or place. By bringin...
Kettle's Yard Gallery: Kettle's Yard Open 2002
Artists include: Jeremy Andrews , Alexandra Baraitser, Jutta Bastian, Susan Dalladay, Matt Davis, Mark Edwards, Neil Henderson , Frances Kearney, Jonathan Keep, David Kefford , Graham Murrell, Elspeth Owen, Martha Winter, Simon Whitnall, Fiona Saf...
Queensland Art Gallery: The Third Asia-Pacific Triennial of Contemporary Art, 1999 (APT3)
The Asia-Pacific Triennial aims to enhance cultural awareness and understanding of the contemporary art of the Asia-Pacific region. The Triennial is now established as a significant recurring international art event and ...
F.R.E.D.: Freedom Rules Every Democracy: A Town Meeting
Lets not kid ourselves, this public relations nightmare for the arts is not just about the Brooklyn Museum -- the implications clearly extend to all cultural institutions, libraries, parks, public schools and universities. Just because the May...
Irish Museum of Modern Art: Paul Morrison: Haematoxlyon
The exhibition comprises some 14 works including site-specific wall installations, paintings and a new video piece. All are produced by eliminating colour leaving the viewer to project their own vision onto the canvas utilizing “colour from behin...
Tate Gallery: Mona Hatoum
Responding to the architecture of the galleries, Hatoum has created large scale works which reflect her current interest in everyday objects. These sculptures, focusing on household objects, emphasise and yet undermine their charac...
Seattle Art Museum: Only Skin Deep: Photography’s Role in Shaping America’s Identity
The curators Coco Fusco, Associate Professor in the Visual Arts Division at Columbia University’s School of the Arts, and Brian Wallis, ICP’s Director of Exhibitions and Chief Curator, explore America’s stereotypical notions of race through more t...
San Francisco Museum of Modern Art: New Work: Wangechi Mutu
The urgency of her work speaks to art’s most powerful function: to show us the world through the highly subjective and personal lens of the artist. Particularly interested in myths about gender and ethnicity that have long circulated in Africa and...

Further Artwork and Information:

Henry Wallis Online
ArtMagick - Your Source of Visual Intoxication
Henry Wallis (1726 - 1765) Biography, Artwork Images, Exhibitions, Reviews
Henry Wallis WRS (1830-1916)
Tate Collections: Henry Wallis
Henry Wallis - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
I25660: Henry Wallis ( - )
Henry Wallis reproduction art at Arcadian Galleries
I26336: Henry Wallis ( - )
Henry Wallis

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