Artist: Robert Wallis ( - )
Artworks in Museum Collections: (40)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Robert Wallis.

Fine Arts Museum of San Francisco -
Robert Wallis, Colchester, 1827
Fine Arts Museum of San Francisco -
Robert Wallis, The Bay of Naples, 18th - 19th century
Fine Arts Museum of San Francisco -
Thomas Wallis, Dressing spoon (one of two - 1986.35.45-46), 1815
Fine Arts Museum of San Francisco -
Thomas Wallis, Dressing spoon (one of two - 1986.35.45-46), 1816
Fine Arts Museum of San Francisco -
Robert Wallis, Stonehenge, no. 3 from Part VII of the series Picturesque Views in England and Wales, after a watercolor by J. M. W. Turner in an English private collection (Wilton 811), 1829
Fine Arts Museum of San Francisco -
Robert Wallis, Stonehenge, no. 3 from Part VII of the series Picturesque Views in England and Wales, after a watercolor by J. M. W. Turner in an English private collection (Wilton 811), 1829
Fine Arts Museum of San Francisco -
Robert Wallis, Banff, plate opposite page 9 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London: Georg
Fine Arts Museum of San Francisco -
Robert Wallis, Scene at Fleetwood, on Wye, plate opposite page 137 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beatt
Fine Arts Museum of San Francisco -
Robert Wallis, Hastings, plate opposite page 127 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
Fine Arts Museum of San Francisco -
Robert Wallis, Lytham, plate opposite page 180 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
Fine Arts Museum of San Francisco -
Robert Wallis, Harlech Castle, plate opposite page 64 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lon
Fine Arts Museum of San Francisco -
Robert Wallis, Workington (Cumberland), plate opposite page 171 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by
Fine Arts Museum of San Francisco -
Robert Wallis, St. Bees College, plate opposite page 177 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
Fine Arts Museum of San Francisco -
Robert Wallis, Dover, from the Ramsgate Road, plate opposite page 155 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Be
Fine Arts Museum of San Francisco -
Robert Wallis, New Bridge and Bronielaw, Glasgow, plate opposite page 46 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
Fine Arts Museum of San Francisco -
Robert Wallis, Leith Pier and Harbour, plate opposite page 43 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M
Fine Arts Museum of San Francisco -
Michael Burgers, Portrait of Johannes Wallis, S. T. P., Oxon, 1699
Fine Arts Museum of San Francisco -
Henry Wallis, Bank of England and Royal Exchange, 19th century
Museum of Fine Arts -
Thomas Gainsborough, British, 1727-1788 John Taylor Oil on canvas 75.9 x 64.5 cm (29 7/8
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George Augustus Wallis - Cascate delle Marmore, Terni 1788-1806 oil on paper The Fitzwilliam Museum British
Museum of Fine Arts -
Marked by Thomas Wallis (II), first mark entered 1778 Sugar Sifter Spoon flatware London, England
Museum of Fine Arts -
Sir Thomas Lawrence, British, 1769-1830 Sir Uvedale Price, Baronet about 1799 Oil on canvas 76.2
Fine Arts Museum of San Francisco -
Robert Batty, Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
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Robert Henri - Portrait of Mrs. Robert C. Watts 1926 oil on canvas The Maier Museum of Art American
Fine Arts Museum of San Francisco -
Paul Ponce Antoine Robert ( Robert de Seri), Femme Vue en Buste, 1723
Fine Arts Museum of San Francisco -
Robert Batty, Kˆnigstein, plate 4 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
Fine Arts Museum of San Francisco -
Robert Batty, Hohnstein, plate 3 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
Fine Arts Museum of San Francisco -
Robert Batty, Buckeburg, plate 18 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
Fine Arts Museum of San Francisco -
Robert Batty, Hameln, plate 29 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
Fine Arts Museum of San Francisco -
Robert Batty, The Rostrappe, plate 12 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
Fine Arts Museum of San Francisco -
Robert Batty, Quedlinburg, plate 23 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
Fine Arts Museum of San Francisco -
Robert Batty, Dresden, plate 35 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
Fine Arts Museum of San Francisco -
Robert Batty, Gottingen, plate 30 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
Fine Arts Museum of San Francisco -
Robert Batty, Trendelburg, plate 46 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
Fine Arts Museum of San Francisco -
Robert Batty, Karlshafen, plate 13 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
Fine Arts Museum of San Francisco -
Robert Batty, Wernigerode, plate 17 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
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Robert f. Blum - Studio of Robert F. Blum 1883-84 pastel Cincinnati Art Museum American
Fine Arts Museum of San Francisco -
Robert Batty, Blaukenburg Hartz, plate 60 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
Fine Arts Museum of San Francisco -
Robert Batty, View from the Pastey, plate 19 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829
Fine Arts Museum of San Francisco -
Robert Batty, The Exchange, Copenhagen, plate 53 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829), 1829

Artnews Articles and Exhibition Information: (9)
Click on any of the links below to read about artnews or exhibitions related to Wallis

Tate Liverpool: Modern British Art : The Tate Collection
Modern British Art begins with Free Time, a section exploring the relationship between art and leisure before the First World War. For many young artists, modern life with its cafes, dancing, music halls and spectator sports, suited the advanced t...
Cambridge Galleries: Translinear: 12 Canadian Artists
The concise premise of the exhibition is that painting has a particular visual language and that paintings exist to generate a state of awareness or understanding on the part of the viewer which is not limited by context, time or place. By bringin...
Kettle's Yard Gallery: Kettle's Yard Open 2002
Artists include: Jeremy Andrews , Alexandra Baraitser, Jutta Bastian, Susan Dalladay, Matt Davis, Mark Edwards, Neil Henderson , Frances Kearney, Jonathan Keep, David Kefford , Graham Murrell, Elspeth Owen, Martha Winter, Simon Whitnall, Fiona Saf...
Queensland Art Gallery: The Third Asia-Pacific Triennial of Contemporary Art, 1999 (APT3)
The Asia-Pacific Triennial aims to enhance cultural awareness and understanding of the contemporary art of the Asia-Pacific region. The Triennial is now established as a significant recurring international art event and ...
F.R.E.D.: Freedom Rules Every Democracy: A Town Meeting
Lets not kid ourselves, this public relations nightmare for the arts is not just about the Brooklyn Museum -- the implications clearly extend to all cultural institutions, libraries, parks, public schools and universities. Just because the May...
Irish Museum of Modern Art: Paul Morrison: Haematoxlyon
The exhibition comprises some 14 works including site-specific wall installations, paintings and a new video piece. All are produced by eliminating colour leaving the viewer to project their own vision onto the canvas utilizing “colour from behin...
Tate Gallery: Mona Hatoum
Responding to the architecture of the galleries, Hatoum has created large scale works which reflect her current interest in everyday objects. These sculptures, focusing on household objects, emphasise and yet undermine their charac...
Seattle Art Museum: Only Skin Deep: Photography’s Role in Shaping America’s Identity
The curators Coco Fusco, Associate Professor in the Visual Arts Division at Columbia University’s School of the Arts, and Brian Wallis, ICP’s Director of Exhibitions and Chief Curator, explore America’s stereotypical notions of race through more t...
San Francisco Museum of Modern Art: New Work: Wangechi Mutu
The urgency of her work speaks to art’s most powerful function: to show us the world through the highly subjective and personal lens of the artist. Particularly interested in myths about gender and ethnicity that have long circulated in Africa and...

Further Artwork and Information:

Astronomical Imaging by Brad Wallis and Robert Provin
Robert Wallis Accordion Page
Robert Provins Web Page
Robert Wallis (1726 - 1765) Biography, Artwork Images, Exhibitions, Reviews
robert wallis | web-service | web-hosting | print-service | medien-design | pc-konfiguration | aol-kündigungs...
Robert Wallis (Abstract), The Development of Paganism, Belief Beyond Boundaries Research Group, Open University
Robert Wallis
Russian Portraits by Robert Wallis - The Digital Journalist
Research Output for Robert Wallis
BRAD WALLIS HOME PAGE

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