Artist: John Quincy Adams Ward (1830 - 1910)
Nationality: American
Movement:
Media: Sculpture
Influences:


Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by John Quincy Adams Ward.

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Thomas Sully - John Quincy Adams 1824 oil on canvas National Gallery of Art American
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John Quincy Adams Ward - The Freedman 1863 bronze Cincinnati Art Museum American
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John Quincy Adams Ward - The Freedman 1862-63 bronze The Art Institute of Chicago American
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John Quincy Adams Ward - The Indian hunter 1860 bronze Los Angeles County Museum of Art American
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John Singleton Copley, American, 1738-1815 John Quincy Adams 1795 Oil on canvas 76.52 x 63.5
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Jean-François Millet, French, 1814-1875 Training Grape Vines about 1860-64 Pastel on paper 43.8 x 64.1
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Jean-François Millet, French, 1814-1875 Two Men Turning over the Soil 1866 Pastel on paper 69.9
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Jean-François Millet, French, 1814-1875 Noonday Rest 1866 Pastel on paper 29.2 x 41.9 cm (11
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Jean-François Millet, French, 1814-1875 Watering Cows 1863 Pastel and crayon on paper 31.1 x 46.4
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Jean-François Millet, French, 1814-1875 Pears about 1862-66 Oil on panel 18.4 x 25.4 cm (7
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Jean-François Millet, French, 1814-1875 In the Garden about 1860 Pastel and watercolor over black conté
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Jean-François Millet, French, 1814-1875 Cooper Tightening Staves on a Barrel about 1848-52 Oil on canvas
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Jean-François Millet, French, 1814-1875 Watering Horses, Sunset 1866 Crayon and pastel on paper 38.1 x
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Jean-François Millet, French, 1814-1875 Woman Reclining in a Landscape about 1846-47 Oil on canvas 18.8
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Jean-François Millet, French, 1814-1875 Path through the Wheat about 1867 Pastel and black conté crayon
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Jean-François Millet, French, 1814-1875 Shepherdess and Flock at Sunset 1868-70 Pastel and black conté crayon
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Jean-François Millet, French, 1814-1875 Morning Toilette about 1860-62 Black conté crayon and pastel on paper
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Jean-François Millet, French, 1814-1875 Cliffs at Gruchy 1870-71 Oil on canvas 60.0 x 73.9 cm
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Jean-François Millet, French, 1814-1875 Peasant Watering Her Cow about 1863 Oil over black conté crayon
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Jean-François Millet, French, 1814-1875 Fishing Boat 1871 Oil on canvas 24.7 x 33 cm (9
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Jean-François Millet, French, 1814-1875 End of the Hamlet of Gruchy 1856 Oil on canvas 46.4
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Jean-François Millet, French, 1814-1875 Knitting Lesson about 1860 Oil on panel 40.4 x 31.5 cm
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Jean-François Millet, French, 1814-1875 Peasant Girl with Two Cows 1863 Black conté crayon and pastel
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Jean-François Millet, French, 1814-1875 Twilight about 1859-63 Black conté crayon and pastel on buff wove
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Jean-François Millet, French, 1814-1875 Winter Evening 1867 Pastel and black conté crayon on paper 43.8
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Jean-François Millet, French, 1814-1875 After the Day"s Work about 1863 Black conté crayon and pastel
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Jean-François Millet, French, 1814-1875 Standing Spinner about 1850-55 Oil on canvas 45.2 x 32.5 cm
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Jean-François Millet, French, 1814-1875 House with a Well at Gruchy about 1863 Pastel and pen
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Jean-François Millet, French, 1814-1875 Farmyard by Moonlight 1868 Pastel and black conté crayon on paper
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Jean-François Millet, French, 1814-1875 The Sower 1850 Oil on canvas 101.6 x 82.6 cm (40
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Jean-François Millet, French, 1814-1875 Woman Sewing beside her Sleeping Child about 1858-62 Oil on panel
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Jean-François Millet, French, 1814-1875 Man Turning over the Soil about 1847-50 Oil on canvas 25.1
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Jean-François Millet, French, 1814-1875 Shearing Sheep 1852-53 Oil on canvas 40.7 x 24.8 cm (16
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Jean-François Millet, French, 1814-1875 Two Reclining Figures about 1848 Oil on canvas 72.7 x 100.3
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Jean-François Millet, French, 1814-1875 Millet"s Birthplace at Gruchy about 1863 Crayon, pastel, and pen and
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Jean-François Millet, French, 1814-1875 In the Vineyard 1852-53 Oil on canvas 37.5 x 29.6 cm
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Jean-François Millet, French, 1814-1875 Buckwheat Harvest, Summer 1868-74 Oil on canvas 85.4 x 111.1 cm
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Jean-François Millet, French, 1814-1875 Shepherdess Sitting at the Edge of the Forest about 1848-49 Oil
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Jean-François Millet, French, 1814-1875 Manor House near Gréville about 1863 Watercolor, crayon, pastel, and pen
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Jean-François Millet, French, 1814-1875 Shepherd and Flock at the Edge of the Forest, Evening 1853
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Jean-François Millet, French, 1814-1875 Women Sewing by Lamplight (La Veillée) 1853-54 Oil on panel 35
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Jean-François Millet, French, 1814-1875 Dandelions 1867-68 Pastel on paper 40.6 x 50.2 cm (16 x
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Jean-François Millet, French, 1814-1875 Peasant Watering her Cow, Evening 1873-74 Oil on canvas 81.6 x
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Jean-François Millet, French, 1814-1875 Little Goose Girl 1868 Pastel and black conté crayon on paper
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Jean-François Millet, French, 1814-1875 Newborn Lamb 1866 Black conté crayon and pastel on paper 40.4
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Jean-François Millet, French, 1814-1875 Shepherdesses Watching a Flight of Wild Geese 1866 Pastel and crayon
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Jean-François Millet, French, 1814-1875 Entrance to the Forest at Barbizon in Winter 19th Century Not
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Gilbert Stuart - Abigail Smith Adams (Mrs. John Adams) 1800-1815 oil on canvas National Gallery of Art American
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Jean-François Millet, French, 1814-1875 Potato Planters about 1861 Oil on canvas 82.5 x 101.3 cm
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Donatello, Italian, 1386-1466 Madonna of the Clouds Relief Italy, (Florence), about 1425-35 Marble 33.1 x
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Jean-François Millet, French, 1814-1875 Seated Spinner (Emélie Millet) 1854 Oil on panel 35.2 x 26.7
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William Page, American, 1811-1885 John Quincy Adams 1838 Oil on canvas 120.01 x 91.76 cm
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Jean-François Millet, French, 1814-1875 Return of the Flock about 1863-64 Black conté crayon and pastel
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Horatio Greenough, 1805-1852 John Quincy Adams 1828 Marble 32.07 x 19.05 x 15.24 cm (12
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Jean-François Millet, French, 1814-1875 Forest with Shepherdess and Sheep 1849-50 Oil on panel 27.3 x
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Jean-François Millet, French, 1814-1875 Rabbit Warren, Dawn 1867 Pastel and black conte crayon on cream
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Jean-François Millet, French, 1814-1875 Farmyard in Winter 1868 Pastel and black conté crayon on paper
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After Andrea del Sarto, Italian (Florentine), 1486-1530 Holy Family with St. Elizabeth and John the
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Jean-François Millet, French, 1814-1875 Peasant Girl Daydreaming 1848 Oil on panel 22.5 x 16.5 cm
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Gilbert Stuart - John Adams c. 1800-1815 oil on canvas National Gallery of Art American
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Gilbert Stuart - John Adams c. 1821 oil on wood National Gallery of Art American
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Marked by Thomas Daniell, free in 1771, died between 1795-1801 Teapot London, England England, (London),
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Jean-François Millet, French, 1814-1875 Shepherdess Knitting, outside the Village of Barbizon about 1860-62 Pastel over
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After Guido Reni, Italian, 1575-1642 The Holy Family with St. Claire 17th century Pen and
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Lelio Orsi, Italian, 1511-1589 Assumption mid 17th century Pen and brown ink on cream antique
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Unidentified artist, Italian, 18th century The Infant Savior 18th century Red chalk, on white paper
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Attributed to Remigio Cantagallina, Italian, 1582-1630 Landscape 17th century Pen and brown ink, on white
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John La Farge, American, 1835-1910 Color Study for the Old Philosopher Window, Quincy Library, Quincy,
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Winslow Homer, American, 1836-1910 A Fresh Breeze Fishergirls, England about 1881 Transparent and opaque watercolor
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After Jacopo Carucci Pontormo, Italian, 1494-1557 St. Francis late 16th century Black and red chalks
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John Smibert, American (born in Scotland), 1688-1751 Judge Edmund Quincy 1737 Oil on canvas 75.56
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After Agostino Carracci, Italian, 1557-1602 The Holy Family with St. Claire 18th century Red chalk
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Unidentified artist, Italian, 18th century Two Putti Embracing 18th century Red chalk, on white paper
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Unidentified artist, Italian, 18th century Bacchic Figure with Trumpet 18th century Red chalk, on white
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Unidentified artist, Italian, 18th century Cartouche with the Medici Coat of Arms 18th century Pen
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After Marcantonio Raimondi, Italian, 1480-1527/34 Formerly attributed to Raphael, Italian, 1483-1520 God Appearing to Noah
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Jean-François Millet, French, 1814-1875 Woman Churning Butter 1855-56 Etching in brown ink on laid paper
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Unidentified artist, Italian, 16th century The Submission of the Barbarians to Marcus Aurelius late 16th
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Jean-François Millet, French, 1814-1875 Auvergnat Goatherd Spinning 1868 Etching, hand-colored, on cream laid paper Platemark:
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John Singleton Copley, American, 1738-1815 Samuel Quincy about 1767 Oil on canvas 90.49 x 147.64
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Gilbert Stuart, American, 1755-1828 John Adams 1823 Oil on canvas 76.2 x 63.5 cm (30
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Style of Guercino (Giovanni Francesco Barbieri, called Guercino), Italian (Bolognese), 1591-1666 Girl Seated at a
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Unidentified artist, Italian, 16th century Study of a Male Nude, Ecorché late 16th century Red
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Jacopo Palma the Younger, Italian, 1544-1628 The Annunciation with God the Father Oil on canvas
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Unidentified artist, Italian, 16th century Kneeling Woman Shielding Two Children late 16th century Red chalk
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John Singer Sargent - Annie Adams Fields 1823 oil on canvas Boston Athenaeum American
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Tintoretto (Jacopo Robusti, called Tintoretto), Italian (Venetian), about 1518-1594 The Nativity with Saint Anne and
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John Singleton Copley, American, 1738-1815 Mrs. Samuel Quincy (Hannah Hill) about 1761 Oil on canvas
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Gilbert Stuart - Portrait of Mrs. Josiah Quincy 1809 oil on panel Milwaukee Art Museum American
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John White Alexander - Portrait of Maude Adams as L'Aigion c. 1905 oil on canvas Utah Museum of Fine Arts American
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John Coney, 1655-56–1722 Sugar box Massachusetts, (Boston), 1680-90 Silver 12.38 x 19.81 x 15.24 cm
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Artist: Gilbert Stuart Title: Portrait of James Ward Date: 1799 Medium: oil on canvas Dimensions:
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William Ward, A.R.A. A Visit to Grandfather Color mezzotint 18th - 19th century
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Richard Artschwager - Hospital Ward 1968-69 acrylic on celotex The Detroit Institute of Art American
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Bartolommeo Vivarini, Italian (Venetian), active in 1450-1491 Virgin and the Dead Christ with the Ascension
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Henry Wolf John Q. Adams 19th - 20th century
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Schelte Adams Bolswert SalomÈ receiving the head of St. John from the executioner Engraving 16th - 17th century
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William Ward, A.R.A. Portrait of Rev. W. Richardson Mezzotint 18th - 19th century
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Jean Baptiste Camille Corot, French, 1796-1875 Dante and Virgil Oil on canvas 260.4 x 170.5
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Jean-François Millet, French, 1814-1875 Shepherdess with her Flock and Dog 19th Century Not Impressionism 1863-65

Artnews Articles and Exhibition Information: (22)
Click on any of the links below to read about artnews or exhibitions related to Ward

Courthouse Galleries: Cross-Currents:Maria Barbosa, Nick Cave, Rieneke Leenders, Linda Gissen and Richard Ward.
The mixed-media installations by Maria Barbosa, a native of Brazil, address the issues of cross-cultural perceptions and language barriers. In her artwork, Barbosa addresses the survival of the native cultures living in the Brazilian Rainforest...
Xanadu: Ward Yoshimoto: It’s Personal
During his residence at The MacDowell Colony in 2004 the artist attempted to remove the preciousness of the used object and the obvious personal connection to them out of his work. What he discovered is that because of the process and choice of ma...
Cafe Gallery Project: Destiny Manifest Eden's End: Cathy Ward and Eric Wright
Manifest destiny was a term first expressed by John L. O'Sullivan and used to describe the belief of the 1840's in the inevitable territorial expansion of the United States: .... and that claim is by the right of our manifest destiny to over spr...
Stephen Cohen Gallery: Sheila Metzner
Metzner's career spans a remarkable range since she entered the advertising world in 1961. Her commercial work has been commissioned by Vanity Fair, Vogue, Rolling Stone, Conde Nast Traveler, and such clients as Bergdorf Goodman, Valentino, Ralp...
De Vleeshal: We’ll slide down the surface of things…: Artificial Reality and Paintings by Frank Bauer, Arnout Killian, Glen Rubsamen, Herman Verkerk
How do we deal with reality becoming increasingly artificial? Victor Ward’s response is to remember a quasi-philosophical line from a song by U2 :‘We’ll slide down the surface of things…’ But generally this development is condoned, because it wo...
Association for Visual Arts: Body of Evidence by Lynne Lomofsky and Recent Work by Anthony Cawood
The video Cross Sections I draws the viewer into the artist’s process as it documents the harsh experience of the search for malignancy. In Cross Sections II, LOMOFSKY has taken a series of ordinarily static images that medical technology had generat...
Galleria Pino Pascali: 2001 Art Expo Opens Today
The show involves the entire city of Polignano a Mare (Bari) from 3 to 19 August 2001, ...
Cleveland Center for Contemporary Art: Margaret Morton: The Tunnel
Residents dwell in continual darkness, constructing homes of cinder-block bunkers and freestanding hand-made structures in alcoves and on ledges. With sensitivity and compassion, Margaret Morton has chronicled the lives and living spaces of the tu...
Northern Westchester Center for the Arts: Winds of Survival: Work by Artist Susan Weinreich
More than 70 private collections throughout the United States currently hold the brilliantly colored and provocative works of Susan Weinreich. Ms. Weinreich's seminal work presents the powerful cross currents of art and emotional and mental re...
Art Gallery of York University: Jeremy Blake: Winchester Trilogy
Blake's projections probe the psychological aura of this architectural wonder constructed by Sara Winchester, widow of the heir to the Winchester rifle fortune, over the course of thirty-eight years, beginning in the late nineteenth century. After...
Laguna Art Museum: The OsCene: Contemporary Art and Culture in Orange County
In fact, it has been over twenty years since a survey exhibition of contemporary art in Orange County has been organized by a museum (the last major effort being done by Newport Harbor Art Museum in 1979). Tremendous growth and change have occurre...
Center for Curatorial Studies at Bard College: Two-day Conference: The History of Exhibition
Scholars, curators, and museum directors will discuss exhibitions in 19th and 20th-century France, exhibitions in the United States and Europe in the 1960s and after, the international exhibitions Documenta and the São Paulo Bienal, constructivist...
Site Gallery: Haunted Media: New Media and Supernatural Phenomena
The development of telegraph and wireless allowed users to hear voices from the ether and had the power to disperse body & consciousness across the universe in the same way that the internet is seen to have done more recently, creating a space for...
City Gallery Wellington: Gerda Leenards: Fjords Mists and Vapour
The works in Fjords mists & vapour are paintings in which time and space are hauntingly altered. Hills appear like veils and mist weighs heavily on the landforms. Like all Leenards’ work the series is an exploration of ‘landscape’ in a general sen...
Catto Contemporary: Pure Brighton: Leading Lights of the Brighton Art Scene
Antony Micallef: Antony was the star of Catto Contemporary’s ‘Perverse Pop’ exhibition of last year. He has won 2nd prize in the BP portrait competition and has been featured in numerous publications, including the front cover of Blueprint magazin...
PM Gallery and House: Trackers: 21 Artists Working in Video, Sculpture, Installation, Performance and pPainting
Artists in the Gallery rolled dice to direct their placement within a ‘Vector’ structure. Each artist rolled three times to arrive at their x,y,z co-ordinates determining their position in the Gallery. All nine must now work together to resolve ...
Philadelphia Museum of Art: Mary Ellen Mark: Photographs
Unsurpassed in bringing icon-like presence to her subjects, whether 'everyday' or unusual, Mark (born 1940) was recently voted 'Most Influential Woman Photographer of All Time' by readers of American Photo magazine. In ...
National Museum of Women in the Arts: The Intensely Colored, Symbolically Imaginative Work of Self-Taught Artist Nellie Mae Rowe
Rowe (1900-1982) lived all her life in rural Georgia, the last 50 years in Vinings, northwest of Atlanta. She created art from earliest childhood, drawing on scraps of paper and cardboard, and twisting the family's laundry into doll shapes. She firs...
Queens Museum of Art: Crossing the Line: Site Specific Works by Fifty Artists throughout Queens
Artists selected for this exhibition are known for developing their ideas through an investigative process and are themselves a microcosm of the ethnic ...
Mediateca di Santa Teresa: Connessioni Leggendarie: NET.ART History
Between complex theories and Dadaist euphoria, Connessioni Leggendarie will bring us between hopes and fears of our wildly digitized time. A decade of technical and cultural Far West, aiming to explore and to conquer new lands, languages, behav...
Cleveland Museum of Art: Visions of Japan: Prints and Paintings from Cleveland Collections
Although varied in approach, medium and style, modern Japanese prints retain an essential Japanese character. A respect for materials, frequently associated with Japanese artisans, is evident in the use of handmade papers and traditional tools. ...
Gallery 96: One Touch of Nature: An Environmental Artwork Exhibition
Some artists have created new work for the site at Stratford, while others adapted previous pieces for this project. The creation, installation and changes (if any!) of these artworks throughout the duration of this project will be documented...

Further Artwork and Information:

John Quincy Adams Ward Online
Ward, John Quincy Adams on Encyclopedia.com
John Ward - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Find in a Library: John Quincy Adams Ward, dean of American sculpture : with a catalogue raisonné
John Quincy Adams Ward
AllRefer Encyclopedia - John Quincy Adams Ward (American Art, Biographies) - Encyclopedia
ARC :: John Quincy Adams Ward (1830-1910) :: Page 1 of 1
Amazon.com: All Products Search Results: John+Quincy+Adams
John Quincy Adams Ward - Reference Page
Adams, John Quincy

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