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Artist: Robert Watson ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Robert Watson.
- Robert Watson
Interior
oil on canvas
1954 Museum of Fine Arts
- William Rimmer, American (born in England), 1816-1879 Mrs. Robert Restiaux Kent (Eliza F. Watson) about
- James Watson
Portrait of Sir Robert Walpole
Mezzotint
18th century
- John Singleton Copley - Watson and the Shark 1778 oil on canvas National Gallery of Art American
- John Singleton Copley - Watson and the Shark 1777 oil on canvas The Detroit Institute of Art American
- Cecilia Beaux - Portrait of James V. Watson c. 1893 oil on canvas National Museum of Women in the Arts American
- E.E. Cummings - James Sibley Watson n.d. oil on pulp board Memorial Art Gallery of the University of Rochester American
- Watson West
Mission Dolores
lithograph
circa 1920
- John Singleton Copley - Portrait of Colonel George Watson 1768 oil on canvas New Orleans Museum of Art American The Metropolitan Museum of Art
- The Honorable Mrs. Lewis Thomas Watson (Mary Elizabeth Milles, 1767-1818), 1789 Sir Joshua Reynolds (British,
- Ernest W. Watson
Wings of Glory
color woodcut
19th - 20th century
- Charles John Watson
Ponte del Cavallo
1891
- Charles John Watson
Chelsea
Etching
1889
- Charles John Watson
Interior of a Cathedral, Venice
1900
- Charles John Watson
Wells, 1894
Etching
1894
- Charles John Watson
A.W.G. 14 April, fourteenth plate from the portfolio Sketches Made on the Lithography Night 14 April 1905 by Member s of the Art Workers Guild, Clifford Inn Hall and Published for the Benefit of the Chest
Lithograph
1905
- James Watson
Sir Richard Stacpoole of Pembrokeshire
18th century
- Charles John Watson
Fiera San Marino
lithograph
19th - 20th century
- Charles John Watson
Rue St. Martin
Etching
19th - 20th century
- Charles John Watson
Mill Bridge, Bosham
Etching
1888
- Caroline Watson
Portrait of the Empress of Russia, Catherina
Mezzotint, stipple engraving
1788
- Caroline Watson
Portrait of Sir James Harris
Stipple engraving
18th - 19th century
- John Dawson Watson
Friends in Council - p.509 Harper's Weekly, 30 June 1877
wood engraving
19th century
- Caroline Watson
Shakespeare: King Henry VI, Part II. Act III. Scene III
Color stipple engraving
18th - 19th century
- Charles John Watson
A landscape with a Castle on top of a hill, bridge with people crossing it
Etching
1898
- Charles John Watson
Entrance door of Notre Dame, Neufchatel, 1905
Etching
1905
- W. Watson
The Cock of the Walk - p.745 Harper's Weekly, Supplement 5 September 1874
wood engraving
19th century
- James Watson
Elizabeth Bashwood, wife of the fourth Duke of Manchester and her son
mezzotint
18th century Museum of Fine Arts
- Paul Revere II, American, 1734-1818 Christian Remick, American, 1726–after 1783 The Boston Massacre, 1770-1770 Engraving,
- Charles John Watson
Boat-Building on the Yare, plate 4 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879]
etching
1880 Museum of Fine Arts
- Davis, Watson & Co., about 1820 Porringer about 1820 Silver 5 x 20.5 cm (1 Museum of Fine Arts
- Henry Sargent, American, 1770-1845 Watson and the Shark (copy after John Singleton Copley) between 1793
- Dawson Dawson-Watson - Early Morning on the Farmington n.d. oil on canvas Florence Griswold Museum American Museum of Fine Arts
- John Singleton Copley, American, 1738-1815 Watson and the Shark 1778 Oil on canvas 183.51 x
- Robert Henri - Portrait of Mrs. Robert C. Watts 1926 oil on canvas The Maier Museum of Art American
- Robert Hennel
Egg Cruet
Silver, sterling
1852
- Robert Batty
Dresden, plate 35 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Quedlinburg, plate 23 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Buckeburg, plate 18 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Gottingen, plate 30 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Hohnstein, plate 3 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Wernigerode, plate 17 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Knigstein, plate 4 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Trendelburg, plate 46 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Hameln, plate 29 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Rostrappe, plate 12 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Karlshafen, plate 13 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Port, Hamburgh, plate 42 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Exchange, Copenhagen, plate 53 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Hoxter, on the Weser, plate 52 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
St. Nicholas, Hamburgh, plate 20 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Ilsenburg, Hartz, plate 50 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Castle of Falkenstein, plate 7 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
St. Andrew's, Brunswick, plate 11 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
View from the Pastey, plate 19 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Dom Kirche, Lubeck, plate 21 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Blaukenburg Hartz, plate 60 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
book with 61 steel engravings and uncounted wood engravings
1829
- Robert f. Blum - Studio of Robert F. Blum 1883-84 pastel Cincinnati Art Museum American
- Robert Cooper
Robert Dudley, Earl of Leicester
18th - 19th century Museum of Fine Arts
- Claude Monet, French, 1840-1926 Charing Cross Bridge (overcast day), 1900-1900 Oil on canvas 60.6 x
- Robert Batty
Karlshafen, from the Cassel Road, plate 51 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Rocks near the Bastey, Saxony, plate 47 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Church of St. Catherine, Brunswick, plate 57 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Town Hall, Copenhagen, plate 59 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Palace of Fredericksborg_Entrance Side, plate 55 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Gammel Torv, Copenhagen, plate 54 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Village of Oker Hartz, plate 56 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Palace of Gredericksborg, Denmark, plate 49 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Chateau of the Prince of Waldeck, plate 24 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Oker Thal Harz, plate 22 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Lochmueln, in Licbethaler Grund, plate 1 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Ferdinandstein, in Rathewalde Grund, plate 2 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Fiefe Grund, Saxony, plate 15 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Bridge near the Werra, at Munden, plate 9 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Entrance to the Liebethaler Grund, plate 8 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Kaeblinger Strasse, Hanover, plate 6 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Castle of the Hardenberg near Gttingen, plate 25 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Stadt Haus, Wernigerode, plate 27 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Bridge over the Weser, Bremen, plate 48 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Stadt Haus, Lubeck, plate 28 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Pirna and the Castle of Sonnenstein, plate 45 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Weser, between Herstelle & Karlhafu, plate 40 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Palace of the Christiansborg, Copenhagen, plate 38 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Place and Bridge at Munden, plate 36 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Stadt Haus, Bremen, plate 33 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The New Market Place, Hamburgh, plate 32 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Katolische Kirche, Dresden, plate 5 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829 Museum of Fine Arts
- Richard Wilson (of Birmingham), British, 1751-52–1807 Chief Justice Peter Oliver Oil on canvas 75.9 x The Minneapolis Institute of Arts
- Artist: David Octavius Hill and Robert Adamson Title: The Reverend Robert Young Date: about 1845
- Robert Batty
Neustadter Markt & Kirche, Hanover, plate 14 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Watch Tower, formerly St. Nicholas's, Copenhagen, plate 41 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Bridge at the Entrance to the Oker Thal, plate 16 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Bridge over the Weser, at Nienburg, Hanover, plate 10 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Junction of the Rivers Fulda and Werra, plate 26 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Banks of the Elbe at Baden, Saxony, plate 37 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Porta Westfalica Looking down the Weser toward Minden, plate 58 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
St. Mary's and St. Peter's Church, Lubeck, plate 44 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Paul Ponce Antoine Robert ( Robert de Seri)
Femme Vue en Buste
Etching and engraving
1723
- Paul Ponce Antoine Robert ( Robert de Seri)
Lot and his Daughters
Etching
17th - 18th century
Artnews Articles and Exhibition Information: (30) Click on any of the links below to read about artnews or exhibitions related to Watson
24 HR Art - Northern Territory Centre for Contemporary Art: cumulus: Recent Work by Judy Watson
The works in the show were largely inspired by a recent trip the artist made to her ancestral country at Lawn Hill Gorge and Riversleigh Station with her family. Other works were inspired by a residency at the Pink Palace, Julalikari Council, Tenn...
Peabody Museum of Archeology and Ethnology: Gifting and Feasting in the Northwest Coast Potlatch ...
Monash Gallery: RE-TAKE : Contemporary Aboriginal and Torres Strait Islander Photography ...
Australian Centre for Contemporary Art: RENT Rent describes the temporary relation many people have to the things
around them. That is, we do not own them and we do not create or produce
them from scratch, though we do use and adapt them. It also applies t...
Monash University Museum of Art: People, Places + Ideas: Celebrating Four Decades of the Monash University Collection Monash University began
collecting art when it was founded in 1961. The Collection, which has
always had a strong focus on contemporary art, has expanded over four
decades to comprise over 1,200 works by more than 330 of Australia's
most renow...
Boltax Gallery: Christian Witkin: Room of Silence and Observation Witkin's ad Campaigns include clients such as the Gap, Esprit, Levi's, Nike, IBM and American Express. Christian has received various awards for his editorial and commercial work, including the Society of Publication Designers Gold Award in Photog...
Philadelphia Museum of Art: The Faceless Figure: Photographs from the Collection In
some images, the anonymity of the figure is used to suggest Everyman, while others teach us that it
is not just the face that identifies individuality. Techniques used by the photographers include back
views, silhouetting, and cropping. Oth...
Institute of International Visual Arts: Drawing Space: Contemporary Indian Drawings Drawing Space is an exhibition
of contemporary drawings by three artists, all of whom use the drawn
line as a device for negotiating space in ways that are self-empowering,
exploring the compl...
Van Gogh Museum: American Beauty: Painting and Sculpture from The Detroit Institute of Arts, 1770-1920
Although the artists were familiar with and reacted to European art, they simultaneously developed their own individual style. To shed light on the various artistic currents the exhibition is organized around themes such as American Icons, Impress...
Digital Art Museum: Exhibition Launches New Venue: Unit 2 - Museum Artists Currently the website holds a large amount of work on Laurence Gartel, Manfred Mohr and Roman
Verostko, not only their work but also there entire biography, press cuttings, critiques and
publications together with timelines so that visitors can ...
Museum Kunst Palast: Queensland Indigenous Artists to be exhibited at the Grosse Kunstausstellung 2003 More than 200 leading contemporary artists exhibit their work each year at the Great Art Exhibition, one of Europe’s most prestigious exhibitions, and every year there is a special section allocated for a foreign country to present their artists. ...
Victoria and Albert Museum: Alfred Stieglitz: Photographs and Photogravures from the Georgia O'Keeffe Foundation The Foundation is a non-profit organisation dedicated to the artistic legacy of Georgia O'Keeffe. Stieglitz, one of America's most influential photographers, was known internationally as an advocate of modernism.
One of the principal object...
Madison Museum of Contemporary Art: Art on Site: Madison Museum of Contemporary Art at Olbrich Botanical Gardens In addition, students from Malcolm Shabazz City High School will work with participating artists to create a summer-long series of mowed designs in Olbrich's Great Lawn.
Art on Site is the museumís first group exhibition focusing on site-spec...
Ars Electronica 2002: Call for Entries: 16th Edition of the Competition for Cyberarts The total prize money for the Prix Ars Electronica 2002
amounts to Euro 100.000 / USD 88,466. The international
juries will award 6 x 3 money prizes and up to 52 Honorary
Mentions. Selected works of all categories will be presented
to the ...
Institute of Modern Art: 3 EXHIBITIONS......1 LOCATION Since 1991, Indigenous artists Brenda L. Croft and Destiny Deacon have
exhibited their work alongside one another in various exhibitions,
strengthening a friendship which stems from early days in indigenous
affairs, government and community or...
National Gallery of Victoria: Colin McCahon: A Time for Messages The NGV holds a major six panel work on paper produced in 1979 by McCahon,
and the acquisition of an important early work by McCahon has been a
collection priority of the NGV for several years. Acquired in 1999, One is
a painting that is small...
Museum of Glass, International Center for Contemporary Art: The Inner Light: Sculpture by Stanislav Libensky´ and Jaroslava Brychtová
The Inner Light: Sculpture by Stanislav Libensky´ and Jaroslava Brychtová focuses on the artists’ work from the 1990s to 2001 and includes several pieces that will be exhibited in the United States for the first time. Libensky´, who died in Febr...
Museum of Glass, International Center for Contemporary Art: Some Assembly Required Contemporary sculpture has been knocked from the pedestal and has grown to heroic proportions, said Neil Watson, chief curator at the Museum of Glass. In Some Assembly Required we are bringing together artists working with glass who have distingui...
MONTREAL MUSEUM OF FINE ARTS: SELECTION OF WORKS BY MONTREAL ARTIST GENEVIEVE CADIEUX In Paramour, Cadieux has made use of video for the first time, to bring out the
dynamic underpinnings of her large-scale photographic work. The piece revolves
around a dialogue between a man and a w...
John Connelly Presents: Hug and Magnan: Boys Gone Wild USA Today, an on-going project by HUG & MAGNAN, acts as the centerpiece of the show. The work is composed of “caption heads”, which are images of public figures and publicized ordinary citizens summarized in a quick, abstract statements appropriat...
Seattle Art Museum: Only Skin Deep: Photography’s Role in Shaping America’s Identity The curators Coco Fusco, Associate Professor in the Visual Arts Division at Columbia University’s School of the Arts, and Brian Wallis, ICP’s Director of Exhibitions and Chief Curator, explore America’s stereotypical notions of race through more t...
Katonah Museum of Art: I Love the ’Burbs: Modern Day Suburban Life “Vistors to I Love the ’Burbs will have an opportunity to view exciting, contemporary art about the suburbs in a frankly suburban setting,” says Executive Director Neil Watson. “The majority of works in this exhibition have been created by young,...
Museum of Glass, International Center for Contemporary Art: How-To: The Art of Deborah Oropallo By examining commonly overlooked objects, Oropallo's technique encourages recognition of the extraordinary in the everyday. She transforms bobbie pins, wire hangers, iron marks, pennies, tires, clocks, and other objects into subject matter for aes...
Art Gallery of New South Wales: Unscripted: Language in Contemporary Art Over the last two decades in Australia, the use of language in contemporary art has been integrated much more so than previously.
Unscripted: language in contemporary art will bring together 22 works by some of Australia's most well-known co...
Haus der Kunst: Exposed: The Victorian Nude The exhibition Exposed: The Victorian Nude now presents another, new aspect of this age. It takes as its theme the development of both female and male nude painting in England. But was the nude an expression and zenith of high art, or was it an ou...
Volvo Gallery: We Are Australian - A Major Exhibition by 300 Leading Artists This exhibition ...is not only an
important and timely expression of our harmony in diversity, but is also a
colourful expression of what we are today
Rt Hon Sir Zelman Cowen
Governor General of the Commonwealth of Australia, 1977-1982....
Neuberger Museum of Art: there is no eye: Photographs by John Cohen there is no eye: Photographs by John Cohen features a collection of more than 130 modern black and white photographs that reflect Cohen’s passion for art and music. The exhibition will be on view at the Neuberger Museum of Art from October 17, 200...
Hudson River Museum: Half Past Autumn: The Art of Gordon Parks, Half Past Autumn: The Art of Gordon Parks and related programs are made possible by AOL Time Warner and Ford Motor Company. Additional support is provided by the Glen Eagles Foundation, Cone-Laumont Editions, Ltd., Laumont Labs, and Time Life Photo L...
Power Plant Contemporary Art Gallery: Europe's Most Acclaimed Artists: Wim Delvoye and Daniel Richter Belgian artist Wim Delvoye’s engaging sculpture Cloaca – New & Improved addresses a number of cultural taboos while challenging viewers to consider society's discomfort with digestive functions and to question the elaborate cultural mechanisms con...
City Gallery Wellington: Telecom Prospect 2004: New Art New Zealand From an 18 metre long glistening glitter carpet by Hamilton artist Mark Curtis to Ralph Hotere's White Drip: from a working ice-skating rink by Wellington artist Maddie Leach to a new interactive work by Ronnie van Hout, Telecom Prospect 2004 has ...
Further Artwork and Information:
Homepage of Robert Watson
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FreeBSD Week: Interview with Robert Watson - OSNews.com
Descendants of Robert David WATSON
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Vincent van Gogh Wheatfield with Crows, 1890
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Henri Matisse Goldfish 1911
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Gustav Klimt The Kiss, 1907-08 (Detail)
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Claude Monet Sunflowers
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Paul Klee L'arrivee Du Marie 1977
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