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Artist: Samuel Williamson ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Samuel Williamson.
- Samuel Williamson
Sugar urn
silver
circa 1800
- Samuel Williamson
Coffeepot
silver, wood
circa 1800
- J. Clark
Oriental Field Sports äby Thomas Williamson (London: Edward Orme and B. Crosby, And Co., 1808), vol. 1
Book with 20 color aquatints, engraved title
1808
- Jingdzhen (Ching-te Chen)
Punch bowl with crest of Sir Joseph Williamson
hard-paste porcelain with overglaze painting and gilding
circa 1790
- Samuel Howitt
The Hog at Bay, pl. 5 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
Plate 27 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Plate 29 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Plate 30 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Plate 31 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Plate 26 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Plate 25 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Plate 24 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Plate 21 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
The Dead Hog, pl. 6 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
Going Out in the Morning, pl. 1 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
Plate 32 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
The Tiger at Bay, pl. 17 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
Plate 40 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Plate 39 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Plate 38 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Plate 37 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Plate 36 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
The Chase After a Hog, pl. 3 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
Plate 35 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Plate 28 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Plate 34 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Plate 33 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
The Dead Tiger, pl. 19 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
Title page in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
The Return from Hunting , pl. 7 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
A Tiger Springing on an Elephant, pl. 18 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
Chasing a Tige Across a River, pl. 16 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
Driving a Tiger out of a Jungle, pl. 15 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
The Tiger Prowling through a Village, pl. 12 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
Driving Elephants to a Keddah, pl. 8 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
Beating Sugar Canes for a Hog, pl. 2 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
A Rhinoceros Bayed by Elephants, pl. 11 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
Color aquatint
1807
- Samuel Howitt
Tiger, Title page in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
Color aquatint
1807
- Samuel Howitt
Shooting a Leopard in a Tree, pl. 23 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Howitt
Shooters Coming by Surprise on a Tiger, pl. 20 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
A Tiger Seizing a Bullcock in a Pass, pl. 13 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
Color aquatint
1807
- Samuel Howitt
Plate 22 in the book Shooting a Leopard in a Tree, pl. 23 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 2
Color aquatint
1807
- Samuel Palmer
"Christmas" etching in Samuel Palmer, a memoir by A. H. Palmer
etching
19th century
- Samuel Howitt
Koomkie Leaving the Male, (fastened to a tree) , pl. 10 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
Shooting a Tiger froma Moychaun or Platform, pl. 14 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
Koomkie, or Decoy Elephants (Catching a Male), pl. 9 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Samuel Howitt
Hunters Coming by Surprise on a Tigress and Cubs, pl. 4 in the book, Oriental Field Sports ä (London: Edward Orme and B. Crosby and Co., 1808), vol. 1
color aquatint
1807
- Thomas Williamson
Woodcutters at Dinner
stipple engraving
19th century
- Samuel Palmer
The Bellman
ET
1879
- Samuel Palmer
Moonlit Scene
graphite
1863
- Samuel William Reynolds, Senior
Samuel Whitbred, Esq.
Mezzotint
18th - 19th century
- Samuel Palmer
The Willow
ET
19th century
- Samuel Palmer
The Skylark
ET
19th century
- Samuel Palmer
The Sepulchre
ET
19th century
- Samuel Palmer
The Cypress Grove
etching
1883
- Olaf Williamson
[Tree with bare branches, background of low hills]
Drypoint
20th century
- Samuel Palmer
The Willow
etching
19th century
- Samuel Palmer
The Rising Moon
ET
19th century
- Samuel Palmer
The Herdsman, or The Weary Ploughman
1865
- Samuel Palmer
The Homeward Star
ET
19th century
- Samuel Palmer
The Cypress Grove
ET
19th century
- Samuel Palmer
Moeris and Galatea
ET
19th century
- Samuel Palmer
The Early Ploughman
ET
19th century
- Samuel Palmer
Opening the Fold; or, Early Morning
ET
19th century
- Samuel Palmer
An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
book with 5 etchings and 9 photogravures after drawings
1883
- William Dunlap - Samuel Griffin c. 1809 oil on canvas National Gallery of Art American
- Washington Allston - Samuel Williams c. 1817 oil on canvas Cleveland Museum of Art American
- Benjamin West - Dr. Samuel Boude 1755 oil on canvas National Gallery of Art American
- Thomas Lawrence - Samuel Woodburn c. 1820 oil on panel The Fitzwilliam Museum British
- Eastman Johnson - Samuel W. Rowse c. 1881 oil on board Cleveland Museum of Art American
- Samuel Palmer
The Herdsman's Cottage; or sunset
ET
19th century
- Samuel Palmer
The Sleeping Shepard; Early Morning
ET
19th century
- Samuel Palmer
Opening the Fold; or, Early Morning
ET
19th century
- Samuel Palmer
The Herdsman's Cottage or Sunset
etching from a steel plate
1850
- Samuel Palmer
"O fortunate old man...",second illustration for Eclogue 1, opposite page 20 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"O fortunate old man...",first illustration for Eclogue 1, opposite page 18 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- J. Clark
[Oriental Field Sports ä (London: Edward Orme and B. Crosby, And Co., 1808), vol. 1 and vol. 2 in 1 vol.] [copy without title page]
book with aquatints with hand coloring
1808
- Walter Ufer - Portrait of Samuel Lustgarten c. 1925-1927 oil on canvas Los Angeles County Museum of Art American
- Winthrop Chandler - Mrs. Samuel Chandler c. 1780 oil on canvas National Gallery of Art American
- Samuel Palmer
"Thy very cradle quickens...", illustration for Eclogue 4, opposite page 48 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Henry Dexter - Samuel Atkins Eliot 1837 plaster bust Boston Athenaeum American
- Gilbert Stuart - Samuel Alleyne Otis 1811-1813 oil on wood National Gallery of Art American
- Leopold Seyffert - Samuel Henry Kress 1953 oil on canvas National Gallery of Art American
- John Trumbull - Judge Samuel Livermore 1792 oil on panel Currier Museum of Art American
- Samuel Palmer
"Tis gentle Phillis I love best of all...", illustration for Eclogue 3, opposite page 40 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Pan came, Arcadian shepherd ever good...", first illustration for Eclogue10, opposite page 92 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Pan came, Arcadian shepherd ever good",second illustration for Eclogue10, opposite page 94 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Ripe apples are our supper...",third illustration for Eclogue 1, opposite page 22 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"Come fairest, if thou care for me at all..," illustration for Eclogue 7, opposite page 70 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"And while the troubled moon shrunk in and out...", second illustration for Eclogue 8, opposite page 82 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883 Museum of Fine Arts
- Made by Medici Factory, Italy Cruet for Oil and Vinegar Italian, Florence Italy, (Florence), about
- J. Clark
Oriental Field Sports ä (London: Edward Orme and B. Crosby, 1808), vol. 2
Book with 20 color aquatints, engraved title
1808
- Samuel Palmer
"Untimely lost and by a cruel deathä", illustration for Eclogue 5, opposite page 54 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"_till Vesper bade the swain...", illustration for Eclogue 6, opposite page 64 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"But see, the weary-pacing oxen, slow...", illustration for Eclogue 2, opposite page 30 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
photogravure
1883
- Samuel Palmer
"Scarce with her rosy fingers had the dawn...", first illustration for Eclogue 8, opposite page 76 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883
- Samuel Palmer
"Then, to our goats at milking time return..", illustration for Eclogue 9, opposite page 88 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883)
etching
1883 Museum of Fine Arts
- Funerary stela of Djedinheret Egyptian New Kingdom, Dynasty 22, about 945–712 B.C. Egypt Wood Height
- Augustus Saint Gaudens - The Puritan (Deacon Samuel Chapin) 1899 bronze Los Angeles County Museum of Art American Museum of Fine Arts
- Sistrum Egyptian Late Period about 664–332 B.C. Bronze Height x width x depth: 21.1 x
Artnews Articles and Exhibition Information: (25) Click on any of the links below to read about artnews or exhibitions related to Williamson
Bartley Nees Gallery: Urban Legends: Mary-Louise Browne, Eddie Clemens, Joanna Langford, Terry Urbahn, Wayne Youle, Ri Williamson The Urban Legends
exhibition has been curated by our former employee, Sarah Farrar. Sarah has
put together an exhibition offering six exciting and refreshing takes on the
theme of urban legends - strange stories which circulate, based on either...
João Ferreira Fine Art: Artery ...
Agora Gallery: Modern Prespectives: A Collective Exhibition
Renata Castilho's color choices are bold, creating a feeling of movement and sensuality. The abstraction of her work allows the reader to experience pure color and form, which expresses the essence of an image in an evocative format. Castilho of...
Joao Ferreira Fine Art: Change no Sorry Featured works in the exhibition are by Sue Williamson, Mark Hipper, Bridgit Baker (currently in residence at Stellenbosch University), Helen Johnson, Kim Stern, Steven
Cohen, William Kentridge, Nicola Jackson, Eris Silke Ro...
Kentucky Museum of Arts and Design: The Body Adorned: Art for the Body Participating artists from Kentucky and across the U.S. include Bonnie Aitken, Clara Ines Arana, Stephanie Lindsey, Robin L. Bergman, Bonnie Blincoe, Elisa Bongfeldt, Jamison Brumm, Karen Chu, Sandra Clark, Terri L. Corkhill, Lisa and Scott Cylind...
University of South Australia, Art Museum: Water Medicine: Eleven Artists Explore Aspects of Water Artists included in the exhibition are Robert Baines, Ros Bant, Clare Belfrage, Bronwyn Goss, Jacqui Gropp, Adrian Jones, Janie Matthews, Anne Neil, Susan Pury, Sue Saxon, and Liz Williamson. The show is curated by Kevin Murray.
The preciousn...
Museum of Fine Art Houston, Glassell School of Art: Inscapes: Illuminated Passages by Brian Portman The artist achieves an
exquisite luminosity and texture through gestural brush
strokes and irregular grounds created from layering a
...
John Curtin Gallery: WATER MEDICINE
PRECIOUS WORKS FOR A DRY CONTINENT Artists are Robert Baines, Ros Bandt, Clare Belfrage, Brownyn Goss, Jacqui
Gropp, Adrian Jones, Janie Matthews, Anne Neil, Susan Purdy, Sue Saxon, Liz
Williamson. Curated by Kevin Murray
The exhibition opened at John Curtin Gallery, Perth, on 1...
Bolton Museum and Art Gallery: Celebrating Boxes: An Amazing Array of Beautifully Made Boxes Exquisite workmanship is only a starting point as the designers let you into their world, sharing their thoughts, desires and aspirations. From the lasting appeal of the classically designed jewellery box to the modern wooden hinged chest, the wid...
Textile Museum of Canada: e-textiles: Work of 11 Prominent Artists from Canada, the United States, Australia and Japan. Participating artists are Junichi Arai (Japan); Lia Cook (USA);
Frances Dorsey (Canada); Emily DuBois (USA); Laura Foster Nicholson (USA);
Ruth Scheuing (Canada); Cynthia Schira (USA); Liz Williamson (Australia);
Hideo Yamakuchi (Japan); and B...
Parsons Exhition Center: Drawing in the Present Tense This show is based on a series of simple observations about the drawing process. The creative process itself often has its origins in drawing. In this view, drawing comes about from a succession of traces, impulses and sensations that form an end...
Cairns Regional Gallery: Kimono As Canvas Showcasing the work of 5 Western Australian, 3 Eastern State
and 3 Japanese artists, Kimono As Canvas, also features 13
original Japanese...
The Theatre Museum: TIME AND SPACE Work displayed by award winners at the 1999 Prague Quadrennial includes Elizabeth Ascrofts Alices Adventures in Wonderland - a
promenade performance in Williamson Park, Lancaster, which becomes an installation piece; Paul Browns costume designs a...
National Arts and Disability Center: ArtsACCESS: Online Conference
The site features transcripts from the presentations given at the
Association for Theatre and Accessibility and Coalition Partners
Conference, Promoting Creative Power held in Los Angeles in May 1999. Many
ATA conference participants stated ...
Bell-Roberts Art Gallery: 10 Years 100 Artists: Art in a Democratic South Africa The new premises at 89 Bree Street (between Shortmarket and Hout Streets) was originally built in 1752. The space is elegant and spacious , with a touch of old world charm about it. The gallery will now be situated on two floors and a roof top gar...
Association of Photographers Gallery: UNBRIDLED: An Exhibition of Photographers Sponsored by Joes Basement They have a photographer they are in correspondence with, Chetan Wilas Bhende who is based in India, he asked them to help with any donations towards the Indian earthquake, it was decided that all profit made from the print sales will go towards T...
Mint Museum of Art: The Land of Make-Believe: Original Children’s Book Illustrations This exhibition coincides with the October opening of ImaginOn, the Joe and Joan Martin Center, the new home of the youth and children’s Public Library as well as Children’s Theatre of Charlotte. The exhibit is also a visual acknowledgement of the...
DigitalArtMuseum.com: Call for Submissions from Digital Artists Digitalartmuseum.com supports the artist's role in society, cultivates that
relation through education and innovative programming, and stands as an
advocate for creative freedom.
Digitalartmuseum.com will be opened in February of 2000, the...
DigitalArtMuseum.com: Call for Submissions Digitalartmuseum.com supports the artists role in society, cultivates that
relation through education and innovative programming, and stands as an
advocate for creative freedom.
Digitalartmuseum.com will be opened in February of 2000, the...
NSA Gallery: Bitterkomix, i-jusi, Boogie Lights Bitterkomix is South Africa’s only independent satirical comic magazine. Since its inception in 1992 Bitterkomix has vehemently attacked white South African ideology, in particular that of the Afrikaner. The comic magazine is originally in Afrikaa...
Robert Mann Gallery: Ansel Adams : 100+1 Prints on display will vary in size, from small format vintage photographs such as a 2 1/2 x 3 1/2 inch contact print of Lodgepole Pines, Yosemite National Park, 1921 to large scale works such as a 40 x 30 1/2 inch mural format print of Monolith, ...
Corcoran Gallery of Art: The Eyes of History: The US' Most Distinguished Photojournalists The photographs were selected from the White House News Photographers' Association annual contest, Eyes of History, which names a photographer of the year and recognizes the work of leading still and video photojou...
Govett-Brewster Art Gallery: Gridlock: Cities, Structures, Spaces The exhibition continues themes examined in the Gallery’s recent exhibitions Bloom: mutation, toxicity, and the sublime 2004; Extended Play: art remixing music 2003; Feature: art, life and cinema 2001; and Drive: power, progress, desire 2000, said...
Museum of Craft and Folk Art: Ragged Beauty: Repair and Reuse, Past and Present, Yoshiko Iwamoto Wada, Guest Curator The exhibition consists of three sections. In the first, visitors have a unique opportunity to view boro, Japanese bedding covers and other functional textiles created in the 19th and early 20th centuries from recycled indigo-dyed cotton rags and ...
Association for Visual Arts: Willie Bester: 15 Years This can encompass those who either do not want to and are unwilling to try to adjust to new times deliberately, or those that simply cannot. Ironically, these people often regard themselves as superior, living as witnesses rather than actively tr...
Further Artwork and Information:
williamson
williamsons
Samuel Williamson
Samuel Williamson
Samuel Williamson Irvin
NYU Physics Samuel Williamson
Samuel Williamson\Susanna Ewell
Samuel Williamsons plea (fwd)
Samuel H. Williamson Home Page
I3603: Samuel Williamson (____ - ABT 1956)
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Pierre-Auguste Renoir Ragazze in Riva Al Mare
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Edgar Degas Curtain Call 1877
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