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Artist: Henry Wise ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Henry Wise.

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Albert Henry Payne Frederick The Wise 19th - 20th century
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Sebastiano del Piombo - Portrait of a Young Woman as a Wise Virgin c. 1510 oil on panel National Gallery of Art Italian
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Lukas Cranach the Elder - Portrait of the Elector Friedrich III the Wise of Saxony (1463-1525) 1532 oil on panel Liechtenstein Museum German
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Mac Harshberger Untitled (Madonna and Child with Three Wise Men) Woodcut with hand coloring 1926
J. Paul Getty Museum -
Adoration of the Magi
The Minneapolis Institute of Arts -
Artist: artist unknown Title: The Wise and Foolish Virgins Date: 17th century Medium: wool Dimensions:
Museum of Fine Arts -
Prince & Co., American, about 1833–about 1879 Melodeon United States, New York, (Buffalo), 1847 Rosewood
Museum of Fine Arts -
Albrecht Dürer, German, 1471-1528 Frederick the Wise, Elector of Saxony 1524 Engraving Platemark: 18.8 x
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Guillaume Vallet The Infant Christ visited by the Wise Men from the East engraving 17th - 18th century
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William Strang The Templar and Recha - Illustrations to Lessing's "Nathan the Wise" etching 1893
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William Strang Sittah and Saladin - Illustrations to Lessing's "Nathan the Wise" etching 1893
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Ira Diamond Gerald Cassidy Zuni Indian, one of the wise men of the Pueblo of Zuni Lithograph 19th - 20th century
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William Strang The Lay-Brother and Nathan - Illustrations to Lessing's "Nathan the Wise" etching 19th - 20th century
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William Strang Nathan and Saladin - Illustrations to Lessing's "Nathan the Wise" etching 19th - 20th century
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William Strang Nathan and the Templar - Illustrations to Lessing's "Nathan the Wise" etching 19th - 20th century
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William Strang Portrait of Lessing - Illustrations to Lessing's "Nathan the Wise" etching 19th - 20th century
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William Strang The Patriarch, the Templar and the Lay-Brother - Illustrations to Lessing's "Nathan the Wise" etching 19th - 20th century
The Metropolitan Museum of Art -
Frederick III (1463-1525), the Wise, Elector of Saxony, 1533 Attributed to Lucas Cranach the Elder
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William Strang The Templar, Nathan, Sittah, Recha & Saladin - Illustrations to Lessing's "Nathan the Wise" etching 19th - 20th century
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William Strang Nathan the Wise by Gottfried Lessing, translated by William Jacks (Glasgow: James Maclehose & Sons, 1894) book with 8 etchings 1894
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Bertha Lum The Three Wise Men Color woodcut 1921
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Bertha Lum The Three Wise Men Color woodcut 1921
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William Strang Portrait of Lessing, frontispiece and first plate in the book Nathan the Wise by Gottfried Lessing, translated by William Jacks (Glasgow: James Maclehose & Sons, 1894) etching 1893
Museum of Fine Arts -
John La Farge, American, 1835-1910 The Three Wise Men 1878 Oil on canvas 82.87 x
J. Paul Getty Museum -
A Philosopher
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William Strang Sittah and Saladin, act 2,sc.2,opposite page 56 and third plate in the book Nathan the Wise by Gottfried Lessing, translated by William Jacks (Glasgow: James Maclehose & Sons, 1894) etching 1893
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William Strang The Templar and Recha ,act 1, sc.1, opposite page 8 and second plate in the book Nathan the Wise by Gottfried Lessing, translated by William Jacks (Glasgow: James Maclehose & Sons, 1894) etching 1893
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William Strang The Lay-Brother and Nathan, act 4, sc.7, opposite page 196 and seventh plate in the book Nathan the Wise by Gottfried Lessing, translated by William Jacks (Glasgow: James Maclehose & Sons, 1894) etching 1863
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William Strang Nathan and Saladin. act3, sc.7, opposite page134 and fifth plate in the book Nathan the Wise by Gottfried Lessing, translated by William Jacks (Glasgow: James Maclehose & Sons, 1894) etching 1894
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William Strang Nathan and the Templar, act 2, sc.5, opposite page 82 and fourth plate in the book Nathan the Wise by Gottfried Lessing, translated by William Jacks (Glasgow: James Maclehose & Sons, 1894) etching 1894
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Martin Schongauer The Second Wise Virgin Engraving 15th century
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Peter Paul Rubens - The Reconciliation of King Henry III and Henry of Navarre 1628 oil on panel Memorial Art Gallery of the University of Rochester Flemish
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Varney Masalay Effigy beaker gold 1100 - 1200
Museum of Fine Arts -
Pendant Darién Sinú region, Colombia, A.D. 500–1100 Gold 17.78 x 13.33 cm (7 x 5
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Henry Cousins Henry Leverage 19th century
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Henry Wolf Portrait of the Engraver Henry Wolf 1905
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Henry Wolf Portrait of Mrs. Henry 19th - 20th century
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Henry Wolf Henry Irving 19th - 20th century
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Charles Henry Jeens Mr. Hackett as Falstaff in King Henry IV. 19th century
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Henry Wolf Portrait of Henry Irving 19th - 20th century
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W. & D. Downey Sir Henry Irving as Cardinal Wolsey in Shakespeare's Henry VIII Woodburytype 1892
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Henry Meyer The Right Honorable Henry Robert Stewart 18th - 19th century
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Henry William Bunbury Falstaff reproved by King Henry - Shakespeare - Henry VI, Part 2, Act V, Scene 8. Line and stipple engraving 18th - 19th century
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Henry Wolf Henry Irving at Home wood engraving 19th - 20th century
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John Henry Robinson Henry Somerset, First 18th - 19th century
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Henry Wolf Henry Mills Alden Wood Engraving 19th - 20th century
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Lucas Cranach the Elder Frederick the Wise and John the Constant of Saxony Engraving 1509
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett Title page vignette in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830

Artnews Articles and Exhibition Information: (20)
Click on any of the links below to read about artnews or exhibitions related to Wise


Depot Gallery: SEASCAPES with a Surreal Edge
Ingrid Torjesen will be exhibiting her new series of seascape paintings in a group show at the Depot Gallery in Montauk from Saturday, August 24 through Monday September 2. IMAGE:
"Turtle Cove"
Ingrid Torjesen
Oil pastel<...

Atkinson Art Gallery: Take Me : I'm Yours
700 people from local schools and colleges were invited to take part in the project. Each person was offered the same brief, to which they had to write a proposal. The fundamental idea behind the exhibition is that the artists involved respond, in...

Global Cafe: DnA Factory Present the Fluffer Show
The fluffer show is a showcase for not only their current crop of installations but also amassing some of their showbiz chums each to take a little turn in music and spectacle. This is a multi disciplined, multi national hum dinger hot doggie c...

Aron Packer Gallery: Michael Ferris Jr. - The Artist’s Studio (Revisited)
Ferris’ references to himself are more apparent in his paintings and drawings, which take a more traditional Western approach to art. Heavily narrative, Ferris’ paintings depict the artist’s alter ego yet again, as an old man whose primary compan...

Campden Gallery: Skateboarders: New Paintings by Terry Setch
His rejuvenated interest takes flight in acute angles of knees and shoulders, ballooning trousers and prized trainers, jutting elbows and gleeful faces. The raucous assemblies of youth behind stations or in dingy subways that older bypassers s...

ArtNetwork: Call for Aritsts: 14th Edition Cover Contest
First Place • Winner’s artwork will be showcased on the cover, a $2000 value.

Second Place(s) • Artworks by 2-10 winners will be showcased on the back cover and in the introduction, a $1200 value. • Approximately 10 artists will be sh...
Bonnefanten Museum: On Taste
SMAAK | ON TASTE provides a kaleidoscope of the various issues and attitudes. Taste gurus -both familiar and unfamiliar- will put forward their views within a colourful and sometimes conflicting diversity of topics: the media, ...

Columbus College of Art and Design: Tupperware® Party: Past, Present, Future
From January 25 through March 21, 2003 in CCAD's Canzani Center Acock Gallery. Tupperware Party will include more than 50 years worth of Tupperware designs and memorabilia. Tupperware products-including Wonderlier® Bowls, Bell Tumblers, Jel-Rin...

Palm Beach Institute of Contemporary Art: South Florida Cultural Consortium 2001 Fellowships
The South Florida Cultural Consortium is an alliance of the arts councils of Palm Beach, Broward, Miami-Dade, Monroe and Martin Counties. The 2001 recipients received fellowships of $15,000. Recipients of the awards and exhibiting artists will ...

J. Paul Getty Center: The Art of Giving in the Middle Ages
Gifts were an important part of the ceremony and diplomacy of medieval Europe, says Thomas Kren, the Museums curator of manuscripts. They were used to secure the ...

North Suburban Library: Luminous Women: Photographs by Sallie Clarke
Ive always been fascinated by the stories that older people have to tell: their verbal history being much more interesting than that in history books because I could ask questions and learn more of their stories, Clarke said. Many of these...

Frances Lehman Loeb Art Center, Vassar College: The Power of Appearances: Renaissance and Reformation Portrait Prints
The exhibition of 62 prints is organized by the National Lending Service of the National Gallery of Art in Washington. It will comprise prints ranging in date from 1500 to 1601. Together, they suggest that the portrait is inextricable from its so...

Kunsthalle Zurich: Sean Landers: Text and Cartoon Works on Paper, Paintings, Sculptures, Video and Audio Works
“My original idea was to make conceptual art entertaining, sloppy, emotional, human and funny. Over the years I got so far out on this conceptual limb that I went around full circle until I was a traditional artist again. I tried to be ironic abou...

Orlando Museum of Art: From Goodnight Moon to Art Dog: The World of Clement, Edith and Thacher Hurd
Among the material included in the exhibition are watercolors, pen and ink sketches, woodcuts, drawings and tempera paintings. Ranging from early sketches to final illustrations, these works provide a fascinating behind-the-scenes look at the ste...

Wayne County Council for Arts, History & Humanities: Wayne County - The Artists Among Us Exhibition
Secondly, Artists Among Us is an extraordinary ARTnership featuring collaborations between visual artists, poets and musicians. Here's how it works: top Wayne County poets and musicians will perform works inspired by the juried artworks during...

Perth Institute of Contemporary Arts: Tactical Intervemtion Strategies: 19 Works at Many Sites
Loosely defined, intervention may be described as being 10 interfere with intent (divine +/or other-wise). How the intent is applied (and to what/ where/ whom} is where tactical maneuvers and strategic play enters the big picture. As a...

Kiang Gallery: Between the Known and the Unknown: Drawings of Gloria Ortiz-Hernandez
Then came the shift. Ortiz-Hernández put everything in reverse. She moved from painting to drawing, and from expressionism to her highly idiosyncratic geometric abstraction. In doing so, she jettisoned figures, brushes, colorful paint, canvas, and...

Eric I. Spoutz Gallery: Lowell Nesbitt (1933-1993): A Comprehensive Retrospective
"The subject matter of my paintings has become so completely buried that it doesnít matter what I paint, whether it is my shoes, my dog, the work clothes, my easels, or the bridges of New York. It is the painting first and subject matter latter. I...

Huntington Library, Art Collections, and Botanical Gardens: Lure of the West: Treasures from the Smithsonian American Art Museum
First explorers and trappers, then settlers and immigrants were drawn to the lands and opportunities for a new life in the American West, said Elizabeth Broun, director of the Smithsonian American Art Museum. Artists were quick to discover new...

Sanlam Art Gallery: Art for the People, Not for the Boardroom
The prestigious collection found its unlikely origin in, of all things, road-safety advertising. In the late Sixties the company was focusing its promotional material on a road-safety campaign. The then-chairman, Dr Andreas Wassenaar, was str...

Further Artwork and Information:

Calgary Senior High School Athletic Association
Biography: Henry C. Wise
Wikipedia: Henry Wise Wood
Descendants of Henry H. Wise
Calgary & Southern Alberta - Henry Wise Wood
Wise Wood Online: Home Page
Henry Wise
Wood, Henry Wise - 1951 Hall of Fame Inductee
Wood, Henry Wise
Henry Wise

 

Search the Art History Database for artists, titles, media, year, and other indepth information:

 
   
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Vetheuil 1879
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Young Ladies
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Amoureux Au Soleil Rouge, 1952
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Starlight Over the Rhone, 1888
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Last updated and links verified on: Monday October 10/05/09 06:46:43 AM

 

 

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