Artist: Antonio Maria Zanetti ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Antonio Maria Zanetti.

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Antonio Maria Zanetti St. James the Apostle, after Parmigianino, from the book Raccolta di varie stampe a chiaroscuro...Parte Prima Chiaroscuro woodcut in three blocks 1722
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Antonio Maria Zanetti A Genie Aloft, after Parmigianino, from the book Raccolta di varie stampe a chiaroscuro...Parte Prima Chiaroscuro woodcut in three blocks 1722
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Antonio Maria Zanetti The Virgin and Child chiaroscuro color woodcut 18th century
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Antonio Maria Zanetti The Sacrifice of Noah, after Raphael Chiaroscuro woodcut print in 4 blocks (3 greys and a black) 1740
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Antonio Maria Zanetti Apollo and Marsyas chiaroscuro color woodcut printed in blues circa 1720 - 1730
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Antonio Maria Zanetti The Education in Music of the young Achilles by the Centaur Chiron, after Castiglione Etching 1758
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Antonio Maria Zanetti Apollo and Marsyas chiaroscuro color woodcut prijnted in green and brownn circa 1720 - 1730
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Antonio Maria Zanetti The Education in Geography of the young Achilles by the Centaur Chiron, after G. B. Castiglione Etching printed in sepia ink 1752
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Giovanni Antonio Faldoni Two Nude Shepherds, after Parmigianino Engraving 1724
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Gaetano Zompini Chiron Exercising the Art of Magic from a series, the Education of Achilles etching circa 1750
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Antonio Maria Vassallo - The Larder c. 1650-1660 oil on canvas National Gallery of Art Italian
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Antonio Montauti Antonio Magliabechi 17th - 18th century
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Domenico Maria Bonavera A Christian Martyr Saint, after Domenico Maria Canuti Etching and engraving 17th century
The Metropolitan Museum of Art -
Venice: Santa Maria della Salute Canaletto (Giovanni Antonio Canal) (Italian, Venetian, 1697-1768)Oil on canvas; 18
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Pordenone (Giovanni Antonio de Sacchis) St. Joseph Being Expelled from the Temple Engraving mid 16th century
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Antonio Visentini Piazza San Marco, looking towards S. Geminiano; pl.11 from Part III of the series Urbis Venetiarum Prospectus Celebriores Ex Antonio Canal... Etching 1735
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Canaletto - View of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo early 1730's oil on canvas The Fitzwilliam Museum Italian
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Francisco de Goya - Don Antonio Noriega 1801 oil on canvas National Gallery of Art Spanish
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Federico Brandani - Antonio Galli n.d. bronze The Frick Collection Italian
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Gioan Antonio Lorenzini The Holy Family Etching 17th - 18th century
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Antonio Tempesta Roman Battle Scene, after Antonio Tempesta (?) Etching 16th - 17th century
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Antonio Tempesta The Entry of Alexander into Babylon, after Antonio Tempesta Engraving 16th - 17th century
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Gioan Antonio Lorenzini The Ascension of the Virgin, after Guido Reni Etching 17th century
The Metropolitan Museum of Art -
Tommaso di Folco Portinari (1428-1501); Maria Portinari (Maria Maddalena Baroncelli, 1456-1495), probably 1470 Hans Memling
Museum of Fine Arts -
Gaetano Zompini, Italian, 1700-1778 After Giovanni Benedetto Castiglione, Italian, 1609–about 1665 Formerly attributed to Anton
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Edward J. Steichen - Alphonse Maria Mucha 1901 gum platinum print The Royal Photographic Society American
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Cornelis Jonson van Ceulen - Anna Maria van Schurman 1657 oil on panel National Gallery of Art Dutch
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Charles Peale Polk - Anna Maria Cumpston c. 1790 oil on canvas National Gallery of Art American
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Francisco de Goya - Don Juan Antonio Cuervo 1819 oil on canvas Cleveland Museum of Art Spanish
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Ambrogio de Predis - Bianca Maria Sforza c. 1493 oil on panel National Gallery of Art Italian
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Oliviero Gatti The Creation of Man, second in a series of four Old Testament Subjects, after the frescoes by Pordenone on the dome of Santa Maria di Campagna in Piacenza Engraving 1625
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Ipolito Salazar ILMO. Sr.Dr.JOS… ANTONIO ZUBIRIA,/ Obispo de Durango (Most Illustrious Sir and Doctor JosÈ Antonio Zubiria, Bishop of Durango Lithograph 19th century
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Hesiquio Iriarte Sta. Maria de Toscanella/ en los Estados Pontificios (Sta. Maria of Toscanella in the Papal States) Color lithograph 19th - 20th century
Museum of Fine Arts -
Gaetano Zompini, Italian, 1700-1778 After Giovanni Benedetto Castiglione, Italian, 1609–about 1665 Formerly attributed to Anton
Museum of Fine Arts -
Gaetano Zompini, Italian, 1700-1778 After Giovanni Benedetto Castiglione, Italian, 1609–about 1665 Formerly attributed to Anton
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Giovanni Antonio da Brescia Hercules and Antaeus, after Giovanni Antonio da Brescia's engraving after Mantegna Metalcut circa 18 - 19th century
The Metropolitan Museum of Art -
Saints Peter, Martha, Mary Magdalen, and Leonard Correggio (Antonio Allegri) (Italian, Parma, active by 1514,
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Antonio Baratta Frontispiece for Opere di Carlo Goldoni, after Novelli Engraving 1761
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Antonio Baratta L'Adulatore, from Opere di Carlo Goldoni, after Novelli Engravings 1761
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Antonio Baratta Moliere, from Opere di Carlo Goldoni, after Novelli Engravings 1761
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Giuseppe Maria Mitelli Non ho mai visto il piu* bello (I Have Never Seen Anyone More Handsome) , from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
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Giuseppe Maria Mitelli Giocatori smafaroni (Gamesters), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
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Giuseppe Maria Mitelli Conversacione considerabile (A Lot of Talking), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
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Giuseppe Maria Mitelli Sig.ri amirativi (Amazed Gentlemen), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
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Luigi Marie Sotta - Maria Celina Piqueri Wiltz 1841 oil on canvas Louisiana State Museum Italian
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Domenico Maria Bonavera Rebecca at the Well Etching with engraving 1665
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Anton Hohenstein - Portrait of Maria Deyoung Rhine 1859 Oil on Canvas Arkansas Arts Center American
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Florence Maria Ahlberg Moonlit Wharf lithograph 20th century
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Florence Maria Ahlberg Datura Series Group 2 lithograph 1938
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Florence Maria Ahlberg Datura Series Group 1 lithograph 1938
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Giuseppe Maria Mitelli Oche belle persÛne (Look at the Handsome One), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
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Giuseppe Maria Mitelli Sonatori sconcertati (Discordant Musicians), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
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Giuseppe Maria Mitelli Ballarina gentilissima ( Most Noble Ballerina), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
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Sir Anthony van Dyck - Portrait of Queen Henrietta Maria 1638 oil on canvas Brooks Museum Flemish
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Hans Mielich - Maria Kitscher, Frau von Freyberg 1545 oil on panel Cleveland Museum of Art German
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Antonio Baratta La Serva Amorosa, from Opere di Carlo Goldoni, after Novelli Engravings 1761
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Antonio Baratta Illustration To I Rusteghi, from Opere di Carlo Goldoni, after Novelli Engravings 1761
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Francisco Jose de Goya y Lucientes - Jose Antonio, Marques de Caballero 1807 Oil on canvas Lowe Art Museum, University of Miami Spanish
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Giuseppe Maria Mitelli Accademici scontornati (Drawing Academy for the Untalented), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
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Antonio Frasconi Woodcuts by Antonio Frasconi/Weyhe Gallery March 27 - April 30, 1954 Woodcut 20th century
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Gioan Antonio Lorenzini The Virgin and Child with St. John the Baptist, a Bishop Saint and Two Donors, after Veronese Engraving 17th - 18th century
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Orazio Bramirro Allegorical Figures, after the frescos by Il Pordenone in the dome of Santa Maria di Campagna, Piacenza Pen and brown ink and gray-brown wash and white opaque watercolor over black chalk on laid paper onlaid to false margins circa 17th ce
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Orazio Bramirro Allegorical Figures, after the frescos by Il Pordenone in the dome of Santa Maria di Campagna, Piacenza Pen and brown ink and gray-brown wash and white opaque watercolor over black chalk on laid paper onlaid to false margins circa 17th ce
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Orazio Bramirro Allegorical Figures, after the frescos by Il Pordenone in the dome of Santa Maria di Campagna, Piacenza Pen and brown ink and gray-brown wash and white opaque watercolor over black chalk on laid paper onlaid to false margins circa 17th ce
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Marie Louise Elisabeth Vigee-Le Brun - Portrait of Countess Maria Theresia Bucqoi 1793 oil on canvas Minneapolis Institute of Arts French
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Giuseppe Maria Mitelli Uberiaconi fumanti (Totally Drunk[not a literal translation]), from an unnumbered set of twelve caricatures engraved by Giuseppe Maria Mitelli after Pietro de Rossi*s drawings Engraving 1686
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Carlo Antonio Porporati Il Bagno di Leda (Leda's bath), after Correggio Engraving 18th century
The Metropolitan Museum of Art -
Santa Maria della Salute Francesco Guardi (Italian, Venetian, 1712-1793)Oil on canvas; 21 x 33 3/4
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Domenico Maria Bonavera Lot and His Daughters, after Annibale Caracci Etching 17th century
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Paul Cezanne - Maison Maria with a View of Chateau Noir c. 1895 oil on canvas Kimbell Art Museum French
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Sir Anthony van Dyck - Queen Henrietta Maria with Sir Jeffrey Hudson 1633 oil on canvas National Gallery of Art Flemish
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Antonio Visentini Piazza San Marco, View Between Church and Tower, pl. III from a series of four scenes of the Piazza after Canaletto Etching circa 1745
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Antonio Visentini Piazza San Marco, View of the Public Library, pl. IV from a series of four scenes of the Piazza after Canaletto Etching circa 1745
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Benjamin West - Maria Hamilton Beckford (Mrs. Willam Beckford) 1799 oil on canvas National Gallery of Art American
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Pietro Rotari Saint Sebastian, after Antonio Balestra Etching 1725
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Maria Martinez Bowl ceramic circa 1960
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Francesco Villamena A Battle Scene, after Antonio Tempesta Engraving 16 - 17th century
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Antonio Frasconi See Again, Say Again by Antonio Frasconi (New York: Harcourt, Brace & World, [1964]) book with uncounted pages of reproductions of color woodcuts 1964
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Joseph Mallord William Turner - The Dogana and Santa Maria della Salute, Venice 1843 oil on canvas National Gallery of Art British
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Antonio Frasconi See and Sayä, A Picture Book in Four Languages by Antonio Frasconi (New York: Harcourt, Brace, [1955]) book with uncounted reproductions of color woodcuts 1955
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Antonio Frasconi Woodcuts by Antonio Frasconi, catalogue cover for Smithsonian Institution Traveling Service 1953-1954 Color woodcut 20th century
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Pietro da Cortona - Portrait of Cardinal Pietro Maria Borghese c. 1633-35 oil on canvas Minneapolis Institute of Arts Italian
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Pieter Jansz Saenredam - Church of Santa Maria della Febbre, Rome 1629 oil on panel National Gallery of Art Dutch
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Francisco de Goya - Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon 1783 oil on canvas National Gallery of Art Spanish
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Jacopo da Carrucci Pontormo - Portrait of Maria Salviati with a Little Girl (probably Giulia de' Medici) n.d. oil on panel The Walters Art Museum Italian
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Antonio Tempesta La Primavera, from The Four Seasons Etching 1592
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Giulio di Antonio Bonasone The Birth of John the Baptist engraving circa mid 16th century
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Giulio di Antonio Bonasone The Wounded Scipio, after Polidoro da Caravaggio Engraving 16th century
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Antonio LafrÈry (LafrÈri) Solitauriliorum sacrificiorum etc. Engraving 1553
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Antonio LafrÈry (LafrÈri) Solitauriliorum sacrificiorum etc. Engraving 1553
J. Paul Getty Museum -
Gradual
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Antonio Beato Bronze Statue of Dai-Bouts, near Kamakura Albumen print mounted to an album page circa 1867
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Giuseppe Maria Mitelli Zuog dal cacciator (Game of the Hunter) 1699
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Johann Friedrich Greuter Arcanis Nodis: Palladium, after Antonio Pomeranci Engraving 17th century
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Maria Martinez Bowl ceramic circa 1950 - 1960
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JosÈ Maria Montes de Oca Mater Immaculata Engraving 18th century
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Maria Martinez Plate ceramic circa 1960 - 1965
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Gilbert Stuart - Anna Maria Brodeau Thornton (Mrs. William Thornton) 1804 oil on canvas National Gallery of Art American
The Metropolitan Museum of Art -
Violin, 1693 Made by Antonio Stradivari (1644-1737)Cremona, ItalyWood; L. 23 1/4 in. (59.4 cm); W.
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J.A. Faldoni Maria de Jesus Monialis engraving 1754

Artnews Articles and Exhibition Information: (2)
Click on any of the links below to read about artnews or exhibitions related to Zanetti

Fogg Art Museum, Harvard: Prints from the Serenissima: Connoisseurship and the Graphic Arts in 18th-Century Venice
Most exhibitions and art historical research dealing with Venetian art tend to focus on the Renaissance or Baroque periods, said James Cuno, Elizabeth and John Moors Cabot, director of the Harvard University Art Museums. In contrast, this show wil...
Museo Revoltella: FRAGILE: Fifth International Design Contest Trieste Contemporanea
The new format of this edition required the designers to submit their projects only in the form designs on paper. It was then up to the jury to select a short-list of projects which would go on to the next phase of execution of the objects themsel...

Further Artwork and Information:

Antonio Maria Zanetti (1601 - 1693) Biography, Artwork Images, Exhibitions, Reviews
Castiglione (1845 - 1926) Biography, Artwork Images, Exhibitions, Reviews
www.umma.umich.edu/venice/book8psearch.html
Comanducci Arte Italia - Catalogo Artitsti
Classical / Mythological Works on Paper from Platemark.com
Antonio Maria Zanetti, 1680-1757 (Italian) - Classical / Mythological works from Platemark.com
zanetti
Zanetti: Madonna and Child with the Infant St. John
www.likeyou.com - Italienische Holzschnitte der Renaissance und des Barock - Graphische Sammlung der ETH Zürich
Home page Albero Genealogico

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